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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208.3 72.4 10 it is the complementary color RGB 46.7 182.6 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208.3 72.4 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208.3 72.4 10 shade: RGB 213.3 72.4 5, RGB 230.3 90.4 24, RGB 247.3 108.4 43, RGB 255 126.4 62 and RGB 255 144.4 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208.3 72.4 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208.3 72.4 10 shade: RGB 208.3 72.4 10, RGB 191.3 54.4 0, RGB 174.3 36.4 0, RGB 157.3 18.4 0 and RGB 140.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208.3 72.4 10 shade: RGB 209 73 10, RGB 209 19 10 and RGB 209 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208.3 72.4 10 shade: RGB 209 73 10, RGB 209 126 10, RGB 209 180 10, RGB 185 209 10 and RGB 131 209 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208.3 72.4 10 shade matches the following richer shades: RGB 209 73 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208.3 72.4 10 shade: RGB 209 73 10, RGB 192 79 28, RGB 174 86 45, RGB 156 92 63 and RGB 138 99 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208.3 72.4 10 shade: RGB 209 10 56, RGB 209 17 10, RGB 209 70 10, RGB 209 123 10 and RGB 209 176 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208.3 72.4 10 shade: RGB 131 45 6, RGB 170 59 8, RGB 209 73 10, RGB 244 88 17 and RGB 246 116 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208.3 72.4 10 shade: RGB 208.3 72.4 10, RGB 110 209 10 and RGB 10 30 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208.3 72.4 10 shade: RGB 208.3 72.4 10, RGB 10 209 70 and RGB 70 10 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208.3 72.4 10 shade: RGB 208.3 72.4 10, RGB 110 209 10, RGB 10 150 209 and RGB 110 10 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208.3 72.4 10 shade: RGB 208.3 72.4 10, RGB 50 209 10, RGB 10 150 209 and RGB 170 10 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

Complementary color

CMYK 81 / 25 / 0 / 4

HEX #2EB6F5

RGB 46.7 182.6 245

HSL 198.88, 0.91%, 0.57%

LAB 70.1, -14.48, -40.94

 

CMYK 0 / 66 / 98 / 16

HEX #D54805

RGB 213.3 72.4 5

HSL 19.41, 0.95%, 0.43%

LAB 50.56, 53.17, 60.17

 

CMYK 0 / 61 / 90 / 10

HEX #E65A18

RGB 230.3 90.4 24

HSL 19.31, 0.81%, 0.5%

LAB 56.41, 51.62, 60.47

 

CMYK 0 / 56 / 83 / 3

HEX #F76C2B

RGB 247.3 108.4 43

HSL 19.21, 0.93%, 0.57%

LAB 62.35, 49.97, 59.41

 

CMYK 0 / 50 / 76 / 0

HEX #FF7E3E

RGB 255 126.4 62

HSL 20.02, 1%, 0.62%

LAB 67, 44.85, 55.94

 

CMYK 0 / 43 / 68 / 0

HEX #FF9051

RGB 255 144.4 81

HSL 21.86, 1%, 0.66%

LAB 70.82, 36.71, 50.96

 

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

CMYK 0 / 72 / 100 / 25

HEX #BF3600

RGB 191.3 54.4 0

HSL 17.06, 1%, 0.38%

LAB 43.93, 52.8, 55.87

 

CMYK 0 / 79 / 100 / 32

HEX #AE2400

RGB 174.3 36.4 0

HSL 12.53, 1%, 0.34%

LAB 38.41, 53.49, 51.45

 

CMYK 0 / 88 / 100 / 38

HEX #9D1200

RGB 157.3 18.4 0

HSL 7.02, 1%, 0.31%

LAB 33.23, 53.02, 46.88

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140.3 0.40000000000001 0

HSL 0.17, 1%, 0.28%

LAB 28.41, 51.29, 41.68

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 91 / 95 / 18

HEX #D1130A

RGB 209 19 10

HSL 2.71, 0.91%, 0.43%

LAB 44.29, 67.09, 55

 

CMYK 0 / 95 / 95 / 18

HEX #D10A0A

RGB 209 10 10

HSL 0, 0.91%, 0.43%

LAB 43.94, 68.12, 54.81

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 40 / 95 / 18

HEX #D17E0A

RGB 209 126 10

HSL 34.97, 0.91%, 0.43%

LAB 60.34, 25.24, 65.1

 

CMYK 0 / 14 / 95 / 18

HEX #D1B40A

RGB 209 180 10

HSL 51.26, 0.91%, 0.43%

LAB 73.69, -3.73, 74.67

 

CMYK 11 / 0 / 95 / 18

HEX #B9D10A

RGB 185 209 10

HSL 67.24, 0.91%, 0.43%

LAB 79.58, -28.55, 78.24

 

CMYK 37 / 0 / 95 / 18

HEX #83D10A

RGB 131 209 10

HSL 83.52, 0.91%, 0.43%

LAB 76.34, -49.42, 74.32

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 59 / 85 / 25

HEX #C04F1C

RGB 192 79 28

HSL 18.66, 0.75%, 0.43%

LAB 48.11, 42.92, 49.78

 

