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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 53 190 it is the complementary color RGB 49 202 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 53 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 53 190 shade: RGB 211 53 185, RGB 228 71 204, RGB 245 89 223, RGB 255 107 242 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 53 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 53 190 shade: RGB 206 53 190, RGB 189 35 171, RGB 172 17 152, RGB 155 0 133 and RGB 138 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 53 190 shade: RGB 206 54 190, RGB 206 54 149, RGB 206 54 108, RGB 206 54 67 and RGB 206 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 53 190 shade: RGB 206 54 190, RGB 181 54 206, RGB 140 54 206, RGB 99 54 206 and RGB 58 54 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 53 190 shade matches the following richer shades: RGB 206 54 190, RGB 226 34 206 and RGB 247 13 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 53 190 shade: RGB 206 54 190, RGB 186 74 174, RGB 166 94 158, RGB 146 114 142 and RGB 125 135 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 53 190 shade: RGB 140 54 206, RGB 181 54 206, RGB 206 54 191, RGB 206 54 150 and RGB 206 54 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 53 190 shade: RGB 143 35 132, RGB 176 43 162, RGB 206 54 190, RGB 214 87 201 and RGB 222 120 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 53 190 shade: RGB 206 53 190, RGB 206 100 54 and RGB 54 206 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 53 190 shade: RGB 206 53 190, RGB 191 206 54 and RGB 54 191 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 53 190 shade: RGB 206 53 190, RGB 206 100 54, RGB 54 206 69 and RGB 54 161 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 53 190 shade: RGB 206 53 190, RGB 206 145 54, RGB 54 206 69 and RGB 54 115 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

Complementary color

CMYK 76 / 0 / 68 / 21

HEX #31CA41

RGB 49 202 65

HSL 126.27, 0.61%, 0.49%

LAB 71.74, -65.09, 55.06

 

CMYK 0 / 75 / 12 / 17

HEX #D335B9

RGB 211 53 185

HSL 309.87, 0.64%, 0.52%

LAB 51.72, 72.83, -35.24

 

CMYK 0 / 69 / 11 / 11

HEX #E447CC

RGB 228 71 204

HSL 309.17, 0.74%, 0.59%

LAB 57.42, 73.64, -37.05

 

CMYK 0 / 64 / 9 / 4

HEX #F559DF

RGB 245 89 223

HSL 308.46, 0.89%, 0.65%

LAB 63.25, 73.93, -38.48

 

CMYK 0 / 58 / 5 / 0

HEX #FF6BF2

RGB 255 107 242

HSL 305.27, 1%, 0.71%

LAB 68.16, 72.1, -41.25

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

CMYK 0 / 81 / 10 / 26

HEX #BD23AB

RGB 189 35 171

HSL 307.01, 0.69%, 0.44%

LAB 45.58, 70.93, -36.93

 

CMYK 0 / 90 / 12 / 33

HEX #AC1198

RGB 172 17 152

HSL 307.74, 0.82%, 0.37%

LAB 40.31, 68.33, -34.07

 

CMYK 0 / 100 / 14 / 39

HEX #9B0085

RGB 155 0 133

HSL 308.52, 1%, 0.3%

LAB 35.33, 64.57, -30.49

 

CMYK 0 / 100 / 17 / 46

HEX #8A0072

RGB 138 0 114

HSL 310.43, 1%, 0.27%

LAB 30.92, 58.75, -25.7

 

CMYK 0 / 74 / 8 / 19

HEX #CE36BE

RGB 206 54 190

HSL 306.32, 0.61%, 0.51%

LAB 51.24, 72.15, -38.95

 

CMYK 0 / 74 / 28 / 19

HEX #CE3695

RGB 206 54 149

HSL 322.5, 0.61%, 0.51%

LAB 49.41, 66.61, -17.65

 

CMYK 0 / 74 / 48 / 19

HEX #CE366C

RGB 206 54 108

HSL 338.68, 0.61%, 0.51%

LAB 48.06, 62.33, 5.17

 

CMYK 0 / 74 / 67 / 19

HEX #CE3643

RGB 206 54 67

HSL 354.87, 0.61%, 0.51%

LAB 47.19, 59.47, 28.96

 

CMYK 0 / 74 / 74 / 19

HEX #CE3636

RGB 206 54 54

HSL 0, 0.61%, 0.51%

LAB 47.01, 58.86, 36.37

 

CMYK 0 / 74 / 8 / 19

HEX #CE36BE

RGB 206 54 190

HSL 306.32, 0.61%, 0.51%

LAB 51.24, 72.15, -38.95

 

CMYK 12 / 74 / 0 / 19

HEX #B536CE

RGB 181 54 206

HSL 290.13, 0.61%, 0.51%

LAB 48.16, 69.53, -53.35

 

CMYK 32 / 74 / 0 / 19

HEX #8C36CE

RGB 140 54 206

HSL 273.95, 0.61%, 0.51%

LAB 42.26, 61.69, -63.16

 

CMYK 52 / 74 / 0 / 19

HEX #6336CE

RGB 99 54 206

HSL 257.76, 0.61%, 0.51%

LAB 37.38, 54.91, -71.33

 

CMYK 72 / 74 / 0 / 19

HEX #3A36CE

RGB 58 54 206

HSL 241.58, 0.61%, 0.51%

LAB 33.97, 49.95, -77.07

 

CMYK 0 / 74 / 8 / 19

HEX #CE36BE

RGB 206 54 190

HSL 306.32, 0.61%, 0.51%

LAB 51.24, 72.15, -38.95

 

