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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 149 59 it is the complementary color RGB 45 106 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 149 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 149 59 shade: RGB 215 149 54, RGB 232 167 73, RGB 249 185 92, RGB 255 203 111 and RGB 255 221 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 149 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 149 59 shade: RGB 210 149 59, RGB 193 131 40, RGB 176 113 21, RGB 159 95 2 and RGB 142 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 149 59 shade: RGB 211 150 60, RGB 211 109 60, RGB 211 68 60 and RGB 211 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 149 59 shade: RGB 211 150 60, RGB 211 190 60, RGB 190 211 60, RGB 149 211 60 and RGB 109 211 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 149 59 shade matches the following richer shades: RGB 211 150 60, RGB 230 153 40 and RGB 249 157 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 149 59 shade: RGB 211 150 60, RGB 191 146 79, RGB 172 142 98, RGB 152 138 118 and RGB 133 135 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 149 59 shade: RGB 211 67 60, RGB 211 107 60, RGB 211 148 60, RGB 211 188 60 and RGB 193 211 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 149 59 shade: RGB 153 105 35, RGB 187 128 42, RGB 211 150 60, RGB 218 168 93 and RGB 226 186 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 149 59 shade: RGB 210 149 59, RGB 92 211 60 and RGB 87 60 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 149 59 shade: RGB 210 149 59, RGB 60 211 148 and RGB 148 60 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 149 59 shade: RGB 210 149 59, RGB 92 211 60, RGB 60 123 211 and RGB 178 60 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 149 59 shade: RGB 210 149 59, RGB 60 211 72, RGB 60 123 211 and RGB 211 60 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

Complementary color

CMYK 77 / 46 / 0 / 23

HEX #2D6AC4

RGB 45 106 196

HSL 215.76, 0.63%, 0.47%

LAB 45.43, 12.44, -52.63

 

CMYK 0 / 31 / 75 / 16

HEX #D79536

RGB 215 149 54

HSL 35.4, 0.67%, 0.53%

LAB 66.68, 16.56, 57.41

 

CMYK 0 / 28 / 69 / 9

HEX #E8A749

RGB 232 167 73

HSL 35.47, 0.78%, 0.6%

LAB 73.07, 15.07, 56.38

 

CMYK 0 / 26 / 63 / 2

HEX #F9B95C

RGB 249 185 92

HSL 35.54, 0.93%, 0.67%

LAB 79.39, 13.77, 55.14

 

CMYK 0 / 20 / 56 / 0

HEX #FFCB6F

RGB 255 203 111

HSL 38.33, 1%, 0.72%

LAB 84.55, 8.18, 52.28

 

CMYK 0 / 13 / 49 / 0

HEX #FFDD82

RGB 255 221 130

HSL 43.68, 1%, 0.75%

LAB 89.2, 0.5, 48.73

 

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

CMYK 0 / 32 / 79 / 24

HEX #C18328

RGB 193 131 40

HSL 35.69, 0.66%, 0.46%

LAB 59.64, 16.26, 55.37

 

CMYK 0 / 36 / 88 / 31

HEX #B07115

RGB 176 113 21

HSL 35.61, 0.79%, 0.39%

LAB 53.05, 18.15, 55.35

 

CMYK 0 / 40 / 99 / 38

HEX #9F5F02

RGB 159 95 2

HSL 35.54, 0.98%, 0.32%

LAB 46.39, 20.32, 54.01

 

CMYK 0 / 46 / 100 / 44

HEX #8E4D00

RGB 142 77 0

HSL 32.54, 1%, 0.28%

LAB 39.68, 22.86, 49.07

 

CMYK 0 / 29 / 72 / 17

HEX #D3963C

RGB 211 150 60

HSL 35.76, 0.63%, 0.53%

LAB 66.51, 14.58, 54.54

 

CMYK 0 / 48 / 72 / 17

HEX #D36D3C

RGB 211 109 60

HSL 19.47, 0.63%, 0.53%

LAB 57.18, 36.5, 44.65

 

CMYK 0 / 68 / 72 / 17

HEX #D3443C

RGB 211 68 60

HSL 3.18, 0.63%, 0.53%

LAB 49.87, 55.55, 36.45

 

CMYK 0 / 72 / 72 / 17

HEX #D33C3C

RGB 211 60 60

HSL 0, 0.63%, 0.53%

LAB 48.77, 58.57, 35.18

 

CMYK 0 / 29 / 72 / 17

HEX #D3963C

RGB 211 150 60

HSL 35.76, 0.63%, 0.53%

LAB 66.51, 14.58, 54.54

 

CMYK 0 / 10 / 72 / 17

HEX #D3BE3C

RGB 211 190 60

HSL 51.66, 0.63%, 0.53%

LAB 76.68, -6.66, 64.74

 

CMYK 10 / 0 / 72 / 17

HEX #BED33C

RGB 190 211 60

HSL 68.34, 0.63%, 0.53%

LAB 80.66, -25.95, 68.04

 

CMYK 29 / 0 / 72 / 17

HEX #95D33C

RGB 149 211 60

HSL 84.64, 0.63%, 0.53%

LAB 78.05, -41.96, 64.6

 

CMYK 48 / 0 / 72 / 17

HEX #6DD33C

RGB 109 211 60

HSL 100.53, 0.63%, 0.53%

LAB 76.17, -55.29, 62.09

 

CMYK 0 / 29 / 72 / 17

HEX #D3963C

RGB 211 150 60

HSL 35.76, 0.63%, 0.53%

LAB 66.51, 14.58, 54.54

 

