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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 200.6 27.6 it is the complementary color RGB 46 54.4 227.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 200.6 27.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 200.6 27.6 shade: RGB 214 200.6 22.6, RGB 231 218.6 41.6, RGB 248 236.6 60.6, RGB 255 254.6 79.6 and RGB 255 255 98.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 200.6 27.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 200.6 27.6 shade: RGB 209 200.6 27.6, RGB 192 182.6 8.6, RGB 175 164.6 0, RGB 158 146.6 0 and RGB 141 128.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 200.6 27.6 shade: RGB 208 199 27, RGB 208 151 27, RGB 208 102 27, RGB 208 53 27 and RGB 208 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 200.6 27.6 shade: RGB 208 199 27, RGB 167 208 27, RGB 119 208 27, RGB 70 208 27 and RGB 27 208 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 200.6 27.6 shade matches the following richer shades: RGB 208 199 27 and RGB 227 216 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 200.6 27.6 shade: RGB 208 199 27, RGB 189 182 46, RGB 170 165 65, RGB 151 148 84 and RGB 132 130 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 200.6 27.6 shade: RGB 208 102 27, RGB 208 150 27, RGB 208 199 27, RGB 168 208 27 and RGB 120 208 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 200.6 27.6 shade: RGB 135 129 17, RGB 171 164 22, RGB 208 199 27, RGB 228 220 48 and RGB 233 226 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 200.6 27.6 shade: RGB 209 200.6 27.6, RGB 27 208 54 and RGB 126 27 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 200.6 27.6 shade: RGB 209 200.6 27.6, RGB 27 208 199 and RGB 199 27 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 200.6 27.6 shade: RGB 209 200.6 27.6, RGB 27 208 54, RGB 27 36 208 and RGB 208 27 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 200.6 27.6 shade: RGB 209 200.6 27.6, RGB 27 208 108, RGB 27 36 208 and RGB 208 27 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

Complementary color

CMYK 80 / 76 / 0 / 11

HEX #2E36E3

RGB 46 54.4 227.4

HSL 237.22, 0.77%, 0.54%

LAB 35.64, 55.67, -86.64

 

CMYK 0 / 6 / 89 / 16

HEX #D6C816

RGB 214 200.6 22.6

HSL 55.8, 0.81%, 0.46%

LAB 79.58, -11.96, 77.6

 

CMYK 0 / 5 / 82 / 9

HEX #E7DA29

RGB 231 218.6 41.6

HSL 56.07, 0.8%, 0.53%

LAB 85.81, -13.3, 79.34

 

CMYK 0 / 5 / 76 / 3

HEX #F8EC3C

RGB 248 236.6 60.6

HSL 56.35, 0.93%, 0.61%

LAB 91.97, -14.45, 80.07

 

CMYK 0 / 0 / 69 / 0

HEX #FFFE4F

RGB 255 254.6 79.6

HSL 59.86, 1%, 0.66%

LAB 97.27, -19.49, 79.09

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF62

RGB 255 255 98.6

HSL 60, 1%, 0.69%

LAB 97.5, -18.65, 72.24

 

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

CMYK 0 / 5 / 96 / 25

HEX #C0B608

RGB 192 182.6 8.6

HSL 56.92, 0.91%, 0.39%

LAB 72.84, -12.56, 73.51

 

CMYK 0 / 6 / 100 / 31

HEX #AFA400

RGB 175 164.6 0

HSL 56.43, 1%, 0.34%

LAB 66.43, -10.89, 69.15

 

CMYK 0 / 7 / 100 / 38

HEX #9E9200

RGB 158 146.6 0

HSL 55.67, 1%, 0.31%

LAB 59.9, -9.07, 63.73

 

CMYK 0 / 9 / 100 / 45

HEX #8D8000

RGB 141 128.6 0

HSL 54.72, 1%, 0.28%

LAB 53.23, -7.18, 58.21

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 0 / 27 / 87 / 18

HEX #D0971B

RGB 208 151 27

HSL 41.1, 0.77%, 0.46%

LAB 66.23, 11.55, 65.89

 

CMYK 0 / 51 / 87 / 18

HEX #D0661B

RGB 208 102 27

HSL 24.86, 0.77%, 0.46%

LAB 55.06, 37.72, 56.92

 

CMYK 0 / 75 / 87 / 18

HEX #D0351B

RGB 208 53 27

HSL 8.62, 0.77%, 0.46%

LAB 47.02, 58.99, 50.45

 

CMYK 0 / 87 / 87 / 18

HEX #D01B1B

RGB 208 27 27

HSL 0, 0.77%, 0.46%

LAB 44.62, 65.76, 48.52

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 20 / 0 / 87 / 18

HEX #A7D01B

RGB 167 208 27

HSL 73.59, 0.77%, 0.46%

LAB 78.11, -35.11, 74.17

 

CMYK 43 / 0 / 87 / 18

HEX #77D01B

RGB 119 208 27

HSL 89.5, 0.77%, 0.46%

LAB 75.52, -52.69, 70.94

 

