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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210.1 216.8 247 it is the complementary color RGB 44.9 38.2 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210.1 216.8 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210.1 216.8 247 shade: RGB 215.1 216.8 242, RGB 232.1 234.8 255, RGB 249.1 252.8 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210.1 216.8 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210.1 216.8 247 shade: RGB 210.1 216.8 247, RGB 193.1 198.8 228, RGB 176.1 180.8 209, RGB 159.1 162.8 190 and RGB 142.1 144.8 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210.1 216.8 247 shade: RGB 212 218 247, RGB 215 212 247, RGB 224 212 247, RGB 234 212 247 and RGB 244 212 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210.1 216.8 247 shade: RGB 212 218 247 and RGB 212 212 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210.1 216.8 247 shade matches the following richer shades: RGB 212 218 247 and RGB 208 216 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210.1 216.8 247 shade: RGB 212 218 247, RGB 216 221 243, RGB 220 223 239, RGB 224 226 235 and RGB 228 229 231

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210.1 216.8 247 shade: RGB 212 237 247, RGB 212 228 247, RGB 212 218 247, RGB 215 212 247 and RGB 224 212 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210.1 216.8 247 shade: RGB 142 158 235, RGB 177 188 241, RGB 212 218 247, RGB 247 248 254 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210.1 216.8 247 shade: RGB 210.1 216.8 247, RGB 247 212 247 and RGB 232 247 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210.1 216.8 247 shade: RGB 210.1 216.8 247, RGB 247 212 218 and RGB 218 247 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210.1 216.8 247 shade: RGB 210.1 216.8 247, RGB 247 212 247, RGB 247 241 212 and RGB 212 247 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210.1 216.8 247 shade: RGB 210.1 216.8 247, RGB 247 212 236, RGB 247 241 212 and RGB 212 247 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

Complementary color

CMYK 0 / 15 / 82 / 82

HEX #2C2608

RGB 44.9 38.2 8

HSL 49.11, 0.7%, 0.1%

LAB 15.34, -1.29, 19.09

 

CMYK 11 / 10 / 0 / 5

HEX #D7D8F2

RGB 215.1 216.8 242

HSL 236.21, 0.51%, 0.9%

LAB 87.19, 4.24, -12.5

 

CMYK 9 / 8 / 0 / 0

HEX #E8EAFF

RGB 232.1 234.8 255

HSL 232.93, 1%, 0.96%

LAB 93.32, 2.87, -10.05

 

CMYK 2 / 1 / 0 / 0

HEX #F9FCFF

RGB 249.1 252.8 255

HSL 202.37, 1%, 0.99%

LAB 99.03, -0.82, -1.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

CMYK 15 / 13 / 0 / 11

HEX #C1C6E4

RGB 193.1 198.8 228

HSL 230.2, 0.39%, 0.83%

LAB 80.58, 3.89, -15.13

 

CMYK 16 / 13 / 0 / 18

HEX #B0B4D1

RGB 176.1 180.8 209

HSL 231.43, 0.26%, 0.76%

LAB 74.07, 4.1, -14.77

 

CMYK 16 / 14 / 0 / 25

HEX #9FA2BE

RGB 159.1 162.8 190

HSL 232.82, 0.19%, 0.68%

LAB 67.44, 4.34, -14.41

 

CMYK 17 / 15 / 0 / 33

HEX #8E90AB

RGB 142.1 144.8 171

HSL 234.39, 0.15%, 0.61%

LAB 60.68, 4.59, -14.06

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 13 / 14 / 0 / 3

HEX #D7D4F7

RGB 215 212 247

HSL 245.14, 0.69%, 0.9%

LAB 86.13, 7.75, -16.73

 

CMYK 9 / 14 / 0 / 3

HEX #E0D4F7

RGB 224 212 247

HSL 260.57, 0.69%, 0.9%

LAB 86.82, 10.62, -15.62

 

CMYK 5 / 14 / 0 / 3

HEX #EAD4F7

RGB 234 212 247

HSL 277.71, 0.69%, 0.9%

LAB 87.63, 13.85, -14.33

 

CMYK 1 / 14 / 0 / 3

HEX #F4D4F7

RGB 244 212 247

HSL 294.86, 0.69%, 0.9%

LAB 88.46, 17.12, -12.99

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 14 / 14 / 0 / 3

HEX #D4D4F7

RGB 212 212 247

HSL 240, 0.69%, 0.9%

LAB 85.91, 6.81, -17.09

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 17 / 14 / 0 / 2

HEX #D0D8FB

RGB 208 216 251

HSL 228.84, 0.84%, 0.9%

LAB 86.74, 4.29, -17.97

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 11 / 9 / 0 / 5

HEX #D8DDF3

RGB 216 221 243

HSL 228.89, 0.53%, 0.9%

LAB 88.34, 2.53, -11.3

 

