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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 220 176 it is the complementary color RGB 46 35 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 220 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 220 176 shade: RGB 214 220 171, RGB 231 238 190, RGB 248 255 209, RGB 255 255 228 and RGB 255 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 220 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 220 176 shade: RGB 209 220 176, RGB 192 202 157, RGB 175 184 138, RGB 158 166 119 and RGB 141 148 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 220 176 shade: RGB 209 220 177, RGB 220 219 177, RGB 220 208 177, RGB 220 196 177 and RGB 220 184 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 220 176 shade: RGB 209 220 177, RGB 198 220 177, RGB 186 220 177, RGB 177 220 179 and RGB 177 220 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 220 176 shade matches the following richer shades: RGB 209 220 177, RGB 214 229 167, RGB 218 238 158 and RGB 223 248 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 220 176 shade: RGB 209 220 177, RGB 205 211 186, RGB 200 202 195, RGB 196 193 204 and RGB 191 184 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 220 176 shade: RGB 220 208 177, RGB 220 220 177, RGB 209 220 177, RGB 198 220 177 and RGB 186 220 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 220 176 shade: RGB 176 195 119, RGB 193 208 148, RGB 209 220 177, RGB 226 233 205 and RGB 243 245 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 220 176 shade: RGB 209 220 176, RGB 177 220 196 and RGB 214 177 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 220 176 shade: RGB 209 220 176, RGB 177 209 220 and RGB 220 177 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 220 176 shade: RGB 209 220 176, RGB 177 220 196, RGB 187 177 220 and RGB 220 177 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 220 176 shade: RGB 209 220 176, RGB 177 220 209, RGB 187 177 220 and RGB 220 177 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

Complementary color

CMYK 42 / 56 / 0 / 69

HEX #2E234F

RGB 46 35 79

HSL 255, 0.39%, 0.22%

LAB 17.21, 17.26, -25.39

 

CMYK 3 / 0 / 22 / 14

HEX #D6DCAB

RGB 214 220 171

HSL 67.35, 0.41%, 0.77%

LAB 86.22, -10.07, 23.46

 

CMYK 3 / 0 / 20 / 7

HEX #E7EEBE

RGB 231 238 190

HSL 68.75, 0.59%, 0.84%

LAB 92.51, -10.2, 22.51

 

CMYK 3 / 0 / 18 / 0

HEX #F8FFD1

RGB 248 255 209

HSL 69.13, 1%, 0.91%

LAB 98.46, -9.81, 21.25

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

CMYK 5 / 0 / 22 / 21

HEX #C0CA9D

RGB 192 202 157

HSL 73.33, 0.3%, 0.7%

LAB 79.55, -11.07, 21.37

 

CMYK 5 / 0 / 25 / 28

HEX #AFB88A

RGB 175 184 138

HSL 71.74, 0.24%, 0.63%

LAB 73.04, -10.97, 22.38

 

CMYK 5 / 0 / 28 / 35

HEX #9EA677

RGB 158 166 119

HSL 70.21, 0.21%, 0.56%

LAB 66.42, -10.85, 23.45

 

CMYK 5 / 0 / 32 / 42

HEX #8D9464

RGB 141 148 100

HSL 68.75, 0.19%, 0.49%

LAB 59.67, -10.7, 24.59

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 0 / 0 / 20 / 14

HEX #DCDBB1

RGB 220 219 177

HSL 58.6, 0.38%, 0.78%

LAB 86.53, -6.49, 20.83

 

CMYK 0 / 5 / 20 / 14

HEX #DCD0B1

RGB 220 208 177

HSL 43.26, 0.38%, 0.78%

LAB 83.71, -0.83, 16.9

 

CMYK 0 / 11 / 20 / 14

HEX #DCC4B1

RGB 220 196 177

HSL 26.51, 0.38%, 0.78%

LAB 80.67, 5.45, 12.62

 

CMYK 0 / 16 / 20 / 14

HEX #DCB8B1

RGB 220 184 177

HSL 9.77, 0.38%, 0.78%

LAB 77.68, 11.83, 8.37

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 10 / 0 / 20 / 14

HEX #C6DCB1

RGB 198 220 177

HSL 90.7, 0.38%, 0.78%

LAB 85.18, -14.94, 18.72

 

CMYK 15 / 0 / 20 / 14

HEX #BADCB1

RGB 186 220 177

HSL 107.44, 0.38%, 0.78%

LAB 84.38, -19.13, 17.48

 

CMYK 20 / 0 / 19 / 14

HEX #B1DCB3

RGB 177 220 179

HSL 122.79, 0.38%, 0.78%

LAB 83.86, -21.84, 15.61

 

CMYK 20 / 0 / 13 / 14

HEX #B1DCBF

RGB 177 220 191

HSL 139.53, 0.38%, 0.78%

LAB 84.12, -19.67, 9.66

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 7 / 0 / 27 / 10

HEX #D6E5A7

RGB 214 229 167

HSL 74.52, 0.54%, 0.78%

LAB 88.51, -15.14, 28.64

 

