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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 60 162 it is the complementary color RGB 46 195 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 60 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 60 162 shade: RGB 214 60 157, RGB 231 78 176, RGB 248 96 195, RGB 255 114 214 and RGB 255 132 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 60 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 60 162 shade: RGB 209 60 162, RGB 192 42 143, RGB 175 24 124, RGB 158 6 105 and RGB 141 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 60 162 shade: RGB 209 61 163, RGB 209 61 122, RGB 209 61 82 and RGB 209 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 60 162 shade: RGB 209 61 163, RGB 209 61 203, RGB 176 61 209, RGB 136 61 209 and RGB 96 61 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 60 162 shade matches the following richer shades: RGB 209 61 163, RGB 229 41 170 and RGB 248 22 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 60 162 shade: RGB 209 61 163, RGB 190 80 155, RGB 171 100 148, RGB 151 119 141 and RGB 132 138 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 60 162 shade: RGB 175 61 209, RGB 209 61 205, RGB 209 61 165, RGB 209 61 125 and RGB 209 61 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 60 162 shade: RGB 152 36 115, RGB 186 44 141, RGB 209 61 163, RGB 217 94 178 and RGB 225 128 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 60 162 shade: RGB 209 60 162, RGB 209 135 61 and RGB 61 209 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 60 162 shade: RGB 209 60 162, RGB 165 209 61 and RGB 61 165 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 60 162 shade: RGB 209 60 162, RGB 209 135 61, RGB 61 209 105 and RGB 61 135 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 60 162 shade: RGB 209 60 162, RGB 209 180 61, RGB 61 209 105 and RGB 61 91 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

Complementary color

CMYK 76 / 0 / 52 / 24

HEX #2EC35D

RGB 46 195 93

HSL 138.93, 0.62%, 0.47%

LAB 69.75, -59.79, 40.24

 

CMYK 0 / 72 / 27 / 16

HEX #D63C9D

RGB 214 60 157

HSL 322.21, 0.65%, 0.54%

LAB 51.79, 67.64, -18.64

 

CMYK 0 / 66 / 24 / 9

HEX #E74EB0

RGB 231 78 176

HSL 321.57, 0.76%, 0.61%

LAB 57.63, 68, -20.6

 

CMYK 0 / 61 / 21 / 3

HEX #F860C3

RGB 248 96 195

HSL 320.92, 0.92%, 0.67%

LAB 63.56, 67.95, -22.18

 

CMYK 0 / 55 / 16 / 0

HEX #FF72D6

RGB 255 114 214

HSL 317.45, 1%, 0.72%

LAB 68.13, 64.84, -25.78

 

CMYK 0 / 48 / 9 / 0

HEX #FF84E9

RGB 255 132 233

HSL 310.73, 1%, 0.76%

LAB 71.99, 59.43, -30.35

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 0 / 78 / 26 / 25

HEX #C02A8F

RGB 192 42 143

HSL 319.6, 0.64%, 0.46%

LAB 45.42, 66.05, -20.37

 

CMYK 0 / 86 / 29 / 31

HEX #AF187C

RGB 175 24 124

HSL 320.26, 0.76%, 0.39%

LAB 39.95, 64.15, -17.4

 

CMYK 0 / 96 / 34 / 38

HEX #9E0669

RGB 158 6 105

HSL 320.92, 0.93%, 0.32%

LAB 34.84, 60.99, -13.55

 

CMYK 0 / 100 / 39 / 45

HEX #8D0056

RGB 141 0 86

HSL 323.4, 1%, 0.28%

LAB 30.24, 56.06, -8.54

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 71 / 42 / 18

HEX #D13D7A

RGB 209 61 122

HSL 335.27, 0.62%, 0.53%

LAB 49.86, 62.07, -0.68

 

CMYK 0 / 71 / 61 / 18

HEX #D13D52

RGB 209 61 82

HSL 351.49, 0.62%, 0.53%

LAB 48.89, 58.8, 22.22

 

CMYK 0 / 71 / 71 / 18

HEX #D13D3D

RGB 209 61 61

HSL 0, 0.62%, 0.53%

LAB 48.55, 57.63, 34.25

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 71 / 3 / 18

HEX #D13DCB

RGB 209 61 203

HSL 302.43, 0.62%, 0.53%

LAB 53.17, 72.57, -43.37

 

CMYK 16 / 71 / 0 / 18

HEX #B03DD1

RGB 176 61 209

HSL 286.62, 0.62%, 0.53%

LAB 48.47, 66.57, -54.6

 

CMYK 35 / 71 / 0 / 18

HEX #883DD1

RGB 136 61 209

HSL 270.41, 0.62%, 0.53%

LAB 43.03, 58.64, -63.68

 

