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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210.9 92.2 57 it is the complementary color RGB 44.1 162.8 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210.9 92.2 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210.9 92.2 57 shade: RGB 215.9 92.2 52, RGB 232.9 110.2 71, RGB 249.9 128.2 90, RGB 255 146.2 109 and RGB 255 164.2 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210.9 92.2 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210.9 92.2 57 shade: RGB 210.9 92.2 57, RGB 193.9 74.2 38, RGB 176.9 56.2 19, RGB 159.9 38.2 0 and RGB 142.9 20.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210.9 92.2 57 shade: RGB 211 93 58 and RGB 211 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210.9 92.2 57 shade: RGB 211 93 58, RGB 211 134 58, RGB 211 176 58, RGB 206 211 58 and RGB 164 211 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210.9 92.2 57 shade matches the following richer shades: RGB 211 93 58, RGB 231 83 39 and RGB 250 72 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210.9 92.2 57 shade: RGB 211 93 58, RGB 192 104 77, RGB 173 114 97, RGB 153 125 116 and RGB 134 135 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210.9 92.2 57 shade: RGB 211 58 107, RGB 211 58 66, RGB 211 91 58, RGB 211 132 58 and RGB 211 173 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210.9 92.2 57 shade: RGB 153 61 33, RGB 187 74 41, RGB 211 93 58, RGB 219 121 92 and RGB 226 149 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210.9 92.2 57 shade: RGB 210.9 92.2 57, RGB 147 211 58 and RGB 58 86 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210.9 92.2 57 shade: RGB 210.9 92.2 57, RGB 58 211 91 and RGB 91 58 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210.9 92.2 57 shade: RGB 210.9 92.2 57, RGB 147 211 58, RGB 58 178 211 and RGB 122 58 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210.9 92.2 57 shade: RGB 210.9 92.2 57, RGB 101 211 58, RGB 58 178 211 and RGB 168 58 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

Complementary color

CMYK 78 / 18 / 0 / 22

HEX #2CA2C6

RGB 44.1 162.8 198

HSL 193.72, 0.64%, 0.47%

LAB 62.29, -20.11, -27.22

 

CMYK 0 / 57 / 76 / 15

HEX #D75C34

RGB 215.9 92.2 52

HSL 14.72, 0.68%, 0.53%

LAB 54.58, 46.34, 46.13

 

CMYK 0 / 53 / 70 / 9

HEX #E86E47

RGB 232.9 110.2 71

HSL 14.53, 0.79%, 0.6%

LAB 60.74, 44.86, 43.84

 

CMYK 0 / 49 / 64 / 2

HEX #F9805A

RGB 249.9 128.2 90

HSL 14.33, 0.94%, 0.67%

LAB 66.93, 43.42, 41.69

 

CMYK 0 / 43 / 57 / 0

HEX #FF926D

RGB 255 146.2 109

HSL 15.29, 1%, 0.71%

LAB 71.54, 37.56, 37.43

 

CMYK 0 / 36 / 50 / 0

HEX #FFA480

RGB 255 164.2 128

HSL 17.1, 1%, 0.75%

LAB 75.72, 29.82, 32.68

 

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

CMYK 0 / 62 / 80 / 24

HEX #C14A26

RGB 193.9 74.2 38

HSL 13.93, 0.67%, 0.45%

LAB 47.65, 46.15, 44.94

 

CMYK 0 / 68 / 89 / 31

HEX #B03813

RGB 176.9 56.2 19

HSL 14.14, 0.81%, 0.38%

LAB 41.58, 47.46, 47.03

 

CMYK 0 / 76 / 100 / 37

HEX #9F2600

RGB 159.9 38.2 0

HSL 14.33, 1%, 0.31%

LAB 35.72, 48.34, 48.56

 

CMYK 0 / 86 / 100 / 44

HEX #8E1400

RGB 142.9 20.2 0

HSL 8.48, 1%, 0.28%

LAB 30.25, 48.4, 43.37

 

CMYK 0 / 56 / 73 / 17

HEX #D35D3A

RGB 211 93 58

HSL 13.73, 0.63%, 0.53%

LAB 54.01, 44.41, 42.21

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 0 / 56 / 73 / 17

HEX #D35D3A

RGB 211 93 58

HSL 13.73, 0.63%, 0.53%

LAB 54.01, 44.41, 42.21

 

CMYK 0 / 36 / 73 / 17

HEX #D3863A

RGB 211 134 58

HSL 29.8, 0.63%, 0.53%

LAB 62.68, 23.14, 51.47

 

CMYK 0 / 17 / 73 / 17

HEX #D3B03A

RGB 211 176 58

HSL 46.27, 0.63%, 0.53%

LAB 73.03, 0.56, 61.91

 

CMYK 2 / 0 / 73 / 17

HEX #CED33A

RGB 206 211 58

HSL 61.96, 0.63%, 0.53%

LAB 81.85, -19.44, 70.28

 

CMYK 22 / 0 / 73 / 17

HEX #A4D33A

RGB 164 211 58

HSL 78.43, 0.63%, 0.53%

LAB 78.92, -36.42, 66.44

 

CMYK 0 / 56 / 73 / 17

HEX #D35D3A

RGB 211 93 58

HSL 13.73, 0.63%, 0.53%

LAB 54.01, 44.41, 42.21

 

