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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 149 9 it is the complementary color RGB 46 106 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 149 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 149 9 shade: RGB 214 149 4, RGB 231 167 23, RGB 248 185 42, RGB 255 203 61 and RGB 255 221 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 149 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 149 9 shade: RGB 209 149 9, RGB 192 131 0, RGB 175 113 0, RGB 158 95 0 and RGB 141 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 149 9 shade: RGB 210 150 8, RGB 210 95 8, RGB 210 41 8 and RGB 210 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 149 9 shade: RGB 210 150 8, RGB 210 204 8, RGB 162 210 8, RGB 107 210 8 and RGB 53 210 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 149 9 shade matches the following richer shades: RGB 210 150 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 149 9 shade: RGB 210 150 8, RGB 192 142 26, RGB 175 135 44, RGB 157 128 61 and RGB 139 121 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 149 9 shade: RGB 210 42 8, RGB 210 96 8, RGB 210 150 8, RGB 210 203 8 and RGB 163 210 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 149 9 shade: RGB 131 93 5, RGB 170 121 7, RGB 210 150 8, RGB 245 176 15 and RGB 246 189 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 149 9 shade: RGB 209 149 9, RGB 28 210 8 and RGB 69 8 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 149 9 shade: RGB 209 149 9, RGB 8 210 150 and RGB 150 8 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 149 9 shade: RGB 209 149 9, RGB 28 210 8, RGB 8 69 210 and RGB 190 8 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 149 9 shade: RGB 209 149 9, RGB 8 210 49, RGB 8 69 210 and RGB 210 8 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

Complementary color

CMYK 81 / 57 / 0 / 4

HEX #2E6AF6

RGB 46 106 246

HSL 222, 0.92%, 0.57%

LAB 48.94, 31.3, -75.3

 

CMYK 0 / 30 / 98 / 16

HEX #D69504

RGB 214 149 4

HSL 41.43, 0.96%, 0.43%

LAB 66.37, 14.93, 70.41

 

CMYK 0 / 28 / 90 / 9

HEX #E7A717

RGB 231 167 23

HSL 41.54, 0.82%, 0.5%

LAB 72.69, 12.92, 72.93

 

CMYK 0 / 25 / 83 / 3

HEX #F8B92A

RGB 248 185 42

HSL 41.65, 0.94%, 0.57%

LAB 78.94, 11.14, 74.07

 

CMYK 0 / 20 / 76 / 0

HEX #FFCB3D

RGB 255 203 61

HSL 43.92, 1%, 0.62%

LAB 84.13, 5.38, 72.94

 

CMYK 0 / 13 / 69 / 0

HEX #FFDD50

RGB 255 221 80

HSL 48.34, 1%, 0.66%

LAB 88.71, -2.96, 70.42

 

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

CMYK 0 / 32 / 100 / 25

HEX #C08300

RGB 192 131 0

HSL 40.94, 1%, 0.38%

LAB 59.38, 14.97, 65.05

 

CMYK 0 / 35 / 100 / 31

HEX #AF7100

RGB 175 113 0

HSL 38.74, 1%, 0.34%

LAB 52.87, 17.36, 59.73

 

CMYK 0 / 40 / 100 / 38

HEX #9E5F00

RGB 158 95 0

HSL 36.08, 1%, 0.31%

LAB 46.25, 19.84, 54.35

 

CMYK 0 / 45 / 100 / 45

HEX #8D4D00

RGB 141 77 0

HSL 32.77, 1%, 0.28%

LAB 39.53, 22.41, 48.9

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 55 / 96 / 18

HEX #D25F08

RGB 210 95 8

HSL 25.84, 0.93%, 0.43%

LAB 53.92, 41.71, 61.26

 

CMYK 0 / 80 / 96 / 18

HEX #D22908

RGB 210 41 8

HSL 9.8, 0.93%, 0.43%

LAB 46.05, 62.91, 56.62

 

CMYK 0 / 96 / 96 / 18

HEX #D20808

RGB 210 8 8

HSL 0, 0.93%, 0.43%

LAB 44.08, 68.54, 55.6

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 3 / 96 / 18

HEX #D2CC08

RGB 210 204 8

HSL 58.22, 0.93%, 0.43%

LAB 80.13, -15.57, 79.68

 

CMYK 23 / 0 / 96 / 18

HEX #A2D208

RGB 162 210 8

HSL 74.26, 0.93%, 0.43%

LAB 78.34, -38.33, 76.81

 

CMYK 49 / 0 / 96 / 18

HEX #6BD208

RGB 107 210 8

HSL 90.59, 0.93%, 0.43%

LAB 75.6, -57.62, 73.48

 

