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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 53 194 it is the complementary color RGB 49 202 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 53 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 53 194 shade: RGB 211 53 189, RGB 228 71 208, RGB 245 89 227, RGB 255 107 246 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 53 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 53 194 shade: RGB 206 53 194, RGB 189 35 175, RGB 172 17 156, RGB 155 0 137 and RGB 138 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 53 194 shade: RGB 206 54 194, RGB 206 54 153, RGB 206 54 112, RGB 206 54 71 and RGB 206 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 53 194 shade: RGB 206 54 194, RGB 177 54 206, RGB 136 54 206, RGB 95 54 206 and RGB 54 54 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 53 194 shade matches the following richer shades: RGB 206 54 194, RGB 226 34 211 and RGB 247 13 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 53 194 shade: RGB 206 54 194, RGB 186 74 177, RGB 166 94 160, RGB 146 114 143 and RGB 125 135 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 53 194 shade: RGB 135 54 206, RGB 176 54 206, RGB 206 54 196, RGB 206 54 155 and RGB 206 54 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 53 194 shade: RGB 143 35 134, RGB 176 43 166, RGB 206 54 194, RGB 214 87 204 and RGB 222 120 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 53 194 shade: RGB 206 53 194, RGB 206 94 54 and RGB 54 206 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 53 194 shade: RGB 206 53 194, RGB 196 206 54 and RGB 54 196 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 53 194 shade: RGB 206 53 194, RGB 206 94 54, RGB 54 206 64 and RGB 54 166 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 53 194 shade: RGB 206 53 194, RGB 206 140 54, RGB 54 206 64 and RGB 54 120 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

Complementary color

CMYK 76 / 0 / 70 / 21

HEX #31CA3D

RGB 49 202 61

HSL 124.71, 0.61%, 0.49%

LAB 71.71, -65.46, 56.59

 

CMYK 0 / 75 / 10 / 17

HEX #D335BD

RGB 211 53 189

HSL 308.35, 0.64%, 0.52%

LAB 51.92, 73.4, -37.26

 

CMYK 0 / 69 / 9 / 11

HEX #E447D0

RGB 228 71 208

HSL 307.64, 0.74%, 0.59%

LAB 57.61, 74.23, -39.03

 

CMYK 0 / 64 / 7 / 4

HEX #F559E3

RGB 245 89 227

HSL 306.92, 0.89%, 0.65%

LAB 63.43, 74.53, -40.44

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF6

RGB 255 107 246

HSL 303.65, 1%, 0.71%

LAB 68.34, 72.74, -43.18

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

CMYK 0 / 81 / 7 / 26

HEX #BD23AF

RGB 189 35 175

HSL 305.45, 0.69%, 0.44%

LAB 45.79, 71.51, -38.97

 

CMYK 0 / 90 / 9 / 33

HEX #AC119C

RGB 172 17 156

HSL 306.19, 0.82%, 0.37%

LAB 40.53, 68.89, -36.15

 

CMYK 0 / 100 / 12 / 39

HEX #9B0089

RGB 155 0 137

HSL 306.97, 1%, 0.3%

LAB 35.55, 65.12, -32.62

 

CMYK 0 / 100 / 14 / 46

HEX #8A0076

RGB 138 0 118

HSL 308.7, 1%, 0.27%

LAB 31.14, 59.29, -27.9

 

CMYK 0 / 74 / 6 / 19

HEX #CE36C2

RGB 206 54 194

HSL 304.74, 0.61%, 0.51%

LAB 51.45, 72.75, -40.95

 

CMYK 0 / 74 / 26 / 19

HEX #CE3699

RGB 206 54 153

HSL 320.92, 0.61%, 0.51%

LAB 49.57, 67.09, -19.8

 

CMYK 0 / 74 / 46 / 19

HEX #CE3670

RGB 206 54 112

HSL 337.11, 0.61%, 0.51%

LAB 48.17, 62.68, 2.88

 

CMYK 0 / 74 / 66 / 19

HEX #CE3647

RGB 206 54 71

HSL 353.29, 0.61%, 0.51%

LAB 47.26, 59.68, 26.64

 

CMYK 0 / 74 / 74 / 19

HEX #CE3636

RGB 206 54 54

HSL 0, 0.61%, 0.51%

LAB 47.01, 58.86, 36.37

 

CMYK 0 / 74 / 6 / 19

HEX #CE36C2

RGB 206 54 194

HSL 304.74, 0.61%, 0.51%

LAB 51.45, 72.75, -40.95

 

CMYK 14 / 74 / 0 / 19

HEX #B136CE

RGB 177 54 206

HSL 288.55, 0.61%, 0.51%

LAB 47.55, 68.74, -54.36

 

CMYK 34 / 74 / 0 / 19

HEX #8836CE

RGB 136 54 206

HSL 272.37, 0.61%, 0.51%

LAB 41.73, 60.97, -64.04

 

CMYK 54 / 74 / 0 / 19

HEX #5F36CE

RGB 95 54 206

HSL 256.18, 0.61%, 0.51%

LAB 36.98, 54.33, -72.01

 

CMYK 74 / 74 / 0 / 19

HEX #3636CE

RGB 54 54 206

HSL 240, 0.61%, 0.51%

LAB 33.73, 49.59, -77.47

 

CMYK 0 / 74 / 6 / 19

HEX #CE36C2

RGB 206 54 194

HSL 304.74, 0.61%, 0.51%

LAB 51.45, 72.75, -40.95

 

