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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 53 128 it is the complementary color RGB 48 202 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 53 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 53 128 shade: RGB 212 53 123, RGB 229 71 142, RGB 246 89 161, RGB 255 107 180 and RGB 255 125 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 53 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 53 128 shade: RGB 207 53 128, RGB 190 35 109, RGB 173 17 90, RGB 156 0 71 and RGB 139 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 53 128 shade: RGB 208 53 128, RGB 208 53 86 and RGB 208 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 53 128 shade: RGB 208 53 128, RGB 208 53 170, RGB 203 53 208, RGB 162 53 208 and RGB 120 53 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 53 128 shade matches the following richer shades: RGB 208 53 128, RGB 228 32 128 and RGB 248 12 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 53 128 shade: RGB 208 53 128, RGB 187 73 129, RGB 167 93 129, RGB 147 113 130 and RGB 127 133 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 53 128 shade: RGB 202 53 208, RGB 208 53 171, RGB 208 53 130, RGB 208 53 89 and RGB 208 58 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 53 128 shade: RGB 144 34 87, RGB 177 42 108, RGB 208 53 128, RGB 215 86 149 and RGB 223 119 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 53 128 shade: RGB 207 53 128, RGB 208 161 53 and RGB 53 192 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 53 128 shade: RGB 207 53 128, RGB 130 208 53 and RGB 53 130 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 53 128 shade: RGB 207 53 128, RGB 208 161 53, RGB 53 208 130 and RGB 53 99 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 53 128 shade: RGB 207 53 128, RGB 208 208 53, RGB 53 208 130 and RGB 53 53 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

Complementary color

CMYK 76 / 0 / 37 / 21

HEX #30CA7F

RGB 48 202 127

HSL 150.78, 0.62%, 0.49%

LAB 72.5, -56.17, 26.51

 

CMYK 0 / 75 / 42 / 17

HEX #D4357B

RGB 212 53 123

HSL 333.58, 0.65%, 0.52%

LAB 49.46, 65.66, -1.8

 

CMYK 0 / 69 / 38 / 10

HEX #E5478E

RGB 229 71 142

HSL 333.04, 0.75%, 0.59%

LAB 55.19, 66.1, -4.4

 

CMYK 0 / 64 / 35 / 4

HEX #F659A1

RGB 246 89 161

HSL 332.48, 0.9%, 0.66%

LAB 61.05, 66.07, -6.52

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB4

RGB 255 107 180

HSL 330.41, 1%, 0.71%

LAB 65.8, 63.39, -10.18

 

CMYK 0 / 51 / 22 / 0

HEX #FF7DC7

RGB 255 125 199

HSL 325.85, 1%, 0.75%

LAB 69.51, 57.68, -15.32

 

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

CMYK 0 / 82 / 43 / 25

HEX #BE236D

RGB 190 35 109

HSL 331.35, 0.69%, 0.44%

LAB 43.14, 63.7, -2.97

 

CMYK 0 / 90 / 48 / 32

HEX #AD115A

RGB 173 17 90

HSL 331.92, 0.82%, 0.37%

LAB 37.88, 61.52, 0.92

 

CMYK 0 / 100 / 54 / 39

HEX #9C0047

RGB 156 0 71

HSL 332.69, 1%, 0.31%

LAB 32.97, 58.21, 5.74

 

CMYK 0 / 100 / 63 / 45

HEX #8B0034

RGB 139 0 52

HSL 337.55, 1%, 0.27%

LAB 28.74, 52.78, 11.99

 

CMYK 0 / 75 / 38 / 18

HEX #D03580

RGB 208 53 128

HSL 330.97, 0.62%, 0.51%

LAB 48.9, 65.1, -5.74

 

CMYK 0 / 75 / 59 / 18

HEX #D03556

RGB 208 53 86

HSL 347.23, 0.62%, 0.51%

LAB 47.79, 61.52, 18.3

 

CMYK 0 / 75 / 75 / 18

HEX #D03535

RGB 208 53 53

HSL 0, 0.62%, 0.51%

LAB 47.25, 59.77, 37.31

 

CMYK 0 / 75 / 38 / 18

HEX #D03580

RGB 208 53 128

HSL 330.97, 0.62%, 0.51%

LAB 48.9, 65.1, -5.74

 

CMYK 0 / 75 / 18 / 18

HEX #D035AA

RGB 208 53 170

HSL 314.71, 0.62%, 0.51%

LAB 50.52, 70.08, -28.37

 

CMYK 2 / 75 / 0 / 18

HEX #CB35D0

RGB 203 53 208

HSL 298.06, 0.62%, 0.51%

LAB 51.61, 74.62, -48.79

 

CMYK 22 / 75 / 0 / 18

HEX #A235D0

RGB 162 53 208

HSL 282.19, 0.62%, 0.51%

LAB 45.33, 66.57, -59.19

 

CMYK 42 / 75 / 0 / 18

HEX #7835D0

RGB 120 53 208

HSL 265.94, 0.62%, 0.51%

LAB 39.74, 59.14, -68.54

 

CMYK 0 / 75 / 38 / 18

HEX #D03580

RGB 208 53 128

HSL 330.97, 0.62%, 0.51%

LAB 48.9, 65.1, -5.74

 

CMYK 0 / 86 / 44 / 11

HEX #E42080

RGB 228 32 128

HSL 330.61, 0.78%, 0.51%

LAB 50.79, 75.25, -2.54

 

