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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 204 92 it is the complementary color RGB 235 51 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 204 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 204 92 shade: RGB 25 204 87, RGB 42 222 106, RGB 59 240 125, RGB 76 255 144 and RGB 93 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 204 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 3 186 73, RGB 0 168 54, RGB 0 150 35 and RGB 0 132 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 20 204 42, RGB 47 204 20, RGB 97 204 20 and RGB 146 204 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 20 204 141, RGB 20 204 191, RGB 20 167 204 and RGB 20 117 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 204 92 shade matches the following richer shades: RGB 20 204 92 and RGB 2 222 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 38 186 96, RGB 56 167 100, RGB 74 149 104 and RGB 92 131 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 204 92 shade: RGB 47 204 20, RGB 20 204 41, RGB 20 204 90, RGB 20 204 139 and RGB 20 204 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 204 92 shade: RGB 12 129 58, RGB 16 166 75, RGB 20 204 92, RGB 32 233 111 and RGB 70 236 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 20 96 204 and RGB 204 20 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 90 20 204 and RGB 204 90 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 20 96 204, RGB 204 20 133 and RGB 204 127 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 204 92 shade: RGB 20 204 92, RGB 20 41 204, RGB 204 20 133 and RGB 204 182 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

Complementary color

CMYK 0 / 78 / 31 / 8

HEX #EB33A3

RGB 235 51 163

HSL 323.48, 0.82%, 0.56%

LAB 54.74, 76.11, -17.37

 

CMYK 88 / 0 / 57 / 20

HEX #19CC57

RGB 25 204 87

HSL 140.78, 0.78%, 0.45%

LAB 72.28, -65.76, 46.07

 

CMYK 81 / 0 / 52 / 13

HEX #2ADE6A

RGB 42 222 106

HSL 141.33, 0.73%, 0.52%

LAB 78.33, -67.39, 44.48

 

CMYK 75 / 0 / 48 / 6

HEX #3BF07D

RGB 59 240 125

HSL 141.88, 0.86%, 0.59%

LAB 84.34, -68.54, 42.92

 

CMYK 70 / 0 / 44 / 0

HEX #4CFF90

RGB 76 255 144

HSL 142.79, 1%, 0.65%

LAB 89.43, -68.29, 40.26

 

CMYK 64 / 0 / 36 / 0

HEX #5DFFA3

RGB 93 255 163

HSL 145.93, 1%, 0.68%

LAB 90.09, -62.21, 31.82

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 98 / 0 / 61 / 27

HEX #03BA49

RGB 3 186 73

HSL 142.95, 0.97%, 0.37%

LAB 66.23, -63.11, 45.38

 

CMYK 100 / 0 / 68 / 34

HEX #00A836

RGB 0 168 54

HSL 139.29, 1%, 0.33%

LAB 60.13, -59.96, 46.89

 

CMYK 100 / 0 / 77 / 41

HEX #009623

RGB 0 150 35

HSL 134, 1%, 0.29%

LAB 53.96, -56.34, 47.9

 

CMYK 100 / 0 / 88 / 48

HEX #008410

RGB 0 132 16

HSL 127.27, 1%, 0.26%

LAB 47.68, -52.24, 47.79

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 90 / 0 / 79 / 20

HEX #14CC2A

RGB 20 204 42

HSL 127.17, 0.82%, 0.44%

LAB 71.89, -70.47, 63.11

 

CMYK 77 / 0 / 90 / 20

HEX #2FCC14

RGB 47 204 20

HSL 111.2, 0.82%, 0.44%

LAB 72.12, -68.75, 68.46

 

CMYK 52 / 0 / 90 / 20

HEX #61CC14

RGB 97 204 20

HSL 94.89, 0.82%, 0.44%

LAB 73.4, -58.1, 70.05

 

CMYK 28 / 0 / 90 / 20

HEX #92CC14

RGB 146 204 20

HSL 78.91, 0.82%, 0.44%

LAB 75.67, -41.67, 72.85

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 90 / 0 / 31 / 20

HEX #14CC8D

RGB 20 204 141

HSL 159.46, 0.82%, 0.44%

LAB 73.06, -56.47, 19.85

 

CMYK 90 / 0 / 6 / 20

HEX #14CCBF

RGB 20 204 191

HSL 175.76, 0.82%, 0.44%

LAB 74.25, -43.79, -5.33

 

CMYK 90 / 18 / 0 / 20

HEX #14A7CC

RGB 20 167 204

HSL 192.07, 0.82%, 0.44%

LAB 63.46, -22.13, -28.78

 