CMYK 0 / 33 / 83 / 10

HEX #E69928

RGB 230 153 40

HSL 35.68, 0.79%, 0.53%

LAB 69.3, 20.32, 65.66

 

CMYK 0 / 37 / 92 / 2

HEX #F99D15

RGB 249 157 21

HSL 35.79, 0.95%, 0.53%

LAB 72.43, 25.81, 74.07

 

CMYK 0 / 29 / 72 / 17

HEX #D3963C

RGB 211 150 60

HSL 35.76, 0.63%, 0.53%

LAB 66.51, 14.58, 54.54

 

CMYK 0 / 24 / 59 / 25

HEX #BF924F

RGB 191 146 79

HSL 35.89, 0.47%, 0.53%

LAB 63.51, 9.34, 41.56

 

CMYK 0 / 17 / 43 / 33

HEX #AC8E62

RGB 172 142 98

HSL 35.68, 0.31%, 0.53%

LAB 60.78, 5.23, 27.66

 

CMYK 0 / 9 / 22 / 40

HEX #988A76

RGB 152 138 118

HSL 35.29, 0.14%, 0.53%

LAB 58.19, 1.89, 12.62

 

CMYK 3 / 1 / 0 / 46

HEX #858789

RGB 133 135 137

HSL 210, 0.02%, 0.53%

LAB 56.21, -0.33, -1.34

 

CMYK 0 / 68 / 72 / 17

HEX #D3433C

RGB 211 67 60

HSL 2.78, 0.63%, 0.53%

LAB 49.73, 55.95, 36.29

 

CMYK 0 / 49 / 72 / 17

HEX #D36B3C

RGB 211 107 60

HSL 18.68, 0.63%, 0.53%

LAB 56.77, 37.52, 44.2

 

CMYK 0 / 30 / 72 / 17

HEX #D3943C

RGB 211 148 60

HSL 34.97, 0.63%, 0.53%

LAB 66.02, 15.66, 54.04

 

CMYK 0 / 11 / 72 / 17

HEX #D3BC3C

RGB 211 188 60

HSL 50.86, 0.63%, 0.53%

LAB 76.16, -5.62, 64.22

 

CMYK 9 / 0 / 72 / 17

HEX #C1D33C

RGB 193 211 60

HSL 67.15, 0.63%, 0.53%

LAB 80.88, -24.73, 68.33

 

CMYK 0 / 31 / 77 / 40

HEX #996923

RGB 153 105 35

HSL 35.59, 0.63%, 0.37%

LAB 48.26, 12.76, 44.88

 

CMYK 0 / 32 / 78 / 27

HEX #BB802A

RGB 187 128 42

HSL 35.59, 0.63%, 0.45%

LAB 58.2, 15.35, 52.97

 

CMYK 0 / 29 / 72 / 17

HEX #D3963C

RGB 211 150 60

HSL 35.76, 0.63%, 0.53%

LAB 66.51, 14.58, 54.54

 

CMYK 0 / 23 / 57 / 15

HEX #DAA85D

RGB 218 168 93

HSL 36, 0.63%, 0.61%

LAB 72.03, 9.95, 45.31

 

CMYK 0 / 18 / 44 / 11

HEX #E2BA7F

RGB 226 186 127

HSL 35.76, 0.63%, 0.69%

LAB 77.77, 6.73, 35.26

 

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

CMYK 56 / 0 / 72 / 17

HEX #5CD33C

RGB 92 211 60

HSL 107.28, 0.63%, 0.53%

LAB 75.57, -59.94, 61.28

 

CMYK 59 / 72 / 0 / 17

HEX #573CD3

RGB 87 60 211

HSL 250.73, 0.63%, 0.53%

LAB 37.77, 51.61, -73.63

 

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

CMYK 72 / 0 / 30 / 17

HEX #3CD394

RGB 60 211 148

HSL 154.97, 0.63%, 0.53%

LAB 75.88, -53.7, 20.11

 

CMYK 30 / 72 / 0 / 17

HEX #943CD3

RGB 148 60 211

HSL 274.97, 0.63%, 0.53%

LAB 44.56, 61.8, -62.26

 

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

CMYK 56 / 0 / 72 / 17

HEX #5CD33C

RGB 92 211 60

HSL 107.28, 0.63%, 0.53%

LAB 75.57, -59.94, 61.28

 

CMYK 72 / 42 / 0 / 17

HEX #3C7BD3

RGB 60 123 211

HSL 214.97, 0.63%, 0.53%

LAB 51.64, 9.28, -51.22

 

CMYK 16 / 72 / 0 / 17

HEX #B23CD3

RGB 178 60 211

HSL 286.89, 0.63%, 0.53%

LAB 48.76, 67.73, -55.28

 

CMYK 0 / 29 / 72 / 18

HEX #D2953B

RGB 210 149 59

HSL 35.76, 0.63%, 0.53%

LAB 66.15, 14.64, 54.56

 

CMYK 72 / 0 / 66 / 17

HEX #3CD348

RGB 60 211 72

HSL 124.77, 0.63%, 0.53%

LAB 74.84, -65.6, 55.64

 

CMYK 72 / 42 / 0 / 17

HEX #3C7BD3

RGB 60 123 211

HSL 214.97, 0.63%, 0.53%

LAB 51.64, 9.28, -51.22

 

CMYK 0 / 72 / 6 / 17

HEX #D33CC6

RGB 211 60 198

HSL 305.17, 0.63%, 0.53%

LAB 53.12, 72.57, -40.56

 

Description

Color code: RGB 210 149 59 | qconv.com Color code: RGB 210 149 59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 149 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 149 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 72 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 72% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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