CMYK 8 / 7 / 0 / 6

HEX #DCDFEF

RGB 220 223 239

HSL 230.53, 0.37%, 0.9%

LAB 89.03, 1.99, -8.15

 

CMYK 5 / 4 / 0 / 8

HEX #E0E2EB

RGB 224 226 235

HSL 229.09, 0.22%, 0.9%

LAB 89.97, 0.99, -4.62

 

CMYK 1 / 1 / 0 / 9

HEX #E4E5E7

RGB 228 229 231

HSL 220, 0.06%, 0.9%

LAB 90.92, 0.03, -1.1

 

CMYK 14 / 4 / 0 / 3

HEX #D4EDF7

RGB 212 237 247

HSL 197.14, 0.69%, 0.9%

LAB 92.26, -6.18, -7.61

 

CMYK 14 / 8 / 0 / 3

HEX #D4E4F7

RGB 212 228 247

HSL 212.57, 0.69%, 0.9%

LAB 89.95, -1.56, -11.03

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 13 / 14 / 0 / 3

HEX #D7D4F7

RGB 215 212 247

HSL 245.14, 0.69%, 0.9%

LAB 86.13, 7.75, -16.73

 

CMYK 9 / 14 / 0 / 3

HEX #E0D4F7

RGB 224 212 247

HSL 260.57, 0.69%, 0.9%

LAB 86.82, 10.62, -15.62

 

CMYK 40 / 33 / 0 / 8

HEX #8E9EEB

RGB 142 158 235

HSL 229.68, 0.7%, 0.74%

LAB 66.67, 13.2, -40.57

 

CMYK 27 / 22 / 0 / 5

HEX #B1BCF1

RGB 177 188 241

HSL 229.69, 0.7%, 0.82%

LAB 77.08, 7.71, -27.53

 

CMYK 14 / 12 / 0 / 3

HEX #D4DAF7

RGB 212 218 247

HSL 229.71, 0.69%, 0.9%

LAB 87.41, 3.64, -14.82

 

CMYK 3 / 2 / 0 / 0

HEX #F7F8FE

RGB 247 248 254

HSL 231.43, 0.78%, 0.98%

LAB 97.66, 0.75, -2.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

CMYK 0 / 14 / 0 / 3

HEX #F7D4F7

RGB 247 212 247

HSL 300, 0.69%, 0.9%

LAB 88.72, 18.11, -12.58

 

CMYK 6 / 0 / 14 / 3

HEX #E8F7D4

RGB 232 247 212

HSL 85.71, 0.69%, 0.9%

LAB 95.34, -10.96, 15.16

 

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

CMYK 0 / 14 / 12 / 3

HEX #F7D4DA

RGB 247 212 218

HSL 349.71, 0.69%, 0.9%

LAB 87.93, 13.14, 1.56

 

CMYK 12 / 0 / 14 / 3

HEX #DAF7D4

RGB 218 247 212

HSL 109.71, 0.69%, 0.9%

LAB 94.39, -15.72, 13.68

 

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

CMYK 0 / 14 / 0 / 3

HEX #F7D4F7

RGB 247 212 247

HSL 300, 0.69%, 0.9%

LAB 88.72, 18.11, -12.58

 

CMYK 0 / 2 / 14 / 3

HEX #F7F1D4

RGB 247 241 212

HSL 49.71, 0.69%, 0.9%

LAB 94.92, -2.72, 14.73

 

CMYK 14 / 0 / 14 / 3

HEX #D4F7D4

RGB 212 247 212

HSL 120, 0.69%, 0.9%

LAB 94, -17.72, 13.08

 

CMYK 15 / 12 / 0 / 3

HEX #D2D8F7

RGB 210.1 216.8 247

HSL 229.11, 0.7%, 0.9%

LAB 86.97, 3.68, -15.5

 

CMYK 0 / 14 / 4 / 3

HEX #F7D4EC

RGB 247 212 236

HSL 318.86, 0.69%, 0.9%

LAB 88.41, 16.16, -7.24

 

CMYK 0 / 2 / 14 / 3

HEX #F7F1D4

RGB 247 241 212

HSL 49.71, 0.69%, 0.9%

LAB 94.92, -2.72, 14.73

 

CMYK 14 / 0 / 10 / 3

HEX #D4F7DF

RGB 212 247 223

HSL 138.86, 0.69%, 0.9%

LAB 94.25, -15.78, 7.75

 

Description

Color code: RGB 210.1 216.8 247 | qconv.com Color code: RGB 210.1 216.8 247 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210.1 red, 216.8 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210.1 216.8 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 12 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 12% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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