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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 15 248 it is the complementary color RGB 45 240 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 15 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 15 248 shade: RGB 215 15 243, RGB 232 33 255, RGB 249 51 255, RGB 255 69 255 and RGB 255 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 15 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 15 248 shade: RGB 210 15 248, RGB 193 0 229, RGB 176 0 210, RGB 159 0 191 and RGB 142 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 15 248 shade: RGB 210 18 248, RGB 248 18 223, RGB 248 18 161, RGB 248 18 99 and RGB 248 18 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 15 248 shade: RGB 210 18 248, RGB 148 18 248, RGB 86 18 248, RGB 24 18 248 and RGB 18 18 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 15 248 shade matches the following richer shades: RGB 210 18 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 15 248 shade: RGB 210 18 248, RGB 197 37 228, RGB 183 57 208, RGB 170 77 188 and RGB 157 97 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 15 248 shade: RGB 87 18 248, RGB 148 18 248, RGB 209 18 248, RGB 248 18 225 and RGB 248 18 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 15 248 shade: RGB 149 5 177, RGB 183 7 217, RGB 210 18 248, RGB 218 58 249 and RGB 225 98 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 15 248 shade: RGB 210 15 248, RGB 248 25 18 and RGB 18 248 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 15 248 shade: RGB 210 15 248, RGB 248 209 18 and RGB 18 248 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 15 248 shade: RGB 210 15 248, RGB 248 25 18, RGB 56 248 18 and RGB 18 240 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 15 248 shade: RGB 210 15 248, RGB 248 94 18, RGB 56 248 18 and RGB 18 171 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

Complementary color

CMYK 81 / 0 / 97 / 6

HEX #2DF007

RGB 45 240 7

HSL 110.21, 0.94%, 0.48%

LAB 83.39, -79.54, 79.24

 

CMYK 12 / 94 / 0 / 5

HEX #D70FF3

RGB 215 15 243

HSL 292.63, 0.9%, 0.51%

LAB 53.23, 89.46, -65.91

 

CMYK 9 / 87 / 0 / 0

HEX #E821FF

RGB 232 33 255

HSL 293.78, 1%, 0.56%

LAB 57.52, 91.69, -65.54

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

CMYK 16 / 100 / 0 / 10

HEX #C100E5

RGB 193 0 229

HSL 290.57, 1%, 0.45%

LAB 48.25, 85.26, -66.24

 

CMYK 16 / 100 / 0 / 18

HEX #B000D2

RGB 176 0 210

HSL 290.29, 1%, 0.41%

LAB 44.07, 79.77, -62.3

 

CMYK 17 / 100 / 0 / 25

HEX #9F00BF

RGB 159 0 191

HSL 289.95, 1%, 0.37%

LAB 39.8, 74.19, -58.28

 

CMYK 17 / 100 / 0 / 33

HEX #8E00AC

RGB 142 0 172

HSL 289.53, 1%, 0.34%

LAB 35.46, 68.5, -54.2

 

CMYK 15 / 93 / 0 / 3

HEX #D212F8

RGB 210 18 248

HSL 290.09, 0.94%, 0.52%

LAB 52.85, 89.24, -69.36

 

CMYK 0 / 93 / 10 / 3

HEX #F812DF

RGB 248 18 223

HSL 306.52, 0.94%, 0.52%

LAB 57.77, 91.62, -47.08

 

CMYK 0 / 93 / 35 / 3

HEX #F812A1

RGB 248 18 161

HSL 322.7, 0.94%, 0.52%

LAB 55.03, 84.56, -15.52

 

CMYK 0 / 93 / 60 / 3

HEX #F81263

RGB 248 18 99

HSL 338.87, 0.94%, 0.52%

LAB 53.27, 79.79, 19.1

 

CMYK 0 / 93 / 85 / 3

HEX #F81225

RGB 248 18 37

HSL 355.04, 0.94%, 0.52%

LAB 52.42, 77.45, 53.53

 

CMYK 15 / 93 / 0 / 3

HEX #D212F8

RGB 210 18 248

HSL 290.09, 0.94%, 0.52%

LAB 52.85, 89.24, -69.36

 

CMYK 40 / 93 / 0 / 3

HEX #9412F8

RGB 148 18 248

HSL 273.91, 0.94%, 0.52%

LAB 43.52, 81.51, -84.99

 

CMYK 65 / 93 / 0 / 3

HEX #5612F8

RGB 86 18 248

HSL 257.74, 0.94%, 0.52%

LAB 36.34, 76.64, -97.08

 

CMYK 90 / 93 / 0 / 3

HEX #1812F8

RGB 24 18 248

HSL 241.57, 0.94%, 0.52%

LAB 32.71, 74.69, -103.24

 

CMYK 93 / 93 / 0 / 3

HEX #1212F8

RGB 18 18 248

HSL 240, 0.94%, 0.52%

LAB 32.57, 74.62, -103.48

 

CMYK 15 / 93 / 0 / 3

HEX #D212F8

RGB 210 18 248

HSL 290.09, 0.94%, 0.52%

LAB 52.85, 89.24, -69.36

 

