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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 142 237 it is the complementary color RGB 46 113 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 142 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 142 237 shade: RGB 214 142 232, RGB 231 160 251, RGB 248 178 255, RGB 255 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 142 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 142 237 shade: RGB 209 142 237, RGB 192 124 218, RGB 175 106 199, RGB 158 88 180 and RGB 141 70 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 142 237 shade: RGB 209 140 237, RGB 235 140 237, RGB 237 140 213, RGB 237 140 187 and RGB 237 140 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 142 237 shade: RGB 209 140 237, RGB 182 140 237, RGB 156 140 237 and RGB 140 140 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 142 237 shade matches the following richer shades: RGB 209 140 237 and RGB 213 130 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 142 237 shade: RGB 209 140 237, RGB 204 151 226, RGB 200 162 216, RGB 195 172 205 and RGB 191 183 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 142 237 shade: RGB 156 140 237, RGB 182 140 237, RGB 208 140 237, RGB 234 140 237 and RGB 237 140 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 142 237 shade: RGB 180 69 226, RGB 194 105 232, RGB 209 140 237, RGB 223 176 243 and RGB 237 212 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 142 237 shade: RGB 209 142 237, RGB 237 140 150 and RGB 140 237 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 142 237 shade: RGB 209 142 237, RGB 237 208 140 and RGB 140 237 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 142 237 shade: RGB 209 142 237, RGB 237 140 150, RGB 169 237 140 and RGB 140 237 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 142 237 shade: RGB 209 142 237, RGB 237 160 140, RGB 169 237 140 and RGB 140 218 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

Complementary color

CMYK 59 / 0 / 84 / 56

HEX #2E7112

RGB 46 113 18

HSL 102.32, 0.73%, 0.26%

LAB 41.9, -38.58, 42.26

 

CMYK 8 / 39 / 0 / 9

HEX #D68EE8

RGB 214 142 232

HSL 288, 0.66%, 0.73%

LAB 69.09, 42.1, -34.68

 

CMYK 8 / 36 / 0 / 2

HEX #E7A0FB

RGB 231 160 251

HSL 286.81, 0.92%, 0.81%

LAB 75.51, 41.37, -34.95

 

CMYK 3 / 30 / 0 / 0

HEX #F8B2FF

RGB 248 178 255

HSL 294.55, 1%, 0.85%

LAB 81.3, 37.83, -28.04

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

CMYK 12 / 43 / 0 / 15

HEX #C07CDA

RGB 192 124 218

HSL 283.4, 0.56%, 0.67%

LAB 62.24, 42.39, -37.77

 

CMYK 12 / 47 / 0 / 22

HEX #AF6AC7

RGB 175 106 199

HSL 284.52, 0.45%, 0.6%

LAB 55.63, 43.18, -37.53

 

CMYK 12 / 51 / 0 / 29

HEX #9E58B4

RGB 158 88 180

HSL 285.65, 0.38%, 0.53%

LAB 48.94, 43.95, -37.24

 

CMYK 12 / 57 / 0 / 37

HEX #8D46A1

RGB 141 70 161

HSL 286.81, 0.39%, 0.45%

LAB 42.18, 44.67, -36.85

 

CMYK 12 / 41 / 0 / 7

HEX #D18CED

RGB 209 140 237

HSL 282.68, 0.73%, 0.74%

LAB 68.33, 42.68, -38.65

 

CMYK 1 / 41 / 0 / 7

HEX #EB8CED

RGB 235 140 237

HSL 298.76, 0.73%, 0.74%

LAB 71.24, 50.32, -33.91

 

CMYK 0 / 41 / 10 / 7

HEX #ED8CD5

RGB 237 140 213

HSL 314.85, 0.73%, 0.74%

LAB 70.57, 46.8, -21.7

 

CMYK 0 / 41 / 21 / 7

HEX #ED8CBB

RGB 237 140 187

HSL 330.93, 0.73%, 0.74%

LAB 69.72, 42.78, -8.54

 

CMYK 0 / 41 / 32 / 7

HEX #ED8CA1

RGB 237 140 161

HSL 347.01, 0.73%, 0.74%

LAB 68.99, 39.25, 4.95

 

CMYK 12 / 41 / 0 / 7

HEX #D18CED

RGB 209 140 237

HSL 282.68, 0.73%, 0.74%

LAB 68.33, 42.68, -38.65

 

CMYK 23 / 41 / 0 / 7

HEX #B68CED

RGB 182 140 237

HSL 265.98, 0.73%, 0.74%

LAB 65.6, 34.91, -43.11

 

CMYK 34 / 41 / 0 / 7

HEX #9C8CED

RGB 156 140 237

HSL 249.9, 0.73%, 0.74%

LAB 63.29, 27.77, -46.91

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 12 / 41 / 0 / 7

HEX #D18CED

RGB 209 140 237

HSL 282.68, 0.73%, 0.74%

LAB 68.33, 42.68, -38.65

 

CMYK 14 / 48 / 0 / 3

HEX #D582F8

RGB 213 130 248

HSL 282.2, 0.89%, 0.74%

LAB 67.19, 51.3, -46.44

 

