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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 196 220 it is the complementary color RGB 50 59 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 196 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 196 220 shade: RGB 210 196 215, RGB 227 214 234, RGB 244 232 253 and RGB 255 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 196 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 196 220 shade: RGB 205 196 220, RGB 188 178 201, RGB 171 160 182, RGB 154 142 163 and RGB 137 124 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 196 220 shade: RGB 206 197 221, RGB 212 197 221, RGB 218 197 221, RGB 221 197 216 and RGB 221 197 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 196 220 shade: RGB 206 197 221, RGB 199 197 221 and RGB 197 197 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 196 220 shade matches the following richer shades: RGB 206 197 221, RGB 204 189 228, RGB 202 182 235, RGB 200 174 243 and RGB 198 167 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 196 220 shade: RGB 206 197 221, RGB 207 204 213, RGB 209 212 206, RGB 211 219 198 and RGB 213 226 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 196 220 shade: RGB 197 201 221, RGB 199 197 221, RGB 205 197 221, RGB 212 197 221 and RGB 218 197 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 196 220 shade: RGB 162 145 190, RGB 184 171 205, RGB 206 197 221, RGB 228 223 236 and RGB 250 249 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 196 220 shade: RGB 205 196 220, RGB 221 197 207 and RGB 197 221 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 196 220 shade: RGB 205 196 220, RGB 221 205 197 and RGB 197 221 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 196 220 shade: RGB 205 196 220, RGB 221 197 207, RGB 212 221 197 and RGB 197 221 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 196 220 shade: RGB 205 196 220, RGB 221 197 200, RGB 212 221 197 and RGB 197 221 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

Complementary color

CMYK 15 / 0 / 41 / 77

HEX #323B23

RGB 50 59 35

HSL 82.5, 0.26%, 0.18%

LAB 23.43, -8.8, 13.67

 

CMYK 2 / 9 / 0 / 16

HEX #D2C4D7

RGB 210 196 215

HSL 284.21, 0.19%, 0.81%

LAB 80.79, 8.33, -7.7

 

CMYK 3 / 9 / 0 / 8

HEX #E3D6EA

RGB 227 214 234

HSL 279, 0.32%, 0.88%

LAB 87.18, 8.05, -8.2

 

CMYK 4 / 8 / 0 / 1

HEX #F4E8FD

RGB 244 232 253

HSL 274.29, 0.84%, 0.95%

LAB 93.47, 7.78, -8.69

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

CMYK 6 / 11 / 0 / 21

HEX #BCB2C9

RGB 188 178 201

HSL 266.09, 0.18%, 0.74%

LAB 74.03, 7.9, -10.36

 

CMYK 6 / 12 / 0 / 29

HEX #ABA0B6

RGB 171 160 182

HSL 270, 0.13%, 0.67%

LAB 67.41, 8.2, -9.91

 

CMYK 6 / 13 / 0 / 36

HEX #9A8EA3

RGB 154 142 163

HSL 274.29, 0.1%, 0.6%

LAB 60.66, 8.53, -9.45

 

CMYK 5 / 14 / 0 / 44

HEX #897C90

RGB 137 124 144

HSL 279, 0.08%, 0.53%

LAB 53.76, 8.89, -8.99

 

CMYK 7 / 11 / 0 / 13

HEX #CEC5DD

RGB 206 197 221

HSL 262.5, 0.26%, 0.82%

LAB 80.89, 7.61, -10.8

 

CMYK 4 / 11 / 0 / 13

HEX #D4C5DD

RGB 212 197 221

HSL 277.5, 0.26%, 0.82%

LAB 81.37, 9.6, -10.03

 

CMYK 1 / 11 / 0 / 13

HEX #DAC5DD

RGB 218 197 221

HSL 292.5, 0.26%, 0.82%

LAB 81.87, 11.62, -9.24

 

CMYK 0 / 11 / 2 / 13

HEX #DDC5D8

RGB 221 197 216

HSL 312.5, 0.26%, 0.82%

LAB 81.98, 11.72, -6.37

 

CMYK 0 / 11 / 5 / 13

HEX #DDC5D2

RGB 221 197 210

HSL 327.5, 0.26%, 0.82%

LAB 81.82, 10.65, -3.4

 

CMYK 7 / 11 / 0 / 13

HEX #CEC5DD

RGB 206 197 221

HSL 262.5, 0.26%, 0.82%

LAB 80.89, 7.61, -10.8

 

CMYK 10 / 11 / 0 / 13

HEX #C7C5DD

RGB 199 197 221

HSL 245, 0.26%, 0.82%

LAB 80.35, 5.3, -11.67

 

CMYK 11 / 11 / 0 / 13

HEX #C5C5DD

RGB 197 197 221

HSL 240, 0.26%, 0.82%

LAB 80.19, 4.65, -11.92

 

CMYK 7 / 11 / 0 / 13

HEX #CEC5DD

RGB 206 197 221

HSL 262.5, 0.26%, 0.82%

LAB 80.89, 7.61, -10.8

 

CMYK 11 / 17 / 0 / 11

HEX #CCBDE4

RGB 204 189 228

HSL 263.08, 0.42%, 0.82%

LAB 78.95, 12.65, -17.5

 

CMYK 14 / 23 / 0 / 8

HEX #CAB6EB

RGB 202 182 235

HSL 262.64, 0.57%, 0.82%

LAB 77.29, 17.27, -23.8

 

CMYK 18 / 28 / 0 / 5

HEX #C8AEF3

RGB 200 174 243

HSL 262.61, 0.74%, 0.82%

LAB 75.47, 22.75, -30.93

 