CMYK 8 / 0 / 34 / 7

HEX #DAEE9E

RGB 218 238 158

HSL 75, 0.7%, 0.78%

LAB 91.02, -19.28, 36.6

 

CMYK 10 / 0 / 40 / 3

HEX #DFF895

RGB 223 248 149

HSL 75.15, 0.88%, 0.78%

LAB 93.88, -23.33, 44.81

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 3 / 0 / 12 / 17

HEX #CDD3BA

RGB 205 211 186

HSL 74.4, 0.22%, 0.78%

LAB 83.5, -6.42, 11.68

 

CMYK 1 / 0 / 3 / 21

HEX #C8CAC3

RGB 200 202 195

HSL 77.14, 0.06%, 0.78%

LAB 80.99, -1.95, 3.24

 

CMYK 4 / 5 / 0 / 20

HEX #C4C1CC

RGB 196 193 204

HSL 256.36, 0.1%, 0.78%

LAB 78.6, 3.1, -5.14

 

CMYK 10 / 14 / 0 / 16

HEX #BFB8D5

RGB 191 184 213

HSL 254.48, 0.26%, 0.78%

LAB 76.17, 8.06, -13.67

 

CMYK 0 / 5 / 20 / 14

HEX #DCD0B1

RGB 220 208 177

HSL 43.26, 0.38%, 0.78%

LAB 83.71, -0.83, 16.9

 

CMYK 0 / 0 / 20 / 14

HEX #DCDCB1

RGB 220 220 177

HSL 60, 0.38%, 0.78%

LAB 86.79, -7, 21.19

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 10 / 0 / 20 / 14

HEX #C6DCB1

RGB 198 220 177

HSL 90.7, 0.38%, 0.78%

LAB 85.18, -14.94, 18.72

 

CMYK 15 / 0 / 20 / 14

HEX #BADCB1

RGB 186 220 177

HSL 107.44, 0.38%, 0.78%

LAB 84.38, -19.13, 17.48

 

CMYK 10 / 0 / 39 / 24

HEX #B0C377

RGB 176 195 119

HSL 75, 0.39%, 0.62%

LAB 75.82, -18.75, 36.04

 

CMYK 7 / 0 / 29 / 18

HEX #C1D094

RGB 193 208 148

HSL 75, 0.39%, 0.7%

LAB 81.06, -15.04, 28.17

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB1

RGB 209 220 177

HSL 75.35, 0.38%, 0.78%

LAB 85.96, -11, 19.92

 

CMYK 3 / 0 / 12 / 9

HEX #E2E9CD

RGB 226 233 205

HSL 75, 0.39%, 0.86%

LAB 91.17, -7.15, 12.81

 

CMYK 1 / 0 / 4 / 4

HEX #F3F5EA

RGB 243 245 234

HSL 70.91, 0.35%, 0.94%

LAB 96.12, -2.57, 5.05

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

CMYK 20 / 0 / 11 / 14

HEX #B1DCC4

RGB 177 220 196

HSL 146.51, 0.38%, 0.78%

LAB 84.24, -18.73, 7.18

 

CMYK 3 / 20 / 0 / 14

HEX #D6B1DC

RGB 214 177 220

HSL 291.63, 0.38%, 0.78%

LAB 76.62, 20.86, -16.59

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

CMYK 20 / 5 / 0 / 14

HEX #B1D1DC

RGB 177 209 220

HSL 195.35, 0.38%, 0.78%

LAB 81.9, -8.25, -8.99

 

CMYK 0 / 20 / 5 / 14

HEX #DCB1D1

RGB 220 177 209

HSL 315.35, 0.38%, 0.78%

LAB 76.84, 20.85, -10.24

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

CMYK 20 / 0 / 11 / 14

HEX #B1DCC4

RGB 177 220 196

HSL 146.51, 0.38%, 0.78%

LAB 84.24, -18.73, 7.18

 

CMYK 15 / 20 / 0 / 14

HEX #BBB1DC

RGB 187 177 220

HSL 253.95, 0.38%, 0.78%

LAB 74.3, 12.05, -20.33

 

CMYK 0 / 20 / 9 / 14

HEX #DCB1C9

RGB 220 177 201

HSL 326.51, 0.38%, 0.78%

LAB 76.6, 19.46, -6.23

 

CMYK 5 / 0 / 20 / 14

HEX #D1DCB0

RGB 209 220 176

HSL 75, 0.39%, 0.78%

LAB 85.94, -11.16, 20.42

 

CMYK 20 / 0 / 5 / 14

HEX #B1DCD1

RGB 177 220 209

HSL 164.65, 0.38%, 0.78%

LAB 84.55, -16.18, 0.77

 

CMYK 15 / 20 / 0 / 14

HEX #BBB1DC

RGB 187 177 220

HSL 253.95, 0.38%, 0.78%

LAB 74.3, 12.05, -20.33

 

CMYK 0 / 20 / 15 / 14

HEX #DCB1BB

RGB 220 177 187

HSL 346.05, 0.38%, 0.78%

LAB 76.22, 17.14, 0.83

 

Description

Color code: RGB 209 220 176 | qconv.com Color code: RGB 209 220 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 220 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 220 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 20 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 20% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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