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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210.1 216.8 236 it is the complementary color RGB 44.9 38.2 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210.1 216.8 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210.1 216.8 236 shade: RGB 215.1 216.8 231, RGB 232.1 234.8 250 and RGB 249.1 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210.1 216.8 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210.1 216.8 236 shade: RGB 210.1 216.8 236, RGB 193.1 198.8 217, RGB 176.1 180.8 198, RGB 159.1 162.8 179 and RGB 142.1 144.8 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210.1 216.8 236 shade: RGB 208 215 235, RGB 208 208 235, RGB 215 208 235, RGB 223 208 235 and RGB 230 208 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210.1 216.8 236 shade: RGB 208 215 235 and RGB 208 208 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210.1 216.8 236 shade matches the following richer shades: RGB 208 215 235, RGB 202 212 240, RGB 197 210 246 and RGB 192 207 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210.1 216.8 236 shade: RGB 208 215 235, RGB 213 217 230, RGB 218 220 224, RGB 224 223 219 and RGB 229 225 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210.1 216.8 236 shade: RGB 208 230 235, RGB 208 222 235, RGB 208 215 235, RGB 208 208 235 and RGB 215 208 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210.1 216.8 236 shade: RGB 150 165 211, RGB 179 190 223, RGB 208 215 235 and RGB 237 240 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210.1 216.8 236 shade: RGB 210.1 216.8 236, RGB 233 208 235 and RGB 226 235 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210.1 216.8 236 shade: RGB 210.1 216.8 236, RGB 235 208 215 and RGB 215 235 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210.1 216.8 236 shade: RGB 210.1 216.8 236, RGB 233 208 235, RGB 235 228 208 and RGB 210 235 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210.1 216.8 236 shade: RGB 210.1 216.8 236, RGB 235 208 229, RGB 235 228 208 and RGB 208 235 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

Complementary color

CMYK 0 / 15 / 58 / 82

HEX #2C2613

RGB 44.9 38.2 19

HSL 44.48, 0.41%, 0.13%

LAB 15.5, -0.18, 13.81

 

CMYK 7 / 6 / 0 / 9

HEX #D7D8E7

RGB 215.1 216.8 231

HSL 233.58, 0.25%, 0.87%

LAB 86.88, 2.08, -7.16

 

CMYK 7 / 6 / 0 / 2

HEX #E8EAFA

RGB 232.1 234.8 250

HSL 230.95, 0.64%, 0.95%

LAB 93.18, 1.91, -7.65

 

CMYK 2 / 1 / 0 / 0

HEX #F9FCFF

RGB 249.1 252.8 255

HSL 202.37, 1%, 0.99%

LAB 99.03, -0.82, -1.49

 

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

CMYK 11 / 8 / 0 / 15

HEX #C1C6D9

RGB 193.1 198.8 217

HSL 225.69, 0.24%, 0.8%

LAB 80.24, 1.61, -9.72

 

CMYK 11 / 9 / 0 / 22

HEX #B0B4C6

RGB 176.1 180.8 198

HSL 227.12, 0.16%, 0.73%

LAB 73.73, 1.78, -9.27

 

CMYK 11 / 9 / 0 / 30

HEX #9FA2B3

RGB 159.1 162.8 179

HSL 228.84, 0.12%, 0.66%

LAB 67.1, 1.96, -8.81

 

CMYK 11 / 10 / 0 / 37

HEX #8E90A0

RGB 142.1 144.8 160

HSL 230.95, 0.09%, 0.59%

LAB 60.33, 2.16, -8.35

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 11 / 11 / 0 / 8

HEX #D0D0EB

RGB 208 208 235

HSL 240, 0.4%, 0.87%

LAB 84.24, 5.2, -13.26

 

CMYK 9 / 11 / 0 / 8

HEX #D7D0EB

RGB 215 208 235

HSL 255.56, 0.4%, 0.87%

LAB 84.77, 7.46, -12.41

 

CMYK 5 / 11 / 0 / 8

HEX #DFD0EB

RGB 223 208 235

HSL 273.33, 0.4%, 0.87%

LAB 85.4, 10.08, -11.4

 

CMYK 2 / 11 / 0 / 8

HEX #E6D0EB

RGB 230 208 235

HSL 288.89, 0.4%, 0.87%

LAB 85.97, 12.39, -10.49

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 11 / 11 / 0 / 8

HEX #D0D0EB

RGB 208 208 235

HSL 240, 0.4%, 0.87%

LAB 84.24, 5.2, -13.26

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 16 / 12 / 0 / 6

HEX #CAD4F0

RGB 202 212 240

HSL 224.21, 0.56%, 0.87%

LAB 84.96, 2.21, -14.87

 

CMYK 20 / 15 / 0 / 4

HEX #C5D2F6

RGB 197 210 246

HSL 224.08, 0.73%, 0.87%

LAB 84.29, 3.01, -19.11

 

