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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 51 51 it is the complementary color RGB 50 204 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 51 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 51 51: RGB 210 51 46, RGB 227 69 65, RGB 244 87 84, RGB 255 105 103 and RGB 255 123 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 51 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 51 51: RGB 205 51 51, RGB 188 33 32, RGB 171 15 13, RGB 154 0 0 and RGB 137 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

Complementary color

CMYK 75 / 0 / 0 / 20

HEX #32CCCC

RGB 50 204 204

HSL 180, 0.61%, 0.5%

LAB 74.97, -37.83, -11.26

 

CMYK 0 / 76 / 78 / 18

HEX #D2332E

RGB 210 51 46

HSL 1.83, 0.65%, 0.5%

LAB 47.32, 60.76, 41.41

 

CMYK 0 / 70 / 71 / 11

HEX #E34541

RGB 227 69 65

HSL 1.48, 0.74%, 0.57%

LAB 52.92, 60.52, 37.88

 

CMYK 0 / 64 / 66 / 4

HEX #F45754

RGB 244 87 84

HSL 1.13, 0.88%, 0.64%

LAB 58.69, 59.87, 34.76

 

CMYK 0 / 59 / 60 / 0

HEX #FF6967

RGB 255 105 103

HSL 0.79, 1%, 0.7%

LAB 63.62, 57, 30.64

 

CMYK 0 / 52 / 52 / 0

HEX #FF7B7A

RGB 255 123 122

HSL 0.45, 1%, 0.74%

LAB 67.15, 50.1, 24.62

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 0 / 82 / 83 / 26

HEX #BC2120

RGB 188 33 32

HSL 0.38, 0.71%, 0.43%

LAB 41.03, 59.04, 41.3

 

CMYK 0 / 91 / 92 / 33

HEX #AB0F0D

RGB 171 15 13

HSL 0.76, 0.86%, 0.36%

LAB 36.04, 57.62, 44.9

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 0 / 63 / 76 / 20

HEX #CD4B31

RGB 205 75 49

HSL 10, 0.61%, 0.5%

LAB 49.78, 50.15, 42.1

 

CMYK 0 / 51 / 76 / 20

HEX #CD6531

RGB 205 101 49

HSL 20, 0.61%, 0.5%

LAB 54.56, 37.73, 47.07

 

CMYK 0 / 38 / 76 / 20

HEX #CD7F31

RGB 205 127 49

HSL 30, 0.61%, 0.5%

LAB 60.23, 23.98, 52.76

 

CMYK 0 / 25 / 76 / 20

HEX #CD9931

RGB 205 153 49

HSL 40, 0.61%, 0.5%

LAB 66.51, 9.85, 58.86

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 75 / 75 / 80

HEX #340D0D

RGB 52 13 13

HSL 0, 0.6%, 0.13%

LAB 9.38, 19.63, 9.06

 

CMYK 0 / 75 / 75 / 60

HEX #671A1A

RGB 103 26 26

HSL 0, 0.6%, 0.25%

LAB 22.64, 34.16, 20.15

 

CMYK 0 / 75 / 75 / 40

HEX #9A2626

RGB 154 38 38

HSL 0, 0.6%, 0.38%

LAB 34.79, 47.42, 29.28

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 15 / 0 / 76 / 20

HEX #AECD31

RGB 174 205 49

HSL 71.92, 0.61%, 0.5%

LAB 77.81, -30.14, 68.55

 

CMYK 76 / 46 / 0 / 20

HEX #316FCD

RGB 49 111 205

HSL 216.15, 0.61%, 0.5%

LAB 47.53, 13.13, -54.41

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 76 / 0 / 76 / 20

HEX #31CD31

RGB 49 205 49

HSL 120, 0.61%, 0.5%

LAB 72.59, -67.34, 61.74

 

CMYK 76 / 76 / 0 / 20

HEX #3131CD

RGB 49 49 205

HSL 240, 0.61%, 0.5%

LAB 32.39, 51.57, -79.12

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 15 / 0 / 76 / 20

HEX #AECD31

RGB 174 205 49

HSL 71.92, 0.61%, 0.5%

LAB 77.81, -30.14, 68.55

 

CMYK 76 / 0 / 0 / 20

HEX #31CDCD

RGB 49 205 205

HSL 180, 0.61%, 0.5%

LAB 75.28, -38.1, -11.34

 

CMYK 61 / 76 / 0 / 20

HEX #5031CD

RGB 80 49 205

HSL 251.92, 0.61%, 0.5%

LAB 34.62, 54.55, -75.36

 

CMYK 0 / 75 / 75 / 20

HEX #CD3333

RGB 205 51 51

HSL 0, 0.61%, 0.5%

LAB 46.43, 59.44, 37.38

 

CMYK 38 / 0 / 76 / 20

HEX #7FCD31

RGB 127 205 49

HSL 90, 0.61%, 0.5%

LAB 75.07, -47.88, 65

 

CMYK 76 / 0 / 0 / 20

HEX #31CDCD

RGB 49 205 205

HSL 180, 0.61%, 0.5%

LAB 75.28, -38.1, -11.34

 

CMYK 38 / 76 / 0 / 20

HEX #7F31CD

RGB 127 49 205

HSL 270, 0.61%, 0.5%

LAB 39.78, 61.23, -66.71

 

Description

Color code: RGB 205 51 51 | qconv.com Color code: RGB 205 51 51 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as brown3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 51 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 51 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 75% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Beranda | Mahkamah K...
Link: http://www.mahkamahkonstitusi.go.id

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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