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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 116 31 it is the complementary color RGB 46 139 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 116 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 116 31 shade: RGB 214 116 26, RGB 231 134 45, RGB 248 152 64, RGB 255 170 83 and RGB 255 188 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 116 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 192 98 12, RGB 175 80 0, RGB 158 62 0 and RGB 141 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 209 68 31 and RGB 209 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 209 164 31, RGB 206 209 31, RGB 158 209 31 and RGB 110 209 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 116 31 shade matches the following richer shades: RGB 209 116 31 and RGB 228 115 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 189 117 51, RGB 170 118 70, RGB 150 118 89 and RGB 131 119 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 116 31 shade: RGB 209 31 43, RGB 209 67 31, RGB 209 114 31, RGB 209 161 31 and RGB 209 209 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 116 31 shade: RGB 137 76 20, RGB 173 96 26, RGB 209 116 31, RGB 225 137 56 and RGB 231 158 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 90 209 31 and RGB 43 31 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 31 209 114 and RGB 114 31 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 90 209 31, RGB 31 126 209 and RGB 149 31 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 116 31 shade: RGB 209 116 31, RGB 37 209 31, RGB 31 126 209 and RGB 203 31 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

Complementary color

CMYK 79 / 38 / 0 / 12

HEX #2E8BE0

RGB 46 139 224

HSL 208.65, 0.74%, 0.53%

LAB 56.51, 2.65, -50.8

 

CMYK 0 / 46 / 88 / 16

HEX #D6741A

RGB 214 116 26

HSL 28.72, 0.78%, 0.47%

LAB 58.85, 32.89, 60.61

 

CMYK 0 / 42 / 81 / 9

HEX #E7862D

RGB 231 134 45

HSL 28.71, 0.79%, 0.54%

LAB 65.14, 30.94, 60.25

 

CMYK 0 / 39 / 74 / 3

HEX #F89840

RGB 248 152 64

HSL 28.7, 0.93%, 0.61%

LAB 71.41, 29.19, 59.2

 

CMYK 0 / 33 / 67 / 0

HEX #FFAA53

RGB 255 170 83

HSL 30.35, 1%, 0.66%

LAB 76.46, 23.56, 56.24

 

CMYK 0 / 26 / 60 / 0

HEX #FFBC66

RGB 255 188 102

HSL 33.73, 1%, 0.7%

LAB 80.84, 15.33, 52.24

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 49 / 94 / 25

HEX #C0620C

RGB 192 98 12

HSL 28.67, 0.88%, 0.4%

LAB 51.8, 33.04, 57.71

 

CMYK 0 / 54 / 100 / 31

HEX #AF5000

RGB 175 80 0

HSL 27.43, 1%, 0.34%

LAB 45.43, 35.3, 55.12

 

CMYK 0 / 61 / 100 / 38

HEX #9E3E00

RGB 158 62 0

HSL 23.54, 1%, 0.31%

LAB 39.1, 37.58, 50.07

 

CMYK 0 / 69 / 100 / 45

HEX #8D2C00

RGB 141 44 0

HSL 18.72, 1%, 0.28%

LAB 32.84, 39.51, 44.98

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 67 / 85 / 18

HEX #D1441F

RGB 209 68 31

HSL 12.47, 0.74%, 0.47%

LAB 49.24, 53.89, 50.62

 

CMYK 0 / 85 / 85 / 18

HEX #D11F1F

RGB 209 31 31

HSL 0, 0.74%, 0.47%

LAB 45.13, 65.33, 47.1

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 22 / 85 / 18

HEX #D1A41F

RGB 209 164 31

HSL 44.83, 0.74%, 0.47%

LAB 69.62, 5.09, 67.65

 

CMYK 1 / 0 / 85 / 18

HEX #CED11F

RGB 206 209 31

HSL 61.01, 0.74%, 0.47%

LAB 81.19, -19.38, 77.06

 

CMYK 24 / 0 / 85 / 18

HEX #9ED11F

RGB 158 209 31

HSL 77.19, 0.74%, 0.47%

LAB 77.86, -38.98, 72.92

 

CMYK 47 / 0 / 85 / 18

HEX #6ED11F

RGB 110 209 31

HSL 93.37, 0.74%, 0.47%

LAB 75.46, -55.78, 69.92

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 50 / 95 / 11

HEX #E4730C

RGB 228 115 12

HSL 28.61, 0.9%, 0.47%

LAB 60.59, 38.84, 66.18

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 38 / 73 / 26

HEX #BD7533

RGB 189 117 51

HSL 28.7, 0.58%, 0.47%

LAB 55.87, 22.7, 46.76

 

