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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205.5 201 143 it is the complementary color RGB 49.5 54 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205.5 201 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205.5 201 143 shade: RGB 210.5 201 138, RGB 227.5 219 157, RGB 244.5 237 176, RGB 255 255 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205.5 201 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205.5 201 143 shade: RGB 205.5 201 143, RGB 188.5 183 124, RGB 171.5 165 105, RGB 154.5 147 86 and RGB 137.5 129 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205.5 201 143 shade: RGB 205 201 142, RGB 205 183 142, RGB 205 166 142, RGB 205 149 142 and RGB 205 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205.5 201 143 shade: RGB 205 201 142, RGB 193 205 142, RGB 175 205 142, RGB 158 205 142 and RGB 142 205 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205.5 201 143 shade matches the following richer shades: RGB 205 201 142, RGB 218 212 128, RGB 232 223 115 and RGB 245 235 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205.5 201 143 shade: RGB 205 201 142, RGB 192 189 155, RGB 179 178 168, RGB 166 167 181 and RGB 152 155 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205.5 201 143 shade: RGB 205 166 142, RGB 205 183 142, RGB 205 200 142, RGB 194 205 142 and RGB 177 205 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205.5 201 143 shade: RGB 180 173 84, RGB 193 187 113, RGB 205 201 142, RGB 218 214 170 and RGB 230 228 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205.5 201 143 shade: RGB 205.5 201 143, RGB 142 205 149 and RGB 174 142 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205.5 201 143 shade: RGB 205.5 201 143, RGB 142 205 200 and RGB 200 142 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205.5 201 143 shade: RGB 205.5 201 143, RGB 142 205 149, RGB 142 147 205 and RGB 205 142 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205.5 201 143 shade: RGB 205.5 201 143, RGB 142 205 168, RGB 142 147 205 and RGB 205 142 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

Complementary color

CMYK 56 / 52 / 0 / 56

HEX #313670

RGB 49.5 54 112

HSL 235.68, 0.39%, 0.32%

LAB 25.18, 16.3, -34.32

 

CMYK 0 / 5 / 34 / 17

HEX #D2C98A

RGB 210.5 201 138

HSL 52.14, 0.45%, 0.68%

LAB 80.39, -6.05, 32.72

 

CMYK 0 / 4 / 31 / 11

HEX #E3DB9D

RGB 227.5 219 157

HSL 52.77, 0.56%, 0.75%

LAB 86.76, -6.38, 31.6

 

CMYK 0 / 3 / 28 / 4

HEX #F4EDB0

RGB 244.5 237 176

HSL 53.43, 0.77%, 0.82%

LAB 93.03, -6.67, 30.53

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

CMYK 0 / 3 / 34 / 26

HEX #BCB77C

RGB 188.5 183 124

HSL 54.88, 0.33%, 0.61%

LAB 73.6, -7.07, 30.75

 

CMYK 0 / 4 / 39 / 33

HEX #ABA569

RGB 171.5 165 105

HSL 54.14, 0.28%, 0.54%

LAB 67.01, -6.7, 31.94

 

CMYK 0 / 5 / 44 / 39

HEX #9A9356

RGB 154.5 147 86

HSL 53.43, 0.28%, 0.47%

LAB 60.3, -6.25, 33.19

 

CMYK 0 / 6 / 51 / 46

HEX #898143

RGB 137.5 129 67

HSL 52.77, 0.34%, 0.4%

LAB 53.46, -5.69, 34.48

 

CMYK 0 / 2 / 31 / 20

HEX #CDC98E

RGB 205 201 142

HSL 56.19, 0.39%, 0.68%

LAB 80.01, -7.69, 30.05

 

CMYK 0 / 11 / 31 / 20

HEX #CDB78E

RGB 205 183 142

HSL 39.05, 0.39%, 0.68%

LAB 75.33, 1.72, 23.75

 

CMYK 0 / 19 / 31 / 20

HEX #CDA68E

RGB 205 166 142

HSL 22.86, 0.39%, 0.68%

LAB 71.01, 10.84, 17.84

 

CMYK 0 / 27 / 31 / 20

HEX #CD958E

RGB 205 149 142

HSL 6.67, 0.39%, 0.68%

LAB 66.84, 20.11, 12.02

 

