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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 32 166 it is the complementary color RGB 49 223 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 32 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 206 32 166: RGB 211 32 161, RGB 228 50 180, RGB 245 68 199, RGB 255 86 218 and RGB 255 104 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 32 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 206 32 166: RGB 206 32 166, RGB 189 14 147, RGB 172 0 128, RGB 155 0 109 and RGB 138 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

Complementary color

CMYK 78 / 0 / 60 / 13

HEX #31DF59

RGB 49 223 89

HSL 133.79, 0.73%, 0.53%

LAB 78.55, -69.17, 52.54

 

CMYK 0 / 85 / 24 / 17

HEX #D320A1

RGB 211 32 161

HSL 316.76, 0.74%, 0.48%

LAB 48.83, 74.85, -25.63

 

CMYK 0 / 78 / 21 / 11

HEX #E432B4

RGB 228 50 180

HSL 316.18, 0.77%, 0.55%

LAB 54.1, 76.77, -28.4

 

CMYK 0 / 72 / 19 / 4

HEX #F544C7

RGB 245 68 199

HSL 315.59, 0.9%, 0.61%

LAB 59.59, 77.9, -30.61

 

CMYK 0 / 66 / 15 / 0

HEX #FF56DA

RGB 255 86 218

HSL 313.14, 1%, 0.67%

LAB 64.14, 76.75, -34.17

 

CMYK 0 / 59 / 7 / 0

HEX #FF68ED

RGB 255 104 237

HSL 307.15, 1%, 0.7%

LAB 67.48, 72.57, -39.55

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 93 / 22 / 26

HEX #BD0E93

RGB 189 14 147

HSL 314.4, 0.86%, 0.4%

LAB 43.12, 71.44, -26.4

 

CMYK 0 / 100 / 26 / 33

HEX #AC0080

RGB 172 0 128

HSL 315.35, 1%, 0.34%

LAB 38.43, 67.24, -22.29

 

CMYK 0 / 100 / 30 / 39

HEX #9B006D

RGB 155 0 109

HSL 317.81, 1%, 0.3%

LAB 34.13, 61.57, -17.24

 

CMYK 0 / 100 / 35 / 46

HEX #8A005A

RGB 138 0 90

HSL 320.87, 1%, 0.27%

LAB 29.77, 55.82, -11.95

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 85 / 32 / 19

HEX #CF208C

RGB 207 32 140

HSL 322.97, 0.73%, 0.47%

LAB 47.23, 71.59, -15.55

 

CMYK 0 / 85 / 46 / 19

HEX #CF206F

RGB 207 32 111

HSL 332.91, 0.73%, 0.47%

LAB 46.24, 68.79, 0.71

 

CMYK 0 / 85 / 61 / 19

HEX #CF2051

RGB 207 32 81

HSL 343.2, 0.73%, 0.47%

LAB 45.49, 66.61, 18.26

 

CMYK 0 / 85 / 75 / 19

HEX #CF2034

RGB 207 32 52

HSL 353.14, 0.73%, 0.47%

LAB 45.01, 65.19, 35.32

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 0 / 85 / 19 / 79

HEX #35082B

RGB 53 8 43

HSL 313.33, 0.74%, 0.12%

LAB 9.84, 26.47, -11.48

 

CMYK 0 / 85 / 19 / 59

HEX #681054

RGB 104 16 84

HSL 313.64, 0.73%, 0.24%

LAB 23.52, 44.07, -18.19

 

CMYK 0 / 85 / 19 / 39

HEX #9B187D

RGB 155 24 125

HSL 313.74, 0.73%, 0.35%

LAB 36.18, 59.78, -24.16

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 49 / 85 / 19

HEX #CF6920

RGB 207 105 32

HSL 25.03, 0.73%, 0.47%

LAB 55.56, 35.91, 55.47

 

CMYK 85 / 0 / 15 / 19

HEX #20CFAF

RGB 32 207 175

HSL 169.03, 0.73%, 0.47%

LAB 74.84, -48.7, 4.19

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 18 / 0 / 85 / 19

HEX #A9CF20

RGB 169 207 32

HSL 73.03, 0.73%, 0.47%

LAB 77.97, -33.71, 73.08

 

CMYK 85 / 18 / 0 / 19

HEX #20A9CF

RGB 32 169 207

HSL 193.03, 0.73%, 0.47%

LAB 64.31, -21.41, -29.12

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 49 / 85 / 19

HEX #CF6920

RGB 207 105 32

HSL 25.03, 0.73%, 0.47%

LAB 55.56, 35.91, 55.47

 

CMYK 85 / 0 / 66 / 19

HEX #20CF46

RGB 32 207 70

HSL 133.03, 0.73%, 0.47%

LAB 73.14, -68.13, 54.48

 

CMYK 85 / 35 / 0 / 19

HEX #2086CF

RGB 32 134 207

HSL 205.03, 0.73%, 0.47%

LAB 53.88, -1.93, -45.44

 

CMYK 0 / 84 / 19 / 19

HEX #CE20A6

RGB 206 32 166

HSL 313.79, 0.73%, 0.47%

LAB 48.14, 74.42, -29.73

 

CMYK 0 / 24 / 85 / 19

HEX #CF9D20

RGB 207 157 32

HSL 42.86, 0.73%, 0.47%

LAB 67.64, 7.99, 65.66

 

CMYK 85 / 0 / 66 / 19

HEX #20CF46

RGB 32 207 70

HSL 133.03, 0.73%, 0.47%

LAB 73.14, -68.13, 54.48

 

CMYK 85 / 61 / 0 / 19

HEX #2051CF

RGB 32 81 207

HSL 223.2, 0.73%, 0.47%

LAB 39.07, 31.65, -69.32

 

Description

Color code: RGB 206 32 166 | qconv.com Color code: RGB 206 32 166 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 32 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 32 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 19 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 19% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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