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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 78 8 it is the complementary color RGB 47 177 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 78 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 78 8 shade: RGB 213 78 3, RGB 230 96 22, RGB 247 114 41, RGB 255 132 60 and RGB 255 150 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 78 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 78 8 shade: RGB 208 78 8, RGB 191 60 0, RGB 174 42 0, RGB 157 24 0 and RGB 140 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 78 8 shade: RGB 206 77 7, RGB 206 23 7 and RGB 206 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 78 8 shade: RGB 206 77 7, RGB 206 130 7, RGB 206 184 7, RGB 175 206 7 and RGB 121 206 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 78 8 shade matches the following richer shades: RGB 206 77 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 78 8 shade: RGB 206 77 7, RGB 189 82 24, RGB 172 87 42, RGB 154 92 59 and RGB 137 98 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 78 8 shade: RGB 206 7 44, RGB 206 24 7, RGB 206 77 7, RGB 206 130 7 and RGB 206 183 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 78 8 shade: RGB 127 47 4, RGB 166 62 6, RGB 206 77 7, RGB 246 92 9 and RGB 247 118 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 78 8 shade: RGB 208 78 8, RGB 97 206 7 and RGB 7 17 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 78 8 shade: RGB 208 78 8, RGB 7 206 77 and RGB 77 7 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 78 8 shade: RGB 208 78 8, RGB 97 206 7, RGB 7 136 206 and RGB 117 7 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 78 8 shade: RGB 208 78 8, RGB 37 206 7, RGB 7 136 206 and RGB 176 7 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

Complementary color

CMYK 81 / 28 / 0 / 3

HEX #2FB1F7

RGB 47 177 247

HSL 201, 0.93%, 0.58%

LAB 68.58, -10.74, -44.41

 

CMYK 0 / 63 / 99 / 16

HEX #D54E03

RGB 213 78 3

HSL 21.43, 0.97%, 0.42%

LAB 51.38, 50.67, 61.06

 

CMYK 0 / 58 / 90 / 10

HEX #E66016

RGB 230 96 22

HSL 21.35, 0.83%, 0.49%

LAB 57.31, 48.94, 61.72

 

CMYK 0 / 54 / 83 / 3

HEX #F77229

RGB 247 114 41

HSL 21.26, 0.93%, 0.56%

LAB 63.32, 47.16, 61.04

 

CMYK 0 / 48 / 76 / 0

HEX #FF843C

RGB 255 132 60

HSL 22.15, 1%, 0.62%

LAB 68.09, 42.01, 57.93

 

CMYK 0 / 41 / 69 / 0

HEX #FF964F

RGB 255 150 79

HSL 24.2, 1%, 0.65%

LAB 71.99, 33.73, 53.22

 

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

CMYK 0 / 69 / 100 / 25

HEX #BF3C00

RGB 191 60 0

HSL 18.85, 1%, 0.37%

LAB 44.67, 50.52, 56.2

 

CMYK 0 / 76 / 100 / 32

HEX #AE2A00

RGB 174 42 0

HSL 14.48, 1%, 0.34%

LAB 38.99, 51.59, 51.67

 

CMYK 0 / 85 / 100 / 38

HEX #9D1800

RGB 157 24 0

HSL 9.17, 1%, 0.31%

LAB 33.61, 51.68, 47.08

 

CMYK 0 / 96 / 100 / 45

HEX #8C0600

RGB 140 6 0

HSL 2.57, 1%, 0.27%

LAB 28.66, 50.29, 41.86

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 89 / 97 / 19

HEX #CE1707

RGB 206 23 7

HSL 4.82, 0.93%, 0.42%

LAB 43.87, 65.66, 55.33

 

CMYK 0 / 97 / 97 / 19

HEX #CE0707

RGB 206 7 7

HSL 0, 0.93%, 0.42%

LAB 43.2, 67.61, 55

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 37 / 97 / 19

HEX #CE8207

RGB 206 130 7

HSL 37.09, 0.93%, 0.42%

LAB 60.87, 21.75, 65.75

 

CMYK 0 / 11 / 97 / 19

HEX #CEB807

RGB 206 184 7

HSL 53.37, 0.93%, 0.42%

LAB 74.46, -7.16, 75.43

 

CMYK 15 / 0 / 97 / 19

HEX #AFCE07

RGB 175 206 7

HSL 69.35, 0.93%, 0.42%

LAB 78.04, -31.29, 77.04

 

CMYK 41 / 0 / 97 / 19

HEX #79CE07

RGB 121 206 7

HSL 85.63, 0.93%, 0.42%

LAB 74.97, -51.68, 73.32

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 57 / 87 / 26

HEX #BD5218

RGB 189 82 24

HSL 21.09, 0.77%, 0.42%

LAB 48.16, 40.22, 51.19

 

