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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 137 178 it is the complementary color RGB 46 118 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 137 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 137 178 shade: RGB 214 137 173, RGB 231 155 192, RGB 248 173 211, RGB 255 191 230 and RGB 255 209 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 137 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 192 119 159, RGB 175 101 140, RGB 158 83 121 and RGB 141 65 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 209 137 159, RGB 209 137 139 and RGB 209 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 209 137 197, RGB 201 137 209, RGB 182 137 209 and RGB 162 137 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 137 178 shade matches the following richer shades: RGB 209 137 178, RGB 222 124 180, RGB 235 111 182 and RGB 248 97 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 196 150 176, RGB 182 163 174, RGB 169 177 172 and RGB 156 190 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 137 178 shade: RGB 200 137 209, RGB 209 137 198, RGB 209 137 179, RGB 209 137 160 and RGB 209 137 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 137 178 shade: RGB 186 78 139, RGB 197 107 159, RGB 209 137 178, RGB 220 167 197 and RGB 232 196 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 209 181 137 and RGB 137 208 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 179 209 137 and RGB 137 179 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 209 181 137, RGB 137 209 167 and RGB 137 165 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 137 178 shade: RGB 209 137 178, RGB 209 203 137, RGB 137 209 167 and RGB 137 143 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

Complementary color

CMYK 61 / 0 / 35 / 54

HEX #2E764D

RGB 46 118 77

HSL 145.83, 0.44%, 0.32%

LAB 44.34, -32.65, 16.06

 

CMYK 0 / 36 / 19 / 16

HEX #D689AD

RGB 214 137 173

HSL 331.95, 0.48%, 0.69%

LAB 65.91, 34.38, -6.64

 

CMYK 0 / 33 / 17 / 9

HEX #E79BC0

RGB 231 155 192

HSL 330.79, 0.61%, 0.76%

LAB 72.39, 33.62, -7.42

 

CMYK 0 / 30 / 15 / 3

HEX #F8ADD3

RGB 248 173 211

HSL 329.6, 0.84%, 0.83%

LAB 78.78, 32.91, -8.13

 

CMYK 0 / 25 / 10 / 0

HEX #FFBFE6

RGB 255 191 230

HSL 323.44, 1%, 0.87%

LAB 84.09, 28.88, -10.39

 

CMYK 0 / 18 / 2 / 0

HEX #FFD1F9

RGB 255 209 249

HSL 307.83, 1%, 0.91%

LAB 88.78, 22.67, -13.47

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 38 / 17 / 25

HEX #C0779F

RGB 192 119 159

HSL 327.12, 0.37%, 0.61%

LAB 58.88, 34.21, -9.4

 

CMYK 0 / 42 / 20 / 31

HEX #AF658C

RGB 175 101 140

HSL 328.38, 0.32%, 0.54%

LAB 52.19, 35.03, -8.55

 

CMYK 0 / 47 / 23 / 38

HEX #9E5379

RGB 158 83 121

HSL 329.6, 0.31%, 0.47%

LAB 45.41, 35.86, -7.56

 

CMYK 0 / 54 / 28 / 45

HEX #8D4166

RGB 141 65 102

HSL 330.79, 0.37%, 0.4%

LAB 38.56, 36.68, -6.34

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 34 / 24 / 18

HEX #D1899F

RGB 209 137 159

HSL 341.67, 0.44%, 0.68%

LAB 64.92, 30.51, -0.25

 

CMYK 0 / 34 / 33 / 18

HEX #D1898B

RGB 209 137 139

HSL 358.33, 0.44%, 0.68%

LAB 64.41, 27.78, 10.33

 

CMYK 0 / 34 / 34 / 18

HEX #D18989

RGB 209 137 137

HSL 0, 0.44%, 0.68%

LAB 64.37, 27.53, 11.39

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 34 / 6 / 18

HEX #D189C5

RGB 209 137 197

HSL 310, 0.44%, 0.68%

LAB 66.12, 36.65, -19.87

 

CMYK 4 / 34 / 0 / 18

HEX #C989D1

RGB 201 137 209

HSL 293.33, 0.44%, 0.68%

LAB 65.68, 36.3, -27.33

 

CMYK 13 / 34 / 0 / 18

HEX #B689D1

RGB 182 137 209

HSL 277.5, 0.44%, 0.68%

LAB 63.7, 30.34, -30.54

 

CMYK 22 / 34 / 0 / 18

HEX #A289D1

RGB 162 137 209

HSL 260.83, 0.44%, 0.68%

LAB 61.81, 24.22, -33.63

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 44 / 19 / 13

HEX #DE7CB4

RGB 222 124 180

HSL 325.71, 0.6%, 0.68%

LAB 64.35, 44.98, -12.82

 

CMYK 0 / 53 / 23 / 8

HEX #EB6FB6

RGB 235 111 182

HSL 325.65, 0.76%, 0.68%

LAB 63.68, 55.8, -14.8

 

