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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 115 151 it is the complementary color RGB 45 140 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 115 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 115 151 shade: RGB 215 115 146, RGB 232 133 165, RGB 249 151 184, RGB 255 169 203 and RGB 255 187 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 115 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 115 151 shade: RGB 210 115 151, RGB 193 97 132, RGB 176 79 113, RGB 159 61 94 and RGB 142 43 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 115 151 shade: RGB 210 116 151, RGB 210 116 126 and RGB 210 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 115 151 shade: RGB 210 116 151, RGB 210 116 177, RGB 210 116 202, RGB 192 116 210 and RGB 167 116 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 115 151 shade matches the following richer shades: RGB 210 116 151, RGB 224 101 148, RGB 239 86 144 and RGB 254 71 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 115 151 shade: RGB 210 116 151, RGB 195 131 155, RGB 180 146 159, RGB 165 160 162 and RGB 150 175 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 115 151 shade: RGB 210 116 202, RGB 210 116 177, RGB 210 116 152, RGB 210 116 127 and RGB 210 130 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 115 151 shade: RGB 184 59 106, RGB 199 85 128, RGB 210 116 151, RGB 220 147 175 and RGB 230 178 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 115 151 shade: RGB 210 115 151, RGB 210 192 116 and RGB 116 189 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 115 151 shade: RGB 210 115 151, RGB 152 210 116 and RGB 116 152 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 115 151 shade: RGB 210 115 151, RGB 210 192 116, RGB 116 210 174 and RGB 116 133 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 115 151 shade: RGB 210 115 151, RGB 199 210 116, RGB 116 210 174 and RGB 127 116 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

Complementary color

CMYK 68 / 0 / 26 / 45

HEX #2D8C68

RGB 45 140 104

HSL 157.26, 0.51%, 0.36%

LAB 52.19, -36.58, 11.3

 

CMYK 0 / 47 / 32 / 16

HEX #D77392

RGB 215 115 146

HSL 341.4, 0.56%, 0.65%

LAB 60.59, 42.5, 0.94

 

CMYK 0 / 43 / 29 / 9

HEX #E885A5

RGB 232 133 165

HSL 340.61, 0.68%, 0.72%

LAB 67.01, 41.62, -0.26

 

CMYK 0 / 39 / 26 / 2

HEX #F997B8

RGB 249 151 184

HSL 339.8, 0.89%, 0.78%

LAB 73.37, 40.78, -1.31

 

CMYK 0 / 34 / 20 / 0

HEX #FFA9CB

RGB 255 169 203

HSL 336.28, 1%, 0.83%

LAB 78.43, 36.2, -4.22

 

CMYK 0 / 27 / 13 / 0

HEX #FFBBDE

RGB 255 187 222

HSL 329.12, 1%, 0.87%

LAB 82.95, 29.68, -7.8

 

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

CMYK 0 / 50 / 32 / 24

HEX #C16184

RGB 193 97 132

HSL 338.13, 0.44%, 0.57%

LAB 53.55, 42.28, -1.54

 

CMYK 0 / 55 / 36 / 31

HEX #B04F71

RGB 176 79 113

HSL 338.97, 0.38%, 0.5%

LAB 46.99, 43.1, -0.06

 

CMYK 0 / 62 / 41 / 38

HEX #9F3D5E

RGB 159 61 94

HSL 339.8, 0.45%, 0.43%

LAB 40.44, 43.8, 1.78

 

CMYK 0 / 70 / 47 / 44

HEX #8E2B4B

RGB 142 43 75

HSL 340.61, 0.54%, 0.36%

LAB 33.95, 44.19, 4.15

 

CMYK 0 / 45 / 28 / 18

HEX #D27497

RGB 210 116 151

HSL 337.66, 0.51%, 0.64%

LAB 60.27, 40.9, -2.49

 

CMYK 0 / 45 / 40 / 18

HEX #D2747E

RGB 210 116 126

HSL 353.62, 0.51%, 0.64%

LAB 59.62, 37.8, 10.99

 

CMYK 0 / 45 / 45 / 18

HEX #D27474

RGB 210 116 116

HSL 0, 0.51%, 0.64%

LAB 59.39, 36.72, 16.44

 

CMYK 0 / 45 / 28 / 18

HEX #D27497

RGB 210 116 151

HSL 337.66, 0.51%, 0.64%

LAB 60.27, 40.9, -2.49

 

CMYK 0 / 45 / 16 / 18

HEX #D274B1

RGB 210 116 177

HSL 321.06, 0.51%, 0.64%

LAB 61.1, 44.71, -16.16

 

CMYK 0 / 45 / 4 / 18

HEX #D274CA

RGB 210 116 202

HSL 305.11, 0.51%, 0.64%

LAB 62.05, 48.87, -28.92

 

CMYK 9 / 45 / 0 / 18

HEX #C074D2

RGB 192 116 210

HSL 288.51, 0.51%, 0.64%

LAB 60.2, 45.03, -36.46

 

CMYK 20 / 45 / 0 / 18

HEX #A774D2

RGB 167 116 210

HSL 272.55, 0.51%, 0.64%

LAB 57.42, 37.81, -41.02

 

CMYK 0 / 45 / 28 / 18

HEX #D27497

RGB 210 116 151

HSL 337.66, 0.51%, 0.64%

LAB 60.27, 40.9, -2.49

 

CMYK 0 / 55 / 34 / 12

HEX #E06594

RGB 224 101 148

HSL 337.07, 0.66%, 0.64%

LAB 59.24, 52.66, -2.04

 

