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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 136 229 it is the complementary color RGB 49 119 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 136 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 136 229 shade: RGB 211 136 224, RGB 228 154 243, RGB 245 172 255, RGB 255 190 255 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 136 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 136 229 shade: RGB 206 136 229, RGB 189 118 210, RGB 172 100 191, RGB 155 82 172 and RGB 138 64 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 136 229 shade: RGB 206 137 229, RGB 229 137 227, RGB 229 137 202, RGB 229 137 177 and RGB 229 137 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 136 229 shade: RGB 206 137 229, RGB 182 137 229, RGB 157 137 229 and RGB 137 137 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 136 229 shade matches the following richer shades: RGB 206 137 229, RGB 212 126 240 and RGB 218 114 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 136 229 shade: RGB 206 137 229, RGB 200 149 217, RGB 195 161 206, RGB 189 172 194 and RGB 183 184 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 136 229 shade: RGB 157 137 229, RGB 182 137 229, RGB 206 137 229, RGB 229 137 227 and RGB 229 137 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 136 229 shade: RGB 178 70 214, RGB 192 104 221, RGB 206 137 229, RGB 220 171 236 and RGB 234 205 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 136 229 shade: RGB 206 136 229, RGB 229 137 142 and RGB 137 229 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 136 229 shade: RGB 206 136 229, RGB 229 206 137 and RGB 137 229 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 136 229 shade: RGB 206 136 229, RGB 229 137 142, RGB 160 229 137 and RGB 137 229 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 136 229 shade: RGB 206 136 229, RGB 229 160 137, RGB 160 229 137 and RGB 137 206 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

Complementary color

CMYK 59 / 0 / 78 / 53

HEX #31771A

RGB 49 119 26

HSL 105.16, 0.64%, 0.28%

LAB 44.12, -39.56, 41.68

 

CMYK 6 / 39 / 0 / 12

HEX #D388E0

RGB 211 136 224

HSL 291.14, 0.59%, 0.71%

LAB 67.16, 42.82, -33.29

 

CMYK 6 / 37 / 0 / 5

HEX #E49AF3

RGB 228 154 243

HSL 289.89, 0.79%, 0.78%

LAB 73.59, 42.08, -33.6

 

CMYK 4 / 33 / 0 / 0

HEX #F5ACFF

RGB 245 172 255

HSL 292.77, 1%, 0.84%

LAB 79.69, 40.05, -30.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

CMYK 10 / 44 / 0 / 18

HEX #BD76D2

RGB 189 118 210

HSL 286.3, 0.51%, 0.64%

LAB 60.27, 43.09, -36.37

 

CMYK 10 / 48 / 0 / 25

HEX #AC64BF

RGB 172 100 191

HSL 287.47, 0.42%, 0.57%

LAB 53.65, 43.86, -36.08

 

CMYK 10 / 52 / 0 / 33

HEX #9B52AC

RGB 155 82 172

HSL 288.67, 0.35%, 0.5%

LAB 46.95, 44.61, -35.71

 

CMYK 10 / 58 / 0 / 40

HEX #8A4099

RGB 138 64 153

HSL 289.89, 0.41%, 0.43%

LAB 40.2, 45.25, -35.22

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 0 / 40 / 1 / 10

HEX #E589E3

RGB 229 137 227

HSL 301.3, 0.64%, 0.72%

LAB 69.54, 48.27, -31.1

 

CMYK 0 / 40 / 12 / 10

HEX #E589CA

RGB 229 137 202

HSL 317.61, 0.64%, 0.72%

LAB 68.62, 44, -18.65

 

CMYK 0 / 40 / 23 / 10

HEX #E589B1

RGB 229 137 177

HSL 333.91, 0.64%, 0.72%

LAB 67.82, 40.17, -5.87

 

CMYK 0 / 40 / 33 / 10

HEX #E58999

RGB 229 137 153

HSL 349.57, 0.64%, 0.72%

LAB 67.16, 36.95, 6.68

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 21 / 40 / 0 / 10

HEX #B689E5

RGB 182 137 229

HSL 269.35, 0.64%, 0.72%

LAB 64.56, 34.75, -40.33

 

CMYK 31 / 40 / 0 / 10

HEX #9D89E5

RGB 157 137 229

HSL 253.04, 0.64%, 0.72%

LAB 62.27, 27.7, -44.09

 

CMYK 40 / 40 / 0 / 10

HEX #8989E5

RGB 137 137 229

HSL 240, 0.64%, 0.72%

LAB 60.66, 22.41, -46.73

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 12 / 48 / 0 / 6

HEX #D47EF0

RGB 212 126 240

HSL 285.26, 0.79%, 0.72%

LAB 65.91, 51.47, -44.06

 

