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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 10 114 it is the complementary color RGB 46 245 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 10 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 10 114 shade: RGB 214 10 109, RGB 231 28 128, RGB 248 46 147, RGB 255 64 166 and RGB 255 82 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 10 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 192 0 95, RGB 175 0 76, RGB 158 0 57 and RGB 141 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 209 10 60 and RGB 209 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 209 10 168, RGB 197 10 209, RGB 143 10 209 and RGB 89 10 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 10 114 shade matches the following richer shades: RGB 209 10 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 192 28 113, RGB 174 45 113, RGB 156 63 112 and RGB 138 81 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 10 114 shade: RGB 196 10 209, RGB 209 10 170, RGB 209 10 116, RGB 209 10 63 and RGB 209 10 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 10 114 shade: RGB 131 6 71, RGB 170 8 93, RGB 209 10 114, RGB 244 17 135 and RGB 246 56 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 209 143 10 and RGB 10 196 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 116 209 10 and RGB 10 116 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 209 143 10, RGB 10 209 103 and RGB 10 76 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 10 114 shade: RGB 209 10 114, RGB 209 203 10, RGB 10 209 103 and RGB 10 17 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

Complementary color

CMYK 81 / 0 / 42 / 4

HEX #2EF58D

RGB 46 245 141

HSL 148.64, 0.91%, 0.57%

LAB 85.91, -69.04, 37.09

 

CMYK 0 / 95 / 49 / 16

HEX #D60A6D

RGB 214 10 109

HSL 330.88, 0.91%, 0.44%

LAB 46.47, 73.43, 2.45

 

CMYK 0 / 88 / 45 / 9

HEX #E71C80

RGB 231 28 128

HSL 330.44, 0.81%, 0.51%

LAB 51.13, 76.62, -1.98

 

CMYK 0 / 81 / 41 / 3

HEX #F82E93

RGB 248 46 147

HSL 330, 0.94%, 0.58%

LAB 56.1, 78.77, -5.64

 

CMYK 0 / 75 / 35 / 0

HEX #FF40A6

RGB 255 64 166

HSL 327.96, 1%, 0.63%

LAB 59.6, 77.65, -11.43

 

CMYK 0 / 68 / 27 / 0

HEX #FF52B9

RGB 255 82 185

HSL 324.28, 1%, 0.66%

LAB 62.34, 73.92, -18.25

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 100 / 51 / 25

HEX #C0005F

RGB 192 0 95

HSL 330.31, 1%, 0.38%

LAB 41.27, 68.32, 3.13

 

CMYK 0 / 100 / 57 / 31

HEX #AF004C

RGB 175 0 76

HSL 333.94, 1%, 0.34%

LAB 37.18, 63.04, 9

 

CMYK 0 / 100 / 64 / 38

HEX #9E0039

RGB 158 0 57

HSL 338.35, 1%, 0.31%

LAB 33.06, 57.77, 15.19

 

CMYK 0 / 100 / 73 / 45

HEX #8D0026

RGB 141 0 38

HSL 343.83, 1%, 0.28%

LAB 28.91, 52.53, 21.69

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 95 / 71 / 18

HEX #D10A3C

RGB 209 10 60

HSL 344.92, 0.91%, 0.43%

LAB 44.37, 69.34, 29.89

 

CMYK 0 / 95 / 95 / 18

HEX #D10A0A

RGB 209 10 10

HSL 0, 0.91%, 0.43%

LAB 43.94, 68.12, 54.81

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 95 / 20 / 18

HEX #D10AA8

RGB 209 10 168

HSL 312.36, 0.91%, 0.43%

LAB 47.75, 78.29, -31.49

 

CMYK 6 / 95 / 0 / 18

HEX #C50AD1

RGB 197 10 209

HSL 296.38, 0.91%, 0.43%

LAB 47.87, 81.87, -55.4

 

CMYK 32 / 95 / 0 / 18

HEX #8F0AD1

RGB 143 10 209

HSL 280.1, 0.91%, 0.43%

LAB 39, 74.25, -70.2

 

CMYK 57 / 95 / 0 / 18

HEX #590AD1

RGB 89 10 209

HSL 263.82, 0.91%, 0.43%

LAB 31.68, 69.04, -82.52

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 85 / 41 / 25

HEX #C01C71

RGB 192 28 113

HSL 328.9, 0.75%, 0.43%

LAB 43.11, 66.16, -5.47

 