CMYK 21 / 33 / 0 / 2

HEX #C6A7FA

RGB 198 167 250

HSL 262.41, 0.89%, 0.82%

LAB 73.9, 27.55, -37.16

 

CMYK 7 / 11 / 0 / 13

HEX #CEC5DD

RGB 206 197 221

HSL 262.5, 0.26%, 0.82%

LAB 80.89, 7.61, -10.8

 

CMYK 3 / 4 / 0 / 16

HEX #CFCCD5

RGB 207 204 213

HSL 260, 0.1%, 0.82%

LAB 82.52, 2.69, -4.1

 

CMYK 1 / 0 / 3 / 17

HEX #D1D4CE

RGB 209 212 206

HSL 90, 0.07%, 0.82%

LAB 84.53, -2.1, 2.6

 

CMYK 4 / 0 / 10 / 14

HEX #D3DBC6

RGB 211 219 198

HSL 82.86, 0.23%, 0.82%

LAB 86.3, -6.41, 9.39

 

CMYK 6 / 0 / 15 / 11

HEX #D5E2BF

RGB 213 226 191

HSL 82.29, 0.38%, 0.82%

LAB 88.11, -10.42, 15.65

 

CMYK 11 / 9 / 0 / 13

HEX #C5C9DD

RGB 197 201 221

HSL 230, 0.26%, 0.82%

LAB 81.22, 2.52, -10.39

 

CMYK 10 / 11 / 0 / 13

HEX #C7C5DD

RGB 199 197 221

HSL 245, 0.26%, 0.82%

LAB 80.35, 5.3, -11.67

 

CMYK 7 / 11 / 0 / 13

HEX #CDC5DD

RGB 205 197 221

HSL 260, 0.26%, 0.82%

LAB 80.81, 7.28, -10.93

 

CMYK 4 / 11 / 0 / 13

HEX #D4C5DD

RGB 212 197 221

HSL 277.5, 0.26%, 0.82%

LAB 81.37, 9.6, -10.03

 

CMYK 1 / 11 / 0 / 13

HEX #DAC5DD

RGB 218 197 221

HSL 292.5, 0.26%, 0.82%

LAB 81.87, 11.62, -9.24

 

CMYK 15 / 24 / 0 / 25

HEX #A291BE

RGB 162 145 190

HSL 262.67, 0.26%, 0.66%

LAB 63.05, 15.3, -21.04

 

CMYK 10 / 17 / 0 / 20

HEX #B8ABCD

RGB 184 171 205

HSL 262.94, 0.25%, 0.74%

LAB 72.04, 11.21, -15.57

 

CMYK 7 / 11 / 0 / 13

HEX #CEC5DD

RGB 206 197 221

HSL 262.5, 0.26%, 0.82%

LAB 80.89, 7.61, -10.8

 

CMYK 3 / 6 / 0 / 7

HEX #E4DFEC

RGB 228 223 236

HSL 263.08, 0.25%, 0.9%

LAB 89.55, 4.05, -5.74

 

CMYK 0 / 1 / 0 / 2

HEX #FAF9FB

RGB 250 249 251

HSL 270, 0.2%, 0.98%

LAB 98.05, 0.69, -0.85

 

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

CMYK 0 / 11 / 6 / 13

HEX #DDC5CF

RGB 221 197 207

HSL 335, 0.26%, 0.82%

LAB 81.73, 10.13, -1.91

 

CMYK 11 / 0 / 11 / 13

HEX #C5DDC5

RGB 197 221 197

HSL 120, 0.26%, 0.82%

LAB 85.81, -12.42, 9.09

 

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

CMYK 0 / 7 / 11 / 13

HEX #DDCDC5

RGB 221 205 197

HSL 20, 0.26%, 0.82%

LAB 83.48, 4.22, 5.97

 

CMYK 11 / 0 / 7 / 13

HEX #C5DDCD

RGB 197 221 205

HSL 140, 0.26%, 0.82%

LAB 86, -10.98, 5.14

 

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

CMYK 0 / 11 / 6 / 13

HEX #DDC5CF

RGB 221 197 207

HSL 335, 0.26%, 0.82%

LAB 81.73, 10.13, -1.91

 

CMYK 4 / 0 / 11 / 13

HEX #D4DDC5

RGB 212 221 197

HSL 82.5, 0.26%, 0.82%

LAB 86.87, -7.26, 10.74

 

CMYK 11 / 0 / 5 / 13

HEX #C5DDD2

RGB 197 221 210

HSL 152.5, 0.26%, 0.82%

LAB 86.12, -10.05, 2.68

 

CMYK 7 / 11 / 0 / 14

HEX #CDC4DC

RGB 205 196 220

HSL 262.5, 0.26%, 0.82%

LAB 80.53, 7.62, -10.81

 

CMYK 0 / 11 / 10 / 13

HEX #DDC5C8

RGB 221 197 200

HSL 352.5, 0.26%, 0.82%

LAB 81.55, 8.94, 1.58

 

CMYK 4 / 0 / 11 / 13

HEX #D4DDC5

RGB 212 221 197

HSL 82.5, 0.26%, 0.82%

LAB 86.87, -7.26, 10.74

 

CMYK 11 / 0 / 2 / 13

HEX #C5DDD9

RGB 197 221 217

HSL 170, 0.26%, 0.82%

LAB 86.3, -8.71, -0.75

 

Description

Color code: RGB 205 196 220 | qconv.com Color code: RGB 205 196 220 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 196 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 196 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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