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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 53 142 it is the complementary color RGB 46 202 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 53 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 53 142 shade: RGB 214 53 137, RGB 231 71 156, RGB 248 89 175, RGB 255 107 194 and RGB 255 125 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 53 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 53 142 shade: RGB 209 53 142, RGB 192 35 123, RGB 175 17 104, RGB 158 0 85 and RGB 141 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 53 142 shade: RGB 209 51 141, RGB 209 51 99, RGB 209 51 56 and RGB 209 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 53 142 shade: RGB 209 51 141, RGB 209 51 184, RGB 191 51 209, RGB 149 51 209 and RGB 107 51 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 53 142 shade matches the following richer shades: RGB 209 51 141, RGB 229 31 144 and RGB 249 11 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 53 142 shade: RGB 209 51 141, RGB 189 72 138, RGB 168 92 135, RGB 148 112 133 and RGB 128 132 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 53 142 shade: RGB 190 51 209, RGB 209 51 185, RGB 209 51 143, RGB 209 51 101 and RGB 209 51 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 53 142 shade: RGB 145 33 97, RGB 178 40 119, RGB 209 51 141, RGB 216 85 160 and RGB 224 119 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 53 142 shade: RGB 209 53 142, RGB 209 148 51 and RGB 51 206 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 53 142 shade: RGB 209 53 142, RGB 143 209 51 and RGB 51 143 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 53 142 shade: RGB 209 53 142, RGB 209 148 51, RGB 51 209 117 and RGB 51 112 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 53 142 shade: RGB 209 53 142, RGB 209 196 51, RGB 51 209 117 and RGB 51 64 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

Complementary color

CMYK 77 / 0 / 44 / 21

HEX #2ECA71

RGB 46 202 113

HSL 145.77, 0.63%, 0.49%

LAB 72.24, -59.01, 33.39

 

CMYK 0 / 75 / 36 / 16

HEX #D63589

RGB 214 53 137

HSL 328.7, 0.66%, 0.52%

LAB 50.27, 67.6, -9.01

 

CMYK 0 / 69 / 32 / 9

HEX #E7479C

RGB 231 71 156

HSL 328.13, 0.77%, 0.59%

LAB 55.98, 68.16, -11.43

 

CMYK 0 / 64 / 29 / 3

HEX #F859AF

RGB 248 89 175

HSL 327.55, 0.92%, 0.66%

LAB 61.82, 68.24, -13.4

 

CMYK 0 / 58 / 24 / 0

HEX #FF6BC2

RGB 255 107 194

HSL 324.73, 1%, 0.71%

LAB 66.27, 65.15, -17.4

 

CMYK 0 / 51 / 16 / 0

HEX #FF7DD5

RGB 255 125 213

HSL 319.38, 1%, 0.75%

LAB 69.99, 59.67, -22.38

 

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

CMYK 0 / 82 / 36 / 25

HEX #C0237B

RGB 192 35 123

HSL 326.37, 0.69%, 0.45%

LAB 44, 65.6, -10.32

 

CMYK 0 / 90 / 41 / 31

HEX #AF1168

RGB 175 17 104

HSL 326.96, 0.82%, 0.38%

LAB 38.75, 63.27, -6.67

 

CMYK 0 / 100 / 46 / 38

HEX #9E0055

RGB 158 0 85

HSL 327.72, 1%, 0.31%

LAB 33.83, 59.81, -2.15

 

CMYK 0 / 100 / 53 / 45

HEX #8D0042

RGB 141 0 66

HSL 331.91, 1%, 0.28%

LAB 29.55, 54.26, 3.76

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 76 / 73 / 18

HEX #D13338

RGB 209 51 56

HSL 358.1, 0.63%, 0.51%

LAB 47.25, 60.84, 35.64

 

CMYK 0 / 76 / 76 / 18

HEX #D13333

RGB 209 51 51

HSL 0, 0.63%, 0.51%

LAB 47.19, 60.64, 38.43

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 76 / 12 / 18

HEX #D133B8

RGB 209 51 184

HSL 309.49, 0.63%, 0.51%

LAB 51.13, 72.83, -35.6

 

CMYK 9 / 76 / 0 / 18

HEX #BF33D1

RGB 191 51 209

HSL 293.16, 0.63%, 0.51%

LAB 49.55, 73, -52.75

 

CMYK 29 / 76 / 0 / 18

HEX #9533D1

RGB 149 51 209

HSL 277.22, 0.63%, 0.51%

LAB 43.3, 65.12, -63.15

 

CMYK 49 / 76 / 0 / 18

HEX #6B33D1

RGB 107 51 209

HSL 261.27, 0.63%, 0.51%

LAB 38.02, 58.27, -72

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 86 / 37 / 10

HEX #E51F90

RGB 229 31 144

HSL 325.76, 0.79%, 0.51%

LAB 51.44, 77.12, -11.18

 