CMYK 0 / 95 / 49 / 3

HEX #F80C7F

RGB 248 12 127

HSL 330.76, 0.94%, 0.51%

LAB 53.76, 82.16, 2.87

 

CMYK 0 / 75 / 38 / 18

HEX #D03580

RGB 208 53 128

HSL 330.97, 0.62%, 0.51%

LAB 48.9, 65.1, -5.74

 

CMYK 0 / 61 / 31 / 27

HEX #BB4981

RGB 187 73 129

HSL 330.53, 0.46%, 0.51%

LAB 48.15, 51.51, -7.84

 

CMYK 0 / 44 / 23 / 35

HEX #A75D81

RGB 167 93 129

HSL 330.81, 0.3%, 0.51%

LAB 49.04, 34.85, -6.82

 

CMYK 0 / 23 / 12 / 42

HEX #937182

RGB 147 113 130

HSL 330, 0.14%, 0.51%

LAB 51.41, 16.28, -4.17

 

CMYK 5 / 0 / 2 / 48

HEX #7F8582

RGB 127 133 130

HSL 150, 0.02%, 0.51%

LAB 54.97, -2.82, 0.84

 

CMYK 3 / 75 / 0 / 18

HEX #CA35D0

RGB 202 53 208

HSL 297.68, 0.62%, 0.51%

LAB 51.45, 74.41, -49.05

 

CMYK 0 / 75 / 18 / 18

HEX #D035AB

RGB 208 53 171

HSL 314.32, 0.62%, 0.51%

LAB 50.57, 70.21, -28.89

 

CMYK 0 / 75 / 38 / 18

HEX #D03582

RGB 208 53 130

HSL 330.19, 0.62%, 0.51%

LAB 48.97, 65.3, -6.86

 

CMYK 0 / 75 / 57 / 18

HEX #D03559

RGB 208 53 89

HSL 346.06, 0.62%, 0.51%

LAB 47.85, 61.73, 16.55

 

CMYK 0 / 72 / 75 / 18

HEX #D03A35

RGB 208 58 53

HSL 1.94, 0.62%, 0.51%

LAB 47.87, 58.05, 38

 

CMYK 0 / 76 / 40 / 44

HEX #902257

RGB 144 34 87

HSL 331.09, 0.62%, 0.35%

LAB 33.48, 49.48, -4.28

 

CMYK 0 / 76 / 39 / 31

HEX #B12A6C

RGB 177 42 108

HSL 330.67, 0.62%, 0.43%

LAB 41.35, 58.23, -5.27

 

CMYK 0 / 75 / 38 / 18

HEX #D03580

RGB 208 53 128

HSL 330.97, 0.62%, 0.51%

LAB 48.9, 65.1, -5.74

 

CMYK 0 / 60 / 31 / 16

HEX #D75695

RGB 215 86 149

HSL 330.7, 0.62%, 0.59%

LAB 55.35, 56.8, -8.53

 

CMYK 0 / 47 / 24 / 13

HEX #DF77AA

RGB 223 119 170

HSL 330.58, 0.62%, 0.67%

LAB 63.16, 46.4, -8.9

 

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

CMYK 0 / 23 / 75 / 18

HEX #D0A135

RGB 208 161 53

HSL 41.81, 0.62%, 0.51%

LAB 68.86, 7.02, 59.69

 

CMYK 75 / 8 / 0 / 18

HEX #35C0D0

RGB 53 192 208

HSL 186.19, 0.62%, 0.51%

LAB 71.56, -30.67, -18.55

 

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

CMYK 38 / 0 / 75 / 18

HEX #82D035

RGB 130 208 53

HSL 90.19, 0.62%, 0.51%

LAB 76.14, -47.86, 64.78

 

CMYK 75 / 38 / 0 / 18

HEX #3582D0

RGB 53 130 208

HSL 210.19, 0.62%, 0.51%

LAB 53.25, 2.99, -46.98

 

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

CMYK 0 / 23 / 75 / 18

HEX #D0A135

RGB 208 161 53

HSL 41.81, 0.62%, 0.51%

LAB 68.86, 7.02, 59.69

 

CMYK 75 / 0 / 38 / 18

HEX #35D082

RGB 53 208 130

HSL 149.81, 0.62%, 0.51%

LAB 74.5, -57.17, 27.64

 

CMYK 75 / 52 / 0 / 18

HEX #3563D0

RGB 53 99 208

HSL 222.19, 0.62%, 0.51%

LAB 44.57, 22.38, -60.91

 

CMYK 0 / 74 / 38 / 19

HEX #CF3580

RGB 207 53 128

HSL 330.78, 0.62%, 0.51%

LAB 48.72, 64.83, -6.03

 

CMYK 0 / 0 / 75 / 18

HEX #D0D035

RGB 208 208 53

HSL 60, 0.62%, 0.51%

LAB 81.17, -17.34, 71.33

 

CMYK 75 / 0 / 38 / 18

HEX #35D082

RGB 53 208 130

HSL 149.81, 0.62%, 0.51%

LAB 74.5, -57.17, 27.64

 

CMYK 75 / 75 / 0 / 18

HEX #3535D0

RGB 53 53 208

HSL 240, 0.62%, 0.51%

LAB 33.68, 50.7, -78.71

 

Description

Color code: RGB 207 53 128 | qconv.com Color code: RGB 207 53 128 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 53 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 53 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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