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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 103 219 it is the complementary color RGB 235 152 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 103 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 103 219 shade: RGB 25 103 214, RGB 42 121 233, RGB 59 139 252, RGB 76 157 255 and RGB 93 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 103 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 3 85 200, RGB 0 67 181, RGB 0 49 162 and RGB 0 31 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 20 49 219, RGB 44 20 219, RGB 98 20 219 and RGB 151 20 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 20 49 219 and RGB 20 20 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 103 219 shade matches the following richer shades: RGB 20 103 219 and RGB 0 100 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 39 106 199, RGB 59 109 180, RGB 78 113 161 and RGB 97 116 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 103 219 shade: RGB 20 212 219, RGB 20 159 219, RGB 20 106 219, RGB 20 53 219 and RGB 40 20 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 103 219 shade: RGB 13 67 143, RGB 16 85 181, RGB 20 103 219, RGB 45 124 235 and RGB 83 148 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 172 20 219 and RGB 186 219 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 219 20 106 and RGB 106 219 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 172 20 219, RGB 219 133 20 and RGB 66 219 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 103 219 shade: RGB 20 103 219, RGB 219 20 206, RGB 219 133 20 and RGB 20 219 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

Complementary color

CMYK 0 / 35 / 85 / 8

HEX #EB9824

RGB 235 152 36

HSL 34.97, 0.83%, 0.53%

LAB 69.64, 22.86, 67.45

 

CMYK 88 / 52 / 0 / 16

HEX #1967D6

RGB 25 103 214

HSL 215.24, 0.79%, 0.47%

LAB 45.31, 19.59, -63.18

 

CMYK 82 / 48 / 0 / 9

HEX #2A79E9

RGB 42 121 233

HSL 215.18, 0.81%, 0.54%

LAB 51.89, 16.66, -63.24

 

CMYK 77 / 45 / 0 / 1

HEX #3B8BFC

RGB 59 139 252

HSL 215.13, 0.97%, 0.61%

LAB 58.44, 14.23, -63.23

 

CMYK 70 / 38 / 0 / 0

HEX #4C9DFF

RGB 76 157 255

HSL 212.85, 1%, 0.65%

LAB 64.06, 6.66, -55.86

 

CMYK 64 / 31 / 0 / 0

HEX #5DAFFF

RGB 93 175 255

HSL 209.63, 1%, 0.68%

LAB 69.62, -1.04, -47.03

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 99 / 58 / 0 / 22

HEX #0355C8

RGB 3 85 200

HSL 215.03, 0.97%, 0.4%

LAB 39.05, 24.96, -65.32

 

CMYK 100 / 63 / 0 / 29

HEX #0043B5

RGB 0 67 181

HSL 217.79, 1%, 0.35%

LAB 32.59, 29.3, -64.74

 

CMYK 100 / 70 / 0 / 36

HEX #0031A2

RGB 0 49 162

HSL 221.85, 1%, 0.32%

LAB 26.17, 33.82, -63.91

 

CMYK 100 / 78 / 0 / 44

HEX #001F8F

RGB 0 31 143

HSL 226.99, 1%, 0.28%

LAB 19.9, 38.06, -62.62

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 91 / 78 / 0 / 14

HEX #1431DB

RGB 20 49 219

HSL 231.26, 0.83%, 0.47%

LAB 32.83, 54.66, -86.52

 

CMYK 80 / 91 / 0 / 14

HEX #2C14DB

RGB 44 20 219

HSL 247.24, 0.83%, 0.47%

LAB 29.79, 67.17, -91.56

 

CMYK 55 / 91 / 0 / 14

HEX #6214DB

RGB 98 20 219

HSL 263.52, 0.83%, 0.47%

LAB 34.42, 70.2, -83.73

 

CMYK 31 / 91 / 0 / 14

HEX #9714DB

RGB 151 20 219

HSL 279.5, 0.83%, 0.47%

LAB 41.52, 75.79, -71.79

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 91 / 78 / 0 / 14

HEX #1431DB

RGB 20 49 219

HSL 231.26, 0.83%, 0.47%

LAB 32.83, 54.66, -86.52

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 100 / 58 / 0 / 7

HEX #0064EE

RGB 0 100 238

HSL 214.79, 1%, 0.47%

LAB 46.03, 29.99, -75.6

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 80 / 47 / 0 / 22

HEX #276AC7

RGB 39 106 199

HSL 214.88, 0.67%, 0.47%

LAB 45.45, 12.94, -54.34

 

