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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 1 238 it is the complementary color RGB 46 254 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 1 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 1 238 shade: RGB 214 1 233, RGB 231 19 252, RGB 248 37 255, RGB 255 55 255 and RGB 255 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 1 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 192 0 219, RGB 175 0 200, RGB 158 0 181 and RGB 141 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 238 1 203, RGB 238 1 139, RGB 238 1 75 and RGB 238 1 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 145 1 238, RGB 81 1 238, RGB 17 1 238 and RGB 1 1 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 1 238 shade matches the following richer shades: RGB 209 1 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 194 20 219, RGB 180 39 199, RGB 165 59 180 and RGB 150 78 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 1 238 shade: RGB 80 1 238, RGB 143 1 238, RGB 206 1 238, RGB 238 1 206 and RGB 238 1 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 1 238 shade: RGB 137 0 156, RGB 173 0 197, RGB 209 1 238, RGB 226 27 253 and RGB 231 68 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 238 17 1 and RGB 1 238 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 238 206 1 and RGB 1 238 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 238 17 1, RGB 32 238 1 and RGB 1 222 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 1 238 shade: RGB 209 1 238, RGB 238 88 1, RGB 32 238 1 and RGB 1 151 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

Complementary color

CMYK 82 / 0 / 93 / 0

HEX #2EFE11

RGB 46 254 17

HSL 112.66, 0.99%, 0.53%

LAB 87.73, -83.12, 81.9

 

CMYK 8 / 100 / 0 / 9

HEX #D601E9

RGB 214 1 233

HSL 295.09, 0.99%, 0.46%

LAB 52.06, 88.82, -62.18

 

CMYK 8 / 92 / 0 / 1

HEX #E713FC

RGB 231 19 252

HSL 294.59, 0.97%, 0.53%

LAB 56.57, 92.86, -65.42

 

CMYK 3 / 85 / 0 / 0

HEX #F825FF

RGB 248 37 255

HSL 298.07, 1%, 0.57%

LAB 60.34, 93.65, -60.88

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 12 / 100 / 0 / 14

HEX #C000DB

RGB 192 0 219

HSL 292.6, 1%, 0.43%

LAB 47.39, 83.51, -61.95

 

CMYK 13 / 100 / 0 / 22

HEX #AF00C8

RGB 175 0 200

HSL 292.5, 1%, 0.39%

LAB 43.19, 77.98, -57.93

 

CMYK 13 / 100 / 0 / 29

HEX #9E00B5

RGB 158 0 181

HSL 292.38, 1%, 0.35%

LAB 38.91, 72.36, -53.84

 

CMYK 13 / 100 / 0 / 36

HEX #8D00A2

RGB 141 0 162

HSL 292.22, 1%, 0.32%

LAB 34.54, 66.63, -49.68

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 0 / 100 / 15 / 7

HEX #EE01CB

RGB 238 1 203

HSL 308.86, 0.99%, 0.47%

LAB 54.56, 88.55, -40.85

 

CMYK 0 / 100 / 42 / 7

HEX #EE018B

RGB 238 1 139

HSL 325.06, 0.99%, 0.47%

LAB 51.91, 81.77, -7.3

 

CMYK 0 / 100 / 68 / 7

HEX #EE014B

RGB 238 1 75

HSL 341.27, 0.99%, 0.47%

LAB 50.34, 77.61, 29.44

 

CMYK 0 / 100 / 95 / 7

HEX #EE010B

RGB 238 1 11

HSL 357.47, 0.99%, 0.47%

LAB 49.77, 76.04, 60.87

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 39 / 100 / 0 / 7

HEX #9101EE

RGB 145 1 238

HSL 276.46, 0.99%, 0.47%

LAB 41.56, 81.09, -82.59

 

CMYK 66 / 100 / 0 / 7

HEX #5101EE

RGB 81 1 238

HSL 260.25, 0.99%, 0.47%

LAB 33.87, 76.57, -95.56

 

CMYK 93 / 100 / 0 / 7

HEX #1101EE

RGB 17 1 238

HSL 244.05, 0.99%, 0.47%

LAB 30.19, 75.09, -101.79

 

CMYK 100 / 100 / 0 / 7

HEX #0101EE

RGB 1 1 238

HSL 240, 0.99%, 0.47%

LAB 29.91, 75, -102.26

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 11 / 91 / 0 / 14

HEX #C214DB

RGB 194 20 219

HSL 292.46, 0.83%, 0.47%

LAB 48.37, 81.91, -60.36

 

