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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 180 58 it is the complementary color RGB 45 75 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 180 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 180 58 shade: RGB 215 180 53, RGB 232 198 72, RGB 249 216 91, RGB 255 234 110 and RGB 255 252 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 180 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 180 58 shade: RGB 210 180 58, RGB 193 162 39, RGB 176 144 20, RGB 159 126 1 and RGB 142 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 180 58 shade: RGB 211 181 60, RGB 211 140 60, RGB 211 99 60 and RGB 211 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 180 58 shade: RGB 211 181 60, RGB 200 211 60, RGB 159 211 60, RGB 118 211 60 and RGB 78 211 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 180 58 shade matches the following richer shades: RGB 211 181 60, RGB 230 193 40 and RGB 249 204 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 180 58 shade: RGB 211 181 60, RGB 191 169 79, RGB 172 157 98, RGB 152 146 118 and RGB 133 134 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 180 58 shade: RGB 211 100 60, RGB 211 140 60, RGB 211 180 60, RGB 201 211 60 and RGB 160 211 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 180 58 shade: RGB 153 130 35, RGB 187 158 42, RGB 211 181 60, RGB 218 194 93 and RGB 226 206 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 180 58 shade: RGB 210 180 58, RGB 60 211 60 and RGB 120 60 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 180 58 shade: RGB 210 180 58, RGB 60 211 180 and RGB 180 60 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 180 58 shade: RGB 210 180 58, RGB 60 211 60, RGB 60 90 211 and RGB 211 60 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 180 58 shade: RGB 210 180 58, RGB 60 211 105, RGB 60 90 211 and RGB 211 60 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

Complementary color

CMYK 77 / 62 / 0 / 23

HEX #2D4BC5

RGB 45 75 197

HSL 228.16, 0.63%, 0.47%

LAB 37.15, 32.9, -66.63

 

CMYK 0 / 16 / 75 / 16

HEX #D7B435

RGB 215 180 53

HSL 47.04, 0.67%, 0.53%

LAB 74.41, -0.04, 65.24

 

CMYK 0 / 15 / 69 / 9

HEX #E8C648

RGB 232 198 72

HSL 47.25, 0.78%, 0.6%

LAB 80.75, -1.25, 64.79

 

CMYK 0 / 13 / 63 / 2

HEX #F9D85B

RGB 249 216 91

HSL 47.47, 0.93%, 0.67%

LAB 87, -2.3, 63.98

 

CMYK 0 / 8 / 57 / 0

HEX #FFEA6E

RGB 255 234 110

HSL 51.31, 1%, 0.72%

LAB 92.23, -7.64, 61.65

 

CMYK 0 / 1 / 49 / 0

HEX #FFFC81

RGB 255 252 129

HSL 58.57, 1%, 0.75%

LAB 97.01, -15, 58.63

 

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

CMYK 0 / 16 / 80 / 24

HEX #C1A227

RGB 193 162 39

HSL 47.92, 0.66%, 0.45%

LAB 67.52, -0.67, 62.88

 

CMYK 0 / 18 / 89 / 31

HEX #B09014

RGB 176 144 20

HSL 47.69, 0.8%, 0.38%

LAB 60.98, 0.89, 61.94

 

CMYK 0 / 21 / 99 / 38

HEX #9F7E01

RGB 159 126 1

HSL 47.47, 0.99%, 0.31%

LAB 54.34, 2.71, 59.65

 

CMYK 0 / 24 / 100 / 44

HEX #8E6C00

RGB 142 108 0

HSL 45.63, 1%, 0.28%

LAB 47.59, 4.92, 54.28

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 0 / 34 / 72 / 17

HEX #D38C3C

RGB 211 140 60

HSL 31.79, 0.63%, 0.53%

LAB 64.11, 19.99, 52.04

 

CMYK 0 / 53 / 72 / 17

HEX #D3633C

RGB 211 99 60

HSL 15.5, 0.63%, 0.53%

LAB 55.17, 41.56, 42.44

 

CMYK 0 / 72 / 72 / 17

HEX #D33C3C

RGB 211 60 60

HSL 0, 0.63%, 0.53%

LAB 48.77, 58.57, 35.18

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 5 / 0 / 72 / 17

HEX #C8D33C

RGB 200 211 60

HSL 64.37, 0.63%, 0.53%

LAB 81.4, -21.84, 69.01

 

CMYK 25 / 0 / 72 / 17

HEX #9FD33C

RGB 159 211 60

HSL 80.66, 0.63%, 0.53%

LAB 78.63, -38.22, 65.36

 

CMYK 44 / 0 / 72 / 17

HEX #76D33C

RGB 118 211 60

HSL 96.95, 0.63%, 0.53%

LAB 76.54, -52.56, 62.58

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 0 / 16 / 83 / 10

HEX #E6C128

RGB 230 193 40

HSL 48.32, 0.79%, 0.53%

LAB 79.11, -0.78, 74.04

 

