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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 131 177 it is the complementary color RGB 46 124 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 131 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 131 177 shade: RGB 214 131 172, RGB 231 149 191, RGB 248 167 210, RGB 255 185 229 and RGB 255 203 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 131 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 131 177 shade: RGB 209 131 177, RGB 192 113 158, RGB 175 95 139, RGB 158 77 120 and RGB 141 59 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 131 177 shade: RGB 209 132 177, RGB 209 132 156, RGB 209 132 136 and RGB 209 132 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 131 177 shade: RGB 209 132 177, RGB 209 132 198, RGB 199 132 209, RGB 178 132 209 and RGB 157 132 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 131 177 shade matches the following richer shades: RGB 209 132 177, RGB 223 118 180, RGB 236 104 182 and RGB 250 91 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 131 177 shade: RGB 209 132 177, RGB 195 145 175, RGB 182 159 172, RGB 168 172 170 and RGB 155 186 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 131 177 shade: RGB 199 132 209, RGB 209 132 199, RGB 209 132 178, RGB 209 132 157 and RGB 209 132 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 131 177 shade: RGB 187 71 139, RGB 198 102 158, RGB 209 132 177, RGB 220 162 196 and RGB 231 192 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 131 177 shade: RGB 209 131 177, RGB 209 178 132 and RGB 132 209 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 131 177 shade: RGB 209 131 177, RGB 178 209 132 and RGB 132 178 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 131 177 shade: RGB 209 131 177, RGB 209 178 132, RGB 132 209 163 and RGB 132 163 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 131 177 shade: RGB 209 131 177, RGB 209 201 132, RGB 132 209 163 and RGB 132 139 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

Complementary color

CMYK 63 / 0 / 37 / 51

HEX #2E7C4E

RGB 46 124 78

HSL 144.62, 0.46%, 0.33%

LAB 46.37, -35.12, 18.23

 

CMYK 0 / 39 / 20 / 16

HEX #D683AC

RGB 214 131 172

HSL 330.36, 0.5%, 0.68%

LAB 64.57, 37.43, -8.07

 

CMYK 0 / 35 / 17 / 9

HEX #E795BF

RGB 231 149 191

HSL 329.27, 0.63%, 0.75%

LAB 71.04, 36.65, -8.87

 

CMYK 0 / 33 / 15 / 3

HEX #F8A7D2

RGB 248 167 210

HSL 328.15, 0.85%, 0.81%

LAB 77.43, 35.91, -9.6

 

CMYK 0 / 27 / 10 / 0

HEX #FFB9E5

RGB 255 185 229

HSL 322.29, 1%, 0.86%

LAB 82.71, 31.87, -11.91

 

CMYK 0 / 20 / 3 / 0

HEX #FFCBF8

RGB 255 203 248

HSL 308.08, 1%, 0.9%

LAB 87.36, 25.65, -15.07

 

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

CMYK 0 / 41 / 18 / 25

HEX #C0719E

RGB 192 113 158

HSL 325.82, 0.39%, 0.6%

LAB 57.55, 37.29, -10.83

 

CMYK 0 / 46 / 21 / 31

HEX #AF5F8B

RGB 175 95 139

HSL 327, 0.33%, 0.53%

LAB 50.88, 38.1, -9.93

 

CMYK 0 / 51 / 24 / 38

HEX #9E4D78

RGB 158 77 120

HSL 328.15, 0.34%, 0.46%

LAB 44.14, 38.9, -8.85

 

CMYK 0 / 58 / 28 / 45

HEX #8D3B65

RGB 141 59 101

HSL 329.27, 0.41%, 0.39%

LAB 37.35, 39.61, -7.5

 

CMYK 0 / 37 / 15 / 18

HEX #D184B1

RGB 209 132 177

HSL 324.94, 0.46%, 0.67%

LAB 64.35, 35.96, -11.29

 

CMYK 0 / 37 / 25 / 18

HEX #D1849C

RGB 209 132 156

HSL 341.3, 0.46%, 0.67%

LAB 63.72, 32.77, -0.31

 

CMYK 0 / 37 / 35 / 18

HEX #D18488

RGB 209 132 136

HSL 356.88, 0.46%, 0.67%

LAB 63.21, 30.1, 10.32

 

CMYK 0 / 37 / 37 / 18

HEX #D18484

RGB 209 132 132

HSL 0, 0.46%, 0.67%

LAB 63.11, 29.62, 12.46

 

CMYK 0 / 37 / 15 / 18

HEX #D184B1

RGB 209 132 177

HSL 324.94, 0.46%, 0.67%

LAB 64.35, 35.96, -11.29

 

CMYK 0 / 37 / 5 / 18

HEX #D184C6

RGB 209 132 198

HSL 308.57, 0.46%, 0.67%

LAB 65.07, 39.5, -22.03

 

CMYK 5 / 37 / 0 / 18

HEX #C784D1

RGB 199 132 209

HSL 292.21, 0.46%, 0.67%

LAB 64.36, 38.38, -29.38

 

CMYK 15 / 37 / 0 / 18

HEX #B284D1

RGB 178 132 209

HSL 275.84, 0.46%, 0.67%

LAB 62.14, 31.9, -32.99

 

CMYK 25 / 37 / 0 / 18

HEX #9D84D1

RGB 157 132 209

HSL 259.48, 0.46%, 0.67%

LAB 60.14, 25.59, -36.27

 

CMYK 0 / 37 / 15 / 18

HEX #D184B1

RGB 209 132 177

HSL 324.94, 0.46%, 0.67%

LAB 64.35, 35.96, -11.29

 

CMYK 0 / 47 / 19 / 13

HEX #DF76B4

RGB 223 118 180

HSL 324.57, 0.62%, 0.67%

LAB 63.29, 48.34, -14.4

 

