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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 50 120 it is the complementary color RGB 50 205 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 50 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 50 120 shade: RGB 210 50 115, RGB 227 68 134, RGB 244 86 153, RGB 255 104 172 and RGB 255 122 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 50 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 50 120 shade: RGB 205 50 120, RGB 188 32 101, RGB 171 14 82, RGB 154 0 63 and RGB 137 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 50 120 shade: RGB 205 49 119, RGB 205 49 78 and RGB 205 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 50 120 shade: RGB 205 49 119, RGB 205 49 161, RGB 205 49 203, RGB 164 49 205 and RGB 122 49 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 50 120 shade matches the following richer shades: RGB 205 49 119, RGB 225 29 117 and RGB 246 8 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 50 120 shade: RGB 205 49 119, RGB 184 70 121, RGB 164 90 123, RGB 143 111 125 and RGB 122 132 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 50 120 shade: RGB 205 49 205, RGB 205 49 163, RGB 205 49 122, RGB 205 49 80 and RGB 205 60 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 50 120 shade: RGB 138 33 81, RGB 172 41 100, RGB 205 49 119, RGB 213 82 141 and RGB 221 116 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 50 120 shade: RGB 205 50 120, RGB 205 163 49 and RGB 49 184 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 50 120 shade: RGB 205 50 120, RGB 122 205 49 and RGB 49 122 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 50 120 shade: RGB 205 50 120, RGB 205 163 49, RGB 49 205 132 and RGB 49 91 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 50 120 shade: RGB 205 50 120, RGB 200 205 49, RGB 49 205 132 and RGB 54 49 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

Complementary color

CMYK 76 / 0 / 34 / 20

HEX #32CD87

RGB 50 205 135

HSL 152.9, 0.61%, 0.5%

LAB 73.6, -55.44, 23.82

 

CMYK 0 / 76 / 45 / 18

HEX #D23273

RGB 210 50 115

HSL 335.63, 0.64%, 0.51%

LAB 48.54, 65.31, 1.67

 

CMYK 0 / 70 / 41 / 11

HEX #E34486

RGB 227 68 134

HSL 335.09, 0.74%, 0.58%

LAB 54.22, 65.81, -1.12

 

CMYK 0 / 65 / 37 / 4

HEX #F45699

RGB 244 86 153

HSL 334.56, 0.88%, 0.65%

LAB 60.06, 65.82, -3.39

 

CMYK 0 / 59 / 33 / 0

HEX #FF68AC

RGB 255 104 172

HSL 332.98, 1%, 0.7%

LAB 65.07, 63.73, -6.72

 

CMYK 0 / 52 / 25 / 0

HEX #FF7ABF

RGB 255 122 191

HSL 328.87, 1%, 0.74%

LAB 68.71, 58.01, -12.04

 

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

CMYK 0 / 83 / 46 / 26

HEX #BC2065

RGB 188 32 101

HSL 333.46, 0.71%, 0.43%

LAB 42.25, 63.2, 0.68

 

CMYK 0 / 92 / 52 / 33

HEX #AB0E52

RGB 171 14 82

HSL 334.01, 0.85%, 0.36%

LAB 37.08, 60.84, 4.86

 

CMYK 0 / 100 / 59 / 40

HEX #9A003F

RGB 154 0 63

HSL 335.45, 1%, 0.3%

LAB 32.32, 57.17, 10.07

 

CMYK 0 / 100 / 68 / 46

HEX #89002C

RGB 137 0 44

HSL 340.73, 1%, 0.27%

LAB 28.11, 51.81, 16.49

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 0 / 76 / 62 / 20

HEX #CD314E

RGB 205 49 78

HSL 348.85, 0.61%, 0.5%

LAB 46.61, 61.42, 21.53

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 0 / 76 / 21 / 20

HEX #CD31A1

RGB 205 49 161

HSL 316.92, 0.61%, 0.5%

LAB 49.19, 69.39, -25.15

 

CMYK 0 / 76 / 1 / 20

HEX #CD31CB

RGB 205 49 203

HSL 300.77, 0.61%, 0.5%

LAB 51.25, 75.38, -46.46

 

CMYK 20 / 76 / 0 / 20

HEX #A431CD

RGB 164 49 205

HSL 284.23, 0.61%, 0.5%

LAB 44.94, 67.75, -58.09

 

CMYK 40 / 76 / 0 / 20

HEX #7A31CD

RGB 122 49 205

HSL 268.08, 0.61%, 0.5%

LAB 39.14, 60.42, -67.77

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 0 / 87 / 48 / 12

HEX #E11D75

RGB 225 29 117

HSL 333.06, 0.77%, 0.5%

LAB 49.7, 74.16, 2.49

 

