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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 128 14 it is the complementary color RGB 235 127 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 128 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 128 14 shade: RGB 25 128 9, RGB 42 146 28, RGB 59 164 47, RGB 76 182 66 and RGB 93 200 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 128 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 3 110 0, RGB 0 92 0, RGB 0 74 0 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 51 128 14, RGB 81 128 14, RGB 112 128 14 and RGB 128 113 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 14 128 39, RGB 14 128 69, RGB 14 128 100 and RGB 14 125 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 128 14 shade matches the following richer shades: RGB 20 128 14 and RGB 9 140 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 30 116 25, RGB 40 105 37, RGB 51 93 48 and RGB 61 82 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 128 14 shade: RGB 82 128 14, RGB 52 128 14, RGB 21 128 14, RGB 14 128 37 and RGB 14 128 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 128 14 shade: RGB 8 54 6, RGB 14 91 10, RGB 20 128 14, RGB 26 165 18 and RGB 32 202 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 14 113 128 and RGB 128 14 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 14 21 128 and RGB 128 14 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 14 113 128, RGB 120 14 128 and RGB 128 29 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 128 14 shade: RGB 20 128 14, RGB 14 79 128, RGB 120 14 128 and RGB 128 63 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

Complementary color

CMYK 2 / 47 / 0 / 5

HEX #EB7FF1

RGB 235 127 241

HSL 296.84, 0.8%, 0.72%

LAB 68.89, 57.53, -39.75

 

CMYK 80 / 0 / 93 / 50

HEX #198009

RGB 25 128 9

HSL 111.93, 0.87%, 0.27%

LAB 46.53, -48.87, 48.42

 

CMYK 71 / 0 / 81 / 43

HEX #2A921C

RGB 42 146 28

HSL 112.88, 0.68%, 0.34%

LAB 53.1, -50.93, 49.6

 

CMYK 64 / 0 / 71 / 36

HEX #3BA42F

RGB 59 164 47

HSL 113.85, 0.55%, 0.41%

LAB 59.6, -52.17, 49.43

 

CMYK 58 / 0 / 64 / 29

HEX #4CB642

RGB 76 182 66

HSL 114.83, 0.47%, 0.49%

LAB 66.05, -52.87, 48.61

 

CMYK 54 / 0 / 58 / 22

HEX #5DC855

RGB 93 200 85

HSL 115.83, 0.51%, 0.56%

LAB 72.42, -53.23, 47.51

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 97 / 0 / 100 / 57

HEX #036E00

RGB 3 110 0

HSL 118.36, 1%, 0.22%

LAB 39.87, -46.09, 44.81

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 60 / 0 / 89 / 50

HEX #33800E

RGB 51 128 14

HSL 100.53, 0.8%, 0.28%

LAB 47.2, -43.15, 48.2

 

CMYK 37 / 0 / 89 / 50

HEX #51800E

RGB 81 128 14

HSL 84.74, 0.8%, 0.28%

LAB 48.54, -33.1, 49.88

 

CMYK 13 / 0 / 89 / 50

HEX #70800E

RGB 112 128 14

HSL 68.42, 0.8%, 0.28%

LAB 50.59, -19.97, 52.43

 

CMYK 0 / 12 / 89 / 50

HEX #80710E

RGB 128 113 14

HSL 52.11, 0.8%, 0.28%

LAB 47.54, -4.34, 50.49

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 89 / 0 / 70 / 50

HEX #0E8027

RGB 14 128 39

HSL 133.16, 0.8%, 0.28%

LAB 46.55, -48.08, 38.64

 

CMYK 89 / 0 / 46 / 50

HEX #0E8045

RGB 14 128 69

HSL 148.95, 0.8%, 0.28%

LAB 46.92, -43.54, 23.9

 

CMYK 89 / 0 / 22 / 50

HEX #0E8064

RGB 14 128 100

HSL 165.26, 0.8%, 0.28%

LAB 47.56, -36.36, 7

 

CMYK 89 / 2 / 0 / 50

HEX #0E7D80

RGB 14 125 128

HSL 181.58, 0.8%, 0.28%

LAB 47.39, -26.57, -9.77

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 94 / 0 / 99 / 45

HEX #098C02

RGB 9 140 2

HSL 116.96, 0.97%, 0.28%

LAB 50.47, -54.47, 52.96

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 74 / 0 / 78 / 55

HEX #1E7419

RGB 30 116 25

HSL 116.7, 0.65%, 0.28%

LAB 42.52, -43.08, 40.28

 