CMYK 0 / 96 / 41 / 2

HEX #F90B93

RGB 249 11 147

HSL 325.71, 0.95%, 0.51%

LAB 54.54, 84.07, -7.94

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 62 / 27 / 26

HEX #BD488A

RGB 189 72 138

HSL 326.15, 0.47%, 0.51%

LAB 48.62, 53.72, -12.52

 

CMYK 0 / 45 / 20 / 34

HEX #A85C87

RGB 168 92 135

HSL 326.05, 0.3%, 0.51%

LAB 49.17, 36.67, -10.21

 

CMYK 0 / 24 / 10 / 42

HEX #947085

RGB 148 112 133

HSL 325, 0.14%, 0.51%

LAB 51.36, 17.78, -6

 

CMYK 3 / 0 / 2 / 48

HEX #808482

RGB 128 132 130

HSL 150, 0.02%, 0.51%

LAB 54.77, -1.88, 0.55

 

CMYK 9 / 76 / 0 / 18

HEX #BE33D1

RGB 190 51 209

HSL 292.78, 0.63%, 0.51%

LAB 49.4, 72.8, -53.01

 

CMYK 0 / 76 / 11 / 18

HEX #D133B9

RGB 209 51 185

HSL 309.11, 0.63%, 0.51%

LAB 51.18, 72.97, -36.11

 

CMYK 0 / 76 / 32 / 18

HEX #D1338F

RGB 209 51 143

HSL 325.06, 0.63%, 0.51%

LAB 49.38, 67.59, -14.05

 

CMYK 0 / 76 / 52 / 18

HEX #D13365

RGB 209 51 101

HSL 341.01, 0.63%, 0.51%

LAB 48.09, 63.54, 9.56

 

CMYK 0 / 76 / 72 / 18

HEX #D1333B

RGB 209 51 59

HSL 356.96, 0.63%, 0.51%

LAB 47.29, 60.96, 33.94

 

CMYK 0 / 77 / 33 / 43

HEX #912161

RGB 145 33 97

HSL 325.71, 0.63%, 0.35%

LAB 33.92, 51.24, -10.06

 

CMYK 0 / 78 / 33 / 30

HEX #B22877

RGB 178 40 119

HSL 325.65, 0.63%, 0.43%

LAB 41.71, 60.31, -11.56

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 61 / 26 / 15

HEX #D855A0

RGB 216 85 160

HSL 325.65, 0.63%, 0.59%

LAB 55.72, 58.92, -14.41

 

CMYK 0 / 47 / 20 / 12

HEX #E077B3

RGB 224 119 179

HSL 325.71, 0.63%, 0.67%

LAB 63.59, 48.02, -13.38

 

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

CMYK 0 / 29 / 76 / 18

HEX #D19433

RGB 209 148 51

HSL 36.84, 0.63%, 0.51%

LAB 65.73, 14.38, 57.47

 

CMYK 76 / 1 / 0 / 18

HEX #33CED1

RGB 51 206 209

HSL 181.14, 0.63%, 0.51%

LAB 75.73, -37.19, -12.82

 

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

CMYK 32 / 0 / 76 / 18

HEX #8FD133

RGB 143 209 51

HSL 85.06, 0.63%, 0.51%

LAB 77.09, -43.8, 66.57

 

CMYK 76 / 32 / 0 / 18

HEX #338FD1

RGB 51 143 209

HSL 205.06, 0.63%, 0.51%

LAB 57.03, -4.58, -41.57

 

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

CMYK 0 / 29 / 76 / 18

HEX #D19433

RGB 209 148 51

HSL 36.84, 0.63%, 0.51%

LAB 65.73, 14.38, 57.47

 

CMYK 76 / 0 / 44 / 18

HEX #33D175

RGB 51 209 117

HSL 145.06, 0.63%, 0.51%

LAB 74.57, -60.16, 34.38

 

CMYK 76 / 46 / 0 / 18

HEX #3370D1

RGB 51 112 209

HSL 216.84, 0.63%, 0.51%

LAB 48.13, 14.23, -55.74

 

CMYK 0 / 75 / 32 / 18

HEX #D1358E

RGB 209 53 142

HSL 325.77, 0.63%, 0.51%

LAB 49.56, 66.86, -13.18

 

CMYK 0 / 6 / 76 / 18

HEX #D1C433

RGB 209 196 51

HSL 55.06, 0.63%, 0.51%

LAB 78.04, -10.98, 69.11

 

CMYK 76 / 0 / 44 / 18

HEX #33D175

RGB 51 209 117

HSL 145.06, 0.63%, 0.51%

LAB 74.57, -60.16, 34.38

 

CMYK 76 / 69 / 0 / 18

HEX #3340D1

RGB 51 64 209

HSL 235.06, 0.63%, 0.51%

LAB 35.93, 44.58, -75.58

 

Description

Color code: RGB 209 53 142 | qconv.com Color code: RGB 209 53 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 53 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 53 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 32 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 32% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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