CMYK 0 / 97 / 53 / 4

HEX #F60873

RGB 246 8 115

HSL 333.03, 0.94%, 0.5%

LAB 52.95, 81.15, 8.91

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 0 / 62 / 34 / 28

HEX #B84679

RGB 184 70 121

HSL 333.16, 0.45%, 0.5%

LAB 46.91, 50.93, -4.9

 

CMYK 0 / 45 / 25 / 36

HEX #A45A7B

RGB 164 90 123

HSL 333.24, 0.29%, 0.5%

LAB 47.8, 34.51, -5.12

 

CMYK 0 / 22 / 13 / 44

HEX #8F6F7D

RGB 143 111 125

HSL 333.75, 0.13%, 0.5%

LAB 50.32, 15.02, -2.87

 

CMYK 8 / 0 / 4 / 48

HEX #7A847F

RGB 122 132 127

HSL 150, 0.04%, 0.5%

LAB 54.21, -4.7, 1.43

 

CMYK 0 / 76 / 0 / 20

HEX #CD31CD

RGB 205 49 205

HSL 300, 0.61%, 0.5%

LAB 51.36, 75.69, -47.43

 

CMYK 0 / 76 / 20 / 20

HEX #CD31A3

RGB 205 49 163

HSL 316.15, 0.61%, 0.5%

LAB 49.28, 69.65, -26.2

 

CMYK 0 / 76 / 40 / 20

HEX #CD317A

RGB 205 49 122

HSL 331.92, 0.61%, 0.5%

LAB 47.73, 64.94, -3.9

 

CMYK 0 / 76 / 61 / 20

HEX #CD3150

RGB 205 49 80

HSL 348.08, 0.61%, 0.5%

LAB 46.65, 61.54, 20.36

 

CMYK 0 / 71 / 76 / 20

HEX #CD3C31

RGB 205 60 49

HSL 4.23, 0.61%, 0.5%

LAB 47.54, 56.22, 39.71

 

CMYK 0 / 76 / 41 / 46

HEX #8A2151

RGB 138 33 81

HSL 332.57, 0.61%, 0.34%

LAB 32, 47.44, -2.69

 

CMYK 0 / 76 / 42 / 33

HEX #AC2964

RGB 172 41 100

HSL 332.98, 0.62%, 0.42%

LAB 40.04, 56.36, -2.29

 

CMYK 0 / 76 / 42 / 20

HEX #CD3177

RGB 205 49 119

HSL 333.08, 0.61%, 0.5%

LAB 47.63, 64.65, -2.2

 

CMYK 0 / 62 / 34 / 16

HEX #D5528D

RGB 213 82 141

HSL 332.98, 0.61%, 0.58%

LAB 54.14, 56.97, -5.66

 

CMYK 0 / 48 / 26 / 13

HEX #DD74A3

RGB 221 116 163

HSL 333.14, 0.61%, 0.66%

LAB 62.09, 46.27, -6.53

 

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 76 / 10 / 0 / 20

HEX #31B8CD

RGB 49 184 205

HSL 188.08, 0.61%, 0.5%

LAB 69, -28.12, -20.81

 

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD31

RGB 122 205 49

HSL 91.92, 0.61%, 0.5%

LAB 74.84, -49.56, 64.69

 

CMYK 76 / 40 / 0 / 20

HEX #317ACD

RGB 49 122 205

HSL 211.92, 0.61%, 0.5%

LAB 50.66, 6.26, -49.4

 

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 76 / 0 / 36 / 20

HEX #31CD84

RGB 49 205 132

HSL 151.92, 0.61%, 0.5%

LAB 73.53, -56.17, 25.29

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

CMYK 0 / 76 / 41 / 20

HEX #CD3278

RGB 205 50 120

HSL 332.9, 0.61%, 0.5%

LAB 47.77, 64.44, -2.61

 

CMYK 2 / 0 / 76 / 20

HEX #C8CD31

RGB 200 205 49

HSL 61.92, 0.61%, 0.5%

LAB 79.71, -19.38, 70.99

 

CMYK 76 / 0 / 36 / 20

HEX #31CD84

RGB 49 205 132

HSL 151.92, 0.61%, 0.5%

LAB 73.53, -56.17, 25.29

 

CMYK 74 / 76 / 0 / 20

HEX #3631CD

RGB 54 49 205

HSL 241.92, 0.61%, 0.5%

LAB 32.68, 51.96, -78.63

 

Description

Color code: RGB 205 50 120 | qconv.com Color code: RGB 205 50 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as VioletRed3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 50 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 50 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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