CMYK 54 / 71 / 0 / 18

HEX #603DD1

RGB 96 61 209

HSL 254.19, 0.62%, 0.53%

LAB 38.6, 51.8, -71.08

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 82 / 26 / 10

HEX #E529AA

RGB 229 41 170

HSL 318.83, 0.78%, 0.53%

LAB 53.11, 77.94, -24.07

 

CMYK 0 / 91 / 29 / 3

HEX #F816B1

RGB 248 22 177

HSL 318.85, 0.94%, 0.53%

LAB 55.79, 85.76, -23.75

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 58 / 18 / 25

HEX #BE509B

RGB 190 80 155

HSL 319.09, 0.46%, 0.53%

LAB 50.75, 52.81, -19.4

 

CMYK 0 / 42 / 13 / 33

HEX #AB6494

RGB 171 100 148

HSL 319.44, 0.3%, 0.53%

LAB 51.74, 35.49, -14.01

 

CMYK 0 / 21 / 7 / 41

HEX #97778D

RGB 151 119 141

HSL 318.75, 0.13%, 0.53%

LAB 53.7, 16.32, -7.18

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 16 / 71 / 0 / 18

HEX #AF3DD1

RGB 175 61 209

HSL 286.22, 0.62%, 0.53%

LAB 48.33, 66.36, -54.85

 

CMYK 0 / 71 / 2 / 18

HEX #D13DCD

RGB 209 61 205

HSL 301.62, 0.62%, 0.53%

LAB 53.28, 72.88, -44.36

 

CMYK 0 / 71 / 21 / 18

HEX #D13DA5

RGB 209 61 165

HSL 317.84, 0.62%, 0.53%

LAB 51.39, 67.06, -24.06

 

CMYK 0 / 71 / 40 / 18

HEX #D13D7D

RGB 209 61 125

HSL 334.05, 0.62%, 0.53%

LAB 49.95, 62.37, -2.36

 

CMYK 0 / 71 / 59 / 18

HEX #D13D56

RGB 209 61 86

HSL 349.86, 0.62%, 0.53%

LAB 48.96, 59.06, 19.91

 

CMYK 0 / 76 / 24 / 40

HEX #982473

RGB 152 36 115

HSL 319.14, 0.62%, 0.37%

LAB 36.32, 54.39, -17.72

 

CMYK 0 / 76 / 24 / 27

HEX #BA2C8D

RGB 186 44 141

HSL 319.01, 0.62%, 0.45%

LAB 44.47, 63.77, -20.72

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA3

RGB 209 61 163

HSL 318.65, 0.62%, 0.53%

LAB 51.31, 66.79, -23.01

 

CMYK 0 / 57 / 18 / 15

HEX #D95EB2

RGB 217 94 178

HSL 319.02, 0.62%, 0.61%

LAB 58.01, 57.72, -21.36

 

CMYK 0 / 43 / 14 / 12

HEX #E180C2

RGB 225 128 194

HSL 319.18, 0.62%, 0.69%

LAB 66.01, 46.07, -18.17

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 0 / 35 / 71 / 18

HEX #D1873D

RGB 209 135 61

HSL 30, 0.62%, 0.53%

LAB 62.69, 21.9, 50.02

 

CMYK 71 / 0 / 7 / 18

HEX #3DD1C3

RGB 61 209 195

HSL 174.32, 0.62%, 0.53%

LAB 76.4, -41.33, -4.27

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 21 / 0 / 71 / 18

HEX #A5D13D

RGB 165 209 61

HSL 77.84, 0.62%, 0.53%

LAB 78.43, -34.95, 64.92

 

CMYK 71 / 21 / 0 / 18

HEX #3DA5D1

RGB 61 165 209

HSL 197.84, 0.62%, 0.53%

LAB 63.76, -15.56, -31.04

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 0 / 35 / 71 / 18

HEX #D1873D

RGB 209 135 61

HSL 30, 0.62%, 0.53%

LAB 62.69, 21.9, 50.02

 

CMYK 71 / 0 / 50 / 18

HEX #3DD169

RGB 61 209 105

HSL 137.84, 0.62%, 0.53%

LAB 74.58, -60.64, 40.4

 

CMYK 71 / 35 / 0 / 18

HEX #3D87D1

RGB 61 135 209

HSL 210, 0.62%, 0.53%

LAB 54.99, 1.44, -44.77

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 0 / 14 / 71 / 18

HEX #D1B43D

RGB 209 180 61

HSL 48.24, 0.62%, 0.53%

LAB 73.89, -2.27, 61.54

 

CMYK 71 / 0 / 50 / 18

HEX #3DD169

RGB 61 209 105

HSL 137.84, 0.62%, 0.53%

LAB 74.58, -60.64, 40.4

 

CMYK 71 / 56 / 0 / 18

HEX #3D5BD1

RGB 61 91 209

HSL 227.84, 0.62%, 0.53%

LAB 42.88, 28.88, -64.2

 

Description

Color code: RGB 209 60 162 | qconv.com Color code: RGB 209 60 162 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 60 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 60 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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