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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209.5 165 141 it is the complementary color RGB 45.5 90 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209.5 165 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209.5 165 141 shade: RGB 214.5 165 136, RGB 231.5 183 155, RGB 248.5 201 174, RGB 255 219 193 and RGB 255 237 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209.5 165 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209.5 165 141 shade: RGB 209.5 165 141, RGB 192.5 147 122, RGB 175.5 129 103, RGB 158.5 111 84 and RGB 141.5 93 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209.5 165 141 shade: RGB 210 166 142, RGB 210 147 142 and RGB 210 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209.5 165 141 shade: RGB 210 166 142, RGB 210 184 142, RGB 210 202 142, RGB 199 210 142 and RGB 181 210 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209.5 165 141 shade matches the following richer shades: RGB 210 166 142, RGB 223 162 129, RGB 236 158 116 and RGB 248 154 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209.5 165 141 shade: RGB 210 166 142, RGB 197 170 155, RGB 184 173 168, RGB 172 177 180 and RGB 159 181 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209.5 165 141 shade: RGB 210 142 154, RGB 210 148 142, RGB 210 166 142, RGB 210 184 142 and RGB 210 202 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209.5 165 141 shade: RGB 186 119 83, RGB 198 142 112, RGB 210 166 142, RGB 222 189 171 and RGB 233 212 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209.5 165 141 shade: RGB 209.5 165 141, RGB 173 210 142 and RGB 142 145 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209.5 165 141 shade: RGB 209.5 165 141, RGB 142 210 166 and RGB 166 142 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209.5 165 141 shade: RGB 209.5 165 141, RGB 173 210 142, RGB 142 186 210 and RGB 179 142 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209.5 165 141 shade: RGB 209.5 165 141, RGB 152 210 142, RGB 142 186 210 and RGB 200 142 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

Complementary color

CMYK 60 / 21 / 0 / 55

HEX #2D5A72

RGB 45.5 90 114

HSL 201.02, 0.43%, 0.31%

LAB 36.17, -7.61, -18.3

 

CMYK 0 / 23 / 37 / 16

HEX #D6A588

RGB 214.5 165 136

HSL 22.17, 0.49%, 0.69%

LAB 71.6, 14.36, 22.06

 

CMYK 0 / 21 / 33 / 9

HEX #E7B79B

RGB 231.5 183 155

HSL 21.96, 0.62%, 0.76%

LAB 78.06, 13.67, 20.92

 

CMYK 0 / 19 / 30 / 3

HEX #F8C9AE

RGB 248.5 201 174

HSL 21.74, 0.85%, 0.83%

LAB 84.42, 13.06, 19.86

 

CMYK 0 / 14 / 24 / 0

HEX #FFDBC1

RGB 255 219 193

HSL 25.16, 1%, 0.88%

LAB 89.75, 8.65, 17.4

 

CMYK 0 / 7 / 17 / 0

HEX #FFEDD4

RGB 255 237 212

HSL 34.88, 1%, 0.92%

LAB 94.56, 2.14, 14.3

 

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

CMYK 0 / 24 / 37 / 25

HEX #C0937A

RGB 192.5 147 122

HSL 21.28, 0.36%, 0.62%

LAB 64.6, 13.72, 19.85

 

CMYK 0 / 26 / 41 / 31

HEX #AF8167

RGB 175.5 129 103

HSL 21.52, 0.31%, 0.55%

LAB 57.9, 14.53, 21.12

 

CMYK 0 / 30 / 47 / 38

HEX #9E6F54

RGB 158.5 111 84

HSL 21.74, 0.31%, 0.48%

LAB 51.07, 15.48, 22.53

 

CMYK 0 / 34 / 54 / 45

HEX #8D5D41

RGB 141.5 93 65

HSL 21.96, 0.37%, 0.4%

LAB 44.11, 16.61, 24.11

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 30 / 32 / 18

HEX #D2938E

RGB 210 147 142

HSL 4.41, 0.43%, 0.69%

LAB 66.92, 23.12, 12.2

 

CMYK 0 / 32 / 32 / 18

HEX #D28E8E

RGB 210 142 142

HSL 0, 0.43%, 0.69%

LAB 65.75, 25.83, 10.55

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 12 / 32 / 18

HEX #D2B88E

RGB 210 184 142

HSL 37.06, 0.43%, 0.69%

LAB 76.03, 3.15, 24.78

 

CMYK 0 / 4 / 32 / 18

HEX #D2CA8E

RGB 210 202 142

HSL 52.94, 0.43%, 0.69%

LAB 80.68, -6.27, 31.01

 

CMYK 5 / 0 / 32 / 18

HEX #C7D28E

RGB 199 210 142

HSL 69.71, 0.43%, 0.69%

LAB 81.94, -14.58, 32.52

 

CMYK 14 / 0 / 32 / 18

HEX #B5D28E

RGB 181 210 142

HSL 85.59, 0.43%, 0.69%

LAB 80.67, -21.32, 30.6

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 27 / 42 / 13

HEX #DFA281

RGB 223 162 129

HSL 21.06, 0.59%, 0.69%

LAB 71.63, 18.54, 26.07

 

