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Color name
RGB 208 180 145

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 180 145 it is the complementary color RGB 47 75 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 180 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 180 145 shade: RGB 213 180 140, RGB 230 198 159, RGB 247 216 178, RGB 255 234 197 and RGB 255 252 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 180 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 180 145 shade: RGB 208 180 145, RGB 191 162 126, RGB 174 144 107, RGB 157 126 88 and RGB 140 108 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 180 145 shade: RGB 208 179 144, RGB 208 162 144, RGB 208 145 144 and RGB 208 144 144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 180 145 shade: RGB 208 179 144, RGB 208 197 144, RGB 202 208 144, RGB 185 208 144 and RGB 167 208 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 180 145 shade matches the following richer shades: RGB 208 179 144, RGB 220 181 132, RGB 233 182 119 and RGB 246 184 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 180 145 shade: RGB 208 179 144, RGB 195 178 157, RGB 182 177 170, RGB 169 175 183 and RGB 156 174 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 180 145 shade: RGB 208 145 144, RGB 208 162 144, RGB 208 179 144, RGB 208 196 144 and RGB 202 208 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 180 145 shade: RGB 183 140 87, RGB 195 160 115, RGB 208 179 144, RGB 220 199 173 and RGB 232 219 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 180 145 shade: RGB 208 180 145, RGB 160 208 144 and RGB 154 144 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 180 145 shade: RGB 208 180 145, RGB 144 208 179 and RGB 179 144 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 180 145 shade: RGB 208 180 145, RGB 160 208 144, RGB 144 173 208 and RGB 192 144 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 180 145 shade: RGB 208 180 145, RGB 144 208 147, RGB 144 173 208 and RGB 208 144 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

Complementary color

CMYK 57 / 32 / 0 / 57

HEX #2F4B6E

RGB 47 75 110

HSL 213.33, 0.4%, 0.31%

LAB 31.26, 0.79, -23.43

 

CMYK 0 / 15 / 34 / 16

HEX #D5B48C

RGB 213 180 140

HSL 32.88, 0.46%, 0.69%

LAB 75.25, 6.21, 24.85

 

CMYK 0 / 14 / 31 / 10

HEX #E6C69F

RGB 230 198 159

HSL 32.96, 0.59%, 0.76%

LAB 81.68, 5.68, 23.75

 

CMYK 0 / 13 / 28 / 3

HEX #F7D8B2

RGB 247 216 178

HSL 33.04, 0.81%, 0.83%

LAB 88.02, 5.22, 22.71

 

CMYK 0 / 8 / 23 / 0

HEX #FFEAC5

RGB 255 234 197

HSL 38.28, 1%, 0.89%

LAB 93.51, 1.51, 20.57

 

CMYK 0 / 1 / 15 / 0

HEX #FFFCD8

RGB 255 252 216

HSL 55.38, 1%, 0.92%

LAB 98.37, -4.82, 17.62

 

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

CMYK 0 / 15 / 34 / 25

HEX #BFA27E

RGB 191 162 126

HSL 33.23, 0.34%, 0.62%

LAB 68.33, 5.4, 22.7

 

CMYK 0 / 17 / 39 / 32

HEX #AE906B

RGB 174 144 107

HSL 33.13, 0.29%, 0.55%

LAB 61.66, 6, 23.89

 

CMYK 0 / 20 / 44 / 38

HEX #9D7E58

RGB 157 126 88

HSL 33.04, 0.28%, 0.48%

LAB 54.86, 6.72, 25.19

 

CMYK 0 / 23 / 51 / 45

HEX #8C6C45

RGB 140 108 69

HSL 32.96, 0.34%, 0.41%

LAB 47.92, 7.59, 26.61

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 22 / 31 / 18

HEX #D0A290

RGB 208 162 144

HSL 16.88, 0.41%, 0.69%

LAB 70.36, 14.45, 15.88

 

CMYK 0 / 30 / 31 / 18

HEX #D09190

RGB 208 145 144

HSL 0.94, 0.41%, 0.69%

LAB 66.27, 23.7, 10.13

 

CMYK 0 / 31 / 31 / 18

HEX #D09090

RGB 208 144 144

HSL 0, 0.41%, 0.69%

LAB 66.04, 24.25, 9.8

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 5 / 31 / 18

HEX #D0C590

RGB 208 197 144

HSL 49.69, 0.41%, 0.69%

LAB 79.25, -4.21, 28.02

 

CMYK 3 / 0 / 31 / 18

HEX #CAD090

RGB 202 208 144

HSL 65.63, 0.41%, 0.69%

LAB 81.66, -12.17, 31.17

 

CMYK 11 / 0 / 31 / 18

HEX #B9D090

RGB 185 208 144

HSL 81.56, 0.41%, 0.69%

LAB 80.43, -18.57, 29.3

 

CMYK 20 / 0 / 31 / 18

HEX #A7D090

RGB 167 208 144

HSL 98.44, 0.41%, 0.69%

LAB 79.24, -25.11, 27.49

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 18 / 40 / 14

HEX #DCB584

RGB 220 181 132

HSL 33.41, 0.56%, 0.69%

LAB 76.03, 7.51, 30.25

 

