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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 53 193 it is the complementary color RGB 46 202 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 53 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 53 193 shade: RGB 214 53 188, RGB 231 71 207, RGB 248 89 226, RGB 255 107 245 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 53 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 53 193 shade: RGB 209 53 193, RGB 192 35 174, RGB 175 17 155, RGB 158 0 136 and RGB 141 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 53 193 shade: RGB 209 51 193, RGB 209 51 150, RGB 209 51 108, RGB 209 51 65 and RGB 209 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 53 193 shade: RGB 209 51 193, RGB 182 51 209, RGB 140 51 209, RGB 98 51 209 and RGB 55 51 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 53 193 shade matches the following richer shades: RGB 209 51 193, RGB 229 31 209 and RGB 249 11 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 53 193 shade: RGB 209 51 193, RGB 189 72 177, RGB 168 92 160, RGB 148 112 144 and RGB 128 132 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 53 193 shade: RGB 141 51 209, RGB 183 51 209, RGB 209 51 193, RGB 209 51 151 and RGB 209 51 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 53 193 shade: RGB 145 33 133, RGB 178 40 164, RGB 209 51 193, RGB 216 85 203 and RGB 224 119 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 53 193 shade: RGB 209 53 193, RGB 209 99 51 and RGB 51 209 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 53 193 shade: RGB 209 53 193, RGB 193 209 51 and RGB 51 193 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 53 193 shade: RGB 209 53 193, RGB 209 99 51, RGB 51 209 67 and RGB 51 162 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 53 193 shade: RGB 209 53 193, RGB 209 146 51, RGB 51 209 67 and RGB 51 114 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

Complementary color

CMYK 77 / 0 / 69 / 21

HEX #2ECA3E

RGB 46 202 62

HSL 126.15, 0.63%, 0.49%

LAB 71.67, -65.78, 56.15

 

CMYK 0 / 75 / 12 / 16

HEX #D635BC

RGB 214 53 188

HSL 309.69, 0.66%, 0.52%

LAB 52.37, 73.92, -35.93

 

CMYK 0 / 69 / 10 / 9

HEX #E747CF

RGB 231 71 207

HSL 309, 0.77%, 0.59%

LAB 58.04, 74.77, -37.76

 

CMYK 0 / 64 / 9 / 3

HEX #F859E2

RGB 248 89 226

HSL 308.3, 0.92%, 0.66%

LAB 63.83, 75.1, -39.22

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF5

RGB 255 107 245

HSL 304.05, 1%, 0.71%

LAB 68.29, 72.58, -42.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

CMYK 0 / 82 / 9 / 25

HEX #C023AE

RGB 192 35 174

HSL 306.88, 0.69%, 0.45%

LAB 46.26, 71.97, -37.6

 

CMYK 0 / 90 / 11 / 31

HEX #AF119B

RGB 175 17 155

HSL 307.59, 0.82%, 0.38%

LAB 41.03, 69.33, -34.72

 

CMYK 0 / 100 / 14 / 38

HEX #9E0088

RGB 158 0 136

HSL 308.35, 1%, 0.31%

LAB 36.07, 65.54, -31.13

 

CMYK 0 / 100 / 17 / 45

HEX #8D0075

RGB 141 0 117

HSL 310.21, 1%, 0.28%

LAB 31.69, 59.74, -26.36

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 76 / 28 / 18

HEX #D13396

RGB 209 51 150

HSL 322.41, 0.63%, 0.51%

LAB 49.65, 68.4, -17.84

 

CMYK 0 / 76 / 48 / 18

HEX #D1336C

RGB 209 51 108

HSL 338.35, 0.63%, 0.51%

LAB 48.27, 64.12, 5.53

 

CMYK 0 / 76 / 69 / 18

HEX #D13341

RGB 209 51 65

HSL 354.68, 0.63%, 0.51%

LAB 47.37, 61.24, 30.5

 

CMYK 0 / 76 / 76 / 18

HEX #D13333

RGB 209 51 51

HSL 0, 0.63%, 0.51%

LAB 47.19, 60.64, 38.43

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 13 / 76 / 0 / 18

HEX #B633D1

RGB 182 51 209

HSL 289.75, 0.63%, 0.51%

LAB 48.15, 71.25, -55.07

 

CMYK 33 / 76 / 0 / 18

HEX #8C33D1

RGB 140 51 209

HSL 273.8, 0.63%, 0.51%

LAB 42.07, 63.54, -65.2

 

CMYK 53 / 76 / 0 / 18

HEX #6233D1

RGB 98 51 209

HSL 257.85, 0.63%, 0.51%

LAB 37.06, 57, -73.61

 

CMYK 74 / 76 / 0 / 18

HEX #3733D1

RGB 55 51 209

HSL 241.52, 0.63%, 0.51%

LAB 33.53, 52.25, -79.55

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 86 / 9 / 10

HEX #E51FD1

RGB 229 31 209

HSL 306.06, 0.79%, 0.51%

LAB 54.28, 84.76, -44.84

 

