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Color name
RGB 206 151 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 151 93 it is the complementary color RGB 49 104 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 151 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 151 93 shade: RGB 211 151 88, RGB 228 169 107, RGB 245 187 126, RGB 255 205 145 and RGB 255 223 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 151 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 189 133 74, RGB 172 115 55, RGB 155 97 36 and RGB 138 79 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 206 121 93 and RGB 206 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 206 182 93, RGB 200 206 93, RGB 170 206 93 and RGB 140 206 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 151 93 shade matches the following richer shades: RGB 206 151 93, RGB 223 152 77 and RGB 240 152 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 189 151 110, RGB 173 151 127, RGB 156 150 144 and RGB 139 150 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 151 93 shade: RGB 206 93 97, RGB 206 120 93, RGB 206 150 93, RGB 206 180 93 and RGB 203 206 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 151 93 shade: RGB 168 110 50, RGB 197 131 62, RGB 206 151 93, RGB 216 172 125 and RGB 225 192 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 127 206 93 and RGB 105 93 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 93 206 150 and RGB 150 93 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 127 206 93, RGB 93 150 206 and RGB 173 93 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 151 93 shade: RGB 206 151 93, RGB 93 206 93, RGB 93 150 206 and RGB 206 93 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

Complementary color

CMYK 70 / 36 / 0 / 36

HEX #3168A2

RGB 49 104 162

HSL 210.8, 0.54%, 0.41%

LAB 43.01, 1.54, -36.63

 

CMYK 0 / 28 / 58 / 17

HEX #D39758

RGB 211 151 88

HSL 30.73, 0.58%, 0.59%

LAB 67.04, 15.79, 41.7

 

CMYK 0 / 26 / 53 / 11

HEX #E4A96B

RGB 228 169 107

HSL 30.74, 0.69%, 0.66%

LAB 73.5, 14.69, 40.24

 

CMYK 0 / 24 / 49 / 4

HEX #F5BB7E

RGB 245 187 126

HSL 30.76, 0.86%, 0.73%

LAB 79.87, 13.73, 38.85

 

CMYK 0 / 20 / 43 / 0

HEX #FFCD91

RGB 255 205 145

HSL 32.73, 1%, 0.78%

LAB 85.49, 10.15, 36.53

 

CMYK 0 / 13 / 36 / 0

HEX #FFDFA4

RGB 255 223 164

HSL 38.9, 1%, 0.82%

LAB 90.19, 2.94, 33

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 30 / 61 / 26

HEX #BD854A

RGB 189 133 74

HSL 30.78, 0.47%, 0.52%

LAB 59.97, 15.27, 39.89

 

CMYK 0 / 33 / 68 / 33

HEX #AC7337

RGB 172 115 55

HSL 30.77, 0.52%, 0.45%

LAB 53.28, 16.66, 41.41

 

CMYK 0 / 37 / 77 / 39

HEX #9B6124

RGB 155 97 36

HSL 30.76, 0.62%, 0.37%

LAB 46.51, 18.3, 42.79

 

CMYK 0 / 43 / 88 / 46

HEX #8A4F11

RGB 138 79 17

HSL 30.74, 0.78%, 0.3%

LAB 39.64, 20.26, 43.56

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 41 / 55 / 19

HEX #CE795D

RGB 206 121 93

HSL 14.87, 0.54%, 0.59%

LAB 59.51, 30.37, 29.55

 

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 12 / 55 / 19

HEX #CEB65D

RGB 206 182 93

HSL 47.26, 0.54%, 0.59%

LAB 74.42, -2.51, 47.85

 

CMYK 3 / 0 / 55 / 19

HEX #C8CE5D

RGB 200 206 93

HSL 63.19, 0.54%, 0.59%

LAB 80.3, -17.28, 54.51

 

CMYK 17 / 0 / 55 / 19

HEX #AACE5D

RGB 170 206 93

HSL 79.12, 0.54%, 0.59%

LAB 78.16, -29.21, 51.49

 

CMYK 32 / 0 / 55 / 19

HEX #8CCE5D

RGB 140 206 93

HSL 95.04, 0.54%, 0.59%

LAB 76.38, -40.28, 48.97

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 32 / 65 / 13

HEX #DF984D

RGB 223 152 77

HSL 30.82, 0.7%, 0.59%

LAB 68.52, 19.53, 49.25

 

CMYK 0 / 37 / 75 / 6

HEX #F0983C

RGB 240 152 60

HSL 30.67, 0.86%, 0.59%

LAB 70.39, 25.74, 59.57

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 20 / 42 / 26

HEX #BD976E

RGB 189 151 110

HSL 31.14, 0.37%, 0.59%

LAB 65.02, 8.69, 26.98

 