CMYK 10 / 80 / 0 / 22

HEX #B427C7

RGB 180 39 199

HSL 292.88, 0.67%, 0.47%

LAB 46.01, 72.59, -52.76

 

CMYK 8 / 67 / 0 / 29

HEX #A53BB4

RGB 165 59 180

HSL 292.56, 0.51%, 0.47%

LAB 44.83, 59.51, -43.68

 

CMYK 6 / 51 / 0 / 37

HEX #964EA0

RGB 150 78 160

HSL 292.68, 0.34%, 0.47%

LAB 44.9, 42.84, -31.88

 

CMYK 66 / 100 / 0 / 7

HEX #5001EE

RGB 80 1 238

HSL 260, 0.99%, 0.47%

LAB 33.77, 76.53, -95.72

 

CMYK 40 / 100 / 0 / 7

HEX #8F01EE

RGB 143 1 238

HSL 275.95, 0.99%, 0.47%

LAB 41.27, 80.9, -83.07

 

CMYK 13 / 100 / 0 / 7

HEX #CE01EE

RGB 206 1 238

HSL 291.9, 0.99%, 0.47%

LAB 51.06, 88.44, -66.69

 

CMYK 0 / 100 / 13 / 7

HEX #EE01CE

RGB 238 1 206

HSL 308.1, 0.99%, 0.47%

LAB 54.72, 88.92, -42.34

 

CMYK 0 / 100 / 40 / 7

HEX #EE018F

RGB 238 1 143

HSL 324.05, 0.99%, 0.47%

LAB 52.04, 82.12, -9.51

 

CMYK 12 / 100 / 0 / 39

HEX #89009C

RGB 137 0 156

HSL 292.69, 1%, 0.31%

LAB 33.39, 65, -47.93

 

CMYK 12 / 100 / 0 / 23

HEX #AD00C5

RGB 173 0 197

HSL 292.69, 1%, 0.39%

LAB 42.64, 77.2, -57.09

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 11 / 89 / 0 / 1

HEX #E21BFD

RGB 226 27 253

HSL 292.83, 0.98%, 0.55%

LAB 56.13, 91.32, -66.72

 

CMYK 9 / 73 / 0 / 0

HEX #E744FE

RGB 231 68 254

HSL 292.58, 0.99%, 0.63%

LAB 60.14, 83.13, -60.79

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 0 / 93 / 100 / 7

HEX #EE1101

RGB 238 17 1

HSL 4.05, 0.99%, 0.47%

LAB 50.19, 74.65, 63.69

 

CMYK 100 / 0 / 53 / 7

HEX #01EE6F

RGB 1 238 111

HSL 147.85, 0.99%, 0.47%

LAB 83.07, -74.01, 47.86

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 0 / 13 / 100 / 7

HEX #EECE01

RGB 238 206 1

HSL 51.9, 0.99%, 0.47%

LAB 83.08, -4.61, 83.6

 

CMYK 100 / 0 / 13 / 7

HEX #01EECE

RGB 1 238 206

HSL 171.9, 0.99%, 0.47%

LAB 84.8, -54.46, 2.12

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 0 / 93 / 100 / 7

HEX #EE1101

RGB 238 17 1

HSL 4.05, 0.99%, 0.47%

LAB 50.19, 74.65, 63.69

 

CMYK 87 / 0 / 100 / 7

HEX #20EE01

RGB 32 238 1

HSL 112.15, 0.99%, 0.47%

LAB 82.62, -80.28, 79.07

 

CMYK 100 / 7 / 0 / 7

HEX #01DEEE

RGB 1 222 238

HSL 184.05, 0.99%, 0.47%

LAB 80.97, -38.46, -20.48

 

CMYK 12 / 100 / 0 / 7

HEX #D101EE

RGB 209 1 238

HSL 292.66, 0.99%, 0.47%

LAB 51.55, 88.87, -65.86

 

CMYK 0 / 63 / 100 / 7

HEX #EE5801

RGB 238 88 1

HSL 22.03, 0.99%, 0.47%

LAB 57.23, 55.12, 66.93

 

CMYK 87 / 0 / 100 / 7

HEX #20EE01

RGB 32 238 1

HSL 112.15, 0.99%, 0.47%

LAB 82.62, -80.28, 79.07

 

CMYK 100 / 37 / 0 / 7

HEX #0197EE

RGB 1 151 238

HSL 202.03, 0.99%, 0.47%

LAB 60.17, -1.63, -52.8

 

Description

Color code: RGB 209 1 238 | qconv.com Color code: RGB 209 1 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 1 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 1 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 100 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 100% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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