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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 53 100 it is the complementary color RGB 46 202 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 53 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 53 100 shade: RGB 214 53 95, RGB 231 71 114, RGB 248 89 133, RGB 255 107 152 and RGB 255 125 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 53 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 53 100 shade: RGB 209 53 100, RGB 192 35 81, RGB 175 17 62, RGB 158 0 43 and RGB 141 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 53 100 shade: RGB 209 51 99, RGB 209 51 56 and RGB 209 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 53 100 shade: RGB 209 51 99, RGB 209 51 141, RGB 209 51 184, RGB 191 51 209 and RGB 149 51 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 53 100 shade matches the following richer shades: RGB 209 51 99, RGB 229 31 91 and RGB 249 11 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 53 100 shade: RGB 209 51 99, RGB 189 72 107, RGB 168 92 115, RGB 148 112 123 and RGB 128 132 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 53 100 shade: RGB 209 51 185, RGB 209 51 143, RGB 209 51 101, RGB 209 51 59 and RGB 209 85 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 53 100 shade: RGB 145 33 67, RGB 178 40 82, RGB 209 51 99, RGB 216 85 125 and RGB 224 119 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 53 100 shade: RGB 209 53 100, RGB 209 190 51 and RGB 51 164 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 53 100 shade: RGB 209 53 100, RGB 101 209 51 and RGB 51 101 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 53 100 shade: RGB 209 53 100, RGB 209 190 51, RGB 51 209 159 and RGB 51 70 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 53 100 shade: RGB 209 53 100, RGB 180 209 51, RGB 51 209 159 and RGB 80 51 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

Complementary color

CMYK 77 / 0 / 23 / 21

HEX #2ECA9B

RGB 46 202 155

HSL 161.92, 0.63%, 0.49%

LAB 73.02, -50.35, 12.36

 

CMYK 0 / 75 / 56 / 16

HEX #D6355F

RGB 214 53 95

HSL 344.35, 0.66%, 0.52%

LAB 49.09, 63.87, 14.77

 

CMYK 0 / 69 / 51 / 9

HEX #E74772

RGB 231 71 114

HSL 343.88, 0.77%, 0.59%

LAB 54.77, 64.08, 11.67

 

CMYK 0 / 64 / 46 / 3

HEX #F85985

RGB 248 89 133

HSL 343.4, 0.92%, 0.66%

LAB 60.6, 63.86, 9.12

 

CMYK 0 / 58 / 40 / 0

HEX #FF6B98

RGB 255 107 152

HSL 341.76, 1%, 0.71%

LAB 65, 60.25, 4.59

 

CMYK 0 / 51 / 33 / 0

HEX #FF7DAB

RGB 255 125 171

HSL 338.77, 1%, 0.75%

LAB 68.66, 54.08, -0.87

 

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

CMYK 0 / 82 / 58 / 25

HEX #C02351

RGB 192 35 81

HSL 342.42, 0.69%, 0.45%

LAB 42.77, 61.95, 14.08

 

CMYK 0 / 90 / 65 / 31

HEX #AF113E

RGB 175 17 62

HSL 342.91, 0.82%, 0.38%

LAB 37.59, 60.05, 18.59

 

CMYK 0 / 100 / 73 / 38

HEX #9E002B

RGB 158 0 43

HSL 343.67, 1%, 0.31%

LAB 32.8, 57.06, 24.02

 

CMYK 0 / 100 / 83 / 45

HEX #8D0018

RGB 141 0 24

HSL 349.79, 1%, 0.28%

LAB 28.72, 52.01, 30.44

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 76 / 73 / 18

HEX #D13338

RGB 209 51 56

HSL 358.1, 0.63%, 0.51%

LAB 47.25, 60.84, 35.64

 

CMYK 0 / 76 / 76 / 18

HEX #D13333

RGB 209 51 51

HSL 0, 0.63%, 0.51%

LAB 47.19, 60.64, 38.43

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 76 / 33 / 18

HEX #D1338D

RGB 209 51 141

HSL 325.82, 0.63%, 0.51%

LAB 49.31, 67.37, -12.96

 

CMYK 0 / 76 / 12 / 18

HEX #D133B8

RGB 209 51 184

HSL 309.49, 0.63%, 0.51%

LAB 51.13, 72.83, -35.6

 

CMYK 9 / 76 / 0 / 18

HEX #BF33D1

RGB 191 51 209

HSL 293.16, 0.63%, 0.51%

LAB 49.55, 73, -52.75

 

CMYK 29 / 76 / 0 / 18

HEX #9533D1

RGB 149 51 209

HSL 277.22, 0.63%, 0.51%

LAB 43.3, 65.12, -63.15

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 86 / 60 / 10

HEX #E51F5B

RGB 229 31 91

HSL 341.82, 0.79%, 0.51%

LAB 49.97, 72.97, 18.88

 

