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Color name
RGB 209 92.2 138.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 92.2 138.6 it is the complementary color RGB 46 162.8 116.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 92.2 138.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 92.2 138.6 shade: RGB 214 92.2 133.6, RGB 231 110.2 152.6, RGB 248 128.2 171.6, RGB 255 146.2 190.6 and RGB 255 164.2 209.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 92.2 138.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 92.2 138.6 shade: RGB 209 92.2 138.6, RGB 192 74.2 119.6, RGB 175 56.2 100.6, RGB 158 38.2 81.6 and RGB 141 20.2 62.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 92.2 138.6 shade: RGB 209 92 138, RGB 209 92 107 and RGB 209 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 92.2 138.6 shade: RGB 209 92 138, RGB 209 92 170, RGB 209 92 202, RGB 185 92 209 and RGB 153 92 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 92.2 138.6 shade matches the following richer shades: RGB 209 92 138, RGB 226 75 135 and RGB 243 58 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 92.2 138.6 shade: RGB 209 92 138, RGB 192 109 142, RGB 175 126 145, RGB 158 143 149 and RGB 141 160 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 92.2 138.6 shade: RGB 209 92 201, RGB 209 92 170, RGB 209 92 139, RGB 209 92 108 and RGB 209 108 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 92.2 138.6 shade: RGB 170 48 97, RGB 200 60 115, RGB 209 92 138, RGB 218 124 161 and RGB 227 156 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 92.2 138.6 shade: RGB 209 92.2 138.6, RGB 209 186 92 and RGB 92 186 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 92.2 138.6 shade: RGB 209 92.2 138.6, RGB 139 209 92 and RGB 92 139 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 92.2 138.6 shade: RGB 209 92.2 138.6, RGB 209 186 92, RGB 92 209 162 and RGB 92 115 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 92.2 138.6 shade: RGB 209 92.2 138.6, RGB 197 209 92, RGB 92 209 162 and RGB 104 92 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

Complementary color

CMYK 72 / 0 / 29 / 36

HEX #2EA274

RGB 46 162.8 116.4

HSL 156.16, 0.56%, 0.41%

LAB 59.87, -43.3, 15.01

 

CMYK 0 / 57 / 38 / 16

HEX #D65C85

RGB 214 92.2 133.6

HSL 339.61, 0.6%, 0.6%

LAB 55.78, 51.86, 1.14

 

CMYK 0 / 52 / 34 / 9

HEX #E76E98

RGB 231 110.2 152.6

HSL 338.94, 0.72%, 0.67%

LAB 62.06, 51.12, -0.45

 

CMYK 0 / 48 / 31 / 3

HEX #F880AB

RGB 248 128.2 171.6

HSL 338.26, 0.9%, 0.74%

LAB 68.32, 50.31, -1.81

 

CMYK 0 / 43 / 25 / 0

HEX #FF92BE

RGB 255 146.2 190.6

HSL 335.51, 1%, 0.79%

LAB 73.3, 46.16, -4.98

 

CMYK 0 / 36 / 18 / 0

HEX #FFA4D1

RGB 255 164.2 209.6

HSL 330, 1%, 0.82%

LAB 77.59, 39.67, -9.06

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

CMYK 0 / 61 / 38 / 25

HEX #C04A77

RGB 192 74.2 119.6

HSL 336.88, 0.48%, 0.52%

LAB 48.86, 51.42, -1.03

 

CMYK 0 / 68 / 43 / 31

HEX #AF3864

RGB 175 56.2 100.6

HSL 337.58, 0.51%, 0.45%

LAB 42.6, 51.74, 1.14

 

CMYK 0 / 76 / 48 / 38

HEX #9E2651

RGB 158 38.2 81.6

HSL 338.26, 0.61%, 0.38%

LAB 36.5, 51.54, 3.94

 

CMYK 0 / 86 / 56 / 45

HEX #8D143E

RGB 141 20.2 62.6

HSL 338.94, 0.75%, 0.32%

LAB 30.7, 50.41, 7.65

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 56 / 49 / 18

HEX #D15C6B

RGB 209 92 107

HSL 352.31, 0.56%, 0.59%

LAB 54.31, 47.55, 14.64

 

CMYK 0 / 56 / 56 / 18

HEX #D15C5C

RGB 209 92 92

HSL 0, 0.56%, 0.59%

LAB 54.01, 46.27, 23.04

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 56 / 19 / 18

HEX #D15CAA

RGB 209 92 170

HSL 320, 0.56%, 0.59%

LAB 56.2, 55.11, -19.61

 

CMYK 0 / 56 / 3 / 18

HEX #D15CCA

RGB 209 92 202

HSL 303.59, 0.56%, 0.59%

LAB 57.53, 60.16, -35.94

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 27 / 56 / 0 / 18

HEX #995CD1

RGB 153 92 209

HSL 271.28, 0.56%, 0.59%

LAB 50.72, 46.96, -51.17

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 67 / 40 / 11

HEX #E24B87

RGB 226 75 135

HSL 336.16, 0.72%, 0.59%

LAB 55.02, 63.03, -0.56

 

