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Color name
RGB 207 64 57

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 64 57 it is the complementary color RGB 48 191 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 64 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 64 57 shade: RGB 212 64 52, RGB 229 82 71, RGB 246 100 90, RGB 255 118 109 and RGB 255 136 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 64 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 190 46 38, RGB 173 28 19, RGB 156 10 0 and RGB 139 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 64 57 shade: RGB 207 64 57 and RGB 207 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 207 105 57, RGB 207 145 57, RGB 207 185 57 and RGB 188 207 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 64 57 shade matches the following richer shades: RGB 207 64 57, RGB 227 46 38 and RGB 246 28 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 187 82 77, RGB 167 100 97, RGB 147 118 117 and RGB 128 136 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 64 57 shade: RGB 207 57 132, RGB 207 57 92, RGB 207 62 57, RGB 207 102 57 and RGB 207 142 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 64 57 shade: RGB 147 40 35, RGB 180 50 43, RGB 207 64 57, RGB 215 96 91 and RGB 223 128 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 172 207 57 and RGB 57 112 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 57 207 62 and RGB 62 57 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 172 207 57, RGB 57 202 207 and RGB 92 57 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 64 57 shade: RGB 207 64 57, RGB 127 207 57, RGB 57 202 207 and RGB 137 57 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

Complementary color

CMYK 76 / 4 / 0 / 22

HEX #30BFC6

RGB 48 191 198

HSL 182.8, 0.61%, 0.48%

LAB 70.85, -33.75, -14.18

 

CMYK 0 / 70 / 75 / 17

HEX #D44034

RGB 212 64 52

HSL 4.5, 0.65%, 0.52%

LAB 49.39, 57.08, 40.43

 

CMYK 0 / 64 / 69 / 10

HEX #E55247

RGB 229 82 71

HSL 4.18, 0.75%, 0.59%

LAB 55.22, 56.32, 37.3

 

CMYK 0 / 59 / 63 / 4

HEX #F6645A

RGB 246 100 90

HSL 3.85, 0.9%, 0.66%

LAB 61.17, 55.34, 34.53

 

CMYK 0 / 54 / 57 / 0

HEX #FF766D

RGB 255 118 109

HSL 3.7, 1%, 0.71%

LAB 66, 51.47, 30.35

 

CMYK 0 / 47 / 50 / 0

HEX #FF8880

RGB 255 136 128

HSL 3.78, 1%, 0.75%

LAB 69.77, 44.25, 24.79

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 76 / 80 / 25

HEX #BE2E26

RGB 190 46 38

HSL 3.16, 0.67%, 0.45%

LAB 42.83, 56.03, 39.95

 

CMYK 0 / 84 / 89 / 32

HEX #AD1C13

RGB 173 28 19

HSL 3.51, 0.8%, 0.38%

LAB 37.41, 55.66, 43.47

 

CMYK 0 / 94 / 100 / 39

HEX #9C0A00

RGB 156 10 0

HSL 3.85, 1%, 0.31%

LAB 32.45, 54.09, 46.25

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 49 / 72 / 19

HEX #CF6939

RGB 207 105 57

HSL 19.2, 0.61%, 0.52%

LAB 55.75, 36.83, 44.45

 

CMYK 0 / 30 / 72 / 19

HEX #CF9139

RGB 207 145 57

HSL 35.2, 0.61%, 0.52%

LAB 64.81, 15.42, 53.96

 

CMYK 0 / 11 / 72 / 19

HEX #CFB939

RGB 207 185 57

HSL 51.2, 0.61%, 0.52%

LAB 74.99, -5.93, 64.08

 

CMYK 9 / 0 / 72 / 19

HEX #BCCF39

RGB 188 207 57

HSL 67.6, 0.61%, 0.52%

LAB 79.39, -25, 67.8

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 80 / 83 / 11

HEX #E32E26

RGB 227 46 38

HSL 2.54, 0.77%, 0.52%

LAB 50.01, 66.93, 49.32

 

CMYK 0 / 89 / 93 / 4

HEX #F61C12

RGB 246 28 18

HSL 2.63, 0.93%, 0.52%

LAB 52.36, 75.39, 61.08

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 56 / 59 / 27

HEX #BB524D

RGB 187 82 77

HSL 2.73, 0.45%, 0.52%

LAB 48.43, 42, 23.9

 

CMYK 0 / 40 / 42 / 35

HEX #A76461

RGB 167 100 97

HSL 2.57, 0.28%, 0.52%

LAB 49.73, 26.68, 13.29

 

