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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 186 72 it is the complementary color RGB 45 69 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 186 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 186 72 shade: RGB 215 186 67, RGB 232 204 86, RGB 249 222 105, RGB 255 240 124 and RGB 255 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 186 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 186 72 shade: RGB 210 186 72, RGB 193 168 53, RGB 176 150 34, RGB 159 132 15 and RGB 142 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 186 72 shade: RGB 210 185 70, RGB 210 148 70, RGB 210 110 70, RGB 210 72 70 and RGB 210 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 186 72 shade: RGB 210 185 70, RGB 196 210 70, RGB 159 210 70, RGB 121 210 70 and RGB 83 210 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 186 72 shade matches the following richer shades: RGB 210 185 70, RGB 228 198 51 and RGB 247 210 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 186 72 shade: RGB 210 185 70, RGB 191 173 88, RGB 173 161 107, RGB 154 149 125 and RGB 135 137 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 186 72 shade: RGB 210 109 70, RGB 210 147 70, RGB 210 184 70, RGB 198 210 70 and RGB 161 210 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 186 72 shade: RGB 159 138 38, RGB 192 167 46, RGB 210 185 70, RGB 218 198 103 and RGB 226 210 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 186 72 shade: RGB 210 186 72, RGB 70 210 72 and RGB 128 70 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 186 72 shade: RGB 210 186 72, RGB 70 210 184 and RGB 184 70 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 186 72 shade: RGB 210 186 72, RGB 70 210 72, RGB 70 95 210 and RGB 210 70 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 186 72 shade: RGB 210 186 72, RGB 70 210 114, RGB 70 95 210 and RGB 210 70 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

Complementary color

CMYK 75 / 62 / 0 / 28

HEX #2D45B7

RGB 45 69 183

HSL 229.57, 0.61%, 0.45%

LAB 34.46, 31.62, -62.81

 

CMYK 0 / 13 / 69 / 16

HEX #D7BA43

RGB 215 186 67

HSL 48.24, 0.65%, 0.55%

LAB 76.05, -2.52, 61.51

 

CMYK 0 / 12 / 63 / 9

HEX #E8CC56

RGB 232 204 86

HSL 48.49, 0.76%, 0.62%

LAB 82.39, -3.54, 60.68

 

CMYK 0 / 11 / 58 / 2

HEX #F9DE69

RGB 249 222 105

HSL 48.75, 0.92%, 0.69%

LAB 88.64, -4.41, 59.66

 

CMYK 0 / 6 / 51 / 0

HEX #FFF07C

RGB 255 240 124

HSL 53.13, 1%, 0.74%

LAB 93.9, -9.54, 57.24

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

CMYK 0 / 13 / 73 / 24

HEX #C1A835

RGB 193 168 53

HSL 49.29, 0.57%, 0.48%

LAB 69.18, -3.28, 59.49

 

CMYK 0 / 15 / 81 / 31

HEX #B09622

RGB 176 150 34

HSL 49.01, 0.68%, 0.41%

LAB 62.64, -1.98, 59.51

 

CMYK 0 / 17 / 91 / 38

HEX #9F840F

RGB 159 132 15

HSL 48.75, 0.83%, 0.34%

LAB 56, -0.4, 58.35

 

CMYK 0 / 20 / 100 / 44

HEX #8E7200

RGB 142 114 0

HSL 48.17, 1%, 0.28%

LAB 49.23, 1.48, 55.42

 

CMYK 0 / 12 / 67 / 18

HEX #D2B946

RGB 210 185 70

HSL 49.29, 0.61%, 0.55%

LAB 75.35, -3.97, 59.41

 

CMYK 0 / 30 / 67 / 18

HEX #D29446

RGB 210 148 70

HSL 33.43, 0.61%, 0.55%

LAB 66, 15.78, 49.39

 

CMYK 0 / 48 / 67 / 18

HEX #D26E46

RGB 210 110 70

HSL 17.14, 0.61%, 0.55%

LAB 57.36, 36.12, 39.61

 

CMYK 0 / 66 / 67 / 18

HEX #D24846

RGB 210 72 70

HSL 0.86, 0.61%, 0.55%

LAB 50.43, 54.11, 31.33

 

CMYK 0 / 67 / 67 / 18

HEX #D24646

RGB 210 70 70

HSL 0, 0.61%, 0.55%

LAB 50.13, 54.93, 30.96

 

CMYK 0 / 12 / 67 / 18

HEX #D2B946

RGB 210 185 70

HSL 49.29, 0.61%, 0.55%

LAB 75.35, -3.97, 59.41

 

CMYK 7 / 0 / 67 / 18

HEX #C4D246

RGB 196 210 70

HSL 66, 0.61%, 0.55%

LAB 80.89, -22.47, 64.76

 

CMYK 24 / 0 / 67 / 18

HEX #9FD246

RGB 159 210 70

HSL 81.86, 0.61%, 0.55%

LAB 78.41, -37.14, 61.41

 

CMYK 42 / 0 / 67 / 18

HEX #79D246

RGB 121 210 70

HSL 98.14, 0.61%, 0.55%

LAB 76.44, -50.46, 58.73

 

CMYK 60 / 0 / 67 / 18

HEX #53D246

RGB 83 210 70

HSL 114.43, 0.61%, 0.55%

LAB 75.06, -60.92, 56.85

 

CMYK 0 / 12 / 67 / 18

HEX #D2B946

RGB 210 185 70

HSL 49.29, 0.61%, 0.55%

LAB 75.35, -3.97, 59.41

 