CMYK 0 / 64 / 40 / 6

HEX #EF5690

RGB 239 86 144

HSL 337.25, 0.83%, 0.64%

LAB 58.99, 63.42, 0.2

 

CMYK 0 / 72 / 44 / 0

HEX #FE478D

RGB 254 71 141

HSL 337.05, 0.99%, 0.64%

LAB 59.43, 72.84, 2.91

 

CMYK 0 / 45 / 28 / 18

HEX #D27497

RGB 210 116 151

HSL 337.66, 0.51%, 0.64%

LAB 60.27, 40.9, -2.49

 

CMYK 0 / 33 / 21 / 24

HEX #C3839B

RGB 195 131 155

HSL 337.5, 0.35%, 0.64%

LAB 61.83, 28.09, -2.71

 

CMYK 0 / 19 / 12 / 29

HEX #B4929F

RGB 180 146 159

HSL 337.06, 0.18%, 0.64%

LAB 63.97, 14.91, -2.01

 

CMYK 0 / 3 / 2 / 35

HEX #A5A0A2

RGB 165 160 162

HSL 336, 0.03%, 0.64%

LAB 66.33, 2.18, -0.4

 

CMYK 14 / 0 / 5 / 31

HEX #96AFA6

RGB 150 175 166

HSL 158.4, 0.14%, 0.64%

LAB 69.4, -10.42, 1.71

 

CMYK 0 / 45 / 4 / 18

HEX #D274CA

RGB 210 116 202

HSL 305.11, 0.51%, 0.64%

LAB 62.05, 48.87, -28.92

 

CMYK 0 / 45 / 16 / 18

HEX #D274B1

RGB 210 116 177

HSL 321.06, 0.51%, 0.64%

LAB 61.1, 44.71, -16.16

 

CMYK 0 / 45 / 28 / 18

HEX #D27498

RGB 210 116 152

HSL 337.02, 0.51%, 0.64%

LAB 60.3, 41.04, -3.02

 

CMYK 0 / 45 / 40 / 18

HEX #D2747F

RGB 210 116 127

HSL 352.98, 0.51%, 0.64%

LAB 59.64, 37.91, 10.45

 

CMYK 0 / 38 / 45 / 18

HEX #D28274

RGB 210 130 116

HSL 8.94, 0.51%, 0.64%

LAB 62.45, 29.28, 20.61

 

CMYK 0 / 68 / 42 / 28

HEX #B83B6A

RGB 184 59 106

HSL 337.44, 0.51%, 0.48%

LAB 44.74, 53.91, 1.1

 

CMYK 0 / 57 / 36 / 22

HEX #C75580

RGB 199 85 128

HSL 337.37, 0.5%, 0.56%

LAB 52.06, 49.69, -1.25

 

CMYK 0 / 45 / 28 / 18

HEX #D27497

RGB 210 116 151

HSL 337.66, 0.51%, 0.64%

LAB 60.27, 40.9, -2.49

 

CMYK 0 / 33 / 20 / 14

HEX #DC93AF

RGB 220 147 175

HSL 336.99, 0.51%, 0.72%

LAB 68.88, 31.44, -3.3

 

CMYK 0 / 23 / 14 / 10

HEX #E6B2C6

RGB 230 178 198

HSL 336.92, 0.51%, 0.8%

LAB 77.72, 21.94, -2.84

 

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

CMYK 0 / 9 / 45 / 18

HEX #D2C074

RGB 210 192 116

HSL 48.51, 0.51%, 0.64%

LAB 77.67, -4, 40.48

 

CMYK 45 / 10 / 0 / 18

HEX #74BDD2

RGB 116 189 210

HSL 193.4, 0.51%, 0.64%

LAB 72.73, -17.29, -17.68

 

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

CMYK 28 / 0 / 45 / 18

HEX #98D274

RGB 152 210 116

HSL 97.02, 0.51%, 0.64%

LAB 78.48, -35.22, 40.61

 

CMYK 45 / 28 / 0 / 18

HEX #7498D2

RGB 116 152 210

HSL 217.02, 0.51%, 0.64%

LAB 62.36, 2.92, -33.59

 

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

CMYK 0 / 9 / 45 / 18

HEX #D2C074

RGB 210 192 116

HSL 48.51, 0.51%, 0.64%

LAB 77.67, -4, 40.48

 

CMYK 45 / 0 / 17 / 18

HEX #74D2AE

RGB 116 210 174

HSL 157.02, 0.51%, 0.64%

LAB 77.79, -36.3, 9.23

 

CMYK 45 / 37 / 0 / 18

HEX #7485D2

RGB 116 133 210

HSL 229.15, 0.51%, 0.64%

LAB 57.21, 14.01, -41.65

 

CMYK 0 / 45 / 28 / 18

HEX #D27397

RGB 210 115 151

HSL 337.26, 0.51%, 0.64%

LAB 60.07, 41.42, -2.79

 

CMYK 5 / 0 / 45 / 18

HEX #C7D274

RGB 199 210 116

HSL 67.02, 0.51%, 0.64%

LAB 81.56, -17.57, 45.12

 

CMYK 45 / 0 / 17 / 18

HEX #74D2AE

RGB 116 210 174

HSL 157.02, 0.51%, 0.64%

LAB 77.79, -36.3, 9.23

 

CMYK 40 / 45 / 0 / 18

HEX #7F74D2

RGB 127 116 210

HSL 247.02, 0.51%, 0.64%

LAB 53.66, 26.92, -47.21

 

Description

Color code: RGB 210 115 151 | qconv.com Color code: RGB 210 115 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 115 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 115 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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