CMYK 75 / 0 / 96 / 18

HEX #35D208

RGB 53 210 8

HSL 106.63, 0.93%, 0.43%

LAB 74.11, -69.92, 71.65

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 26 / 86 / 25

HEX #C08E1A

RGB 192 142 26

HSL 41.93, 0.76%, 0.43%

LAB 62.19, 9.34, 62.14

 

CMYK 0 / 23 / 75 / 31

HEX #AF872C

RGB 175 135 44

HSL 41.68, 0.6%, 0.43%

LAB 58.62, 6.2, 52.1

 

CMYK 0 / 18 / 61 / 38

HEX #9D803D

RGB 157 128 61

HSL 41.88, 0.44%, 0.43%

LAB 55.01, 3.05, 39.88

 

CMYK 0 / 13 / 43 / 45

HEX #8B794F

RGB 139 121 79

HSL 42, 0.28%, 0.43%

LAB 51.53, 0.75, 25.57

 

CMYK 0 / 80 / 96 / 18

HEX #D22A08

RGB 210 42 8

HSL 10.1, 0.93%, 0.43%

LAB 46.14, 62.64, 56.67

 

CMYK 0 / 54 / 96 / 18

HEX #D26008

RGB 210 96 8

HSL 26.14, 0.93%, 0.43%

LAB 54.12, 41.22, 61.38

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 3 / 96 / 18

HEX #D2CB08

RGB 210 203 8

HSL 57.92, 0.93%, 0.43%

LAB 79.86, -15.07, 79.48

 

CMYK 22 / 0 / 96 / 18

HEX #A3D208

RGB 163 210 8

HSL 73.96, 0.93%, 0.43%

LAB 78.4, -37.93, 76.88

 

CMYK 0 / 29 / 96 / 49

HEX #835D05

RGB 131 93 5

HSL 41.9, 0.93%, 0.27%

LAB 42.25, 8.5, 48.68

 

CMYK 0 / 29 / 96 / 33

HEX #AA7907

RGB 170 121 7

HSL 41.96, 0.92%, 0.35%

LAB 54.28, 10.69, 59.08

 

CMYK 0 / 29 / 96 / 18

HEX #D29608

RGB 210 150 8

HSL 42.18, 0.93%, 0.43%

LAB 66.16, 12.67, 69.51

 

CMYK 0 / 28 / 94 / 4

HEX #F5B00F

RGB 245 176 15

HSL 42, 0.92%, 0.51%

LAB 76.37, 14.07, 77.68

 

CMYK 0 / 23 / 78 / 4

HEX #F6BD37

RGB 246 189 55

HSL 42.09, 0.91%, 0.59%

LAB 79.76, 8.61, 70.64

 

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

CMYK 87 / 0 / 96 / 18

HEX #1CD208

RGB 28 210 8

HSL 114.06, 0.93%, 0.43%

LAB 73.78, -72.84, 71.25

 

CMYK 67 / 96 / 0 / 18

HEX #4508D2

RGB 69 8 210

HSL 258.12, 0.93%, 0.43%

LAB 29.64, 68.41, -86.54

 

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

CMYK 96 / 0 / 29 / 18

HEX #08D296

RGB 8 210 150

HSL 162.18, 0.93%, 0.43%

LAB 75.04, -57.17, 17.81

 

CMYK 29 / 96 / 0 / 18

HEX #9608D2

RGB 150 8 210

HSL 282.18, 0.93%, 0.43%

LAB 40.1, 75.52, -68.94

 

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

CMYK 87 / 0 / 96 / 18

HEX #1CD208

RGB 28 210 8

HSL 114.06, 0.93%, 0.43%

LAB 73.78, -72.84, 71.25

 

CMYK 96 / 67 / 0 / 18

HEX #0845D2

RGB 8 69 210

HSL 221.88, 0.93%, 0.43%

LAB 35.91, 39.44, -76.25

 

CMYK 10 / 96 / 0 / 18

HEX #BE08D2

RGB 190 8 210

HSL 294.06, 0.93%, 0.43%

LAB 46.68, 81.1, -57.96

 

CMYK 0 / 29 / 96 / 18

HEX #D19509

RGB 209 149 9

HSL 42, 0.92%, 0.43%

LAB 65.8, 12.78, 69.07

 

CMYK 96 / 0 / 77 / 18

HEX #08D231

RGB 8 210 49

HSL 132.18, 0.93%, 0.43%

LAB 73.78, -72.28, 62.77

 

CMYK 96 / 67 / 0 / 18

HEX #0845D2

RGB 8 69 210

HSL 221.88, 0.93%, 0.43%

LAB 35.91, 39.44, -76.25

 

CMYK 0 / 96 / 19 / 18

HEX #D208AA

RGB 210 8 170

HSL 311.88, 0.93%, 0.43%

LAB 47.98, 78.89, -32.31

 

Description

Color code: RGB 209 149 9 | qconv.com Color code: RGB 209 149 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 149 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 149 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 96 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 96% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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