CMYK 0 / 13 / 27 / 32

HEX #AD977F

RGB 173 151 127

HSL 31.3, 0.22%, 0.59%

LAB 63.79, 4.37, 15.65

 

CMYK 0 / 4 / 8 / 39

HEX #9C9690

RGB 156 150 144

HSL 30, 0.06%, 0.59%

LAB 62.42, 1.1, 3.94

 

CMYK 14 / 7 / 0 / 37

HEX #8B96A1

RGB 139 150 161

HSL 210, 0.1%, 0.59%

LAB 61.55, -1.61, -7.12

 

CMYK 0 / 55 / 53 / 19

HEX #CE5D61

RGB 206 93 97

HSL 357.88, 0.54%, 0.59%

LAB 53.83, 45.12, 19.79

 

CMYK 0 / 42 / 55 / 19

HEX #CE785D

RGB 206 120 93

HSL 14.34, 0.54%, 0.59%

LAB 59.29, 30.91, 29.27

 

CMYK 0 / 27 / 55 / 19

HEX #CE965D

RGB 206 150 93

HSL 30.27, 0.54%, 0.59%

LAB 66.31, 14.64, 38.09

 

CMYK 0 / 13 / 55 / 19

HEX #CEB45D

RGB 206 180 93

HSL 46.19, 0.54%, 0.59%

LAB 73.9, -1.46, 47.24

 

CMYK 1 / 0 / 55 / 19

HEX #CBCE5D

RGB 203 206 93

HSL 61.59, 0.54%, 0.59%

LAB 80.53, -16.06, 54.84

 

CMYK 0 / 35 / 70 / 34

HEX #A86E32

RGB 168 110 50

HSL 30.51, 0.54%, 0.43%

LAB 51.5, 17.42, 41.81

 

CMYK 0 / 34 / 69 / 23

HEX #C5833E

RGB 197 131 62

HSL 30.67, 0.54%, 0.51%

LAB 60.29, 19.03, 46.53

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 0 / 20 / 42 / 15

HEX #D8AC7D

RGB 216 172 125

HSL 30.99, 0.54%, 0.67%

LAB 73.28, 9.94, 30.27

 

CMYK 0 / 15 / 30 / 12

HEX #E1C09D

RGB 225 192 157

HSL 30.88, 0.53%, 0.75%

LAB 79.69, 6.66, 22.01

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 38 / 0 / 55 / 19

HEX #7FCE5D

RGB 127 206 93

HSL 101.95, 0.54%, 0.59%

LAB 75.73, -44.67, 48.04

 

CMYK 49 / 55 / 0 / 19

HEX #695DCE

RGB 105 93 206

HSL 246.37, 0.54%, 0.59%

LAB 46.03, 34.34, -57.25

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 55 / 0 / 27 / 19

HEX #5DCE96

RGB 93 206 150

HSL 150.27, 0.54%, 0.59%

LAB 75.25, -45.14, 18.32

 

CMYK 27 / 55 / 0 / 19

HEX #965DCE

RGB 150 93 206

HSL 270.27, 0.54%, 0.59%

LAB 50.42, 44.96, -49.97

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 38 / 0 / 55 / 19

HEX #7FCE5D

RGB 127 206 93

HSL 101.95, 0.54%, 0.59%

LAB 75.73, -44.67, 48.04

 

CMYK 55 / 27 / 0 / 19

HEX #5D96CE

RGB 93 150 206

HSL 209.73, 0.54%, 0.59%

LAB 60.42, -2.52, -34.46

 

CMYK 16 / 55 / 0 / 19

HEX #AD5DCE

RGB 173 93 206

HSL 282.48, 0.54%, 0.59%

LAB 53.13, 50.89, -45.48

 

CMYK 0 / 27 / 55 / 19

HEX #CE975D

RGB 206 151 93

HSL 30.8, 0.54%, 0.59%

LAB 66.55, 14.1, 38.39

 

CMYK 55 / 0 / 55 / 19

HEX #5DCE5D

RGB 93 206 93

HSL 120, 0.54%, 0.59%

LAB 74.36, -54.56, 46.08

 

CMYK 55 / 27 / 0 / 19

HEX #5D96CE

RGB 93 150 206

HSL 209.73, 0.54%, 0.59%

LAB 60.42, -2.52, -34.46

 

CMYK 0 / 55 / 0 / 19

HEX #CE5DCE

RGB 206 93 206

HSL 300, 0.54%, 0.59%

LAB 57.47, 59.6, -38.35

 

Description

Color code: RGB 206 151 93 | qconv.com Color code: RGB 206 151 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 151 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 151 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 55% 19% C M Y K

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Provide designers and agencies with accurate color values.

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