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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 120 81 it is the complementary color RGB 47 135 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 120 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 120 81 shade: RGB 213 120 76, RGB 230 138 95, RGB 247 156 114, RGB 255 174 133 and RGB 255 192 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 120 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 120 81 shade: RGB 208 120 81, RGB 191 102 62, RGB 174 84 43, RGB 157 66 24 and RGB 140 48 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 120 81 shade: RGB 207 121 82, RGB 207 87 82 and RGB 207 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 120 81 shade: RGB 207 121 82, RGB 207 154 82, RGB 207 188 82, RGB 193 207 82 and RGB 159 207 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 120 81 shade matches the following richer shades: RGB 207 121 82, RGB 225 114 65 and RGB 243 107 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 120 81 shade: RGB 207 121 82, RGB 190 128 100, RGB 172 134 118, RGB 154 141 136 and RGB 136 148 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 120 81 shade: RGB 207 82 112, RGB 207 87 82, RGB 207 120 82, RGB 207 153 82 and RGB 207 187 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 120 81 shade: RGB 163 81 44, RGB 195 97 53, RGB 207 121 82, RGB 216 146 115 and RGB 225 171 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 120 81 shade: RGB 208 120 81, RGB 145 207 82 and RGB 82 95 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 120 81 shade: RGB 208 120 81, RGB 82 207 120 and RGB 120 82 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 120 81 shade: RGB 208 120 81, RGB 145 207 82, RGB 82 170 207 and RGB 145 82 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 120 81 shade: RGB 208 120 81, RGB 107 207 82, RGB 82 170 207 and RGB 182 82 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

Complementary color

CMYK 73 / 22 / 0 / 32

HEX #2F87AE

RGB 47 135 174

HSL 198.43, 0.57%, 0.43%

LAB 52.94, -12.82, -28.08

 

CMYK 0 / 44 / 64 / 16

HEX #D5784C

RGB 213 120 76

HSL 19.27, 0.62%, 0.57%

LAB 59.98, 32.45, 39.6

 

CMYK 0 / 40 / 59 / 10

HEX #E68A5F

RGB 230 138 95

HSL 19.11, 0.73%, 0.64%

LAB 66.39, 31.05, 37.77

 

CMYK 0 / 37 / 54 / 3

HEX #F79C72

RGB 247 156 114

HSL 18.95, 0.89%, 0.71%

LAB 72.74, 29.79, 36.08

 

CMYK 0 / 32 / 48 / 0

HEX #FFAE85

RGB 255 174 133

HSL 20.16, 1%, 0.76%

LAB 78.01, 25.16, 33.01

 

CMYK 0 / 25 / 40 / 0

HEX #FFC098

RGB 255 192 152

HSL 23.3, 1%, 0.8%

LAB 82.5, 17.65, 28.95

 

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

CMYK 0 / 47 / 68 / 25

HEX #BF663E

RGB 191 102 62

HSL 18.6, 0.51%, 0.5%

LAB 52.87, 32.27, 37.98

 

CMYK 0 / 52 / 75 / 32

HEX #AE542B

RGB 174 84 43

HSL 18.78, 0.6%, 0.43%

LAB 46.33, 33.9, 40.05

 

CMYK 0 / 58 / 85 / 38

HEX #9D4218

RGB 157 66 24

HSL 18.95, 0.73%, 0.35%

LAB 39.8, 35.66, 42

 

CMYK 0 / 66 / 96 / 45

HEX #8C3005

RGB 140 48 5

HSL 19.11, 0.93%, 0.28%

LAB 33.35, 37.41, 43.17

 

CMYK 0 / 42 / 60 / 19

HEX #CF7952

RGB 207 121 82

HSL 18.72, 0.57%, 0.57%

LAB 59.48, 29.92, 35.59

 

CMYK 0 / 58 / 60 / 19

HEX #CF5752

RGB 207 87 82

HSL 2.4, 0.57%, 0.57%

LAB 52.61, 47.19, 26.99

 

CMYK 0 / 60 / 60 / 19

HEX #CF5252

RGB 207 82 82

HSL 0, 0.57%, 0.57%

LAB 51.73, 49.5, 25.86

 

CMYK 0 / 42 / 60 / 19

HEX #CF7952

RGB 207 121 82

HSL 18.72, 0.57%, 0.57%

LAB 59.48, 29.92, 35.59

 

CMYK 0 / 26 / 60 / 19

HEX #CF9A52

RGB 207 154 82

HSL 34.56, 0.57%, 0.57%

LAB 67.27, 12.04, 44.89

 

CMYK 0 / 9 / 60 / 19

HEX #CFBC52

RGB 207 188 82

HSL 50.88, 0.57%, 0.57%

LAB 75.97, -6.04, 54.78

 

CMYK 7 / 0 / 60 / 19

HEX #C1CF52

RGB 193 207 82

HSL 66.72, 0.57%, 0.57%

LAB 79.94, -21.45, 58.81

 

CMYK 23 / 0 / 60 / 19

HEX #9FCF52

RGB 159 207 82

HSL 83.04, 0.57%, 0.57%

LAB 77.64, -34.85, 55.63

 

CMYK 0 / 42 / 60 / 19

HEX #CF7952

RGB 207 121 82

HSL 18.72, 0.57%, 0.57%

LAB 59.48, 29.92, 35.59

 

CMYK 0 / 49 / 71 / 12

HEX #E17241

RGB 225 114 65

HSL 18.38, 0.73%, 0.57%

LAB 60.27, 39.67, 46.08

 