CMYK 0 / 33 / 51 / 7

HEX #EC9E74

RGB 236 158 116

HSL 21, 0.76%, 0.69%

LAB 71.93, 24.56, 33.71

 

CMYK 0 / 38 / 58 / 3

HEX #F89A68

RGB 248 154 104

HSL 20.83, 0.91%, 0.69%

LAB 72.27, 30.45, 40.78

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 14 / 21 / 23

HEX #C5AA9B

RGB 197 170 155

HSL 21.43, 0.27%, 0.69%

LAB 71.55, 7.43, 11.34

 

CMYK 0 / 6 / 9 / 28

HEX #B8ADA8

RGB 184 173 168

HSL 18.75, 0.1%, 0.69%

LAB 71.49, 3.05, 3.97

 

CMYK 4 / 2 / 0 / 29

HEX #ACB1B4

RGB 172 177 180

HSL 202.5, 0.05%, 0.69%

LAB 71.9, -1.17, -2.15

 

CMYK 18 / 6 / 0 / 24

HEX #9FB5C1

RGB 159 181 193

HSL 201.18, 0.22%, 0.69%

LAB 72.41, -4.98, -8.63

 

CMYK 0 / 32 / 27 / 18

HEX #D28E9A

RGB 210 142 154

HSL 349.41, 0.43%, 0.69%

LAB 66.04, 27.45, 4.21

 

CMYK 0 / 30 / 32 / 18

HEX #D2948E

RGB 210 148 142

HSL 5.29, 0.43%, 0.69%

LAB 67.15, 22.57, 12.53

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 12 / 32 / 18

HEX #D2B88E

RGB 210 184 142

HSL 37.06, 0.43%, 0.69%

LAB 76.03, 3.15, 24.78

 

CMYK 0 / 4 / 32 / 18

HEX #D2CA8E

RGB 210 202 142

HSL 52.94, 0.43%, 0.69%

LAB 80.68, -6.27, 31.01

 

CMYK 0 / 36 / 55 / 27

HEX #BA7753

RGB 186 119 83

HSL 20.97, 0.43%, 0.53%

LAB 56.34, 22.47, 30.56

 

CMYK 0 / 28 / 43 / 22

HEX #C68E70

RGB 198 142 112

HSL 20.93, 0.43%, 0.61%

LAB 63.77, 17.54, 24.39

 

CMYK 0 / 21 / 32 / 18

HEX #D2A68E

RGB 210 166 142

HSL 21.18, 0.43%, 0.69%

LAB 71.51, 12.8, 18.6

 

CMYK 0 / 15 / 23 / 13

HEX #DEBDAB

RGB 222 189 171

HSL 21.18, 0.44%, 0.77%

LAB 78.96, 9.02, 13.46

 

CMYK 0 / 9 / 14 / 9

HEX #E9D4C9

RGB 233 212 201

HSL 20.63, 0.42%, 0.85%

LAB 86.32, 5.48, 8.06

 

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

CMYK 18 / 0 / 32 / 18

HEX #ADD28E

RGB 173 210 142

HSL 92.65, 0.43%, 0.69%

LAB 80.14, -24.23, 29.81

 

CMYK 32 / 31 / 0 / 18

HEX #8E91D2

RGB 142 145 210

HSL 237.35, 0.43%, 0.69%

LAB 62.22, 13.98, -33.68

 

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

CMYK 32 / 0 / 21 / 18

HEX #8ED2A6

RGB 142 210 166

HSL 141.18, 0.43%, 0.69%

LAB 78.81, -30.61, 15.1

 

CMYK 21 / 32 / 0 / 18

HEX #A68ED2

RGB 166 142 210

HSL 261.18, 0.43%, 0.69%

LAB 63.43, 22.81, -31.64

 

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

CMYK 18 / 0 / 32 / 18

HEX #ADD28E

RGB 173 210 142

HSL 92.65, 0.43%, 0.69%

LAB 80.14, -24.23, 29.81

 

CMYK 32 / 11 / 0 / 18

HEX #8EBAD2

RGB 142 186 210

HSL 201.18, 0.43%, 0.69%

LAB 73.23, -8.85, -16.79

 

CMYK 15 / 32 / 0 / 18

HEX #B38ED2

RGB 179 142 210

HSL 272.65, 0.43%, 0.69%

LAB 64.63, 26.83, -29.69

 

CMYK 0 / 21 / 33 / 18

HEX #D1A58D

RGB 209.5 165 141

HSL 21.02, 0.43%, 0.69%

LAB 71.19, 13.02, 18.7

 

CMYK 28 / 0 / 32 / 18

HEX #98D28E

RGB 152 210 142

HSL 111.18, 0.43%, 0.69%

LAB 78.88, -31.55, 27.9

 

CMYK 32 / 11 / 0 / 18

HEX #8EBAD2

RGB 142 186 210

HSL 201.18, 0.43%, 0.69%

LAB 73.23, -8.85, -16.79

 

CMYK 5 / 32 / 0 / 18

HEX #C88ED2

RGB 200 142 210

HSL 291.18, 0.43%, 0.69%

LAB 66.73, 33.45, -26.27

 

Description

Color code: RGB 209.5 165 141 | qconv.com Color code: RGB 209.5 165 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209.5 red, 165 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209.5 165 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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