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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 162.8 96.4 it is the complementary color RGB 46 92.2 158.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 162.8 96.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 162.8 96.4 shade: RGB 214 162.8 91.4, RGB 231 180.8 110.4, RGB 248 198.8 129.4, RGB 255 216.8 148.4 and RGB 255 234.8 167.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 162.8 96.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 162.8 96.4 shade: RGB 209 162.8 96.4, RGB 192 144.8 77.4, RGB 175 126.8 58.4, RGB 158 108.8 39.4 and RGB 141 90.8 20.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 162.8 96.4 shade: RGB 209 163 97, RGB 209 133 97, RGB 209 103 97 and RGB 209 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 162.8 96.4 shade: RGB 209 163 97, RGB 209 193 97, RGB 195 209 97, RGB 164 209 97 and RGB 134 209 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 162.8 96.4 shade matches the following richer shades: RGB 209 163 97, RGB 226 166 80 and RGB 242 169 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 162.8 96.4 shade: RGB 209 163 97, RGB 193 160 113, RGB 176 157 130, RGB 160 154 146 and RGB 143 151 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 162.8 96.4 shade: RGB 209 103 97, RGB 209 132 97, RGB 209 162 97, RGB 209 192 97 and RGB 196 209 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 162.8 96.4 shade: RGB 173 123 50, RGB 200 144 65, RGB 209 163 97, RGB 218 182 129 and RGB 228 200 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 162.8 96.4 shade: RGB 209 162.8 96.4, RGB 121 209 97 and RGB 117 97 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 162.8 96.4 shade: RGB 209 162.8 96.4, RGB 97 209 162 and RGB 162 97 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 162.8 96.4 shade: RGB 209 162.8 96.4, RGB 121 209 97, RGB 97 144 209 and RGB 185 97 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 162.8 96.4 shade: RGB 209 162.8 96.4, RGB 97 209 106, RGB 97 144 209 and RGB 209 97 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

Complementary color

CMYK 71 / 42 / 0 / 38

HEX #2E5C9E

RGB 46 92.2 158.6

HSL 215.38, 0.55%, 0.4%

LAB 39.17, 7.28, -40.7

 

CMYK 0 / 24 / 57 / 16

HEX #D6A25B

RGB 214 162.8 91.4

HSL 34.94, 0.6%, 0.6%

LAB 70.3, 10.94, 43.95

 

CMYK 0 / 22 / 52 / 9

HEX #E7B46E

RGB 231 180.8 110.4

HSL 35.02, 0.72%, 0.67%

LAB 76.73, 9.94, 42.57

 

CMYK 0 / 20 / 48 / 3

HEX #F8C681

RGB 248 198.8 129.4

HSL 35.11, 0.89%, 0.74%

LAB 83.08, 9.08, 41.25

 

CMYK 0 / 15 / 42 / 0

HEX #FFD894

RGB 255 216.8 148.4

HSL 38.5, 1%, 0.79%

LAB 88.42, 4.41, 38.6

 

CMYK 0 / 8 / 34 / 0

HEX #FFEAA7

RGB 255 234.8 167.4

HSL 46.16, 1%, 0.83%

LAB 93.17, -2.66, 35.24

 

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

CMYK 0 / 25 / 60 / 25

HEX #C0904D

RGB 192 144.8 77.4

HSL 35.29, 0.48%, 0.53%

LAB 63.29, 10.31, 42.14

 

CMYK 0 / 28 / 67 / 31

HEX #AF7E3A

RGB 175 126.8 58.4

HSL 35.2, 0.5%, 0.46%

LAB 56.63, 11.56, 43.53

 

CMYK 0 / 31 / 75 / 38

HEX #9E6C27

RGB 158 108.8 39.4

HSL 35.11, 0.6%, 0.39%

LAB 49.87, 13.06, 44.74

 