CMYK 0 / 96 / 67 / 2

HEX #F90B53

RGB 249 11 83

HSL 341.85, 0.95%, 0.51%

LAB 52.95, 79.8, 28.38

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 62 / 43 / 26

HEX #BD486B

RGB 189 72 107

HSL 342.05, 0.47%, 0.51%

LAB 47.64, 50.07, 4.79

 

CMYK 0 / 45 / 32 / 34

HEX #A85C73

RGB 168 92 115

HSL 341.84, 0.3%, 0.51%

LAB 48.53, 33.74, 0.84

 

CMYK 0 / 24 / 17 / 42

HEX #94707B

RGB 148 112 123

HSL 341.67, 0.14%, 0.51%

LAB 51.05, 16.02, -0.55

 

CMYK 3 / 0 / 1 / 48

HEX #808483

RGB 128 132 131

HSL 165, 0.02%, 0.51%

LAB 54.79, -1.68, 0.02

 

CMYK 0 / 76 / 11 / 18

HEX #D133B9

RGB 209 51 185

HSL 309.11, 0.63%, 0.51%

LAB 51.18, 72.97, -36.11

 

CMYK 0 / 76 / 32 / 18

HEX #D1338F

RGB 209 51 143

HSL 325.06, 0.63%, 0.51%

LAB 49.38, 67.59, -14.05

 

CMYK 0 / 76 / 52 / 18

HEX #D13365

RGB 209 51 101

HSL 341.01, 0.63%, 0.51%

LAB 48.09, 63.54, 9.56

 

CMYK 0 / 76 / 72 / 18

HEX #D1333B

RGB 209 51 59

HSL 356.96, 0.63%, 0.51%

LAB 47.29, 60.96, 33.94

 

CMYK 0 / 59 / 76 / 18

HEX #D15533

RGB 209 85 51

HSL 12.91, 0.63%, 0.51%

LAB 52.17, 47.15, 43.77

 

CMYK 0 / 77 / 54 / 43

HEX #912143

RGB 145 33 67

HSL 341.79, 0.63%, 0.35%

LAB 32.95, 48.17, 8.02

 

CMYK 0 / 78 / 54 / 30

HEX #B22852

RGB 178 40 82

HSL 341.74, 0.63%, 0.43%

LAB 40.56, 56.75, 9.97

 

CMYK 0 / 76 / 53 / 18

HEX #D13363

RGB 209 51 99

HSL 341.77, 0.63%, 0.51%

LAB 48.04, 63.39, 10.72

 

CMYK 0 / 61 / 42 / 15

HEX #D8557D

RGB 216 85 125

HSL 341.68, 0.63%, 0.59%

LAB 54.63, 54.84, 4.6

 

CMYK 0 / 47 / 33 / 12

HEX #E07796

RGB 224 119 150

HSL 342.29, 0.63%, 0.67%

LAB 62.71, 44.09, 1.88

 

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

CMYK 0 / 9 / 76 / 18

HEX #D1BE33

RGB 209 190 51

HSL 52.78, 0.63%, 0.51%

LAB 76.45, -7.91, 67.64

 

CMYK 76 / 22 / 0 / 18

HEX #33A4D1

RGB 51 164 209

HSL 197.09, 0.63%, 0.51%

LAB 63.23, -16.29, -31.89

 

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

CMYK 52 / 0 / 76 / 18

HEX #65D133

RGB 101 209 51

HSL 101.01, 0.63%, 0.51%

LAB 75.21, -57.43, 64.11

 

CMYK 76 / 52 / 0 / 18

HEX #3365D1

RGB 51 101 209

HSL 221.01, 0.63%, 0.51%

LAB 45.1, 21.23, -60.62

 

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

CMYK 0 / 9 / 76 / 18

HEX #D1BE33

RGB 209 190 51

HSL 52.78, 0.63%, 0.51%

LAB 76.45, -7.91, 67.64

 

CMYK 76 / 0 / 24 / 18

HEX #33D19F

RGB 51 209 159

HSL 161.01, 0.63%, 0.51%

LAB 75.33, -51.64, 13.49

 

CMYK 76 / 67 / 0 / 18

HEX #3346D1

RGB 51 70 209

HSL 232.78, 0.63%, 0.51%

LAB 37.28, 40.95, -73.38

 

CMYK 0 / 75 / 52 / 18

HEX #D13564

RGB 209 53 100

HSL 341.92, 0.63%, 0.51%

LAB 48.29, 62.83, 10.46

 

CMYK 14 / 0 / 76 / 18

HEX #B4D133

RGB 180 209 51

HSL 71.01, 0.63%, 0.51%

LAB 79.35, -29.5, 69.51

 

CMYK 76 / 0 / 24 / 18

HEX #33D19F

RGB 51 209 159

HSL 161.01, 0.63%, 0.51%

LAB 75.33, -51.64, 13.49

 

CMYK 62 / 76 / 0 / 18

HEX #5033D1

RGB 80 51 209

HSL 251.01, 0.63%, 0.51%

LAB 35.35, 54.73, -76.47

 

Description

Color code: RGB 209 53 100 | qconv.com Color code: RGB 209 53 100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 53 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 53 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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