CMYK 0 / 31 / 59 / 33

HEX #AA7646

RGB 170 118 70

HSL 28.8, 0.42%, 0.47%

LAB 53.97, 15.15, 34.31

 

CMYK 0 / 21 / 41 / 41

HEX #967659

RGB 150 118 89

HSL 28.52, 0.26%, 0.47%

LAB 52.02, 8.4, 20.74

 

CMYK 0 / 9 / 17 / 49

HEX #83776D

RGB 131 119 109

HSL 27.27, 0.09%, 0.47%

LAB 50.83, 2.83, 7.17

 

CMYK 0 / 85 / 79 / 18

HEX #D11F2B

RGB 209 31 43

HSL 355.96, 0.74%, 0.47%

LAB 45.23, 65.64, 40.85

 

CMYK 0 / 68 / 85 / 18

HEX #D1431F

RGB 209 67 31

HSL 12.13, 0.74%, 0.47%

LAB 49.09, 54.29, 50.49

 

CMYK 0 / 45 / 85 / 18

HEX #D1721F

RGB 209 114 31

HSL 27.98, 0.74%, 0.47%

LAB 57.74, 32, 57.79

 

CMYK 0 / 23 / 85 / 18

HEX #D1A11F

RGB 209 161 31

HSL 43.82, 0.74%, 0.47%

LAB 68.86, 6.7, 67.03

 

CMYK 0 / 0 / 85 / 18

HEX #D1D11F

RGB 209 209 31

HSL 60, 0.74%, 0.47%

LAB 81.43, -18.11, 77.35

 

CMYK 0 / 45 / 85 / 46

HEX #894C14

RGB 137 76 20

HSL 28.72, 0.75%, 0.31%

LAB 38.79, 21.63, 41.62

 

CMYK 0 / 45 / 85 / 32

HEX #AD601A

RGB 173 96 26

HSL 28.57, 0.74%, 0.39%

LAB 48.67, 26.4, 49.89

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 0 / 39 / 75 / 12

HEX #E18938

RGB 225 137 56

HSL 28.76, 0.74%, 0.55%

LAB 65.11, 27.29, 55.4

 

CMYK 0 / 32 / 60 / 9

HEX #E79E5C

RGB 231 158 92

HSL 28.49, 0.74%, 0.63%

LAB 71.02, 20.62, 44.96

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 57 / 0 / 85 / 18

HEX #5AD11F

RGB 90 209 31

HSL 100.11, 0.74%, 0.47%

LAB 74.75, -61.39, 69.01

 

CMYK 79 / 85 / 0 / 18

HEX #2B1FD1

RGB 43 31 209

HSL 244.04, 0.74%, 0.47%

LAB 29.66, 60.79, -85.99

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 85 / 0 / 45 / 18

HEX #1FD172

RGB 31 209 114

HSL 147.98, 0.74%, 0.47%

LAB 74.26, -62.8, 35.44

 

CMYK 45 / 85 / 0 / 18

HEX #721FD1

RGB 114 31 209

HSL 267.98, 0.74%, 0.47%

LAB 36.29, 66.64, -74.8

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 57 / 0 / 85 / 18

HEX #5AD11F

RGB 90 209 31

HSL 100.11, 0.74%, 0.47%

LAB 74.75, -61.39, 69.01

 

CMYK 85 / 40 / 0 / 18

HEX #1F7ED1

RGB 31 126 209

HSL 207.98, 0.74%, 0.47%

LAB 51.63, 3.57, -50.16

 

CMYK 29 / 85 / 0 / 18

HEX #951FD1

RGB 149 31 209

HSL 279.78, 0.74%, 0.47%

LAB 41.17, 71.31, -66.61

 

CMYK 0 / 44 / 85 / 18

HEX #D1741F

RGB 209 116 31

HSL 28.65, 0.74%, 0.47%

LAB 58.17, 30.95, 58.16

 

CMYK 82 / 0 / 85 / 18

HEX #25D11F

RGB 37 209 31

HSL 117.98, 0.74%, 0.47%

LAB 73.61, -71.04, 67.57

 

CMYK 85 / 40 / 0 / 18

HEX #1F7ED1

RGB 31 126 209

HSL 207.98, 0.74%, 0.47%

LAB 51.63, 3.57, -50.16

 

CMYK 3 / 85 / 0 / 18

HEX #CB1FD1

RGB 203 31 209

HSL 297.98, 0.74%, 0.47%

LAB 49.83, 80.09, -52.19

 

Description

Color code: RGB 209 116 31 | qconv.com Color code: RGB 209 116 31 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 116 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 116 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 85 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 85% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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