CMYK 0 / 36 / 86 / 45

HEX #8D5A14

RGB 141 90.8 20.4

HSL 35.02, 0.75%, 0.32%

LAB 43.01, 14.89, 45.36

 

CMYK 0 / 22 / 54 / 18

HEX #D1A361

RGB 209 163 97

HSL 35.36, 0.55%, 0.6%

LAB 69.9, 9.2, 40.5

 

CMYK 0 / 36 / 54 / 18

HEX #D18561

RGB 209 133 97

HSL 19.29, 0.55%, 0.6%

LAB 62.67, 25.46, 31.46

 

CMYK 0 / 51 / 54 / 18

HEX #D16761

RGB 209 103 97

HSL 3.21, 0.55%, 0.6%

LAB 56.21, 41.26, 23.05

 

CMYK 0 / 54 / 54 / 18

HEX #D16161

RGB 209 97 97

HSL 0, 0.55%, 0.6%

LAB 55.04, 44.25, 21.49

 

CMYK 0 / 22 / 54 / 18

HEX #D1A361

RGB 209 163 97

HSL 35.36, 0.55%, 0.6%

LAB 69.9, 9.2, 40.5

 

CMYK 0 / 8 / 54 / 18

HEX #D1C161

RGB 209 193 97

HSL 51.43, 0.55%, 0.6%

LAB 77.61, -6.66, 49.74

 

CMYK 7 / 0 / 54 / 18

HEX #C3D161

RGB 195 209 97

HSL 67.5, 0.55%, 0.6%

LAB 80.78, -20.45, 53.14

 

CMYK 22 / 0 / 54 / 18

HEX #A4D161

RGB 164 209 97

HSL 84.11, 0.55%, 0.6%

LAB 78.67, -32.53, 50.15

 

CMYK 36 / 0 / 54 / 18

HEX #86D161

RGB 134 209 97

HSL 100.18, 0.55%, 0.6%

LAB 77, -43.2, 47.76

 

CMYK 0 / 22 / 54 / 18

HEX #D1A361

RGB 209 163 97

HSL 35.36, 0.55%, 0.6%

LAB 69.9, 9.2, 40.5

 

CMYK 0 / 27 / 65 / 11

HEX #E2A650

RGB 226 166 80

HSL 35.34, 0.72%, 0.6%

LAB 72.24, 13.48, 52.07

 

CMYK 0 / 30 / 74 / 5

HEX #F2A940

RGB 242 169 64

HSL 35.39, 0.87%, 0.6%

LAB 74.59, 17.77, 62.15

 

CMYK 0 / 22 / 54 / 18

HEX #D1A361

RGB 209 163 97

HSL 35.36, 0.55%, 0.6%

LAB 69.9, 9.2, 40.5

 

CMYK 0 / 17 / 41 / 24

HEX #C1A071

RGB 193 160 113

HSL 35.25, 0.39%, 0.6%

LAB 67.78, 5.75, 29.05

 

CMYK 0 / 11 / 26 / 31

HEX #B09D82

RGB 176 157 130

HSL 35.22, 0.23%, 0.6%

LAB 65.71, 2.69, 16.69

 

CMYK 0 / 4 / 9 / 37

HEX #A09A92

RGB 160 154 146

HSL 34.29, 0.07%, 0.6%

LAB 63.88, 0.73, 4.97

 

CMYK 12 / 7 / 0 / 36

HEX #8F97A3

RGB 143 151 163

HSL 216, 0.1%, 0.6%

LAB 62.18, -0.37, -7.28

 

CMYK 0 / 51 / 54 / 18

HEX #D16761

RGB 209 103 97

HSL 3.21, 0.55%, 0.6%

LAB 56.21, 41.26, 23.05

 

CMYK 0 / 37 / 54 / 18

HEX #D18461

RGB 209 132 97

HSL 18.75, 0.55%, 0.6%

LAB 62.44, 26, 31.17

 