CMYK 0 / 64 / 83 / 9

HEX #E75327

RGB 231 83 39

HSL 13.75, 0.8%, 0.53%

LAB 55.4, 55.38, 53.95

 

CMYK 0 / 71 / 92 / 2

HEX #FA4813

RGB 250 72 19

HSL 13.77, 0.96%, 0.53%

LAB 57.08, 65.41, 64.05

 

CMYK 0 / 56 / 73 / 17

HEX #D35D3A

RGB 211 93 58

HSL 13.73, 0.63%, 0.53%

LAB 54.01, 44.41, 42.21

 

CMYK 0 / 46 / 60 / 25

HEX #C0684D

RGB 192 104 77

HSL 14.09, 0.48%, 0.53%

LAB 53.65, 32.61, 30.69

 

CMYK 0 / 34 / 44 / 32

HEX #AD7261

RGB 173 114 97

HSL 13.42, 0.32%, 0.53%

LAB 53.79, 21.26, 18.97

 

CMYK 0 / 18 / 24 / 40

HEX #997D74

RGB 153 125 116

HSL 14.59, 0.15%, 0.53%

LAB 54.76, 9.35, 8.96

 

CMYK 1 / 1 / 0 / 47

HEX #868788

RGB 134 135 136

HSL 210, 0.01%, 0.53%

LAB 56.26, -0.17, -0.67

 

CMYK 0 / 73 / 49 / 17

HEX #D33A6B

RGB 211 58 107

HSL 340.78, 0.63%, 0.53%

LAB 49.42, 62.31, 7.83

 

CMYK 0 / 73 / 69 / 17

HEX #D33A42

RGB 211 58 66

HSL 356.86, 0.63%, 0.53%

LAB 48.6, 59.56, 31.48

 

CMYK 0 / 57 / 73 / 17

HEX #D35B3A

RGB 211 91 58

HSL 12.94, 0.63%, 0.53%

LAB 53.64, 45.36, 41.8

 

CMYK 0 / 37 / 73 / 17

HEX #D3843A

RGB 211 132 58

HSL 29.02, 0.63%, 0.53%

LAB 62.22, 24.22, 50.99

 

CMYK 0 / 18 / 73 / 17

HEX #D3AD3A

RGB 211 173 58

HSL 45.1, 0.63%, 0.53%

LAB 72.26, 2.14, 61.15

 

CMYK 0 / 60 / 78 / 40

HEX #993D21

RGB 153 61 33

HSL 14, 0.65%, 0.36%

LAB 38.23, 36.92, 35.79

 

CMYK 0 / 60 / 78 / 27

HEX #BB4A29

RGB 187 74 41

HSL 13.56, 0.64%, 0.45%

LAB 46.48, 43.83, 41.88

 

CMYK 0 / 56 / 73 / 17

HEX #D35D3A

RGB 211 93 58

HSL 13.73, 0.63%, 0.53%

LAB 54.01, 44.41, 42.21

 

CMYK 0 / 45 / 58 / 14

HEX #DB795C

RGB 219 121 92

HSL 13.7, 0.64%, 0.61%

LAB 61.23, 35.41, 32.64

 

CMYK 0 / 34 / 44 / 11

HEX #E2957E

RGB 226 149 126

HSL 13.8, 0.63%, 0.69%

LAB 68.87, 26.38, 24.06

 

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

CMYK 30 / 0 / 73 / 17

HEX #93D33A

RGB 147 211 58

HSL 85.1, 0.63%, 0.53%

LAB 77.93, -42.81, 65.14

 

CMYK 73 / 59 / 0 / 17

HEX #3A56D3

RGB 58 86 211

HSL 229.02, 0.63%, 0.53%

LAB 41.62, 32.4, -67.4

 

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 57 / 73 / 0 / 17

HEX #5B3AD3

RGB 91 58 211

HSL 252.94, 0.63%, 0.53%

LAB 37.76, 53.19, -73.64

 

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

CMYK 30 / 0 / 73 / 17

HEX #93D33A

RGB 147 211 58

HSL 85.1, 0.63%, 0.53%

LAB 77.93, -42.81, 65.14

 

CMYK 73 / 16 / 0 / 17

HEX #3AB2D3

RGB 58 178 211

HSL 192.94, 0.63%, 0.53%

LAB 67.61, -22.14, -26.22

 

CMYK 42 / 73 / 0 / 17

HEX #7A3AD3

RGB 122 58 211

HSL 265.1, 0.63%, 0.53%

LAB 41, 57.98, -68.19

 

CMYK 0 / 56 / 73 / 17

HEX #D25C39

RGB 210.9 92.2 57

HSL 13.72, 0.64%, 0.53%

LAB 53.83, 44.71, 42.53

 

CMYK 52 / 0 / 73 / 17

HEX #65D33A

RGB 101 211 58

HSL 103.14, 0.63%, 0.53%

LAB 75.86, -57.71, 62.39

 

CMYK 73 / 16 / 0 / 17

HEX #3AB2D3

RGB 58 178 211

HSL 192.94, 0.63%, 0.53%

LAB 67.61, -22.14, -26.22

 

CMYK 20 / 73 / 0 / 17

HEX #A83AD3

RGB 168 58 211

HSL 283.14, 0.63%, 0.53%

LAB 47.05, 66.47, -58.11

 

Description

Color code: RGB 210.9 92.2 57 | qconv.com Color code: RGB 210.9 92.2 57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210.9 red, 92.2 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210.9 92.2 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 73 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 73% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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