CMYK 0 / 61 / 26 / 3

HEX #F861B7

RGB 248 97 183

HSL 325.83, 0.92%, 0.68%

LAB 63.28, 65.98, -15.78

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 23 / 10 / 23

HEX #C496B0

RGB 196 150 176

HSL 326.09, 0.28%, 0.68%

LAB 67.04, 21.42, -6.87

 

CMYK 0 / 10 / 4 / 29

HEX #B6A3AE

RGB 182 163 174

HSL 325.26, 0.12%, 0.68%

LAB 68.89, 8.87, -3.16

 

CMYK 5 / 0 / 3 / 31

HEX #A9B1AC

RGB 169 177 172

HSL 142.5, 0.05%, 0.68%

LAB 71.46, -3.75, 1.57

 

CMYK 18 / 0 / 10 / 25

HEX #9CBEAB

RGB 156 190 171

HSL 146.47, 0.21%, 0.68%

LAB 74.08, -15.25, 5.81

 

CMYK 4 / 34 / 0 / 18

HEX #C889D1

RGB 200 137 209

HSL 292.5, 0.44%, 0.68%

LAB 65.57, 35.98, -27.5

 

CMYK 0 / 34 / 5 / 18

HEX #D189C6

RGB 209 137 198

HSL 309.17, 0.44%, 0.68%

LAB 66.15, 36.83, -20.38

 

CMYK 0 / 34 / 14 / 18

HEX #D189B3

RGB 209 137 179

HSL 325, 0.44%, 0.68%

LAB 65.52, 33.6, -10.67

 

CMYK 0 / 34 / 23 / 18

HEX #D189A0

RGB 209 137 160

HSL 340.83, 0.44%, 0.68%

LAB 64.95, 30.66, -0.78

 

CMYK 0 / 34 / 33 / 18

HEX #D1898D

RGB 209 137 141

HSL 356.67, 0.44%, 0.68%

LAB 64.46, 28.04, 9.26

 

CMYK 0 / 58 / 25 / 27

HEX #BA4E8B

RGB 186 78 139

HSL 326.11, 0.44%, 0.52%

LAB 49.19, 50.23, -12.3

 

CMYK 0 / 46 / 19 / 23

HEX #C56B9F

RGB 197 107 159

HSL 325.33, 0.44%, 0.6%

LAB 56.97, 42.3, -12.21

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 24 / 10 / 14

HEX #DCA7C5

RGB 220 167 197

HSL 326.04, 0.43%, 0.76%

LAB 74.12, 24.18, -7.73

 

CMYK 0 / 16 / 6 / 9

HEX #E8C4D9

RGB 232 196 217

HSL 325, 0.44%, 0.84%

LAB 82.72, 16.2, -5.7

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 13 / 34 / 18

HEX #D1B589

RGB 209 181 137

HSL 36.67, 0.44%, 0.68%

LAB 75.08, 3.73, 26.15

 

CMYK 34 / 0 / 0 / 18

HEX #89D0D1

RGB 137 208 209

HSL 180.83, 0.44%, 0.68%

LAB 79.06, -21.84, -7.56

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 14 / 0 / 34 / 18

HEX #B3D189

RGB 179 209 137

HSL 85, 0.44%, 0.68%

LAB 80.17, -22.25, 32.5

 

CMYK 34 / 14 / 0 / 18

HEX #89B3D1

RGB 137 179 209

HSL 205, 0.44%, 0.68%

LAB 70.98, -6.76, -19.68

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 13 / 34 / 18

HEX #D1B589

RGB 209 181 137

HSL 36.67, 0.44%, 0.68%

LAB 75.08, 3.73, 26.15

 

CMYK 34 / 0 / 20 / 18

HEX #89D1A7

RGB 137 209 167

HSL 145, 0.44%, 0.68%

LAB 78.29, -31.45, 13.8

 

CMYK 34 / 21 / 0 / 18

HEX #89A5D1

RGB 137 165 209

HSL 216.67, 0.44%, 0.68%

LAB 67.15, 0.93, -25.53

 

CMYK 0 / 34 / 15 / 18

HEX #D189B2

RGB 209 137 178

HSL 325.83, 0.44%, 0.68%

LAB 65.48, 33.43, -10.15

 

CMYK 0 / 3 / 34 / 18

HEX #D1CB89

RGB 209 203 137

HSL 55, 0.44%, 0.68%

LAB 80.78, -7.78, 33.71

 

CMYK 34 / 0 / 20 / 18

HEX #89D1A7

RGB 137 209 167

HSL 145, 0.44%, 0.68%

LAB 78.29, -31.45, 13.8

 

CMYK 34 / 32 / 0 / 18

HEX #898FD1

RGB 137 143 209

HSL 235, 0.44%, 0.68%

LAB 61.28, 13.46, -34.61

 

Description

Color code: RGB 209 137 178 | qconv.com Color code: RGB 209 137 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 137 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 137 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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