CMYK 0 / 49 / 76 / 33

HEX #AC572A

RGB 172 87 42

HSL 20.77, 0.61%, 0.42%

LAB 46.65, 31.45, 40.8

 

CMYK 0 / 40 / 62 / 40

HEX #9A5C3B

RGB 154 92 59

HSL 20.84, 0.45%, 0.42%

LAB 45.41, 22.11, 29.54

 

CMYK 0 / 28 / 45 / 46

HEX #89624C

RGB 137 98 76

HSL 21.64, 0.29%, 0.42%

LAB 45.05, 12.88, 18.76

 

CMYK 0 / 97 / 79 / 19

HEX #CE072C

RGB 206 7 44

HSL 348.84, 0.93%, 0.42%

LAB 43.44, 68.29, 38.23

 

CMYK 0 / 88 / 97 / 19

HEX #CE1807

RGB 206 24 7

HSL 5.13, 0.93%, 0.42%

LAB 43.93, 65.5, 55.36

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 37 / 97 / 19

HEX #CE8207

RGB 206 130 7

HSL 37.09, 0.93%, 0.42%

LAB 60.87, 21.75, 65.75

 

CMYK 0 / 11 / 97 / 19

HEX #CEB707

RGB 206 183 7

HSL 53.07, 0.93%, 0.42%

LAB 74.19, -6.64, 75.24

 

CMYK 0 / 63 / 97 / 50

HEX #7F2F04

RGB 127 47 4

HSL 20.98, 0.94%, 0.26%

LAB 30.77, 32.8, 40.69

 

CMYK 0 / 63 / 96 / 35

HEX #A63E06

RGB 166 62 6

HSL 21, 0.93%, 0.34%

LAB 40.52, 40.74, 49.68

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D07

RGB 206 77 7

HSL 21.11, 0.93%, 0.42%

LAB 50.03, 48.65, 58.74

 

CMYK 0 / 63 / 96 / 4

HEX #F65C09

RGB 246 92 9

HSL 21.01, 0.93%, 0.5%

LAB 59.22, 56.26, 67.25

 

CMYK 0 / 52 / 80 / 3

HEX #F77631

RGB 247 118 49

HSL 20.91, 0.93%, 0.58%

LAB 64.12, 45.47, 58.51

 

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

CMYK 53 / 0 / 97 / 19

HEX #61CE07

RGB 97 206 7

HSL 92.86, 0.93%, 0.42%

LAB 74, -59.07, 72.14

 

CMYK 97 / 92 / 0 / 19

HEX #0711CE

RGB 7 17 206

HSL 236.98, 0.93%, 0.42%

LAB 26.45, 63.79, -89.61

 

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

CMYK 97 / 0 / 63 / 19

HEX #07CE4D

RGB 7 206 77

HSL 141.11, 0.93%, 0.42%

LAB 72.71, -68.56, 51.01

 

CMYK 63 / 97 / 0 / 19

HEX #4D07CE

RGB 77 7 206

HSL 261.11, 0.93%, 0.42%

LAB 29.88, 68.04, -83.8

 

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

CMYK 53 / 0 / 97 / 19

HEX #61CE07

RGB 97 206 7

HSL 92.86, 0.93%, 0.42%

LAB 74, -59.07, 72.14

 

CMYK 97 / 34 / 0 / 19

HEX #0788CE

RGB 7 136 206

HSL 201.11, 0.93%, 0.42%

LAB 54.14, -4.79, -44.48

 

CMYK 43 / 97 / 0 / 19

HEX #7507CE

RGB 117 7 206

HSL 273.17, 0.93%, 0.42%

LAB 34.78, 71.15, -75.53

 

CMYK 0 / 63 / 96 / 18

HEX #D04E08

RGB 208 78 8

HSL 21, 0.93%, 0.42%

LAB 50.54, 48.94, 58.99

 

CMYK 82 / 0 / 97 / 19

HEX #25CE07

RGB 37 206 7

HSL 110.95, 0.93%, 0.42%

LAB 72.6, -70.88, 70.42

 

CMYK 97 / 34 / 0 / 19

HEX #0788CE

RGB 7 136 206

HSL 201.11, 0.93%, 0.42%

LAB 54.14, -4.79, -44.48

 

CMYK 15 / 97 / 0 / 19

HEX #B007CE

RGB 176 7 206

HSL 290.95, 0.93%, 0.42%

LAB 44, 78.45, -60.09

 

Description

Color code: RGB 208 78 8 | qconv.com Color code: RGB 208 78 8 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 78 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 78 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 96 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 96% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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