CMYK 62 / 0 / 65 / 59

HEX #286925

RGB 40 105 37

HSL 117.35, 0.48%, 0.28%

LAB 39.05, -35.36, 31.42

 

CMYK 45 / 0 / 48 / 64

HEX #335D30

RGB 51 93 48

HSL 116, 0.32%, 0.28%

LAB 35.49, -24.94, 21.32

 

CMYK 26 / 0 / 27 / 68

HEX #3D523C

RGB 61 82 60

HSL 117.27, 0.15%, 0.28%

LAB 32.6, -13.11, 10.35

 

CMYK 36 / 0 / 89 / 50

HEX #52800E

RGB 82 128 14

HSL 84.21, 0.8%, 0.28%

LAB 48.59, -32.71, 49.95

 

CMYK 59 / 0 / 89 / 50

HEX #34800E

RGB 52 128 14

HSL 100, 0.8%, 0.28%

LAB 47.24, -42.87, 48.24

 

CMYK 84 / 0 / 89 / 50

HEX #15800E

RGB 21 128 14

HSL 116.32, 0.8%, 0.28%

LAB 46.48, -49.23, 47.29

 

CMYK 89 / 0 / 71 / 50

HEX #0E8025

RGB 14 128 37

HSL 132.11, 0.8%, 0.28%

LAB 46.53, -48.3, 39.5

 

CMYK 89 / 0 / 48 / 50

HEX #0E8043

RGB 14 128 67

HSL 147.89, 0.8%, 0.28%

LAB 46.89, -43.92, 24.96

 

CMYK 85 / 0 / 89 / 79

HEX #083606

RGB 8 54 6

HSL 117.5, 0.8%, 0.12%

LAB 18.81, -25.99, 23.6

 

CMYK 85 / 0 / 89 / 64

HEX #0E5B0A

RGB 14 91 10

HSL 117.04, 0.8%, 0.2%

LAB 33.13, -38.18, 36.3

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 84 / 0 / 89 / 35

HEX #1AA512

RGB 26 165 18

HSL 116.73, 0.8%, 0.36%

LAB 59.13, -59.86, 57.54

 

CMYK 84 / 0 / 89 / 21

HEX #20CA16

RGB 32 202 22

HSL 116.67, 0.8%, 0.44%

LAB 71.29, -69.89, 67.32

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 89 / 12 / 0 / 50

HEX #0E7180

RGB 14 113 128

HSL 187.89, 0.8%, 0.28%

LAB 43.45, -20.35, -15.73

 

CMYK 0 / 89 / 48 / 50

HEX #800E43

RGB 128 14 67

HSL 332.11, 0.8%, 0.28%

LAB 27.6, 48.69, -0.1

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 89 / 84 / 0 / 50

HEX #0E1580

RGB 14 21 128

HSL 236.32, 0.8%, 0.28%

LAB 16.45, 38.94, -58.9

 

CMYK 0 / 89 / 84 / 50

HEX #800E15

RGB 128 14 21

HSL 356.32, 0.8%, 0.28%

LAB 26.61, 45.85, 29.19

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 89 / 12 / 0 / 50

HEX #0E7180

RGB 14 113 128

HSL 187.89, 0.8%, 0.28%

LAB 43.45, -20.35, -15.73

 

CMYK 6 / 89 / 0 / 50

HEX #780E80

RGB 120 14 128

HSL 295.79, 0.8%, 0.28%

LAB 29.07, 55.15, -37.72

 

CMYK 0 / 77 / 89 / 50

HEX #801D0E

RGB 128 29 14

HSL 7.89, 0.8%, 0.28%

LAB 28.11, 41.25, 34.45

 

CMYK 84 / 0 / 89 / 50

HEX #14800E

RGB 20 128 14

HSL 116.84, 0.8%, 0.28%

LAB 46.47, -49.36, 47.27

 

CMYK 89 / 38 / 0 / 50

HEX #0E4F80

RGB 14 79 128

HSL 205.79, 0.8%, 0.28%

LAB 32.36, -0.12, -33.02

 

CMYK 6 / 89 / 0 / 50

HEX #780E80

RGB 120 14 128

HSL 295.79, 0.8%, 0.28%

LAB 29.07, 55.15, -37.72

 

CMYK 0 / 51 / 89 / 50

HEX #803F0E

RGB 128 63 14

HSL 25.79, 0.8%, 0.28%

LAB 34.35, 24.86, 39.66

 

Description

Color code: RGB 20 128 14 | qconv.com Color code: RGB 20 128 14 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 128 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 128 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 89 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 89% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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