CMYK 0 / 76 / 46 / 5

HEX #F33A83

RGB 243 58 131

HSL 336.32, 0.89%, 0.59%

LAB 55.81, 73.05, 3.31

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 43 / 26 / 25

HEX #C06D8E

RGB 192 109 142

HSL 336.14, 0.4%, 0.59%

LAB 56.18, 37.02, -3.56

 

CMYK 0 / 28 / 17 / 31

HEX #AF7E91

RGB 175 126 145

HSL 336.73, 0.23%, 0.59%

LAB 58.11, 21.93, -2.69

 

CMYK 0 / 9 / 6 / 38

HEX #9E8F95

RGB 158 143 149

HSL 336, 0.07%, 0.59%

LAB 60.86, 6.67, -1.15

 

CMYK 12 / 0 / 5 / 37

HEX #8DA098

RGB 141 160 152

HSL 154.74, 0.09%, 0.59%

LAB 64.22, -8.3, 1.9

 

CMYK 0 / 56 / 4 / 18

HEX #D15CC9

RGB 209 92 201

HSL 304.1, 0.56%, 0.59%

LAB 57.49, 60, -35.44

 

CMYK 0 / 56 / 19 / 18

HEX #D15CAA

RGB 209 92 170

HSL 320, 0.56%, 0.59%

LAB 56.2, 55.11, -19.61

 

CMYK 0 / 56 / 33 / 18

HEX #D15C8B

RGB 209 92 139

HSL 335.9, 0.56%, 0.59%

LAB 55.15, 50.96, -3.05

 

CMYK 0 / 56 / 48 / 18

HEX #D15C6C

RGB 209 92 108

HSL 351.79, 0.56%, 0.59%

LAB 54.34, 47.64, 14.08

 

CMYK 0 / 48 / 56 / 18

HEX #D16C5C

RGB 209 108 92

HSL 8.21, 0.56%, 0.59%

LAB 57.13, 38.3, 27.12

 

CMYK 0 / 72 / 43 / 33

HEX #AA3061

RGB 170 48 97

HSL 335.9, 0.56%, 0.43%

LAB 40.45, 53.05, 0.15

 

CMYK 0 / 70 / 43 / 22

HEX #C83C73

RGB 200 60 115

HSL 336.43, 0.56%, 0.51%

LAB 47.94, 59.17, 0.58

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 0 / 43 / 26 / 15

HEX #DA7CA1

RGB 218 124 161

HSL 336.38, 0.56%, 0.67%

LAB 63.26, 40.89, -3.71

 

CMYK 0 / 31 / 19 / 11

HEX #E39CB8

RGB 227 156 184

HSL 336.34, 0.56%, 0.75%

LAB 71.94, 30.46, -3.71

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

CMYK 0 / 11 / 56 / 18

HEX #D1BA5C

RGB 209 186 92

HSL 48.21, 0.56%, 0.59%

LAB 75.73, -3.43, 49.92

 

CMYK 56 / 11 / 0 / 18

HEX #5CBAD1

RGB 92 186 209

HSL 191.79, 0.56%, 0.59%

LAB 70.87, -21.31, -20.05

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

CMYK 33 / 0 / 56 / 18

HEX #8BD15C

RGB 139 209 92

HSL 95.9, 0.56%, 0.59%

LAB 77.2, -42.04, 50.37

 

CMYK 56 / 33 / 0 / 18

HEX #5C8BD1

RGB 92 139 209

HSL 215.9, 0.56%, 0.59%

LAB 57.41, 4.6, -40.87

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

CMYK 0 / 11 / 56 / 18

HEX #D1BA5C

RGB 209 186 92

HSL 48.21, 0.56%, 0.59%

LAB 75.73, -3.43, 49.92

 

CMYK 56 / 0 / 22 / 18

HEX #5CD1A2

RGB 92 209 162

HSL 155.9, 0.56%, 0.59%

LAB 76.37, -44.12, 13.49

 

CMYK 56 / 45 / 0 / 18

HEX #5C73D1

RGB 92 115 209

HSL 228.21, 0.56%, 0.59%

LAB 50.85, 19.09, -51.27

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92.2 138.6

HSL 336.16, 0.56%, 0.59%

LAB 55.17, 50.82, -2.78

 

CMYK 6 / 0 / 56 / 18

HEX #C5D15C

RGB 197 209 92

HSL 66.15, 0.56%, 0.59%

LAB 80.87, -20.06, 55.56

 

CMYK 56 / 0 / 22 / 18

HEX #5CD1A2

RGB 92 209 162

HSL 155.9, 0.56%, 0.59%

LAB 76.37, -44.12, 13.49

 

CMYK 50 / 56 / 0 / 18

HEX #685CD1

RGB 104 92 209

HSL 246.15, 0.56%, 0.59%

LAB 45.91, 35.64, -59.16

 

Description

Color code: RGB 209 92.2 138.6 | qconv.com Color code: RGB 209 92.2 138.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 92.2 green and 138.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 92.2 138.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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