CMYK 0 / 22 / 54 / 18

HEX #D1A261

RGB 209 162 97

HSL 34.82, 0.55%, 0.6%

LAB 69.65, 9.74, 40.2

 

CMYK 0 / 8 / 54 / 18

HEX #D1C061

RGB 209 192 97

HSL 50.89, 0.55%, 0.6%

LAB 77.35, -6.14, 49.43

 

CMYK 6 / 0 / 54 / 18

HEX #C4D161

RGB 196 209 97

HSL 66.96, 0.55%, 0.6%

LAB 80.85, -20.05, 53.24

 

CMYK 0 / 29 / 71 / 32

HEX #AD7B32

RGB 173 123 50

HSL 35.61, 0.55%, 0.44%

LAB 55.36, 12.31, 46.09

 

CMYK 0 / 28 / 68 / 22

HEX #C89041

RGB 200 144 65

HSL 35.11, 0.55%, 0.52%

LAB 63.84, 13.37, 49.07

 

CMYK 0 / 22 / 54 / 18

HEX #D1A361

RGB 209 163 97

HSL 35.36, 0.55%, 0.6%

LAB 69.9, 9.2, 40.5

 

CMYK 0 / 17 / 41 / 15

HEX #DAB681

RGB 218 182 129

HSL 35.73, 0.55%, 0.68%

LAB 76.04, 5.85, 31.81

 

CMYK 0 / 12 / 29 / 11

HEX #E4C8A1

RGB 228 200 161

HSL 34.93, 0.55%, 0.76%

LAB 82.04, 4.12, 23.15

 

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

CMYK 42 / 0 / 54 / 18

HEX #79D161

RGB 121 209 97

HSL 107.14, 0.55%, 0.6%

LAB 76.39, -47.38, 46.89

 

CMYK 44 / 54 / 0 / 18

HEX #7561D1

RGB 117 97 209

HSL 250.71, 0.55%, 0.6%

LAB 48.18, 35.49, -55.45

 

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

CMYK 54 / 0 / 22 / 18

HEX #61D1A2

RGB 97 209 162

HSL 154.82, 0.55%, 0.6%

LAB 76.53, -43.02, 13.74

 

CMYK 22 / 54 / 0 / 18

HEX #A261D1

RGB 162 97 209

HSL 274.82, 0.55%, 0.6%

LAB 52.77, 46.59, -47.85

 

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

CMYK 42 / 0 / 54 / 18

HEX #79D161

RGB 121 209 97

HSL 107.14, 0.55%, 0.6%

LAB 76.39, -47.38, 46.89

 

CMYK 54 / 31 / 0 / 18

HEX #6190D1

RGB 97 144 209

HSL 214.82, 0.55%, 0.6%

LAB 59.06, 2.75, -38.26

 

CMYK 11 / 54 / 0 / 18

HEX #B961D1

RGB 185 97 209

HSL 287.14, 0.55%, 0.6%

LAB 55.55, 52.66, -43.26

 

CMYK 0 / 22 / 54 / 18

HEX #D1A260

RGB 209 162.8 96.4

HSL 35.38, 0.55%, 0.6%

LAB 69.85, 9.25, 40.74

 

CMYK 54 / 0 / 49 / 18

HEX #61D16A

RGB 97 209 106

HSL 124.82, 0.55%, 0.6%

LAB 75.56, -52.99, 41.35

 

CMYK 54 / 31 / 0 / 18

HEX #6190D1

RGB 97 144 209

HSL 214.82, 0.55%, 0.6%

LAB 59.06, 2.75, -38.26

 

CMYK 0 / 54 / 4 / 18

HEX #D161C8

RGB 209 97 200

HSL 304.82, 0.55%, 0.6%

LAB 58.3, 57.53, -33.61

 

Description

Color code: RGB 209 162.8 96.4 | qconv.com Color code: RGB 209 162.8 96.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 162.8 green and 96.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 162.8 96.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 54 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 54% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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