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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 156 19 it is the complementary color RGB 46 99 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 156 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 156 19 shade: RGB 214 156 14, RGB 231 174 33, RGB 248 192 52, RGB 255 210 71 and RGB 255 228 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 156 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 192 138 0, RGB 175 120 0, RGB 158 102 0 and RGB 141 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 209 105 19, RGB 209 54 19 and RGB 209 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 209 208 19, RGB 160 209 19, RGB 109 209 19 and RGB 57 209 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 156 19 shade matches the following richer shades: RGB 209 156 19 and RGB 228 165 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 191 148 38, RGB 172 140 56, RGB 154 132 75 and RGB 135 124 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 156 19 shade: RGB 209 54 19, RGB 209 105 19, RGB 209 156 19, RGB 209 206 19 and RGB 162 209 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 156 19 shade: RGB 134 100 12, RGB 172 128 16, RGB 209 156 19, RGB 234 179 36 and RGB 238 192 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 35 209 19 and RGB 79 19 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 19 209 156 and RGB 156 19 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 35 209 19, RGB 19 73 209 and RGB 194 19 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 156 19 shade: RGB 209 156 19, RGB 19 209 60, RGB 19 73 209 and RGB 209 19 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

Complementary color

CMYK 81 / 58 / 0 / 7

HEX #2E63EC

RGB 46 99 236

HSL 223.26, 0.83%, 0.55%

LAB 46.39, 32.03, -73.85

 

CMYK 0 / 27 / 93 / 16

HEX #D69C0E

RGB 214 156 14

HSL 42.6, 0.88%, 0.45%

LAB 68.1, 11.26, 70.28

 

CMYK 0 / 25 / 86 / 9

HEX #E7AE21

RGB 231 174 33

HSL 42.73, 0.8%, 0.52%

LAB 74.43, 9.41, 72.02

 

CMYK 0 / 23 / 79 / 3

HEX #F8C034

RGB 248 192 52

HSL 42.86, 0.93%, 0.59%

LAB 80.69, 7.79, 72.55

 

CMYK 0 / 18 / 72 / 0

HEX #FFD247

RGB 255 210 71

HSL 45.33, 1%, 0.64%

LAB 85.91, 2.2, 71.05

 

CMYK 0 / 11 / 65 / 0

HEX #FFE45A

RGB 255 228 90

HSL 50.18, 1%, 0.68%

LAB 90.54, -5.93, 68.34

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 28 / 100 / 25

HEX #C08A00

RGB 192 138 0

HSL 43.13, 1%, 0.38%

LAB 61.12, 11.12, 66.22

 

CMYK 0 / 31 / 100 / 31

HEX #AF7800

RGB 175 120 0

HSL 41.14, 1%, 0.34%

LAB 54.6, 13.44, 60.88

 

CMYK 0 / 35 / 100 / 38

HEX #9E6600

RGB 158 102 0

HSL 38.73, 1%, 0.31%

LAB 47.97, 15.85, 55.46

 

CMYK 0 / 40 / 100 / 45

HEX #8D5400

RGB 141 84 0

HSL 35.74, 1%, 0.28%

LAB 41.22, 18.38, 49.97

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 50 / 91 / 18

HEX #D16913

RGB 209 105 19

HSL 27.16, 0.83%, 0.45%

LAB 55.79, 36.43, 59.99

 

CMYK 0 / 74 / 91 / 18

HEX #D13613

RGB 209 54 19

HSL 11.05, 0.83%, 0.45%

LAB 47.29, 58.83, 53.92

 

CMYK 0 / 91 / 91 / 18

HEX #D11313

RGB 209 19 19

HSL 0, 0.83%, 0.45%

LAB 44.33, 67.19, 51.9

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 0 / 91 / 18

HEX #D1D013

RGB 209 208 19

HSL 59.68, 0.83%, 0.45%

LAB 81.13, -17.85, 79.18

 

CMYK 23 / 0 / 91 / 18

HEX #A0D113

RGB 160 209 19

HSL 75.47, 0.83%, 0.45%

LAB 77.95, -38.5, 75.19

 

CMYK 48 / 0 / 91 / 18

HEX #6DD113

RGB 109 209 19

HSL 91.58, 0.83%, 0.45%

LAB 75.39, -56.44, 72.04

 

CMYK 73 / 0 / 91 / 18

HEX #39D113

RGB 57 209 19

HSL 108, 0.83%, 0.45%

LAB 73.88, -68.75, 70.17

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 28 / 100 / 11

HEX #E4A500

RGB 228 165 0

HSL 43.42, 1%, 0.45%

LAB 71.83, 12.42, 75.4

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 23 / 80 / 25

HEX #BF9426

RGB 191 148 38

HSL 43.14, 0.67%, 0.45%

LAB 63.67, 5.97, 59.69

 

