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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21.9 56.2 100 it is the complementary color RGB 233.1 198.8 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21.9 56.2 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21.9 56.2 100 shade: RGB 26.9 56.2 95, RGB 43.9 74.2 114, RGB 60.9 92.2 133, RGB 77.9 110.2 152 and RGB 94.9 128.2 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21.9 56.2 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21.9 56.2 100 shade: RGB 21.9 56.2 100, RGB 4.9 38.2 81, RGB 0 20.2 62, RGB 0 2.2 43 and RGB 0 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21.9 56.2 100 shade: RGB 22 56 100, RGB 22 35 100, RGB 29 22 100, RGB 51 22 100 and RGB 72 22 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21.9 56.2 100 shade: RGB 22 56 100, RGB 22 35 100 and RGB 22 22 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21.9 56.2 100 shade matches the following richer shades: RGB 22 56 100, RGB 12 55 110 and RGB 2 54 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21.9 56.2 100 shade: RGB 22 56 100, RGB 31 57 90, RGB 41 58 80, RGB 51 60 70 and RGB 61 61 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21.9 56.2 100 shade: RGB 22 99 100, RGB 22 78 100, RGB 22 57 100, RGB 22 36 100 and RGB 28 22 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21.9 56.2 100 shade: RGB 7 18 32, RGB 14 37 66, RGB 22 56 100, RGB 29 75 134 and RGB 36 94 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21.9 56.2 100 shade: RGB 21.9 56.2 100, RGB 80 22 100 and RGB 88 100 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21.9 56.2 100 shade: RGB 21.9 56.2 100, RGB 100 22 57 and RGB 57 100 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21.9 56.2 100 shade: RGB 21.9 56.2 100, RGB 80 22 100, RGB 100 65 22 and RGB 41 100 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21.9 56.2 100 shade: RGB 21.9 56.2 100, RGB 100 22 96, RGB 100 65 22 and RGB 22 100 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

Complementary color

CMYK 0 / 15 / 34 / 9

HEX #E9C69B

RGB 233.1 198.8 155

HSL 33.65, 0.64%, 0.76%

LAB 82.09, 5.96, 26.45

 

CMYK 72 / 41 / 0 / 63

HEX #1A385F

RGB 26.9 56.2 95

HSL 214.19, 0.56%, 0.24%

LAB 23.36, 3.38, -26.33

 

CMYK 61 / 35 / 0 / 55

HEX #2B4A72

RGB 43.9 74.2 114

HSL 214.07, 0.44%, 0.31%

LAB 31.05, 2.02, -26.28

 

CMYK 54 / 31 / 0 / 48

HEX #3C5C85

RGB 60.9 92.2 133

HSL 213.95, 0.37%, 0.38%

LAB 38.5, 1.1, -26.28

 

CMYK 49 / 28 / 0 / 40

HEX #4D6E98

RGB 77.9 110.2 152

HSL 213.85, 0.32%, 0.45%

LAB 45.74, 0.42, -26.33

 

CMYK 45 / 25 / 0 / 33

HEX #5E80AB

RGB 94.9 128.2 171

HSL 213.75, 0.31%, 0.52%

LAB 52.79, -0.1, -26.41

 

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

CMYK 94 / 53 / 0 / 68

HEX #042651

RGB 4.9 38.2 81

HSL 213.75, 0.89%, 0.17%

LAB 15.62, 7.2, -29.45

 

CMYK 100 / 67 / 0 / 76

HEX #00143E

RGB 0 20.2 62

HSL 220.45, 1%, 0.12%

LAB 7.72, 11.62, -29.07

 

CMYK 100 / 95 / 0 / 83

HEX #00022B

RGB 0 2.2 43

HSL 236.93, 1%, 0.08%

LAB 2.01, 10.19, -24.27

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 78 / 44 / 0 / 61

HEX #163864

RGB 22 56 100

HSL 213.85, 0.64%, 0.24%

LAB 23.4, 4.74, -29.53

 

CMYK 78 / 65 / 0 / 61

HEX #162364

RGB 22 35 100

HSL 230, 0.64%, 0.24%

LAB 16.95, 19.95, -39.94

 

CMYK 71 / 78 / 0 / 61

HEX #1D1664

RGB 29 22 100

HSL 245.38, 0.64%, 0.24%

LAB 14.15, 29.71, -44.53

 

CMYK 49 / 78 / 0 / 61

HEX #331664

RGB 51 22 100

HSL 262.31, 0.64%, 0.24%

LAB 16.49, 33.17, -40.59

 

CMYK 28 / 78 / 0 / 61

HEX #481664

RGB 72 22 100

HSL 278.46, 0.64%, 0.24%

LAB 19.52, 37.42, -35.52

 

CMYK 78 / 44 / 0 / 61

HEX #163864

RGB 22 56 100

HSL 213.85, 0.64%, 0.24%

LAB 23.4, 4.74, -29.53

 

CMYK 78 / 65 / 0 / 61

HEX #162364

RGB 22 35 100

HSL 230, 0.64%, 0.24%

LAB 16.95, 19.95, -39.94

 

CMYK 78 / 78 / 0 / 61

HEX #161664

RGB 22 22 100

HSL 240, 0.64%, 0.24%

LAB 13.62, 28.9, -45.42

 

CMYK 78 / 44 / 0 / 61

HEX #163864

RGB 22 56 100

HSL 213.85, 0.64%, 0.24%

LAB 23.4, 4.74, -29.53

 