CMYK 0 / 85 / 9 / 11

HEX #E222CE

RGB 226 34 206

HSL 306.25, 0.77%, 0.51%

LAB 53.78, 83.28, -43.95

 

CMYK 0 / 95 / 10 / 3

HEX #F70DDE

RGB 247 13 222

HSL 306.41, 0.94%, 0.51%

LAB 57.4, 91.73, -47.1

 

CMYK 0 / 74 / 8 / 19

HEX #CE36BE

RGB 206 54 190

HSL 306.32, 0.61%, 0.51%

LAB 51.24, 72.15, -38.95

 

CMYK 0 / 60 / 6 / 27

HEX #BA4AAE

RGB 186 74 174

HSL 306.43, 0.45%, 0.51%

LAB 49.97, 57.36, -31.84

 

CMYK 0 / 43 / 5 / 35

HEX #A65E9E

RGB 166 94 158

HSL 306.67, 0.29%, 0.51%

LAB 50.19, 38.84, -22.31

 

CMYK 0 / 22 / 3 / 43

HEX #92728E

RGB 146 114 142

HSL 307.5, 0.13%, 0.51%

LAB 51.95, 17.58, -10.44

 

CMYK 7 / 0 / 7 / 47

HEX #7D877E

RGB 125 135 126

HSL 126, 0.04%, 0.51%

LAB 55.27, -5.48, 3.57

 

CMYK 32 / 74 / 0 / 19

HEX #8C36CE

RGB 140 54 206

HSL 273.95, 0.61%, 0.51%

LAB 42.26, 61.69, -63.16

 

CMYK 12 / 74 / 0 / 19

HEX #B536CE

RGB 181 54 206

HSL 290.13, 0.61%, 0.51%

LAB 48.16, 69.53, -53.35

 

CMYK 0 / 74 / 7 / 19

HEX #CE36BF

RGB 206 54 191

HSL 305.92, 0.61%, 0.51%

LAB 51.29, 72.3, -39.45

 

CMYK 0 / 74 / 27 / 19

HEX #CE3696

RGB 206 54 150

HSL 322.11, 0.61%, 0.51%

LAB 49.45, 66.73, -18.19

 

CMYK 0 / 74 / 47 / 19

HEX #CE366E

RGB 206 54 110

HSL 337.89, 0.61%, 0.51%

LAB 48.12, 62.5, 4.02

 

CMYK 0 / 76 / 8 / 44

HEX #8F2384

RGB 143 35 132

HSL 306.11, 0.61%, 0.35%

LAB 35.42, 55, -29.88

 

CMYK 0 / 76 / 8 / 31

HEX #B02BA2

RGB 176 43 162

HSL 306.32, 0.61%, 0.43%

LAB 43.6, 64.68, -34.85

 

CMYK 0 / 74 / 8 / 19

HEX #CE36BE

RGB 206 54 190

HSL 306.32, 0.61%, 0.51%

LAB 51.24, 72.15, -38.95

 

CMYK 0 / 59 / 6 / 16

HEX #D657C9

RGB 214 87 201

HSL 306.14, 0.61%, 0.59%

LAB 57.4, 63.52, -35.54

 

CMYK 0 / 46 / 5 / 13

HEX #DE78D4

RGB 222 120 212

HSL 305.88, 0.61%, 0.67%

LAB 64.74, 52.16, -30.25

 

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

CMYK 0 / 51 / 74 / 19

HEX #CE6436

RGB 206 100 54

HSL 18.16, 0.61%, 0.51%

LAB 54.56, 38.85, 44.64

 

CMYK 74 / 0 / 22 / 19

HEX #36CEA1

RGB 54 206 161

HSL 162.24, 0.61%, 0.51%

LAB 74.51, -49.59, 11.27

 

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

CMYK 7 / 0 / 74 / 19

HEX #BFCE36

RGB 191 206 54

HSL 65.92, 0.61%, 0.51%

LAB 79.32, -23.42, 68.81

 

CMYK 74 / 7 / 0 / 19

HEX #36BFCE

RGB 54 191 206

HSL 185.92, 0.61%, 0.51%

LAB 71.22, -30.68, -17.98

 

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

CMYK 0 / 51 / 74 / 19

HEX #CE6436

RGB 206 100 54

HSL 18.16, 0.61%, 0.51%

LAB 54.56, 38.85, 44.64

 

CMYK 74 / 0 / 67 / 19

HEX #36CE45

RGB 54 206 69

HSL 125.92, 0.61%, 0.51%

LAB 73.13, -65.23, 54.97

 

CMYK 74 / 22 / 0 / 19

HEX #36A1CE

RGB 54 161 206

HSL 197.76, 0.61%, 0.51%

LAB 62.28, -15.32, -31.68

 

CMYK 0 / 74 / 8 / 19

HEX #CE35BE

RGB 206 53 190

HSL 306.27, 0.61%, 0.51%

LAB 51.14, 72.46, -39.12

 

CMYK 0 / 30 / 74 / 19

HEX #CE9136

RGB 206 145 54

HSL 35.92, 0.61%, 0.51%

LAB 64.67, 14.84, 55.07

 

CMYK 74 / 0 / 67 / 19

HEX #36CE45

RGB 54 206 69

HSL 125.92, 0.61%, 0.51%

LAB 73.13, -65.23, 54.97

 

CMYK 74 / 44 / 0 / 19

HEX #3673CE

RGB 54 115 206

HSL 215.92, 0.61%, 0.51%

LAB 48.89, 11.6, -52.8

 

Description

Color code: RGB 206 53 190 | qconv.com Color code: RGB 206 53 190 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 53 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 53 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 8 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 8% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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