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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 209 177 it is the complementary color RGB 48 46 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 209 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 209 177 shade: RGB 212 209 172, RGB 229 227 191, RGB 246 245 210, RGB 255 255 229 and RGB 255 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 209 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 209 177 shade: RGB 207 209 177, RGB 190 191 158, RGB 173 173 139, RGB 156 155 120 and RGB 139 137 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 209 177 shade: RGB 208 210 178, RGB 210 203 178, RGB 210 195 178, RGB 210 186 178 and RGB 210 178 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 209 177 shade: RGB 208 210 178, RGB 199 210 178, RGB 191 210 178, RGB 182 210 178 and RGB 178 210 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 209 177 shade matches the following richer shades: RGB 208 210 178, RGB 216 220 168, RGB 225 230 158, RGB 234 239 148 and RGB 242 249 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 209 177 shade: RGB 208 210 178, RGB 199 200 188, RGB 190 190 198, RGB 182 180 208 and RGB 173 170 217

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 209 177 shade: RGB 210 194 178, RGB 210 203 178, RGB 208 210 178, RGB 200 210 178 and RGB 191 210 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 209 177 shade: RGB 176 179 126, RGB 192 194 152, RGB 208 210 178, RGB 224 225 204 and RGB 240 240 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 209 177 shade: RGB 207 209 177, RGB 178 210 186 and RGB 199 178 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 209 177 shade: RGB 207 209 177, RGB 178 208 210 and RGB 210 178 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 209 177 shade: RGB 207 209 177, RGB 178 210 186, RGB 179 178 210 and RGB 210 178 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 209 177 shade: RGB 207 209 177, RGB 178 210 195, RGB 179 178 210 and RGB 210 178 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

Complementary color

CMYK 38 / 41 / 0 / 69

HEX #302E4E

RGB 48 46 78

HSL 243.75, 0.26%, 0.24%

LAB 20.57, 9.85, -19.39

 

CMYK 0 / 1 / 19 / 17

HEX #D4D1AC

RGB 212 209 172

HSL 55.5, 0.32%, 0.75%

LAB 83.22, -5.04, 18.76

 

CMYK 0 / 1 / 17 / 10

HEX #E5E3BF

RGB 229 227 191

HSL 56.84, 0.42%, 0.82%

LAB 89.56, -5.22, 17.86

 

CMYK 0 / 0 / 15 / 4

HEX #F6F5D2

RGB 246 245 210

HSL 58.33, 0.67%, 0.89%

LAB 95.81, -5.39, 17

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

CMYK 1 / 0 / 17 / 25

HEX #BEBF9E

RGB 190 191 158

HSL 61.82, 0.2%, 0.68%

LAB 76.48, -5.96, 16.57

 

CMYK 0 / 0 / 20 / 32

HEX #ADAD8B

RGB 173 173 139

HSL 60, 0.17%, 0.61%

LAB 69.92, -5.8, 17.52

 

CMYK 0 / 1 / 23 / 39

HEX #9C9B78

RGB 156 155 120

HSL 58.33, 0.15%, 0.54%

LAB 63.23, -5.6, 18.54

 

CMYK 0 / 1 / 27 / 45

HEX #8B8965

RGB 139 137 101

HSL 56.84, 0.16%, 0.47%

LAB 56.41, -5.37, 19.63

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 0 / 3 / 15 / 18

HEX #D2CBB2

RGB 210 203 178

HSL 46.88, 0.26%, 0.76%

LAB 81.64, -1.75, 13.34

 

CMYK 0 / 7 / 15 / 18

HEX #D2C3B2

RGB 210 195 178

HSL 31.88, 0.26%, 0.76%

LAB 79.58, 2.45, 10.43

 

CMYK 0 / 11 / 15 / 18

HEX #D2BAB2

RGB 210 186 178

HSL 15, 0.26%, 0.76%

LAB 77.3, 7.23, 7.17

 

CMYK 0 / 15 / 15 / 18

HEX #D2B2B2

RGB 210 178 178

HSL 0, 0.26%, 0.76%

LAB 75.3, 11.53, 4.29

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 5 / 0 / 15 / 18

HEX #C7D2B2

RGB 199 210 178

HSL 80.63, 0.26%, 0.76%

LAB 82.62, -9.35, 14.61

 

CMYK 9 / 0 / 15 / 18

HEX #BFD2B2

RGB 191 210 178

HSL 95.63, 0.26%, 0.76%

LAB 82.05, -12.19, 13.72

 

CMYK 13 / 0 / 15 / 18

HEX #B6D2B2

RGB 182 210 178

HSL 112.5, 0.26%, 0.76%

LAB 81.43, -15.33, 12.76

 

CMYK 15 / 0 / 13 / 18

HEX #B2D2B6

RGB 178 210 182

HSL 127.5, 0.26%, 0.76%

LAB 81.26, -15.98, 10.35

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 2 / 0 / 24 / 14

HEX #D8DCA8

RGB 216 220 168

HSL 64.62, 0.43%, 0.76%

LAB 86.31, -9.76, 25.17

 

CMYK 2 / 0 / 31 / 10

HEX #E1E69E

RGB 225 230 158

HSL 64.17, 0.59%, 0.76%

LAB 89.43, -12.73, 34.6

 

