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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 168 138 it is the complementary color RGB 46 87 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 168 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 168 138: RGB 214 168 133, RGB 231 186 152, RGB 248 204 171, RGB 255 222 190 and RGB 255 240 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 168 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 168 138: RGB 209 168 138, RGB 192 150 119, RGB 175 132 100, RGB 158 114 81 and RGB 141 96 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

Complementary color

CMYK 61 / 26 / 0 / 54

HEX #2E5775

RGB 46 87 117

HSL 205.35, 0.44%, 0.32%

LAB 35.36, -4.62, -21.4

 

CMYK 0 / 21 / 38 / 16

HEX #D6A885

RGB 214 168 133

HSL 25.93, 0.5%, 0.68%

LAB 72.23, 12.19, 24.54

 

CMYK 0 / 19 / 34 / 9

HEX #E7BA98

RGB 231 186 152

HSL 25.82, 0.62%, 0.75%

LAB 78.68, 11.52, 23.37

 

CMYK 0 / 18 / 31 / 3

HEX #F8CCAB

RGB 248 204 171

HSL 25.71, 0.85%, 0.82%

LAB 85.04, 10.92, 22.29

 

CMYK 0 / 13 / 25 / 0

HEX #FFDEBE

RGB 255 222 190

HSL 29.54, 1%, 0.87%

LAB 90.42, 6.69, 19.9

 

CMYK 0 / 6 / 18 / 0

HEX #FFF0D1

RGB 255 240 209

HSL 40.43, 1%, 0.91%

LAB 95.24, 0.18, 16.81

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 0 / 22 / 38 / 25

HEX #C09677

RGB 192 150 119

HSL 25.48, 0.37%, 0.61%

LAB 65.24, 11.5, 22.38

 

CMYK 0 / 25 / 43 / 31

HEX #AF8464

RGB 175 132 100

HSL 25.6, 0.32%, 0.54%

LAB 58.54, 12.3, 23.67

 

CMYK 0 / 28 / 49 / 38

HEX #9E7251

RGB 158 114 81

HSL 25.71, 0.32%, 0.47%

LAB 51.72, 13.23, 25.09

 

CMYK 0 / 32 / 56 / 45

HEX #8D603E

RGB 141 96 62

HSL 25.82, 0.39%, 0.4%

LAB 44.77, 14.36, 26.66

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 0 / 14 / 34 / 18

HEX #D1B389

RGB 209 179 137

HSL 35, 0.44%, 0.68%

LAB 74.57, 4.79, 25.47

 

CMYK 0 / 9 / 34 / 18

HEX #D1BF89

RGB 209 191 137

HSL 45, 0.44%, 0.68%

LAB 77.65, -1.56, 29.59

 

CMYK 0 / 3 / 34 / 18

HEX #D1CB89

RGB 209 203 137

HSL 55, 0.44%, 0.68%

LAB 80.78, -7.78, 33.71

 

CMYK 3 / 0 / 34 / 18

HEX #CBD189

RGB 203 209 137

HSL 65, 0.44%, 0.68%

LAB 81.89, -13.17, 35.08

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 0 / 20 / 40 / 98

HEX #050403

RGB 5 4 3

HSL 30, 0.25%, 0.02%

LAB 1.14, 0.12, 0.47

 

CMYK 0 / 20 / 34 / 78

HEX #382D25

RGB 56 45 37

HSL 25.26, 0.2%, 0.18%

LAB 19.44, 3.55, 7.06

 

CMYK 0 / 20 / 34 / 58

HEX #6B5647

RGB 107 86 71

HSL 25, 0.2%, 0.35%

LAB 38.26, 6.24, 12

 

CMYK 0 / 20 / 34 / 38

HEX #9E7F68

RGB 158 127 104

HSL 25.56, 0.22%, 0.51%

LAB 55.53, 8.54, 17.03

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 21 / 0 / 34 / 18

HEX #A5D189

RGB 165 209 137

HSL 96.67, 0.44%, 0.68%

LAB 79.27, -27.33, 31.15

 

CMYK 34 / 34 / 0 / 18

HEX #8A89D1

RGB 138 137 209

HSL 240.83, 0.44%, 0.68%

LAB 59.8, 17.23, -36.92

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 34 / 0 / 20 / 18

HEX #89D1A7

RGB 137 209 167

HSL 145, 0.44%, 0.68%

LAB 78.29, -31.45, 13.8

 

CMYK 20 / 34 / 0 / 18

HEX #A789D1

RGB 167 137 209

HSL 265, 0.44%, 0.68%

LAB 62.26, 25.73, -32.89

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 21 / 0 / 34 / 18

HEX #A5D189

RGB 165 209 137

HSL 96.67, 0.44%, 0.68%

LAB 79.27, -27.33, 31.15

 

CMYK 34 / 14 / 0 / 18

HEX #89B3D1

RGB 137 179 209

HSL 205, 0.44%, 0.68%

LAB 70.98, -6.76, -19.68

 

CMYK 13 / 34 / 0 / 18

HEX #B589D1

RGB 181 137 209

HSL 276.67, 0.44%, 0.68%

LAB 63.61, 30.03, -30.7

 

CMYK 0 / 20 / 34 / 18

HEX #D1A88A

RGB 209 168 138

HSL 25.35, 0.44%, 0.68%

LAB 71.82, 10.82, 21.2

 

CMYK 32 / 0 / 34 / 18

HEX #8FD189

RGB 143 209 137

HSL 115, 0.44%, 0.68%

LAB 78.02, -34.85, 29.26

 

CMYK 34 / 14 / 0 / 18

HEX #89B3D1

RGB 137 179 209

HSL 205, 0.44%, 0.68%

LAB 70.98, -6.76, -19.68

 

CMYK 3 / 34 / 0 / 18

HEX #CB89D1

RGB 203 137 209

HSL 295, 0.44%, 0.68%

LAB 65.9, 36.93, -26.97

 

Description

Color code: RGB 209 168 138 | qconv.com Color code: RGB 209 168 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 168 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 168 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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