CMYK 66 / 0 / 87 / 18

HEX #46D01B

RGB 70 208 27

HSL 105.75, 0.77%, 0.46%

LAB 73.86, -65.8, 68.87

 

CMYK 87 / 0 / 84 / 18

HEX #1BD021

RGB 27 208 33

HSL 121.99, 0.77%, 0.46%

LAB 73.19, -71.59, 66.7

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 0 / 5 / 96 / 11

HEX #E3D808

RGB 227 216 8

HSL 56.99, 0.93%, 0.46%

LAB 84.72, -14.28, 83.73

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62E

RGB 189 182 46

HSL 57.06, 0.61%, 0.46%

LAB 72.54, -12.64, 65.04

 

CMYK 0 / 3 / 62 / 33

HEX #AAA541

RGB 170 165 65

HSL 57.14, 0.45%, 0.46%

LAB 66.4, -11.03, 50.98

 

CMYK 0 / 2 / 44 / 41

HEX #979454

RGB 151 148 84

HSL 57.31, 0.29%, 0.46%

LAB 60.25, -8.5, 34.12

 

CMYK 0 / 2 / 22 / 48

HEX #848267

RGB 132 130 103

HSL 55.86, 0.12%, 0.46%

LAB 53.87, -4.02, 14.93

 

CMYK 0 / 51 / 87 / 18

HEX #D0661B

RGB 208 102 27

HSL 24.86, 0.77%, 0.46%

LAB 55.06, 37.72, 56.92

 

CMYK 0 / 28 / 87 / 18

HEX #D0961B

RGB 208 150 27

HSL 40.77, 0.77%, 0.46%

LAB 65.98, 12.09, 65.69

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 19 / 0 / 87 / 18

HEX #A8D01B

RGB 168 208 27

HSL 73.26, 0.77%, 0.46%

LAB 78.18, -34.71, 74.25

 

CMYK 42 / 0 / 87 / 18

HEX #78D01B

RGB 120 208 27

HSL 89.17, 0.77%, 0.46%

LAB 75.57, -52.37, 71

 

CMYK 0 / 4 / 87 / 47

HEX #878111

RGB 135 129 17

HSL 56.95, 0.78%, 0.3%

LAB 52.83, -9.86, 54.38

 

CMYK 0 / 4 / 87 / 33

HEX #ABA416

RGB 171 164 22

HSL 57.18, 0.77%, 0.38%

LAB 65.96, -12.01, 65.31

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

CMYK 0 / 4 / 79 / 11

HEX #E4DC30

RGB 228 220 48

HSL 57.33, 0.77%, 0.54%

LAB 85.95, -15.06, 77.71

 

CMYK 0 / 3 / 64 / 9

HEX #E9E254

RGB 233 226 84

HSL 57.18, 0.77%, 0.62%

LAB 88.14, -14.31, 67.66

 

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

CMYK 87 / 0 / 74 / 18

HEX #1BD036

RGB 27 208 54

HSL 128.95, 0.77%, 0.46%

LAB 73.29, -70.29, 60.67

 

CMYK 39 / 87 / 0 / 18

HEX #7E1BD0

RGB 126 27 208

HSL 272.82, 0.77%, 0.46%

LAB 37.43, 68.96, -72.29

 

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

CMYK 87 / 0 / 4 / 18

HEX #1BD0C7

RGB 27 208 199

HSL 177.02, 0.77%, 0.46%

LAB 75.74, -42.9, -7.44

 

CMYK 4 / 87 / 0 / 18

HEX #C71BD0

RGB 199 27 208

HSL 297.02, 0.77%, 0.46%

LAB 48.86, 79.94, -53.22

 

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

CMYK 87 / 0 / 74 / 18

HEX #1BD036

RGB 27 208 54

HSL 128.95, 0.77%, 0.46%

LAB 73.29, -70.29, 60.67

 

CMYK 87 / 83 / 0 / 18

HEX #1B24D0

RGB 27 36 208

HSL 237.02, 0.77%, 0.46%

LAB 29.54, 57.78, -85.63

 

CMYK 0 / 87 / 13 / 18

HEX #D01BB5

RGB 208 27 181

HSL 308.95, 0.77%, 0.46%

LAB 48.92, 77.68, -37.34

 

CMYK 0 / 4 / 87 / 18

HEX #D1C81B

RGB 209 200.6 27.6

HSL 57.22, 0.77%, 0.46%

LAB 79.17, -14.01, 76.2

 

CMYK 87 / 0 / 48 / 18

HEX #1BD06C

RGB 27 208 108

HSL 146.85, 0.77%, 0.46%

LAB 73.82, -63.78, 37.87

 

CMYK 87 / 83 / 0 / 18

HEX #1B24D0

RGB 27 36 208

HSL 237.02, 0.77%, 0.46%

LAB 29.54, 57.78, -85.63

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

Description

Color code: RGB 209 200.6 27.6 | qconv.com Color code: RGB 209 200.6 27.6 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 200.6 green and 27.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 200.6 27.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 87 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 87% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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