CMYK 15 / 93 / 0 / 3

HEX #D212F8

RGB 210 18 248

HSL 290.09, 0.94%, 0.52%

LAB 52.85, 89.24, -69.36

 

CMYK 14 / 84 / 0 / 11

HEX #C525E4

RGB 197 37 228

HSL 290.26, 0.78%, 0.52%

LAB 50.45, 80.93, -62.1

 

CMYK 12 / 73 / 0 / 18

HEX #B739D0

RGB 183 57 208

HSL 290.07, 0.62%, 0.52%

LAB 48.94, 69.27, -53.22

 

CMYK 10 / 59 / 0 / 26

HEX #AA4DBC

RGB 170 77 188

HSL 290.27, 0.45%, 0.52%

LAB 48.86, 54.32, -41.91

 

CMYK 7 / 42 / 0 / 34

HEX #9D61A8

RGB 157 97 168

HSL 290.7, 0.29%, 0.52%

LAB 50.15, 36.28, -28.34

 

CMYK 65 / 93 / 0 / 3

HEX #5712F8

RGB 87 18 248

HSL 258, 0.94%, 0.52%

LAB 36.44, 76.69, -96.93

 

CMYK 40 / 93 / 0 / 3

HEX #9412F8

RGB 148 18 248

HSL 273.91, 0.94%, 0.52%

LAB 43.52, 81.51, -84.99

 

CMYK 16 / 93 / 0 / 3

HEX #D112F8

RGB 209 18 248

HSL 289.83, 0.94%, 0.52%

LAB 52.69, 89.1, -69.63

 

CMYK 0 / 93 / 9 / 3

HEX #F812E1

RGB 248 18 225

HSL 306, 0.94%, 0.52%

LAB 57.87, 91.88, -48.04

 

CMYK 0 / 93 / 34 / 3

HEX #F812A3

RGB 248 18 163

HSL 322.17, 0.94%, 0.52%

LAB 55.11, 84.75, -16.58

 

CMYK 16 / 97 / 0 / 31

HEX #9505B1

RGB 149 5 177

HSL 290.23, 0.95%, 0.36%

LAB 37.25, 69.77, -54.23

 

CMYK 16 / 97 / 0 / 15

HEX #B707D9

RGB 183 7 217

HSL 290.29, 0.94%, 0.44%

LAB 45.95, 81.29, -63.22

 

CMYK 15 / 93 / 0 / 3

HEX #D212F8

RGB 210 18 248

HSL 290.09, 0.94%, 0.52%

LAB 52.85, 89.24, -69.36

 

CMYK 12 / 77 / 0 / 2

HEX #DA3AF9

RGB 218 58 249

HSL 290.26, 0.94%, 0.6%

LAB 56.85, 82.84, -63.4

 

CMYK 10 / 61 / 0 / 2

HEX #E162FA

RGB 225 98 250

HSL 290.13, 0.94%, 0.68%

LAB 63.05, 69.97, -53.99

 

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

CMYK 0 / 90 / 93 / 3

HEX #F81912

RGB 248 25 18

HSL 1.83, 0.94%, 0.52%

LAB 52.61, 76.33, 61.44

 

CMYK 93 / 0 / 53 / 3

HEX #12F875

RGB 18 248 117

HSL 145.83, 0.94%, 0.52%

LAB 86.28, -75.69, 49

 

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

CMYK 0 / 16 / 93 / 3

HEX #F8D112

RGB 248 209 18

HSL 49.83, 0.94%, 0.52%

LAB 84.79, -1.7, 83.58

 

CMYK 93 / 0 / 16 / 3

HEX #12F8D1

RGB 18 248 209

HSL 169.83, 0.94%, 0.52%

LAB 87.9, -57.23, 5.06

 

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

CMYK 0 / 90 / 93 / 3

HEX #F81912

RGB 248 25 18

HSL 1.83, 0.94%, 0.52%

LAB 52.61, 76.33, 61.44

 

CMYK 77 / 0 / 93 / 3

HEX #38F812

RGB 56 248 18

HSL 110.09, 0.94%, 0.52%

LAB 86.02, -80.3, 80.43

 

CMYK 93 / 3 / 0 / 3

HEX #12F0F8

RGB 18 240 248

HSL 182.09, 0.94%, 0.52%

LAB 86.62, -43.16, -17.24

 

CMYK 15 / 94 / 0 / 3

HEX #D20FF8

RGB 210 15 248

HSL 290.21, 0.94%, 0.52%

LAB 52.75, 89.54, -69.52

 

CMYK 0 / 62 / 93 / 3

HEX #F85E12

RGB 248 94 18

HSL 19.83, 0.94%, 0.52%

LAB 59.89, 56.18, 65.95

 

CMYK 77 / 0 / 93 / 3

HEX #38F812

RGB 56 248 18

HSL 110.09, 0.94%, 0.52%

LAB 86.02, -80.3, 80.43

 

CMYK 93 / 31 / 0 / 3

HEX #12ABF8

RGB 18 171 248

HSL 200.09, 0.94%, 0.52%

LAB 66.54, -8.85, -48.18

 

Description

Color code: RGB 210 15 248 | qconv.com Color code: RGB 210 15 248 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 15 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 15 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 94 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 94% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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