CMYK 0 / 13 / 78 / 11

HEX #E4C633

RGB 228 198 51

HSL 49.83, 0.77%, 0.55%

LAB 80.25, -3.87, 71.75

 

CMYK 0 / 15 / 87 / 3

HEX #F7D221

RGB 247 210 33

HSL 49.63, 0.93%, 0.55%

LAB 84.98, -2.4, 81.18

 

CMYK 0 / 12 / 67 / 18

HEX #D2B946

RGB 210 185 70

HSL 49.29, 0.61%, 0.55%

LAB 75.35, -3.97, 59.41

 

CMYK 0 / 9 / 54 / 25

HEX #BFAD58

RGB 191 173 88

HSL 49.51, 0.45%, 0.55%

LAB 70.64, -4.5, 45.49

 

CMYK 0 / 7 / 38 / 32

HEX #ADA16B

RGB 173 161 107

HSL 49.09, 0.29%, 0.55%

LAB 66.09, -3.71, 29.71

 

CMYK 0 / 3 / 19 / 40

HEX #9A957D

RGB 154 149 125

HSL 49.66, 0.13%, 0.55%

LAB 61.52, -2.34, 13.35

 

CMYK 6 / 5 / 0 / 44

HEX #878990

RGB 135 137 144

HSL 226.67, 0.04%, 0.55%

LAB 57.13, 0.69, -4

 

CMYK 0 / 48 / 67 / 18

HEX #D26D46

RGB 210 109 70

HSL 16.71, 0.61%, 0.55%

LAB 57.15, 36.64, 39.37

 

CMYK 0 / 30 / 67 / 18

HEX #D29346

RGB 210 147 70

HSL 33, 0.61%, 0.55%

LAB 65.76, 16.32, 49.12

 

CMYK 0 / 12 / 67 / 18

HEX #D2B846

RGB 210 184 70

HSL 48.86, 0.61%, 0.55%

LAB 75.09, -3.45, 59.13

 

CMYK 6 / 0 / 67 / 18

HEX #C6D246

RGB 198 210 70

HSL 65.14, 0.61%, 0.55%

LAB 81.04, -21.65, 64.96

 

CMYK 23 / 0 / 67 / 18

HEX #A1D246

RGB 161 210 70

HSL 81, 0.61%, 0.55%

LAB 78.53, -36.38, 61.57

 

CMYK 0 / 13 / 76 / 38

HEX #9F8A26

RGB 159 138 38

HSL 49.59, 0.61%, 0.39%

LAB 57.74, -2.97, 53.02

 

CMYK 0 / 13 / 76 / 25

HEX #C0A72E

RGB 192 167 46

HSL 49.73, 0.61%, 0.47%

LAB 68.78, -3.5, 61.64

 

CMYK 0 / 12 / 67 / 18

HEX #D2B946

RGB 210 185 70

HSL 49.29, 0.61%, 0.55%

LAB 75.35, -3.97, 59.41

 

CMYK 0 / 9 / 53 / 15

HEX #DAC667

RGB 218 198 103

HSL 49.57, 0.61%, 0.63%

LAB 79.77, -5.03, 49.61

 

CMYK 0 / 7 / 40 / 11

HEX #E2D288

RGB 226 210 136

HSL 49.33, 0.61%, 0.71%

LAB 83.99, -4.8, 38.66

 

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

CMYK 67 / 0 / 66 / 18

HEX #46D248

RGB 70 210 72

HSL 120.86, 0.61%, 0.55%

LAB 74.74, -63.48, 55.6

 

CMYK 39 / 67 / 0 / 18

HEX #8046D2

RGB 128 70 210

HSL 264.86, 0.61%, 0.55%

LAB 43.69, 53.06, -63.22

 

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

CMYK 67 / 0 / 12 / 18

HEX #46D2B8

RGB 70 210 184

HSL 168.86, 0.61%, 0.55%

LAB 76.59, -43.39, 1.96

 

CMYK 12 / 67 / 0 / 18

HEX #B846D2

RGB 184 70 210

HSL 288.86, 0.61%, 0.55%

LAB 50.95, 64.94, -51.15

 

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

CMYK 67 / 0 / 66 / 18

HEX #46D248

RGB 70 210 72

HSL 120.86, 0.61%, 0.55%

LAB 74.74, -63.48, 55.6

 

CMYK 67 / 55 / 0 / 18

HEX #465FD2

RGB 70 95 210

HSL 229.29, 0.61%, 0.55%

LAB 44.43, 27.97, -62.23

 

CMYK 0 / 67 / 1 / 18

HEX #D246CF

RGB 210 70 207

HSL 301.29, 0.61%, 0.55%

LAB 54.64, 70.29, -43.33

 

CMYK 0 / 11 / 66 / 18

HEX #D2BA48

RGB 210 186 72

HSL 49.57, 0.61%, 0.55%

LAB 75.63, -4.37, 58.86

 

CMYK 67 / 0 / 46 / 18

HEX #46D272

RGB 70 210 114

HSL 138.86, 0.61%, 0.55%

LAB 75.21, -58.05, 36.79

 

CMYK 67 / 55 / 0 / 18

HEX #465FD2

RGB 70 95 210

HSL 229.29, 0.61%, 0.55%

LAB 44.43, 27.97, -62.23

 

CMYK 0 / 67 / 21 / 18

HEX #D246A5

RGB 210 70 165

HSL 319.29, 0.61%, 0.55%

LAB 52.73, 64.04, -21.99

 

Description

Color code: RGB 210 186 72 | qconv.com Color code: RGB 210 186 72 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 186 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 186 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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