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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 98 180 it is the complementary color RGB 46 157 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 98 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 98 180 shade: RGB 214 98 175, RGB 231 116 194, RGB 248 134 213, RGB 255 152 232 and RGB 255 170 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 98 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 98 180 shade: RGB 209 98 180, RGB 192 80 161, RGB 175 62 142, RGB 158 44 123 and RGB 141 26 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 98 180 shade: RGB 209 97 180, RGB 209 97 150, RGB 209 97 119 and RGB 209 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 98 180 shade: RGB 209 97 180, RGB 208 97 209, RGB 178 97 209, RGB 148 97 209 and RGB 117 97 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 98 180 shade matches the following richer shades: RGB 209 97 180, RGB 226 80 188 and RGB 242 64 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 98 180 shade: RGB 209 97 180, RGB 193 113 172, RGB 176 130 164, RGB 160 146 156 and RGB 143 163 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 98 180 shade: RGB 177 97 209, RGB 207 97 209, RGB 209 97 181, RGB 209 97 151 and RGB 209 97 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 98 180 shade: RGB 173 50 141, RGB 200 65 165, RGB 209 97 180, RGB 218 129 195 and RGB 228 161 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 98 180 shade: RGB 209 98 180, RGB 209 147 97 and RGB 97 209 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 98 180 shade: RGB 209 98 180, RGB 181 209 97 and RGB 97 181 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 98 180 shade: RGB 209 98 180, RGB 209 147 97, RGB 97 209 125 and RGB 97 159 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 98 180 shade: RGB 209 98 180, RGB 209 181 97, RGB 97 209 125 and RGB 97 125 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

Complementary color

CMYK 71 / 0 / 52 / 38

HEX #2E9D4B

RGB 46 157 75

HSL 135.68, 0.55%, 0.4%

LAB 57.27, -48.95, 33.87

 

CMYK 0 / 54 / 18 / 16

HEX #D662AF

RGB 214 98 175

HSL 320.17, 0.59%, 0.61%

LAB 58.16, 54.54, -19.45

 

CMYK 0 / 50 / 16 / 9

HEX #E774C2

RGB 231 116 194

HSL 319.3, 0.71%, 0.68%

LAB 64.46, 53.92, -20.46

 

CMYK 0 / 46 / 14 / 3

HEX #F886D5

RGB 248 134 213

HSL 318.42, 0.89%, 0.75%

LAB 70.74, 53.24, -21.32

 

CMYK 0 / 40 / 9 / 0

HEX #FF98E8

RGB 255 152 232

HSL 313.4, 1%, 0.8%

LAB 75.79, 49.43, -23.98

 

CMYK 0 / 33 / 2 / 0

HEX #FFAAFB

RGB 255 170 251

HSL 302.82, 1%, 0.83%

LAB 80.17, 43.45, -27.57

 

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

CMYK 0 / 58 / 16 / 25

HEX #C050A1

RGB 192 80 161

HSL 316.61, 0.47%, 0.53%

LAB 51.29, 54.29, -22.09

 

CMYK 0 / 65 / 19 / 31

HEX #AF3E8E

RGB 175 62 142

HSL 317.52, 0.48%, 0.46%

LAB 44.96, 54.52, -20.72

 

CMYK 0 / 72 / 22 / 38

HEX #9E2C7B

RGB 158 44 123

HSL 318.42, 0.56%, 0.4%

LAB 38.73, 54.28, -18.93

 

CMYK 0 / 82 / 26 / 45

HEX #8D1A68

RGB 141 26 104

HSL 319.3, 0.69%, 0.33%

LAB 32.7, 53.2, -16.48

 

CMYK 0 / 54 / 14 / 18

HEX #D161B4

RGB 209 97 180

HSL 315.54, 0.55%, 0.6%

LAB 57.46, 54.28, -23.45

 

CMYK 0 / 54 / 28 / 18

HEX #D16196

RGB 209 97 150

HSL 331.61, 0.55%, 0.6%

LAB 56.39, 49.97, -7.66

 

CMYK 0 / 54 / 43 / 18

HEX #D16177

RGB 209 97 119

HSL 348.21, 0.55%, 0.6%

LAB 55.52, 46.31, 9.26

 

CMYK 0 / 54 / 54 / 18

HEX #D16161

RGB 209 97 97

HSL 0, 0.55%, 0.6%

LAB 55.04, 44.25, 21.49

 

CMYK 0 / 54 / 14 / 18

HEX #D161B4

RGB 209 97 180

HSL 315.54, 0.55%, 0.6%

LAB 57.46, 54.28, -23.45

 

CMYK 0 / 54 / 0 / 18

HEX #D061D1

RGB 208 97 209

HSL 299.46, 0.55%, 0.6%

LAB 58.57, 58.81, -38.31

 

CMYK 15 / 54 / 0 / 18

HEX #B261D1

RGB 178 97 209

HSL 283.39, 0.55%, 0.6%

LAB 54.68, 50.79, -44.7

 

CMYK 29 / 54 / 0 / 18

HEX #9461D1

RGB 148 97 209

HSL 267.32, 0.55%, 0.6%

LAB 51.21, 42.99, -50.43

 

CMYK 44 / 54 / 0 / 18

HEX #7561D1

RGB 117 97 209

HSL 250.71, 0.55%, 0.6%

LAB 48.18, 35.49, -55.45

 

CMYK 0 / 54 / 14 / 18

HEX #D161B4

RGB 209 97 180

HSL 315.54, 0.55%, 0.6%

LAB 57.46, 54.28, -23.45

 