CMYK 0 / 56 / 23 / 7

HEX #EC68B6

RGB 236 104 182

HSL 324.55, 0.78%, 0.67%

LAB 62.6, 59.34, -16.41

 

CMYK 0 / 64 / 26 / 2

HEX #FA5BB9

RGB 250 91 185

HSL 324.53, 0.94%, 0.67%

LAB 62.77, 69.22, -17.67

 

CMYK 0 / 37 / 15 / 18

HEX #D184B1

RGB 209 132 177

HSL 324.94, 0.46%, 0.67%

LAB 64.35, 35.96, -11.29

 

CMYK 0 / 26 / 10 / 24

HEX #C391AF

RGB 195 145 175

HSL 324, 0.29%, 0.67%

LAB 65.71, 23.65, -8.29

 

CMYK 0 / 13 / 5 / 29

HEX #B69FAC

RGB 182 159 172

HSL 326.09, 0.14%, 0.67%

LAB 67.81, 10.71, -3.63

 

CMYK 2 / 0 / 1 / 33

HEX #A8ACAA

RGB 168 172 170

HSL 150, 0.02%, 0.67%

LAB 69.99, -1.79, 0.52

 

CMYK 17 / 0 / 10 / 27

HEX #9BBAA8

RGB 155 186 168

HSL 145.16, 0.18%, 0.67%

LAB 72.83, -14.1, 5.63

 

CMYK 5 / 37 / 0 / 18

HEX #C784D1

RGB 199 132 209

HSL 292.21, 0.46%, 0.67%

LAB 64.36, 38.38, -29.38

 

CMYK 0 / 37 / 5 / 18

HEX #D184C7

RGB 209 132 199

HSL 307.79, 0.46%, 0.67%

LAB 65.11, 39.68, -22.54

 

CMYK 0 / 37 / 15 / 18

HEX #D184B2

RGB 209 132 178

HSL 324.16, 0.46%, 0.67%

LAB 64.38, 36.12, -11.81

 

CMYK 0 / 37 / 25 / 18

HEX #D1849D

RGB 209 132 157

HSL 340.52, 0.46%, 0.67%

LAB 63.75, 32.92, -0.84

 

CMYK 0 / 37 / 34 / 18

HEX #D18489

RGB 209 132 137

HSL 356.1, 0.46%, 0.67%

LAB 63.23, 30.23, 9.79

 

CMYK 0 / 62 / 26 / 27

HEX #BB478B

RGB 187 71 139

HSL 324.83, 0.46%, 0.51%

LAB 48.18, 53.7, -13.82

 

CMYK 0 / 48 / 20 / 22

HEX #C6669E

RGB 198 102 158

HSL 325, 0.46%, 0.59%

LAB 56.06, 45.05, -12.98

 

CMYK 0 / 37 / 15 / 18

HEX #D184B1

RGB 209 132 177

HSL 324.94, 0.46%, 0.67%

LAB 64.35, 35.96, -11.29

 

CMYK 0 / 26 / 11 / 14

HEX #DCA2C4

RGB 220 162 196

HSL 324.83, 0.45%, 0.75%

LAB 72.92, 26.71, -8.96

 

CMYK 0 / 17 / 7 / 9

HEX #E7C0D7

RGB 231 192 215

HSL 324.62, 0.45%, 0.83%

LAB 81.62, 17.64, -6.27

 

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

CMYK 0 / 15 / 37 / 18

HEX #D1B284

RGB 209 178 132

HSL 35.84, 0.46%, 0.67%

LAB 74.23, 4.72, 27.68

 

CMYK 37 / 0 / 0 / 18

HEX #84D1D1

RGB 132 209 209

HSL 180, 0.46%, 0.67%

LAB 79.1, -23.66, -7.52

 

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

CMYK 15 / 0 / 37 / 18

HEX #B2D184

RGB 178 209 132

HSL 84.16, 0.46%, 0.67%

LAB 80.03, -23.28, 34.86

 

CMYK 37 / 15 / 0 / 18

HEX #84B2D1

RGB 132 178 209

HSL 204.16, 0.46%, 0.67%

LAB 70.42, -7.6, -20.56

 

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

CMYK 0 / 15 / 37 / 18

HEX #D1B284

RGB 209 178 132

HSL 35.84, 0.46%, 0.67%

LAB 74.23, 4.72, 27.68

 

CMYK 37 / 0 / 22 / 18

HEX #84D1A3

RGB 132 209 163

HSL 144.16, 0.46%, 0.67%

LAB 77.96, -33.7, 15.43

 

CMYK 37 / 22 / 0 / 18

HEX #84A3D1

RGB 132 163 209

HSL 215.84, 0.46%, 0.67%

LAB 66.29, 0.65, -26.88

 

CMYK 0 / 37 / 15 / 18

HEX #D183B1

RGB 209 131 177

HSL 324.62, 0.46%, 0.67%

LAB 64.13, 36.49, -11.62

 

CMYK 0 / 4 / 37 / 18

HEX #D1C984

RGB 209 201 132

HSL 53.77, 0.46%, 0.67%

LAB 80.18, -7.34, 35.5

 

CMYK 37 / 0 / 22 / 18

HEX #84D1A3

RGB 132 209 163

HSL 144.16, 0.46%, 0.67%

LAB 77.96, -33.7, 15.43

 

CMYK 37 / 33 / 0 / 18

HEX #848BD1

RGB 132 139 209

HSL 234.55, 0.46%, 0.67%

LAB 59.87, 14.4, -36.84

 

Description

Color code: RGB 209 131 177 | qconv.com Color code: RGB 209 131 177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 131 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 131 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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