CMYK 67 / 39 / 0 / 29

HEX #3B6DB4

RGB 59 109 180

HSL 215.21, 0.51%, 0.47%

LAB 45.86, 6.61, -42.65

 

CMYK 52 / 30 / 0 / 37

HEX #4E71A1

RGB 78 113 161

HSL 214.7, 0.35%, 0.47%

LAB 46.98, 1.59, -29.7

 

CMYK 31 / 18 / 0 / 45

HEX #61748D

RGB 97 116 141

HSL 214.09, 0.18%, 0.47%

LAB 48.2, -0.76, -15.92

 

CMYK 91 / 3 / 0 / 14

HEX #14D4DB

RGB 20 212 219

HSL 182.11, 0.83%, 0.47%

LAB 77.49, -39.15, -15.59

 

CMYK 91 / 27 / 0 / 14

HEX #149FDB

RGB 20 159 219

HSL 198.09, 0.83%, 0.47%

LAB 61.71, -12.57, -39.84

 

CMYK 91 / 52 / 0 / 14

HEX #146ADB

RGB 20 106 219

HSL 214.07, 0.83%, 0.47%

LAB 46.41, 19.35, -64.24

 

CMYK 91 / 76 / 0 / 14

HEX #1435DB

RGB 20 53 219

HSL 230.05, 0.83%, 0.47%

LAB 33.58, 52.51, -85.27

 

CMYK 82 / 91 / 0 / 14

HEX #2814DB

RGB 40 20 219

HSL 246.03, 0.83%, 0.47%

LAB 29.58, 67.04, -91.91

 

CMYK 91 / 53 / 0 / 44

HEX #0D438F

RGB 13 67 143

HSL 215.08, 0.83%, 0.31%

LAB 29.62, 14.24, -46.66

 

CMYK 91 / 53 / 0 / 29

HEX #1055B5

RGB 16 85 181

HSL 214.91, 0.84%, 0.39%

LAB 37.74, 17.81, -56.33

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 81 / 47 / 0 / 8

HEX #2D7CEB

RGB 45 124 235

HSL 215.05, 0.83%, 0.55%

LAB 52.92, 15.8, -62.71

 

CMYK 65 / 38 / 0 / 6

HEX #5394EF

RGB 83 148 239

HSL 215, 0.83%, 0.63%

LAB 61, 7.53, -51.92

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 21 / 91 / 0 / 14

HEX #AC14DB

RGB 172 20 219

HSL 285.83, 0.83%, 0.47%

LAB 44.78, 78.63, -66.34

 

CMYK 15 / 0 / 91 / 14

HEX #BADB14

RGB 186 219 20

HSL 69.95, 0.83%, 0.47%

LAB 82.46, -32.67, 79.36

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 0 / 91 / 52 / 14

HEX #DB146A

RGB 219 20 106

HSL 334.07, 0.83%, 0.47%

LAB 47.75, 73.27, 6.28

 

CMYK 52 / 0 / 91 / 14

HEX #6ADB14

RGB 106 219 20

HSL 94.07, 0.83%, 0.47%

LAB 78.33, -60.95, 74.29

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 21 / 91 / 0 / 14

HEX #AC14DB

RGB 172 20 219

HSL 285.83, 0.83%, 0.47%

LAB 44.78, 78.63, -66.34

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 70 / 0 / 91 / 14

HEX #42DB14

RGB 66 219 20

HSL 106.13, 0.83%, 0.47%

LAB 77.2, -70.22, 72.89

 

CMYK 91 / 53 / 0 / 14

HEX #1467DB

RGB 20 103 219

HSL 214.97, 0.83%, 0.47%

LAB 45.58, 21.28, -65.58

 

CMYK 0 / 91 / 6 / 14

HEX #DB14CE

RGB 219 20 206

HSL 303.92, 0.83%, 0.47%

LAB 51.86, 84.09, -47.08

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 91 / 0 / 85 / 14

HEX #14DB21

RGB 20 219 33

HSL 123.92, 0.83%, 0.47%

LAB 76.63, -75.14, 69.77

 

Description

Color code: RGB 20 103 219 | qconv.com Color code: RGB 20 103 219 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 103 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 103 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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