CMYK 89 / 50 / 0 / 57

HEX #0C376E

RGB 12 55 110

HSL 213.67, 0.8%, 0.24%

LAB 23.46, 8.52, -35.91

 

CMYK 98 / 55 / 0 / 53

HEX #023678

RGB 2 54 120

HSL 213.56, 0.97%, 0.24%

LAB 23.7, 12.87, -41.92

 

CMYK 78 / 44 / 0 / 61

HEX #163864

RGB 22 56 100

HSL 213.85, 0.64%, 0.24%

LAB 23.4, 4.74, -29.53

 

CMYK 66 / 37 / 0 / 65

HEX #1F395A

RGB 31 57 90

HSL 213.56, 0.49%, 0.24%

LAB 23.52, 1.7, -22.78

 

CMYK 49 / 28 / 0 / 69

HEX #293A50

RGB 41 58 80

HSL 213.85, 0.32%, 0.24%

LAB 23.92, 0.01, -15.53

 

CMYK 27 / 14 / 0 / 73

HEX #333C46

RGB 51 60 70

HSL 211.58, 0.16%, 0.24%

LAB 24.88, -1.06, -7.37

 

CMYK 0 / 0 / 2 / 76

HEX #3D3D3C

RGB 61 61 60

HSL 60, 0.01%, 0.24%

LAB 25.73, -0.22, 0.61

 

CMYK 78 / 1 / 0 / 61

HEX #166364

RGB 22 99 100

HSL 180.77, 0.64%, 0.24%

LAB 37.87, -21.68, -7.14

 

CMYK 78 / 22 / 0 / 61

HEX #164E64

RGB 22 78 100

HSL 196.92, 0.64%, 0.24%

LAB 30.73, -9.76, -18

 

CMYK 78 / 43 / 0 / 61

HEX #163964

RGB 22 57 100

HSL 213.08, 0.64%, 0.24%

LAB 23.73, 4.03, -29.01

 

CMYK 78 / 64 / 0 / 61

HEX #162464

RGB 22 36 100

HSL 229.23, 0.64%, 0.24%

LAB 17.24, 19.22, -39.48

 

CMYK 72 / 78 / 0 / 61

HEX #1C1664

RGB 28 22 100

HSL 244.62, 0.64%, 0.24%

LAB 14.06, 29.58, -44.67

 

CMYK 78 / 44 / 0 / 87

HEX #071220

RGB 7 18 32

HSL 213.6, 0.64%, 0.08%

LAB 5.26, 0.47, -10.74

 

CMYK 79 / 44 / 0 / 74

HEX #0E2542

RGB 14 37 66

HSL 213.46, 0.65%, 0.16%

LAB 14.46, 2.64, -21

 

CMYK 78 / 44 / 0 / 61

HEX #163864

RGB 22 56 100

HSL 213.85, 0.64%, 0.24%

LAB 23.4, 4.74, -29.53

 

CMYK 78 / 44 / 0 / 47

HEX #1D4B86

RGB 29 75 134

HSL 213.71, 0.64%, 0.32%

LAB 31.84, 6.58, -37.52

 

CMYK 79 / 44 / 0 / 34

HEX #245EA8

RGB 36 94 168

HSL 213.64, 0.65%, 0.4%

LAB 39.93, 8.35, -45.11

 

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

CMYK 20 / 78 / 0 / 61

HEX #501664

RGB 80 22 100

HSL 284.62, 0.64%, 0.24%

LAB 20.83, 39.19, -33.36

 

CMYK 12 / 0 / 78 / 61

HEX #586416

RGB 88 100 22

HSL 69.23, 0.64%, 0.24%

LAB 39.99, -15.79, 39.92

 

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

CMYK 0 / 78 / 43 / 61

HEX #641639

RGB 100 22 57

HSL 333.08, 0.64%, 0.24%

LAB 22.23, 37.38, -1.83

 

CMYK 43 / 0 / 78 / 61

HEX #396416

RGB 57 100 22

HSL 93.08, 0.64%, 0.24%

LAB 37.92, -29.1, 37.19

 

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

CMYK 20 / 78 / 0 / 61

HEX #501664

RGB 80 22 100

HSL 284.62, 0.64%, 0.24%

LAB 20.83, 39.19, -33.36

 

CMYK 0 / 35 / 78 / 61

HEX #644116

RGB 100 65 22

HSL 33.08, 0.64%, 0.24%

LAB 30.75, 10.92, 31.23

 

CMYK 59 / 0 / 78 / 61

HEX #296416

RGB 41 100 22

HSL 105.38, 0.64%, 0.24%

LAB 37.2, -34.54, 36.23

 

CMYK 78 / 44 / 0 / 61

HEX #153864

RGB 21.9 56.2 100

HSL 213.65, 0.64%, 0.24%

LAB 23.46, 4.58, -29.43

 

CMYK 0 / 78 / 4 / 61

HEX #641660

RGB 100 22 96

HSL 303.08, 0.64%, 0.24%

LAB 24.09, 43.12, -25.31

 

CMYK 0 / 35 / 78 / 61

HEX #644116

RGB 100 65 22

HSL 33.08, 0.64%, 0.24%

LAB 30.75, 10.92, 31.23

 

CMYK 78 / 0 / 75 / 61

HEX #166419

RGB 22 100 25

HSL 122.31, 0.64%, 0.24%

LAB 36.66, -38.84, 34.26

 

Description

Color code: RGB 21.9 56.2 100 | qconv.com Color code: RGB 21.9 56.2 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21.9 red, 56.2 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21.9 56.2 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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