CMYK 90 / 43 / 0 / 20

HEX #1475CC

RGB 20 117 204

HSL 208.37, 0.82%, 0.44%

LAB 48.55, 6.48, -52.24

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 99 / 0 / 60 / 13

HEX #02DE58

RGB 2 222 88

HSL 143.45, 0.98%, 0.44%

LAB 77.85, -72.2, 52.08

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 80 / 0 / 48 / 27

HEX #26BA60

RGB 38 186 96

HSL 143.51, 0.66%, 0.44%

LAB 66.81, -57.21, 35.06

 

CMYK 66 / 0 / 40 / 35

HEX #38A764

RGB 56 167 100

HSL 143.78, 0.5%, 0.44%

LAB 61.13, -46.67, 25.72

 

CMYK 50 / 0 / 30 / 42

HEX #4A9568

RGB 74 149 104

HSL 144, 0.34%, 0.44%

LAB 56.04, -34.03, 16.78

 

CMYK 30 / 0 / 18 / 49

HEX #5C836B

RGB 92 131 107

HSL 143.08, 0.17%, 0.44%

LAB 51.35, -18.99, 8.66

 

CMYK 77 / 0 / 90 / 20

HEX #2FCC14

RGB 47 204 20

HSL 111.2, 0.82%, 0.44%

LAB 72.12, -68.75, 68.46

 

CMYK 90 / 0 / 80 / 20

HEX #14CC29

RGB 20 204 41

HSL 126.85, 0.82%, 0.44%

LAB 71.89, -70.53, 63.4

 

CMYK 90 / 0 / 56 / 20

HEX #14CC5A

RGB 20 204 90

HSL 142.83, 0.82%, 0.44%

LAB 72.28, -65.68, 44.66

 

CMYK 90 / 0 / 32 / 20

HEX #14CC8B

RGB 20 204 139

HSL 158.8, 0.82%, 0.44%

LAB 73.02, -56.9, 20.86

 

CMYK 90 / 0 / 8 / 20

HEX #14CCBC

RGB 20 204 188

HSL 174.78, 0.82%, 0.44%

LAB 74.17, -44.63, -3.83

 

CMYK 91 / 0 / 55 / 49

HEX #0C813A

RGB 12 129 58

HSL 143.59, 0.83%, 0.28%

LAB 47.08, -46.02, 30.02

 

CMYK 90 / 0 / 55 / 35

HEX #10A64B

RGB 16 166 75

HSL 143.6, 0.82%, 0.36%

LAB 59.79, -55.76, 36.84

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 86 / 0 / 52 / 9

HEX #20E96F

RGB 32 233 111

HSL 143.58, 0.82%, 0.52%

LAB 81.69, -71.08, 46.21

 

CMYK 70 / 0 / 43 / 7

HEX #46EC87

RGB 70 236 135

HSL 143.49, 0.81%, 0.6%

LAB 83.46, -63.99, 36.95

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 90 / 53 / 0 / 20

HEX #1460CC

RGB 20 96 204

HSL 215.22, 0.82%, 0.44%

LAB 42.57, 19.94, -61.88

 

CMYK 0 / 90 / 89 / 20

HEX #CC1417

RGB 204 20 23

HSL 359.02, 0.82%, 0.44%

LAB 43.36, 65.81, 49.02

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 56 / 90 / 0 / 20

HEX #5A14CC

RGB 90 20 204

HSL 262.83, 0.82%, 0.44%

LAB 31.88, 65.99, -79.26

 

CMYK 0 / 56 / 90 / 20

HEX #CC5A14

RGB 204 90 20

HSL 22.83, 0.82%, 0.44%

LAB 52.06, 42.01, 56.62

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 90 / 53 / 0 / 20

HEX #1460CC

RGB 20 96 204

HSL 215.22, 0.82%, 0.44%

LAB 42.57, 19.94, -61.88

 

CMYK 0 / 90 / 35 / 20

HEX #CC1485

RGB 204 20 133

HSL 323.15, 0.82%, 0.44%

LAB 45.68, 72.24, -13.7

 

CMYK 0 / 38 / 90 / 20

HEX #CC7F14

RGB 204 127 20

HSL 34.89, 0.82%, 0.44%

LAB 59.95, 22.69, 62.52

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5C

RGB 20 204 92

HSL 143.48, 0.82%, 0.44%

LAB 72.3, -65.4, 43.74

 

CMYK 90 / 80 / 0 / 20

HEX #1429CC

RGB 20 41 204

HSL 233.15, 0.82%, 0.44%

LAB 29.65, 53.93, -83.11

 

CMYK 0 / 90 / 35 / 20

HEX #CC1485

RGB 204 20 133

HSL 323.15, 0.82%, 0.44%

LAB 45.68, 72.24, -13.7

 

CMYK 0 / 11 / 90 / 20

HEX #CCB614

RGB 204 182 20

HSL 52.83, 0.82%, 0.44%

LAB 73.77, -6.83, 73.13

 

Description

Color code: RGB 20 204 92 | qconv.com Color code: RGB 20 204 92 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 204 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 204 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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