CMYK 24 / 18 / 0 / 2

HEX #C0CFFB

RGB 192 207 251

HSL 224.75, 0.88%, 0.87%

LAB 83.34, 4.21, -23.23

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 7 / 6 / 0 / 10

HEX #D5D9E6

RGB 213 217 230

HSL 225.88, 0.25%, 0.87%

LAB 86.74, 1.1, -6.84

 

CMYK 3 / 2 / 0 / 12

HEX #DADCE0

RGB 218 220 224

HSL 220, 0.09%, 0.87%

LAB 87.71, 0.06, -2.2

 

CMYK 0 / 0 / 2 / 12

HEX #E0DFDB

RGB 224 223 219

HSL 48, 0.07%, 0.87%

LAB 88.8, -0.37, 2.07

 

CMYK 0 / 2 / 7 / 10

HEX #E5E1D5

RGB 229 225 213

HSL 45, 0.24%, 0.87%

LAB 89.54, -0.71, 6.34

 

CMYK 11 / 2 / 0 / 8

HEX #D0E6EB

RGB 208 230 235

HSL 191.11, 0.4%, 0.87%

LAB 89.86, -6.26, -4.91

 

CMYK 11 / 6 / 0 / 8

HEX #D0DEEB

RGB 208 222 235

HSL 208.89, 0.4%, 0.87%

LAB 87.8, -2.14, -7.96

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 11 / 11 / 0 / 8

HEX #D0D0EB

RGB 208 208 235

HSL 240, 0.4%, 0.87%

LAB 84.24, 5.2, -13.26

 

CMYK 9 / 11 / 0 / 8

HEX #D7D0EB

RGB 215 208 235

HSL 255.56, 0.4%, 0.87%

LAB 84.77, 7.46, -12.41

 

CMYK 29 / 22 / 0 / 17

HEX #96A5D3

RGB 150 165 211

HSL 225.25, 0.41%, 0.71%

LAB 68.09, 5.2, -25.12

 

CMYK 20 / 15 / 0 / 13

HEX #B3BEDF

RGB 179 190 223

HSL 225, 0.41%, 0.79%

LAB 77.12, 3.1, -17.74

 

CMYK 11 / 9 / 0 / 8

HEX #D0D7EB

RGB 208 215 235

HSL 224.44, 0.4%, 0.87%

LAB 86.01, 1.51, -10.61

 

CMYK 4 / 3 / 0 / 3

HEX #EDF0F7

RGB 237 240 247

HSL 222, 0.38%, 0.95%

LAB 94.76, 0.28, -3.73

 

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

CMYK 1 / 11 / 0 / 8

HEX #E9D0EB

RGB 233 208 235

HSL 295.56, 0.4%, 0.87%

LAB 86.22, 13.39, -10.09

 

CMYK 4 / 0 / 11 / 8

HEX #E2EBD0

RGB 226 235 208

HSL 80, 0.4%, 0.87%

LAB 91.75, -7.67, 12.08

 

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

CMYK 0 / 11 / 9 / 8

HEX #EBD0D7

RGB 235 208 215

HSL 344.44, 0.4%, 0.87%

LAB 85.85, 10.56, -0.02

 

CMYK 9 / 0 / 11 / 8

HEX #D7EBD0

RGB 215 235 208

HSL 104.44, 0.4%, 0.87%

LAB 90.97, -11.45, 10.86

 

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

CMYK 1 / 11 / 0 / 8

HEX #E9D0EB

RGB 233 208 235

HSL 295.56, 0.4%, 0.87%

LAB 86.22, 13.39, -10.09

 

CMYK 0 / 3 / 11 / 8

HEX #EBE4D0

RGB 235 228 208

HSL 44.44, 0.4%, 0.87%

LAB 90.64, -0.97, 10.6

 

CMYK 11 / 0 / 11 / 8

HEX #D2EBD0

RGB 210 235 208

HSL 115.56, 0.4%, 0.87%

LAB 90.63, -13.14, 10.33

 

CMYK 11 / 8 / 0 / 7

HEX #D2D8EC

RGB 210.1 216.8 236

HSL 224.48, 0.41%, 0.87%

LAB 86.65, 1.44, -10.18

 

CMYK 0 / 11 / 3 / 8

HEX #EBD0E5

RGB 235 208 229

HSL 313.33, 0.4%, 0.87%

LAB 86.22, 12.98, -6.89

 

CMYK 0 / 3 / 11 / 8

HEX #EBE4D0

RGB 235 228 208

HSL 44.44, 0.4%, 0.87%

LAB 90.64, -0.97, 10.6

 

CMYK 11 / 0 / 9 / 8

HEX #D0EBD6

RGB 208 235 214

HSL 133.33, 0.4%, 0.87%

LAB 90.63, -12.75, 7.19

 

Description

Color code: RGB 210.1 216.8 236 | qconv.com Color code: RGB 210.1 216.8 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210.1 red, 216.8 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210.1 216.8 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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