CMYK 0 / 85 / 7 / 11

HEX #E222D3

RGB 226 34 211

HSL 304.69, 0.77%, 0.51%

LAB 54.04, 83.98, -46.4

 

CMYK 0 / 95 / 8 / 3

HEX #F70DE4

RGB 247 13 228

HSL 304.87, 0.94%, 0.51%

LAB 57.72, 92.52, -49.99

 

CMYK 0 / 74 / 6 / 19

HEX #CE36C2

RGB 206 54 194

HSL 304.74, 0.61%, 0.51%

LAB 51.45, 72.75, -40.95

 

CMYK 0 / 60 / 5 / 27

HEX #BA4AB1

RGB 186 74 177

HSL 304.82, 0.45%, 0.51%

LAB 50.11, 57.86, -33.38

 

CMYK 0 / 43 / 4 / 35

HEX #A65EA0

RGB 166 94 160

HSL 305, 0.29%, 0.51%

LAB 50.28, 39.21, -23.36

 

CMYK 0 / 22 / 2 / 43

HEX #92728F

RGB 146 114 143

HSL 305.63, 0.13%, 0.51%

LAB 51.98, 17.78, -10.98

 

CMYK 7 / 0 / 7 / 47

HEX #7D877E

RGB 125 135 126

HSL 126, 0.04%, 0.51%

LAB 55.27, -5.48, 3.57

 

CMYK 34 / 74 / 0 / 19

HEX #8736CE

RGB 135 54 206

HSL 271.97, 0.61%, 0.51%

LAB 41.6, 60.79, -64.26

 

CMYK 15 / 74 / 0 / 19

HEX #B036CE

RGB 176 54 206

HSL 288.16, 0.61%, 0.51%

LAB 47.4, 68.54, -54.61

 

CMYK 0 / 74 / 5 / 19

HEX #CE36C4

RGB 206 54 196

HSL 303.95, 0.61%, 0.51%

LAB 51.55, 73.06, -41.94

 

CMYK 0 / 74 / 25 / 19

HEX #CE369B

RGB 206 54 155

HSL 320.13, 0.61%, 0.51%

LAB 49.65, 67.34, -20.86

 

CMYK 0 / 74 / 44 / 19

HEX #CE3673

RGB 206 54 115

HSL 335.92, 0.61%, 0.51%

LAB 48.26, 62.96, 1.17

 

CMYK 0 / 76 / 6 / 44

HEX #8F2386

RGB 143 35 134

HSL 305, 0.61%, 0.35%

LAB 35.52, 55.32, -30.95

 

CMYK 0 / 76 / 6 / 31

HEX #B02BA6

RGB 176 43 166

HSL 304.51, 0.61%, 0.43%

LAB 43.82, 65.29, -36.9

 

CMYK 0 / 74 / 6 / 19

HEX #CE36C2

RGB 206 54 194

HSL 304.74, 0.61%, 0.51%

LAB 51.45, 72.75, -40.95

 

CMYK 0 / 59 / 5 / 16

HEX #D657CC

RGB 214 87 204

HSL 304.72, 0.61%, 0.59%

LAB 57.53, 64, -37.03

 

CMYK 0 / 46 / 4 / 13

HEX #DE78D6

RGB 222 120 214

HSL 304.71, 0.61%, 0.67%

LAB 64.82, 52.51, -31.25

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

CMYK 0 / 54 / 74 / 19

HEX #CE5E36

RGB 206 94 54

HSL 15.79, 0.61%, 0.51%

LAB 53.38, 41.85, 43.37

 

CMYK 74 / 0 / 25 / 19

HEX #36CE9B

RGB 54 206 155

HSL 159.87, 0.61%, 0.51%

LAB 74.38, -50.99, 14.29

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

CMYK 5 / 0 / 74 / 19

HEX #C4CE36

RGB 196 206 54

HSL 63.95, 0.61%, 0.51%

LAB 79.7, -21.34, 69.29

 

CMYK 74 / 5 / 0 / 19

HEX #36C4CE

RGB 54 196 206

HSL 183.95, 0.61%, 0.51%

LAB 72.71, -33.07, -15.73

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

CMYK 0 / 54 / 74 / 19

HEX #CE5E36

RGB 206 94 54

HSL 15.79, 0.61%, 0.51%

LAB 53.38, 41.85, 43.37

 

CMYK 74 / 0 / 69 / 19

HEX #36CE40

RGB 54 206 64

HSL 123.95, 0.61%, 0.51%

LAB 73.09, -65.71, 56.91

 

CMYK 74 / 19 / 0 / 19

HEX #36A6CE

RGB 54 166 206

HSL 195.79, 0.61%, 0.51%

LAB 63.76, -18, -29.38

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C2

RGB 206 53 194

HSL 304.71, 0.61%, 0.51%

LAB 51.34, 73.06, -41.12

 

CMYK 0 / 32 / 74 / 19

HEX #CE8C36

RGB 206 140 54

HSL 33.95, 0.61%, 0.51%

LAB 63.46, 17.56, 53.86

 

CMYK 74 / 0 / 69 / 19

HEX #36CE40

RGB 54 206 64

HSL 123.95, 0.61%, 0.51%

LAB 73.09, -65.71, 56.91

 

CMYK 74 / 42 / 0 / 19

HEX #3678CE

RGB 54 120 206

HSL 213.95, 0.61%, 0.51%

LAB 50.3, 8.49, -50.54

 

Description

Color code: RGB 206 53 194 | qconv.com Color code: RGB 206 53 194 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 53 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 53 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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