CMYK 0 / 51 / 74 / 32

HEX #AE562D

RGB 174 86 45

HSL 19.07, 0.59%, 0.43%

LAB 46.77, 32.94, 39.48

 

CMYK 0 / 41 / 60 / 39

HEX #9C5C3F

RGB 156 92 63

HSL 18.71, 0.42%, 0.43%

LAB 45.75, 23.28, 27.73

 

CMYK 0 / 28 / 41 / 46

HEX #8A6351

RGB 138 99 81

HSL 18.95, 0.26%, 0.43%

LAB 45.53, 13.32, 16.45

 

CMYK 0 / 95 / 73 / 18

HEX #D10A38

RGB 209 10 56

HSL 346.13, 0.91%, 0.43%

LAB 44.32, 69.18, 32.25

 

CMYK 0 / 92 / 95 / 18

HEX #D1110A

RGB 209 17 10

HSL 2.11, 0.91%, 0.43%

LAB 44.2, 67.36, 54.95

 

CMYK 0 / 67 / 95 / 18

HEX #D1460A

RGB 209 70 10

HSL 18.09, 0.91%, 0.43%

LAB 49.44, 52.73, 57.96

 

CMYK 0 / 41 / 95 / 18

HEX #D17B0A

RGB 209 123 10

HSL 34.07, 0.91%, 0.43%

LAB 59.66, 26.85, 64.63

 

CMYK 0 / 16 / 95 / 18

HEX #D1B00A

RGB 209 176 10

HSL 50.05, 0.91%, 0.43%

LAB 72.65, -1.64, 73.9

 

CMYK 0 / 66 / 95 / 49

HEX #832D06

RGB 131 45 6

HSL 18.72, 0.91%, 0.27%

LAB 31.15, 35.39, 40.49

 

CMYK 0 / 65 / 95 / 33

HEX #AA3B08

RGB 170 59 8

HSL 18.89, 0.91%, 0.35%

LAB 40.72, 43.62, 49.56

 

CMYK 0 / 65 / 95 / 18

HEX #D1490A

RGB 209 73 10

HSL 18.99, 0.91%, 0.43%

LAB 49.91, 51.48, 58.24

 

CMYK 0 / 64 / 93 / 4

HEX #F45811

RGB 244 88 17

HSL 18.77, 0.91%, 0.51%

LAB 58.28, 57.32, 64.82

 

CMYK 0 / 53 / 77 / 4

HEX #F67438

RGB 246 116 56

HSL 18.95, 0.91%, 0.59%

LAB 63.65, 46.29, 54.91

 

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10A

RGB 110 209 10

HSL 89.85, 0.91%, 0.43%

LAB 75.41, -56.31, 73.18

 

CMYK 95 / 86 / 0 / 18

HEX #0A1ED1

RGB 10 30 209

HSL 233.97, 0.91%, 0.43%

LAB 28.37, 60.26, -88.16

 

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

CMYK 95 / 0 / 67 / 18

HEX #0AD146

RGB 10 209 70

HSL 138.09, 0.91%, 0.43%

LAB 73.62, -70.11, 54.96

 

CMYK 67 / 95 / 0 / 18

HEX #460AD1

RGB 70 10 209

HSL 258.09, 0.91%, 0.43%

LAB 29.72, 67.89, -85.83

 

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10A

RGB 110 209 10

HSL 89.85, 0.91%, 0.43%

LAB 75.41, -56.31, 73.18

 

CMYK 95 / 28 / 0 / 18

HEX #0A96D1

RGB 10 150 209

HSL 197.79, 0.91%, 0.43%

LAB 58.49, -11.59, -39.32

 

CMYK 47 / 95 / 0 / 18

HEX #6E0AD1

RGB 110 10 209

HSL 270.15, 0.91%, 0.43%

LAB 34.26, 70.73, -78.16

 

CMYK 0 / 65 / 95 / 18

HEX #D0480A

RGB 208.3 72.4 10

HSL 18.88, 0.91%, 0.43%

LAB 49.69, 51.49, 58.05

 

CMYK 76 / 0 / 95 / 18

HEX #32D10A

RGB 50 209 10

HSL 107.94, 0.91%, 0.43%

LAB 73.74, -70.04, 71.13

 

CMYK 95 / 28 / 0 / 18

HEX #0A96D1

RGB 10 150 209

HSL 197.79, 0.91%, 0.43%

LAB 58.49, -11.59, -39.32

 

CMYK 19 / 95 / 0 / 18

HEX #AA0AD1

RGB 170 10 209

HSL 288.24, 0.91%, 0.43%

LAB 43.31, 77.81, -62.99

 

Description

Color code: RGB 208.3 72.4 10 | qconv.com Color code: RGB 208.3 72.4 10 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208.3 red, 72.4 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208.3 72.4 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 95 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 95% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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