CMYK 0 / 65 / 17 / 11

HEX #E250BC

RGB 226 80 188

HSL 315.62, 0.72%, 0.6%

LAB 57.59, 67.54, -27.64

 

CMYK 0 / 74 / 19 / 5

HEX #F240C4

RGB 242 64 196

HSL 315.51, 0.87%, 0.6%

LAB 58.54, 78.04, -30.57

 

CMYK 0 / 54 / 14 / 18

HEX #D161B4

RGB 209 97 180

HSL 315.54, 0.55%, 0.6%

LAB 57.46, 54.28, -23.45

 

CMYK 0 / 41 / 11 / 24

HEX #C171AC

RGB 193 113 172

HSL 315.75, 0.39%, 0.6%

LAB 58.16, 39.91, -17.97

 

CMYK 0 / 26 / 7 / 31

HEX #B082A4

RGB 176 130 164

HSL 315.65, 0.23%, 0.6%

LAB 59.78, 23.33, -11.13

 

CMYK 0 / 9 / 2 / 37

HEX #A0929C

RGB 160 146 156

HSL 317.14, 0.07%, 0.6%

LAB 62.02, 7.03, -3.39

 

CMYK 12 / 0 / 9 / 36

HEX #8FA394

RGB 143 163 148

HSL 135, 0.1%, 0.6%

LAB 65.1, -10, 5.42

 

CMYK 15 / 54 / 0 / 18

HEX #B161D1

RGB 177 97 209

HSL 282.86, 0.55%, 0.6%

LAB 54.55, 50.53, -44.9

 

CMYK 1 / 54 / 0 / 18

HEX #CF61D1

RGB 207 97 209

HSL 298.93, 0.55%, 0.6%

LAB 58.43, 58.54, -38.53

 

CMYK 0 / 54 / 13 / 18

HEX #D161B5

RGB 209 97 181

HSL 315, 0.55%, 0.6%

LAB 57.5, 54.44, -23.97

 

CMYK 0 / 54 / 28 / 18

HEX #D16197

RGB 209 97 151

HSL 331.07, 0.55%, 0.6%

LAB 56.43, 50.1, -8.2

 

CMYK 0 / 54 / 42 / 18

HEX #D16179

RGB 209 97 121

HSL 347.14, 0.55%, 0.6%

LAB 55.57, 46.52, 8.15

 

CMYK 0 / 71 / 18 / 32

HEX #AD328D

RGB 173 50 141

HSL 315.61, 0.55%, 0.44%

LAB 42.9, 58.53, -23.33

 

CMYK 0 / 68 / 18 / 22

HEX #C841A5

RGB 200 65 165

HSL 315.56, 0.55%, 0.52%

LAB 50.42, 63.33, -25.68

 

CMYK 0 / 54 / 14 / 18

HEX #D161B4

RGB 209 97 180

HSL 315.54, 0.55%, 0.6%

LAB 57.46, 54.28, -23.45

 

CMYK 0 / 41 / 11 / 15

HEX #DA81C3

RGB 218 129 195

HSL 315.51, 0.55%, 0.68%

LAB 65.39, 43.47, -19.75

 

CMYK 0 / 29 / 8 / 11

HEX #E4A1D2

RGB 228 161 210

HSL 316.12, 0.55%, 0.76%

LAB 73.96, 32.35, -15.02

 

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

CMYK 0 / 30 / 54 / 18

HEX #D19361

RGB 209 147 97

HSL 26.79, 0.55%, 0.6%

LAB 65.97, 17.86, 35.63

 

CMYK 54 / 0 / 8 / 18

HEX #61D1C0

RGB 97 209 192

HSL 170.89, 0.55%, 0.6%

LAB 77.25, -36.05, -1.29

 

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

CMYK 13 / 0 / 54 / 18

HEX #B5D161

RGB 181 209 97

HSL 75, 0.55%, 0.6%

LAB 79.78, -26, 51.72

 

CMYK 54 / 13 / 0 / 18

HEX #61B5D1

RGB 97 181 209

HSL 195, 0.55%, 0.6%

LAB 69.61, -17.71, -21.96

 

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

CMYK 0 / 30 / 54 / 18

HEX #D19361

RGB 209 147 97

HSL 26.79, 0.55%, 0.6%

LAB 65.97, 17.86, 35.63

 

CMYK 54 / 0 / 40 / 18

HEX #61D17D

RGB 97 209 125

HSL 135, 0.55%, 0.6%

LAB 75.84, -50.09, 32.19

 

CMYK 54 / 24 / 0 / 18

HEX #619FD1

RGB 97 159 209

HSL 206.79, 0.55%, 0.6%

LAB 63.29, -5.81, -31.66

 

CMYK 0 / 53 / 14 / 18

HEX #D162B4

RGB 209 98 180

HSL 315.68, 0.55%, 0.6%

LAB 57.64, 53.81, -23.18

 

CMYK 0 / 13 / 54 / 18

HEX #D1B561

RGB 209 181 97

HSL 45, 0.55%, 0.6%

LAB 74.49, -0.4, 46.04

 

CMYK 54 / 0 / 40 / 18

HEX #61D17D

RGB 97 209 125

HSL 135, 0.55%, 0.6%

LAB 75.84, -50.09, 32.19

 

CMYK 54 / 40 / 0 / 18

HEX #617DD1

RGB 97 125 209

HSL 225, 0.55%, 0.6%

LAB 53.83, 14.05, -46.51

 

Description

Color code: RGB 209 98 180 | qconv.com Color code: RGB 209 98 180 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 98 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 98 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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