CMYK 2 / 0 / 38 / 6

HEX #EAEF94

RGB 234 239 148

HSL 63.3, 0.74%, 0.76%

LAB 92.29, -14.94, 43.44

 

CMYK 3 / 0 / 45 / 2

HEX #F2F98A

RGB 242 249 138

HSL 63.78, 0.9%, 0.76%

LAB 95.36, -17.78, 52.22

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 0 / 0 / 6 / 22

HEX #C7C8BC

RGB 199 200 188

HSL 65, 0.1%, 0.76%

LAB 80.23, -2.49, 5.87

 

CMYK 4 / 4 / 0 / 22

HEX #BEBEC6

RGB 190 190 198

HSL 240, 0.07%, 0.76%

LAB 77.19, 1.51, -4.03

 

CMYK 13 / 13 / 0 / 18

HEX #B6B4D0

RGB 182 180 208

HSL 244.29, 0.23%, 0.76%

LAB 74.28, 6.24, -13.86

 

CMYK 20 / 22 / 0 / 15

HEX #ADAAD9

RGB 173 170 217

HSL 243.83, 0.38%, 0.76%

LAB 71.31, 10.83, -23.34

 

CMYK 0 / 8 / 15 / 18

HEX #D2C2B2

RGB 210 194 178

HSL 30, 0.26%, 0.76%

LAB 79.33, 2.98, 10.07

 

CMYK 0 / 3 / 15 / 18

HEX #D2CBB2

RGB 210 203 178

HSL 46.88, 0.26%, 0.76%

LAB 81.64, -1.75, 13.34

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 5 / 0 / 15 / 18

HEX #C8D2B2

RGB 200 210 178

HSL 78.75, 0.26%, 0.76%

LAB 82.69, -8.99, 14.72

 

CMYK 9 / 0 / 15 / 18

HEX #BFD2B2

RGB 191 210 178

HSL 95.63, 0.26%, 0.76%

LAB 82.05, -12.19, 13.72

 

CMYK 2 / 0 / 30 / 30

HEX #B0B37E

RGB 176 179 126

HSL 63.4, 0.26%, 0.6%

LAB 71.54, -9.66, 26.78

 

CMYK 1 / 0 / 22 / 24

HEX #C0C298

RGB 192 194 152

HSL 62.86, 0.26%, 0.68%

LAB 77.31, -7.68, 20.96

 

CMYK 1 / 0 / 15 / 18

HEX #D0D2B2

RGB 208 210 178

HSL 63.75, 0.26%, 0.76%

LAB 83.29, -6.11, 15.65

 

CMYK 0 / 0 / 9 / 12

HEX #E0E1CC

RGB 224 225 204

HSL 62.86, 0.26%, 0.84%

LAB 88.95, -3.94, 10.15

 

CMYK 0 / 0 / 4 / 6

HEX #F0F0E6

RGB 240 240 230

HSL 60, 0.25%, 0.92%

LAB 94.55, -1.73, 4.82

 

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

CMYK 15 / 0 / 11 / 18

HEX #B2D2BA

RGB 178 210 186

HSL 135, 0.26%, 0.76%

LAB 81.35, -15.25, 8.36

 

CMYK 5 / 15 / 0 / 18

HEX #C7B2D2

RGB 199 178 210

HSL 279.38, 0.26%, 0.76%

LAB 75.22, 13.37, -13.39

 

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

CMYK 15 / 1 / 0 / 18

HEX #B2D0D2

RGB 178 208 210

HSL 183.75, 0.26%, 0.76%

LAB 81.42, -9.53, -4.35

 

CMYK 0 / 15 / 1 / 18

HEX #D2B2D0

RGB 210 178 208

HSL 303.75, 0.26%, 0.76%

LAB 76.13, 16.71, -10.85

 

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

CMYK 15 / 0 / 11 / 18

HEX #B2D2BA

RGB 178 210 186

HSL 135, 0.26%, 0.76%

LAB 81.35, -15.25, 8.36

 

CMYK 15 / 15 / 0 / 18

HEX #B3B2D2

RGB 179 178 210

HSL 241.88, 0.26%, 0.76%

LAB 73.6, 6.78, -16

 

CMYK 0 / 15 / 4 / 18

HEX #D2B2CA

RGB 210 178 202

HSL 315, 0.26%, 0.76%

LAB 75.95, 15.62, -7.85

 

CMYK 1 / 0 / 15 / 18

HEX #CFD1B1

RGB 207 209 177

HSL 63.75, 0.26%, 0.76%

LAB 82.94, -6.11, 15.67

 

CMYK 15 / 0 / 7 / 18

HEX #B2D2C3

RGB 178 210 195

HSL 151.88, 0.26%, 0.76%

LAB 81.56, -13.56, 3.87

 

CMYK 15 / 15 / 0 / 18

HEX #B3B2D2

RGB 179 178 210

HSL 241.88, 0.26%, 0.76%

LAB 73.6, 6.78, -16

 

CMYK 0 / 15 / 9 / 18

HEX #D2B2C0

RGB 210 178 192

HSL 333.75, 0.26%, 0.76%

LAB 75.67, 13.86, -2.81

 

Description

Color code: RGB 207 209 177 | qconv.com Color code: RGB 207 209 177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 209 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 209 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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