CMYK 13 / 55 / 0 / 1

HEX #DA72FC

RGB 218 114 252

HSL 285.22, 0.96%, 0.72%

LAB 64.94, 61.38, -52.15

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 8 / 31 / 0 / 15

HEX #C895D9

RGB 200 149 217

HSL 285, 0.47%, 0.72%

LAB 68.59, 31.01, -27.29

 

CMYK 5 / 22 / 0 / 19

HEX #C3A1CE

RGB 195 161 206

HSL 285.33, 0.31%, 0.72%

LAB 70.56, 20.58, -18.27

 

CMYK 3 / 11 / 0 / 24

HEX #BDACC2

RGB 189 172 194

HSL 286.36, 0.15%, 0.72%

LAB 72.37, 10.14, -8.99

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 31 / 40 / 0 / 10

HEX #9D89E5

RGB 157 137 229

HSL 253.04, 0.64%, 0.72%

LAB 62.27, 27.7, -44.09

 

CMYK 21 / 40 / 0 / 10

HEX #B689E5

RGB 182 137 229

HSL 269.35, 0.64%, 0.72%

LAB 64.56, 34.75, -40.33

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 0 / 40 / 1 / 10

HEX #E589E3

RGB 229 137 227

HSL 301.3, 0.64%, 0.72%

LAB 69.54, 48.27, -31.1

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 17 / 67 / 0 / 16

HEX #B246D6

RGB 178 70 214

HSL 285, 0.64%, 0.56%

LAB 50.33, 64.38, -54.47

 

CMYK 13 / 53 / 0 / 13

HEX #C068DD

RGB 192 104 221

HSL 285.13, 0.63%, 0.64%

LAB 58.35, 53.42, -45.57

 

CMYK 10 / 40 / 0 / 10

HEX #CE89E5

RGB 206 137 229

HSL 285, 0.64%, 0.72%

LAB 67.03, 41.78, -36.3

 

CMYK 7 / 28 / 0 / 7

HEX #DCABEC

RGB 220 171 236

HSL 285.23, 0.63%, 0.8%

LAB 76.31, 29.15, -25.69

 

CMYK 4 / 16 / 0 / 4

HEX #EACDF4

RGB 234 205 244

HSL 284.62, 0.64%, 0.88%

LAB 85.85, 16.98, -15.41

 

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

CMYK 0 / 40 / 38 / 10

HEX #E5898E

RGB 229 137 142

HSL 356.74, 0.64%, 0.72%

LAB 66.9, 35.63, 12.5

 

CMYK 40 / 0 / 26 / 10

HEX #89E5A9

RGB 137 229 169

HSL 140.87, 0.64%, 0.72%

LAB 84.08, -40.26, 20.83

 

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

CMYK 0 / 10 / 40 / 10

HEX #E5CE89

RGB 229 206 137

HSL 45, 0.64%, 0.72%

LAB 83.24, -1.46, 37.23

 

CMYK 40 / 0 / 10 / 10

HEX #89E5CE

RGB 137 229 206

HSL 165, 0.64%, 0.72%

LAB 84.9, -32.7, 2.61

 

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

CMYK 0 / 40 / 38 / 10

HEX #E5898E

RGB 229 137 142

HSL 356.74, 0.64%, 0.72%

LAB 66.9, 35.63, 12.5

 

CMYK 30 / 0 / 40 / 10

HEX #A0E589

RGB 160 229 137

HSL 105, 0.64%, 0.72%

LAB 84.65, -38.35, 38.12

 

CMYK 40 / 0 / 2 / 10

HEX #89E5E0

RGB 137 229 224

HSL 176.74, 0.64%, 0.72%

LAB 85.37, -28.56, -6.2

 

CMYK 10 / 41 / 0 / 10

HEX #CE88E5

RGB 206 136 229

HSL 285.16, 0.64%, 0.72%

LAB 66.81, 42.32, -36.63

 

CMYK 0 / 30 / 40 / 10

HEX #E5A089

RGB 229 160 137

HSL 15, 0.64%, 0.72%

LAB 71.96, 22.85, 22.28

 

CMYK 30 / 0 / 40 / 10

HEX #A0E589

RGB 160 229 137

HSL 105, 0.64%, 0.72%

LAB 84.65, -38.35, 38.12

 

CMYK 40 / 10 / 0 / 10

HEX #89CEE5

RGB 137 206 229

HSL 195, 0.64%, 0.72%

LAB 79.11, -15.89, -18.21

 

Description

Color code: RGB 206 136 229 | qconv.com Color code: RGB 206 136 229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 136 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 136 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 41 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 41% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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