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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 129 98 it is the complementary color RGB 50 126 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 129 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 129 98: RGB 210 129 93, RGB 227 147 112, RGB 244 165 131, RGB 255 183 150 and RGB 255 201 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 129 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 129 98: RGB 205 129 98, RGB 188 111 79, RGB 171 93 60, RGB 154 75 41 and RGB 137 57 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

Complementary color

CMYK 68 / 20 / 0 / 38

HEX #327E9D

RGB 50 126 157

HSL 197.38, 0.52%, 0.41%

LAB 49.54, -13.12, -23.48

 

CMYK 0 / 39 / 56 / 18

HEX #D2815D

RGB 210 129 93

HSL 18.46, 0.57%, 0.59%

LAB 61.82, 27.68, 32.59

 

CMYK 0 / 35 / 51 / 11

HEX #E39370

RGB 227 147 112

HSL 18.26, 0.67%, 0.66%

LAB 68.29, 26.48, 30.96

 

CMYK 0 / 32 / 46 / 4

HEX #F4A583

RGB 244 165 131

HSL 18.05, 0.84%, 0.74%

LAB 74.69, 25.41, 29.47

 

CMYK 0 / 28 / 41 / 0

HEX #FFB796

RGB 255 183 150

HSL 18.86, 1%, 0.79%

LAB 80.36, 22.15, 27.13

 

CMYK 0 / 21 / 34 / 0

HEX #FFC9A9

RGB 255 201 169

HSL 22.33, 1%, 0.83%

LAB 84.94, 14.89, 23.32

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 0 / 41 / 58 / 26

HEX #BC6F4F

RGB 188 111 79

HSL 17.61, 0.45%, 0.52%

LAB 54.68, 27.37, 30.75

 

CMYK 0 / 46 / 65 / 33

HEX #AB5D3C

RGB 171 93 60

HSL 17.84, 0.48%, 0.45%

LAB 48.02, 28.8, 32.68

 

CMYK 0 / 51 / 73 / 40

HEX #9A4B29

RGB 154 75 41

HSL 18.05, 0.58%, 0.38%

LAB 41.31, 30.42, 34.81

 

CMYK 0 / 58 / 84 / 46

HEX #893916

RGB 137 57 22

HSL 18.26, 0.72%, 0.31%

LAB 34.61, 32.18, 36.94

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 0 / 29 / 53 / 20

HEX #CC9160

RGB 204 145 96

HSL 27.22, 0.51%, 0.59%

LAB 64.91, 16.79, 34.71

 

CMYK 0 / 20 / 53 / 20

HEX #CCA360

RGB 204 163 96

HSL 37.22, 0.51%, 0.59%

LAB 69.38, 7.02, 40.26

 

CMYK 0 / 11 / 53 / 20

HEX #CCB560

RGB 204 181 96

HSL 47.22, 0.51%, 0.59%

LAB 74.02, -2.57, 45.86

 

CMYK 0 / 2 / 53 / 20

HEX #CCC760

RGB 204 199 96

HSL 57.22, 0.51%, 0.59%

LAB 78.77, -11.88, 51.45

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 0 / 37 / 52 / 80

HEX #342119

RGB 52 33 25

HSL 17.78, 0.35%, 0.15%

LAB 14.89, 7.95, 9.1

 

CMYK 0 / 37 / 52 / 60

HEX #674131

RGB 103 65 49

HSL 17.78, 0.36%, 0.3%

LAB 31.55, 14.53, 16.55

 

CMYK 0 / 37 / 52 / 40

HEX #9A614A

RGB 154 97 74

HSL 17.25, 0.35%, 0.45%

LAB 46.86, 20.56, 22.71

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 25 / 0 / 53 / 20

HEX #98CC60

RGB 152 204 96

HSL 88.89, 0.51%, 0.59%

LAB 76.5, -34.77, 47.88

 

CMYK 53 / 47 / 0 / 20

HEX #606CCC

RGB 96 108 204

HSL 233.33, 0.51%, 0.59%

LAB 48.97, 22.63, -51.41

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 53 / 0 / 38 / 20

HEX #60CC7E

RGB 96 204 126

HSL 136.67, 0.51%, 0.59%

LAB 74.3, -48.12, 29.65

 

CMYK 38 / 53 / 0 / 20

HEX #7E60CC

RGB 126 96 204

HSL 256.67, 0.51%, 0.59%

LAB 48.46, 36.79, -52.09

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 25 / 0 / 53 / 20

HEX #98CC60

RGB 152 204 96

HSL 88.89, 0.51%, 0.59%

LAB 76.5, -34.77, 47.88

 

CMYK 53 / 15 / 0 / 20

HEX #60AECC

RGB 96 174 204

HSL 196.67, 0.51%, 0.59%

LAB 67.37, -15.68, -22.63

 

CMYK 27 / 53 / 0 / 20

HEX #9460CC

RGB 148 96 204

HSL 268.89, 0.51%, 0.59%

LAB 50.71, 42.32, -48.36

 

CMYK 0 / 37 / 52 / 20

HEX #CD8162

RGB 205 129 98

HSL 17.38, 0.52%, 0.59%

LAB 61.27, 26.09, 29.02

 

CMYK 42 / 0 / 53 / 20

HEX #77CC60

RGB 119 204 96

HSL 107.22, 0.51%, 0.59%

LAB 74.79, -46.03, 45.43

 

CMYK 53 / 15 / 0 / 20

HEX #60AECC

RGB 96 174 204

HSL 196.67, 0.51%, 0.59%

LAB 67.37, -15.68, -22.63

 

CMYK 11 / 53 / 0 / 20

HEX #B560CC

RGB 181 96 204

HSL 287.22, 0.51%, 0.59%

LAB 54.6, 51.08, -41.94

 

Description

Color code: RGB 205 129 98 | qconv.com Color code: RGB 205 129 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LightSalmon3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 129 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 129 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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