CMYK 0 / 96 / 10 / 2

HEX #F90BE1

RGB 249 11 225

HSL 306.05, 0.95%, 0.51%

LAB 57.86, 92.6, -48.05

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 62 / 6 / 26

HEX #BD48B1

RGB 189 72 177

HSL 306.15, 0.47%, 0.51%

LAB 50.25, 59.5, -33.13

 

CMYK 0 / 45 / 5 / 34

HEX #A85CA0

RGB 168 92 160

HSL 306.32, 0.3%, 0.51%

LAB 50.12, 40.92, -23.59

 

CMYK 0 / 24 / 3 / 42

HEX #947090

RGB 148 112 144

HSL 306.67, 0.14%, 0.51%

LAB 51.72, 19.86, -11.94

 

CMYK 3 / 0 / 3 / 48

HEX #808480

RGB 128 132 128

HSL 120, 0.02%, 0.51%

LAB 54.71, -2.28, 1.63

 

CMYK 33 / 76 / 0 / 18

HEX #8D33D1

RGB 141 51 209

HSL 274.18, 0.63%, 0.51%

LAB 42.21, 63.72, -64.98

 

CMYK 12 / 76 / 0 / 18

HEX #B733D1

RGB 183 51 209

HSL 290.13, 0.63%, 0.51%

LAB 48.31, 71.44, -54.82

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 76 / 28 / 18

HEX #D13397

RGB 209 51 151

HSL 322.03, 0.63%, 0.51%

LAB 49.69, 68.52, -18.38

 

CMYK 0 / 76 / 48 / 18

HEX #D1336D

RGB 209 51 109

HSL 337.97, 0.63%, 0.51%

LAB 48.29, 64.2, 4.96

 

CMYK 0 / 77 / 8 / 43

HEX #912185

RGB 145 33 133

HSL 306.43, 0.63%, 0.35%

LAB 35.6, 56.26, -30.19

 

CMYK 0 / 78 / 8 / 30

HEX #B228A4

RGB 178 40 164

HSL 306.09, 0.63%, 0.43%

LAB 43.75, 66.3, -35.79

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 61 / 6 / 15

HEX #D855CB

RGB 216 85 203

HSL 305.95, 0.63%, 0.59%

LAB 57.47, 65.2, -36.54

 

CMYK 0 / 47 / 5 / 12

HEX #E077D5

RGB 224 119 213

HSL 306.29, 0.63%, 0.67%

LAB 64.84, 53.42, -30.63

 

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

CMYK 0 / 53 / 76 / 18

HEX #D16333

RGB 209 99 51

HSL 18.23, 0.63%, 0.51%

LAB 54.78, 40.39, 46.51

 

CMYK 76 / 0 / 22 / 18

HEX #33D1A2

RGB 51 209 162

HSL 162.15, 0.63%, 0.51%

LAB 75.4, -50.94, 11.99

 

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

CMYK 8 / 0 / 76 / 18

HEX #C1D133

RGB 193 209 51

HSL 66.08, 0.63%, 0.51%

LAB 80.28, -24.18, 70.71

 

CMYK 76 / 8 / 0 / 18

HEX #33C1D1

RGB 51 193 209

HSL 186.08, 0.63%, 0.51%

LAB 71.86, -31.06, -18.65

 

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

CMYK 0 / 53 / 76 / 18

HEX #D16333

RGB 209 99 51

HSL 18.23, 0.63%, 0.51%

LAB 54.78, 40.39, 46.51

 

CMYK 76 / 0 / 68 / 18

HEX #33D143

RGB 51 209 67

HSL 126.08, 0.63%, 0.51%

LAB 74, -66.83, 56.7

 

CMYK 76 / 22 / 0 / 18

HEX #33A2D1

RGB 51 162 209

HSL 197.85, 0.63%, 0.51%

LAB 62.63, -15.22, -32.81

 

CMYK 0 / 75 / 8 / 18

HEX #D135C1

RGB 209 53 193

HSL 306.15, 0.63%, 0.51%

LAB 51.78, 73.55, -39.81

 

CMYK 0 / 30 / 76 / 18

HEX #D19233

RGB 209 146 51

HSL 36.08, 0.63%, 0.51%

LAB 65.24, 15.47, 57

 

CMYK 76 / 0 / 68 / 18

HEX #33D143

RGB 51 209 67

HSL 126.08, 0.63%, 0.51%

LAB 74, -66.83, 56.7

 

CMYK 76 / 45 / 0 / 18

HEX #3372D1

RGB 51 114 209

HSL 216.08, 0.63%, 0.51%

LAB 48.69, 12.97, -54.84

 

Description

Color code: RGB 209 53 193 | qconv.com Color code: RGB 209 53 193 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 53 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 53 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 8 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 8% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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