CMYK 0 / 56 / 81 / 5

HEX #F36B2F

RGB 243 107 47

HSL 18.37, 0.89%, 0.57%

LAB 61.46, 49.16, 56.67

 

CMYK 0 / 42 / 60 / 19

HEX #CF7952

RGB 207 121 82

HSL 18.72, 0.57%, 0.57%

LAB 59.48, 29.92, 35.59

 

CMYK 0 / 33 / 47 / 25

HEX #BE8064

RGB 190 128 100

HSL 18.67, 0.41%, 0.57%

LAB 59.26, 20.73, 24.92

 

CMYK 0 / 22 / 31 / 33

HEX #AC8676

RGB 172 134 118

HSL 17.78, 0.25%, 0.57%

LAB 59.09, 12.19, 14.18

 

CMYK 0 / 8 / 12 / 40

HEX #9A8D88

RGB 154 141 136

HSL 16.67, 0.08%, 0.57%

LAB 59.61, 3.95, 4.41

 

CMYK 11 / 3 / 0 / 40

HEX #889499

RGB 136 148 153

HSL 197.65, 0.08%, 0.57%

LAB 60.53, -3.25, -4.12

 

CMYK 0 / 60 / 46 / 19

HEX #CF5270

RGB 207 82 112

HSL 345.6, 0.57%, 0.57%

LAB 52.36, 51.98, 8.9

 

CMYK 0 / 58 / 60 / 19

HEX #CF5752

RGB 207 87 82

HSL 2.4, 0.57%, 0.57%

LAB 52.61, 47.19, 26.99

 

CMYK 0 / 42 / 60 / 19

HEX #CF7852

RGB 207 120 82

HSL 18.24, 0.57%, 0.57%

LAB 59.26, 30.45, 35.32

 

CMYK 0 / 26 / 60 / 19

HEX #CF9952

RGB 207 153 82

HSL 34.08, 0.57%, 0.57%

LAB 67.02, 12.58, 44.6

 

CMYK 0 / 10 / 60 / 19

HEX #CFBB52

RGB 207 187 82

HSL 50.4, 0.57%, 0.57%

LAB 75.71, -5.53, 54.49

 

CMYK 0 / 50 / 73 / 36

HEX #A3512C

RGB 163 81 44

HSL 18.66, 0.57%, 0.41%

LAB 44.02, 31.06, 36.55

 

CMYK 0 / 50 / 73 / 24

HEX #C36135

RGB 195 97 53

HSL 18.59, 0.57%, 0.49%

LAB 52.3, 36.01, 42.23

 

CMYK 0 / 42 / 60 / 19

HEX #CF7952

RGB 207 121 82

HSL 18.72, 0.57%, 0.57%

LAB 59.48, 29.92, 35.59

 

CMYK 0 / 32 / 47 / 15

HEX #D89273

RGB 216 146 115

HSL 18.42, 0.56%, 0.65%

LAB 66.82, 22.92, 27.15

 

CMYK 0 / 24 / 35 / 12

HEX #E1AB93

RGB 225 171 147

HSL 18.46, 0.57%, 0.73%

LAB 74.34, 16.57, 20.02

 

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

CMYK 30 / 0 / 60 / 19

HEX #91CF52

RGB 145 207 82

HSL 89.76, 0.57%, 0.57%

LAB 76.83, -40.02, 54.51

 

CMYK 60 / 54 / 0 / 19

HEX #525FCF

RGB 82 95 207

HSL 233.76, 0.57%, 0.57%

LAB 44.92, 28.92, -59.69

 

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

CMYK 60 / 0 / 42 / 19

HEX #52CF78

RGB 82 207 120

HSL 138.24, 0.57%, 0.57%

LAB 74.68, -53.56, 33.15

 

CMYK 42 / 60 / 0 / 19

HEX #7852CF

RGB 120 82 207

HSL 258.24, 0.57%, 0.57%

LAB 44.99, 44.24, -59.43

 

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

CMYK 30 / 0 / 60 / 19

HEX #91CF52

RGB 145 207 82

HSL 89.76, 0.57%, 0.57%

LAB 76.83, -40.02, 54.51

 

CMYK 60 / 18 / 0 / 19

HEX #52AACF

RGB 82 170 207

HSL 197.76, 0.57%, 0.57%

LAB 65.79, -15.47, -26.75

 

CMYK 30 / 60 / 0 / 19

HEX #9152CF

RGB 145 82 207

HSL 270.24, 0.57%, 0.57%

LAB 47.7, 49.83, -54.92

 

CMYK 0 / 42 / 61 / 18

HEX #D07851

RGB 208 120 81

HSL 18.43, 0.57%, 0.57%

LAB 59.38, 30.78, 36.04

 

CMYK 48 / 0 / 60 / 19

HEX #6BCF52

RGB 107 207 82

HSL 108, 0.57%, 0.57%

LAB 75.05, -52.41, 52.02

 

CMYK 60 / 18 / 0 / 19

HEX #52AACF

RGB 82 170 207

HSL 197.76, 0.57%, 0.57%

LAB 65.79, -15.47, -26.75

 

CMYK 12 / 60 / 0 / 19

HEX #B652CF

RGB 182 82 207

HSL 288, 0.57%, 0.57%

LAB 52.38, 58.69, -47.17

 

Description

Color code: RGB 208 120 81 | qconv.com Color code: RGB 208 120 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 120 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 120 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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