CMYK 0 / 22 / 49 / 9

HEX #E9B677

RGB 233 182 119

HSL 33.16, 0.72%, 0.69%

LAB 77.35, 10.89, 39

 

CMYK 0 / 25 / 57 / 4

HEX #F6B86A

RGB 246 184 106

HSL 33.43, 0.89%, 0.69%

LAB 78.99, 14.04, 47.88

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 9 / 19 / 24

HEX #C3B29D

RGB 195 178 157

HSL 33.16, 0.24%, 0.69%

LAB 73.47, 2.66, 12.94

 

CMYK 0 / 3 / 7 / 29

HEX #B6B1AA

RGB 182 177 170

HSL 35, 0.08%, 0.69%

LAB 72.42, 0.52, 4.2

 

CMYK 8 / 4 / 0 / 28

HEX #A9AFB7

RGB 169 175 183

HSL 214.29, 0.09%, 0.69%

LAB 71.22, -0.52, -4.82

 

CMYK 20 / 11 / 0 / 24

HEX #9CAEC3

RGB 156 174 195

HSL 212.31, 0.25%, 0.69%

LAB 70.37, -1.71, -12.8

 

CMYK 0 / 30 / 31 / 18

HEX #D09190

RGB 208 145 144

HSL 0.94, 0.41%, 0.69%

LAB 66.27, 23.7, 10.13

 

CMYK 0 / 22 / 31 / 18

HEX #D0A290

RGB 208 162 144

HSL 16.88, 0.41%, 0.69%

LAB 70.36, 14.45, 15.88

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 6 / 31 / 18

HEX #D0C490

RGB 208 196 144

HSL 48.75, 0.41%, 0.69%

LAB 78.99, -3.69, 27.68

 

CMYK 3 / 0 / 31 / 18

HEX #CAD090

RGB 202 208 144

HSL 65.63, 0.41%, 0.69%

LAB 81.66, -12.17, 31.17

 

CMYK 0 / 23 / 52 / 28

HEX #B78C57

RGB 183 140 87

HSL 33.13, 0.4%, 0.53%

LAB 61.23, 9.9, 34.42

 

CMYK 0 / 18 / 41 / 24

HEX #C3A073

RGB 195 160 115

HSL 33.75, 0.4%, 0.61%

LAB 68.01, 6.79, 28.31

 

CMYK 0 / 14 / 31 / 18

HEX #D0B390

RGB 208 179 144

HSL 32.81, 0.41%, 0.69%

LAB 74.61, 5.28, 21.75

 

CMYK 0 / 10 / 21 / 14

HEX #DCC7AD

RGB 220 199 173

HSL 33.19, 0.4%, 0.77%

LAB 81.34, 3.28, 15.7

RGB 220 199 173

CMYK 0 / 6 / 13 / 9

HEX #E8DBCA

RGB 232 219 202

HSL 34, 0.39%, 0.85%

LAB 88.01, 1.65, 9.94

RGB 232 219 202

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

CMYK 23 / 0 / 31 / 18

HEX #A0D090

RGB 160 208 144

HSL 105, 0.41%, 0.69%

LAB 78.81, -27.56, 26.85

 

CMYK 26 / 31 / 0 / 18

HEX #9A90D0

RGB 154 144 208

HSL 249.38, 0.41%, 0.69%

LAB 62.82, 17.57, -31.55

 

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

CMYK 31 / 0 / 14 / 18

HEX #90D0B3

RGB 144 208 179

HSL 152.81, 0.41%, 0.69%

LAB 78.63, -26.48, 7.94

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

CMYK 23 / 0 / 31 / 18

HEX #A0D090

RGB 160 208 144

HSL 105, 0.41%, 0.69%

LAB 78.81, -27.56, 26.85

 

CMYK 31 / 17 / 0 / 18

HEX #90ADD0

RGB 144 173 208

HSL 212.81, 0.41%, 0.69%

LAB 69.73, -1.74, -20.99

 

CMYK 8 / 31 / 0 / 18

HEX #C090D0

RGB 192 144 208

HSL 285, 0.41%, 0.69%

LAB 66.3, 29.4, -25.9

 

CMYK 0 / 13 / 30 / 18

HEX #D0B491

RGB 208 180 145

HSL 33.33, 0.4%, 0.69%

LAB 74.89, 4.88, 21.59

 

CMYK 31 / 0 / 29 / 18

HEX #90D093

RGB 144 208 147

HSL 122.81, 0.41%, 0.69%

LAB 77.96, -32.44, 23.98

 

CMYK 31 / 17 / 0 / 18

HEX #90ADD0

RGB 144 173 208

HSL 212.81, 0.41%, 0.69%

LAB 69.73, -1.74, -20.99

 

CMYK 0 / 31 / 2 / 18

HEX #D090CC

RGB 208 144 204

HSL 303.75, 0.41%, 0.69%

LAB 67.81, 33.81, -21.21

 

Description

Color code: RGB 208 180 145 | qconv.com Color code: RGB 208 180 145 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 180 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 180 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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