CMYK 0 / 74 / 35 / 32

HEX #AE2D71

RGB 174 45 113

HSL 328.37, 0.59%, 0.43%

LAB 41.32, 56.97, -8.49

 

CMYK 0 / 60 / 28 / 39

HEX #9C3F70

RGB 156 63 112

HSL 328.39, 0.42%, 0.43%

LAB 40.88, 44.11, -8.84

 

CMYK 0 / 41 / 20 / 46

HEX #8A516F

RGB 138 81 111

HSL 328.42, 0.26%, 0.43%

LAB 41.9, 28.18, -6.97

 

CMYK 6 / 95 / 0 / 18

HEX #C40AD1

RGB 196 10 209

HSL 296.08, 0.91%, 0.43%

LAB 47.7, 81.71, -55.69

 

CMYK 0 / 95 / 19 / 18

HEX #D10AAA

RGB 209 10 170

HSL 311.76, 0.91%, 0.43%

LAB 47.85, 78.54, -32.53

 

CMYK 0 / 95 / 44 / 18

HEX #D10A74

RGB 209 10 116

HSL 328.04, 0.91%, 0.43%

LAB 45.68, 72.88, -3.15

 

CMYK 0 / 95 / 70 / 18

HEX #D10A3F

RGB 209 10 63

HSL 344.02, 0.91%, 0.43%

LAB 44.42, 69.46, 28.1

 

CMYK 0 / 95 / 95 / 18

HEX #D10A0A

RGB 209 10 10

HSL 0, 0.91%, 0.43%

LAB 43.94, 68.12, 54.81

 

CMYK 0 / 95 / 46 / 49

HEX #830647

RGB 131 6 71

HSL 328.8, 0.91%, 0.27%

LAB 27.87, 51.28, -2.32

 

CMYK 0 / 95 / 45 / 33

HEX #AA085D

RGB 170 8 93

HSL 328.52, 0.91%, 0.35%

LAB 36.95, 62.27, -2.44

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 93 / 45 / 4

HEX #F41187

RGB 244 17 135

HSL 328.81, 0.91%, 0.51%

LAB 53.37, 81.49, -2.61

 

CMYK 0 / 77 / 37 / 4

HEX #F6389B

RGB 246 56 155

HSL 328.74, 0.91%, 0.59%

LAB 56.87, 76.58, -9.26

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 32 / 95 / 18

HEX #D18F0A

RGB 209 143 10

HSL 40.1, 0.91%, 0.43%

LAB 64.34, 16.04, 67.9

 

CMYK 95 / 6 / 0 / 18

HEX #0AC4D1

RGB 10 196 209

HSL 183.92, 0.91%, 0.43%

LAB 72.33, -35.17, -17.98

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 44 / 0 / 95 / 18

HEX #74D10A

RGB 116 209 10

HSL 88.04, 0.91%, 0.43%

LAB 75.66, -54.43, 73.49

 

CMYK 95 / 44 / 0 / 18

HEX #0A74D1

RGB 10 116 209

HSL 208.04, 0.91%, 0.43%

LAB 48.46, 8.65, -55.25

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 32 / 95 / 18

HEX #D18F0A

RGB 209 143 10

HSL 40.1, 0.91%, 0.43%

LAB 64.34, 16.04, 67.9

 

CMYK 95 / 0 / 51 / 18

HEX #0AD167

RGB 10 209 103

HSL 148.04, 0.91%, 0.43%

LAB 73.96, -65.82, 40.48

 

CMYK 95 / 64 / 0 / 18

HEX #0A4CD1

RGB 10 76 209

HSL 220.1, 0.91%, 0.43%

LAB 37.55, 34.61, -72.97

 

CMYK 0 / 95 / 45 / 18

HEX #D10A72

RGB 209 10 114

HSL 328.64, 0.91%, 0.43%

LAB 45.62, 72.71, -2.01

 

CMYK 0 / 3 / 95 / 18

HEX #D1CB0A

RGB 209 203 10

HSL 58.19, 0.91%, 0.43%

LAB 79.78, -15.48, 79.2

 

CMYK 95 / 0 / 51 / 18

HEX #0AD167

RGB 10 209 103

HSL 148.04, 0.91%, 0.43%

LAB 73.96, -65.82, 40.48

 

CMYK 95 / 92 / 0 / 18

HEX #0A11D1

RGB 10 17 209

HSL 237.89, 0.91%, 0.43%

LAB 26.93, 64.63, -90.56

 

Description

Color code: RGB 209 10 114 | qconv.com Color code: RGB 209 10 114 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 10 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 10 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 45 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 45% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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