CMYK 0 / 18 / 92 / 2

HEX #F9CC15

RGB 249 204 21

HSL 48.16, 0.95%, 0.53%

LAB 83.64, 1.31, 82.35

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 0 / 12 / 59 / 25

HEX #BFA94F

RGB 191 169 79

HSL 48.21, 0.47%, 0.53%

LAB 69.48, -3.09, 48.48

 

CMYK 0 / 9 / 43 / 33

HEX #AC9D62

RGB 172 157 98

HSL 47.84, 0.31%, 0.53%

LAB 64.78, -2.99, 32.81

 

CMYK 0 / 4 / 22 / 40

HEX #989276

RGB 152 146 118

HSL 49.41, 0.14%, 0.53%

LAB 60.37, -2.57, 15.67

 

CMYK 3 / 2 / 0 / 46

HEX #858689

RGB 133 134 137

HSL 225, 0.02%, 0.53%

LAB 55.93, 0.23, -1.74

 

CMYK 0 / 53 / 72 / 17

HEX #D3643C

RGB 211 100 60

HSL 15.89, 0.63%, 0.53%

LAB 55.37, 41.07, 42.66

 

CMYK 0 / 34 / 72 / 17

HEX #D38C3C

RGB 211 140 60

HSL 31.79, 0.63%, 0.53%

LAB 64.11, 19.99, 52.04

 

CMYK 0 / 15 / 72 / 17

HEX #D3B43C

RGB 211 180 60

HSL 47.68, 0.63%, 0.53%

LAB 74.07, -1.45, 62.17

 

CMYK 5 / 0 / 72 / 17

HEX #C9D33C

RGB 201 211 60

HSL 63.97, 0.63%, 0.53%

LAB 81.47, -21.43, 69.11

 

CMYK 24 / 0 / 72 / 17

HEX #A0D33C

RGB 160 211 60

HSL 80.26, 0.63%, 0.53%

LAB 78.69, -37.84, 65.44

 

CMYK 0 / 15 / 77 / 40

HEX #998223

RGB 153 130 35

HSL 48.31, 0.63%, 0.37%

LAB 54.93, -1.43, 51.28

 

CMYK 0 / 16 / 78 / 27

HEX #BB9E2A

RGB 187 158 42

HSL 48, 0.63%, 0.45%

LAB 65.89, -1.08, 60.19

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 0 / 11 / 57 / 15

HEX #DAC25D

RGB 218 194 93

HSL 48.48, 0.63%, 0.61%

LAB 78.62, -3.75, 53

 

CMYK 0 / 9 / 44 / 11

HEX #E2CE7F

RGB 226 206 127

HSL 47.88, 0.63%, 0.69%

LAB 82.83, -3.69, 41.72

 

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

CMYK 72 / 0 / 72 / 17

HEX #3CD33C

RGB 60 211 60

HSL 120, 0.63%, 0.53%

LAB 74.75, -66.68, 60.18

 

CMYK 43 / 72 / 0 / 17

HEX #783CD3

RGB 120 60 211

HSL 263.84, 0.63%, 0.53%

LAB 41.1, 56.72, -68.05

 

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

CMYK 72 / 0 / 15 / 17

HEX #3CD3B4

RGB 60 211 180

HSL 167.68, 0.63%, 0.53%

LAB 76.58, -46.25, 4.07

 

CMYK 15 / 72 / 0 / 17

HEX #B43CD3

RGB 180 60 211

HSL 287.68, 0.63%, 0.53%

LAB 49.05, 68.14, -54.79

 

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

CMYK 72 / 0 / 72 / 17

HEX #3CD33C

RGB 60 211 60

HSL 120, 0.63%, 0.53%

LAB 74.75, -66.68, 60.18

 

CMYK 72 / 57 / 0 / 17

HEX #3C5AD3

RGB 60 90 211

HSL 228.08, 0.63%, 0.53%

LAB 42.73, 30.1, -65.6

 

CMYK 0 / 72 / 0 / 17

HEX #D33CD3

RGB 211 60 211

HSL 300, 0.63%, 0.53%

LAB 53.8, 74.59, -46.94

 

CMYK 0 / 14 / 72 / 18

HEX #D2B43A

RGB 210 180 58

HSL 48.16, 0.63%, 0.53%

LAB 73.97, -1.98, 62.8

 

CMYK 72 / 0 / 50 / 17

HEX #3CD369

RGB 60 211 105

HSL 137.88, 0.63%, 0.53%

LAB 75.18, -61.5, 41.15

 

CMYK 72 / 57 / 0 / 17

HEX #3C5AD3

RGB 60 90 211

HSL 228.08, 0.63%, 0.53%

LAB 42.73, 30.1, -65.6

 

CMYK 0 / 72 / 22 / 17

HEX #D33CA5

RGB 211 60 165

HSL 318.28, 0.63%, 0.53%

LAB 51.61, 67.9, -23.7

 

Description

Color code: RGB 210 180 58 | qconv.com Color code: RGB 210 180 58 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 180 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 180 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 72 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 72% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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