CMYK 12 / 41 / 0 / 7

HEX #D18CED

RGB 209 140 237

HSL 282.68, 0.73%, 0.74%

LAB 68.33, 42.68, -38.65

 

CMYK 10 / 33 / 0 / 11

HEX #CC97E2

RGB 204 151 226

HSL 282.4, 0.56%, 0.74%

LAB 69.8, 32.99, -30.37

 

CMYK 7 / 25 / 0 / 15

HEX #C8A2D8

RGB 200 162 216

HSL 282.22, 0.41%, 0.74%

LAB 71.61, 23.66, -22.13

 

CMYK 5 / 16 / 0 / 20

HEX #C3ACCD

RGB 195 172 205

HSL 281.82, 0.25%, 0.74%

LAB 73.23, 14.33, -13.69

 

CMYK 2 / 6 / 0 / 24

HEX #BFB7C2

RGB 191 183 194

HSL 283.64, 0.08%, 0.74%

LAB 75.35, 4.85, -4.56

 

CMYK 34 / 41 / 0 / 7

HEX #9C8CED

RGB 156 140 237

HSL 249.9, 0.73%, 0.74%

LAB 63.29, 27.77, -46.91

 

CMYK 23 / 41 / 0 / 7

HEX #B68CED

RGB 182 140 237

HSL 265.98, 0.73%, 0.74%

LAB 65.6, 34.91, -43.11

 

CMYK 12 / 41 / 0 / 7

HEX #D08CED

RGB 208 140 237

HSL 282.06, 0.73%, 0.74%

LAB 68.23, 42.39, -38.82

 

CMYK 1 / 41 / 0 / 7

HEX #EA8CED

RGB 234 140 237

HSL 298.14, 0.73%, 0.74%

LAB 71.12, 50.03, -34.1

 

CMYK 0 / 41 / 9 / 7

HEX #ED8CD7

RGB 237 140 215

HSL 313.61, 0.73%, 0.74%

LAB 70.64, 47.13, -22.7

 

CMYK 20 / 69 / 0 / 11

HEX #B445E2

RGB 180 69 226

HSL 282.42, 0.73%, 0.58%

LAB 51.21, 67.58, -59.86

 

CMYK 16 / 55 / 0 / 9

HEX #C269E8

RGB 194 105 232

HSL 282.05, 0.73%, 0.66%

LAB 59.34, 55.68, -50.14

 

CMYK 12 / 41 / 0 / 7

HEX #D18CED

RGB 209 140 237

HSL 282.68, 0.73%, 0.74%

LAB 68.33, 42.68, -38.65

 

CMYK 8 / 28 / 0 / 5

HEX #DFB0F3

RGB 223 176 243

HSL 282.09, 0.74%, 0.82%

LAB 78, 28.78, -26.87

 

CMYK 4 / 15 / 0 / 3

HEX #EDD4F8

RGB 237 212 248

HSL 281.67, 0.72%, 0.9%

LAB 87.91, 15.01, -14.42

 

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

CMYK 0 / 41 / 37 / 7

HEX #ED8C96

RGB 237 140 150

HSL 353.81, 0.73%, 0.74%

LAB 68.72, 37.92, 10.72

 

CMYK 41 / 0 / 29 / 7

HEX #8CEDA9

RGB 140 237 169

HSL 137.94, 0.73%, 0.74%

LAB 86.51, -42.95, 24.19

 

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

CMYK 0 / 12 / 41 / 7

HEX #EDD08C

RGB 237 208 140

HSL 42.06, 0.73%, 0.74%

LAB 84.49, 0.99, 37.46

 

CMYK 41 / 0 / 12 / 7

HEX #8CEDD0

RGB 140 237 208

HSL 162.06, 0.73%, 0.74%

LAB 87.34, -35.22, 5.1

 

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

CMYK 0 / 41 / 37 / 7

HEX #ED8C96

RGB 237 140 150

HSL 353.81, 0.73%, 0.74%

LAB 68.72, 37.92, 10.72

 

CMYK 29 / 0 / 41 / 7

HEX #A9ED8C

RGB 169 237 140

HSL 102.06, 0.73%, 0.74%

LAB 87.43, -38.53, 40.31

 

CMYK 41 / 0 / 4 / 7

HEX #8CEDE3

RGB 140 237 227

HSL 173.81, 0.73%, 0.74%

LAB 87.82, -30.93, -4.15

 

CMYK 12 / 40 / 0 / 7

HEX #D18EED

RGB 209 142 237

HSL 282.32, 0.73%, 0.74%

LAB 68.76, 41.62, -37.98

 

CMYK 0 / 32 / 41 / 7

HEX #EDA08C

RGB 237 160 140

HSL 12.37, 0.73%, 0.74%

LAB 72.92, 26.27, 22.09

 

CMYK 29 / 0 / 41 / 7

HEX #A9ED8C

RGB 169 237 140

HSL 102.06, 0.73%, 0.74%

LAB 87.43, -38.53, 40.31

 

CMYK 41 / 8 / 0 / 7

HEX #8CDAED

RGB 140 218 237

HSL 191.75, 0.73%, 0.74%

LAB 82.82, -19.21, -16.86

 

Description

Color code: RGB 209 142 237 | qconv.com Color code: RGB 209 142 237 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 142 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 142 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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