CMYK 0 / 20 / 20 / 42

HEX #937675

RGB 147 118 117

HSL 2, 0.12%, 0.52%

LAB 52.34, 11.15, 4.83

 

CMYK 7 / 1 / 0 / 46

HEX #808889

RGB 128 136 137

HSL 186.67, 0.04%, 0.52%

LAB 56.09, -2.72, -1.55

 

CMYK 0 / 72 / 36 / 19

HEX #CF3984

RGB 207 57 132

HSL 330, 0.61%, 0.52%

LAB 49.32, 63.94, -7.55

 

CMYK 0 / 72 / 56 / 19

HEX #CF395C

RGB 207 57 92

HSL 346, 0.61%, 0.52%

LAB 48.22, 60.31, 15.19

 

CMYK 0 / 70 / 72 / 19

HEX #CF3E39

RGB 207 62 57

HSL 2, 0.61%, 0.52%

LAB 48.27, 56.44, 36.13

 

CMYK 0 / 51 / 72 / 19

HEX #CF6639

RGB 207 102 57

HSL 18, 0.61%, 0.52%

LAB 55.14, 38.37, 43.78

 

CMYK 0 / 31 / 72 / 19

HEX #CF8E39

RGB 207 142 57

HSL 34, 0.61%, 0.52%

LAB 64.09, 17.05, 53.22

 

CMYK 0 / 73 / 76 / 42

HEX #932823

RGB 147 40 35

HSL 2.68, 0.62%, 0.36%

LAB 33.65, 44.22, 29.42

 

CMYK 0 / 72 / 76 / 29

HEX #B4322B

RGB 180 50 43

HSL 3.07, 0.61%, 0.44%

LAB 41.47, 51.65, 35.15

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 0 / 55 / 58 / 16

HEX #D7605B

RGB 215 96 91

HSL 2.42, 0.61%, 0.6%

LAB 55.65, 46.42, 25.95

 

CMYK 0 / 43 / 44 / 13

HEX #DF807C

RGB 223 128 124

HSL 2.42, 0.61%, 0.68%

LAB 63.82, 36.14, 18.24

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 17 / 0 / 72 / 19

HEX #ACCF39

RGB 172 207 57

HSL 74, 0.61%, 0.52%

LAB 78.28, -31.49, 66.34

 

CMYK 72 / 46 / 0 / 19

HEX #3970CF

RGB 57 112 207

HSL 218, 0.61%, 0.52%

LAB 48.21, 14.25, -54.45

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 72 / 0 / 70 / 19

HEX #39CF3E

RGB 57 207 62

HSL 122, 0.61%, 0.52%

LAB 73.44, -65.73, 58.07

 

CMYK 70 / 72 / 0 / 19

HEX #3E39CF

RGB 62 57 207

HSL 242, 0.61%, 0.52%

LAB 34.91, 49.01, -76.08

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 17 / 0 / 72 / 19

HEX #ACCF39

RGB 172 207 57

HSL 74, 0.61%, 0.52%

LAB 78.28, -31.49, 66.34

 

CMYK 72 / 2 / 0 / 19

HEX #39CACF

RGB 57 202 207

HSL 182, 0.61%, 0.52%

LAB 74.58, -35.26, -13.45

 

CMYK 56 / 72 / 0 / 19

HEX #5C39CF

RGB 92 57 207

HSL 254, 0.61%, 0.52%

LAB 37.31, 52.69, -72.06

 

CMYK 0 / 69 / 72 / 19

HEX #CF4039

RGB 207 64 57

HSL 2.8, 0.61%, 0.52%

LAB 48.55, 55.68, 36.45

 

CMYK 39 / 0 / 72 / 19

HEX #7FCF39

RGB 127 207 57

HSL 92, 0.61%, 0.52%

LAB 75.72, -48.22, 62.96

 

CMYK 72 / 2 / 0 / 19

HEX #39CACF

RGB 57 202 207

HSL 182, 0.61%, 0.52%

LAB 74.58, -35.26, -13.45

 

CMYK 34 / 72 / 0 / 19

HEX #8939CF

RGB 137 57 207

HSL 272, 0.61%, 0.52%

LAB 42.38, 60.11, -63.56

 

Description

Color code: RGB 207 64 57 | qconv.com Color code: RGB 207 64 57 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 64 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 64 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 72% 19% C M Y K

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Provide designers and agencies with accurate color values.

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