CMYK 0 / 19 / 67 / 33

HEX #AC8C38

RGB 172 140 56

HSL 43.45, 0.51%, 0.45%

LAB 59.72, 2.74, 47.91

 

CMYK 0 / 14 / 51 / 40

HEX #9A844B

RGB 154 132 75

HSL 43.29, 0.34%, 0.45%

LAB 55.97, 0.68, 33.66

 

CMYK 0 / 8 / 31 / 47

HEX #877C5D

RGB 135 124 93

HSL 44.29, 0.18%, 0.45%

LAB 52.24, -0.88, 18.48

 

CMYK 0 / 74 / 91 / 18

HEX #D13613

RGB 209 54 19

HSL 11.05, 0.83%, 0.45%

LAB 47.29, 58.83, 53.92

 

CMYK 0 / 50 / 91 / 18

HEX #D16913

RGB 209 105 19

HSL 27.16, 0.83%, 0.45%

LAB 55.79, 36.43, 59.99

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 1 / 91 / 18

HEX #D1CE13

RGB 209 206 19

HSL 59.05, 0.83%, 0.45%

LAB 80.6, -16.86, 78.76

 

CMYK 22 / 0 / 91 / 18

HEX #A2D113

RGB 162 209 19

HSL 74.84, 0.83%, 0.45%

LAB 78.07, -37.72, 75.34

 

CMYK 0 / 25 / 91 / 47

HEX #86640C

RGB 134 100 12

HSL 43.28, 0.84%, 0.29%

LAB 44.53, 5.98, 48.85

 

CMYK 0 / 26 / 91 / 33

HEX #AC8010

RGB 172 128 16

HSL 43.08, 0.83%, 0.37%

LAB 56.33, 7.83, 59

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 0 / 24 / 85 / 8

HEX #EAB324

RGB 234 179 36

HSL 43.33, 0.83%, 0.53%

LAB 75.98, 8.14, 72.65

 

CMYK 0 / 19 / 69 / 7

HEX #EEC049

RGB 238 192 73

HSL 43.27, 0.83%, 0.61%

LAB 79.82, 4.44, 63.62

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 83 / 0 / 91 / 18

HEX #23D113

RGB 35 209 19

HSL 114.95, 0.83%, 0.45%

LAB 73.55, -71.67, 69.76

 

CMYK 62 / 91 / 0 / 18

HEX #4F13D1

RGB 79 19 209

HSL 258.95, 0.83%, 0.45%

LAB 31.19, 66.6, -83.37

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 91 / 0 / 25 / 18

HEX #13D19C

RGB 19 209 156

HSL 163.26, 0.83%, 0.45%

LAB 74.91, -54.99, 14.45

 

CMYK 25 / 91 / 0 / 18

HEX #9C13D1

RGB 156 19 209

HSL 283.26, 0.83%, 0.45%

LAB 41.43, 74.72, -66.14

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 83 / 0 / 91 / 18

HEX #23D113

RGB 35 209 19

HSL 114.95, 0.83%, 0.45%

LAB 73.55, -71.67, 69.76

 

CMYK 91 / 65 / 0 / 18

HEX #1349D1

RGB 19 73 209

HSL 222.95, 0.83%, 0.45%

LAB 36.94, 36.86, -73.96

 

CMYK 7 / 91 / 0 / 18

HEX #C213D1

RGB 194 19 209

HSL 295.26, 0.83%, 0.45%

LAB 47.67, 80.45, -55.74

 

CMYK 0 / 25 / 91 / 18

HEX #D19C13

RGB 209 156 19

HSL 43.26, 0.83%, 0.45%

LAB 67.56, 9.14, 68.76

 

CMYK 91 / 0 / 71 / 18

HEX #13D13C

RGB 19 209 60

HSL 132.95, 0.83%, 0.45%

LAB 73.59, -70.63, 58.82

 

CMYK 91 / 65 / 0 / 18

HEX #1349D1

RGB 19 73 209

HSL 222.95, 0.83%, 0.45%

LAB 36.94, 36.86, -73.96

 

CMYK 0 / 91 / 20 / 18

HEX #D113A8

RGB 209 19 168

HSL 312.95, 0.83%, 0.45%

LAB 48.07, 77.37, -31

 

Description

Color code: RGB 209 156 19 | qconv.com Color code: RGB 209 156 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 156 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 156 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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