CMYK 0 / 31 / 31 / 20

HEX #CD8E8E

RGB 205 142 142

HSL 0, 0.39%, 0.68%

LAB 65.18, 23.93, 9.66

 

CMYK 0 / 2 / 31 / 20

HEX #CDC98E

RGB 205 201 142

HSL 56.19, 0.39%, 0.68%

LAB 80.01, -7.69, 30.05

 

CMYK 6 / 0 / 31 / 20

HEX #C1CD8E

RGB 193 205 142

HSL 71.43, 0.39%, 0.68%

LAB 80.15, -14.34, 30.07

 

CMYK 15 / 0 / 31 / 20

HEX #AFCD8E

RGB 175 205 142

HSL 88.57, 0.39%, 0.68%

LAB 78.89, -21.05, 28.16

 

CMYK 23 / 0 / 31 / 20

HEX #9ECD8E

RGB 158 205 142

HSL 104.76, 0.39%, 0.68%

LAB 77.81, -27.12, 26.52

 

CMYK 31 / 0 / 31 / 20

HEX #8ECD8E

RGB 142 205 142

HSL 120, 0.39%, 0.68%

LAB 76.9, -32.51, 25.14

 

CMYK 0 / 2 / 31 / 20

HEX #CDC98E

RGB 205 201 142

HSL 56.19, 0.39%, 0.68%

LAB 80.01, -7.69, 30.05

 

CMYK 0 / 3 / 41 / 15

HEX #DAD480

RGB 218 212 128

HSL 56, 0.55%, 0.68%

LAB 83.73, -9.83, 42.22

 

CMYK 0 / 4 / 50 / 9

HEX #E8DF73

RGB 232 223 115

HSL 55.38, 0.72%, 0.68%

LAB 87.57, -11.01, 53.46

 

CMYK 0 / 4 / 58 / 4

HEX #F5EB66

RGB 245 235 102

HSL 55.8, 0.88%, 0.68%

LAB 91.59, -12.73, 64.2

 

CMYK 0 / 2 / 31 / 20

HEX #CDC98E

RGB 205 201 142

HSL 56.19, 0.39%, 0.68%

LAB 80.01, -7.69, 30.05

 

CMYK 0 / 2 / 19 / 25

HEX #C0BD9B

RGB 192 189 155

HSL 55.14, 0.23%, 0.68%

LAB 76.05, -4.62, 17.6

 

CMYK 0 / 1 / 6 / 30

HEX #B3B2A8

RGB 179 178 168

HSL 54.55, 0.07%, 0.68%

LAB 72.4, -1.46, 5.22

 

CMYK 8 / 8 / 0 / 29

HEX #A6A7B5

RGB 166 167 181

HSL 236, 0.09%, 0.68%

LAB 68.81, 2.41, -7.31

 

CMYK 22 / 20 / 0 / 24

HEX #989BC2

RGB 152 155 194

HSL 235.71, 0.26%, 0.68%

LAB 64.97, 7.33, -20.43

 

CMYK 0 / 19 / 31 / 20

HEX #CDA68E

RGB 205 166 142

HSL 22.86, 0.39%, 0.68%

LAB 71.01, 10.84, 17.84

 

CMYK 0 / 11 / 31 / 20

HEX #CDB78E

RGB 205 183 142

HSL 39.05, 0.39%, 0.68%

LAB 75.33, 1.72, 23.75

 

CMYK 0 / 2 / 31 / 20

HEX #CDC88E

RGB 205 200 142

HSL 55.24, 0.39%, 0.68%

LAB 79.75, -7.18, 29.7

 

CMYK 5 / 0 / 31 / 20

HEX #C2CD8E

RGB 194 205 142

HSL 70.48, 0.39%, 0.68%

LAB 80.23, -13.96, 30.18

 

CMYK 14 / 0 / 31 / 20

HEX #B1CD8E

RGB 177 205 142

HSL 86.67, 0.39%, 0.68%

LAB 79.02, -20.32, 28.36

 

CMYK 0 / 4 / 53 / 29

HEX #B4AD54

RGB 180 173 84

HSL 55.63, 0.39%, 0.52%

LAB 69.63, -9.48, 46.01

 

CMYK 0 / 3 / 41 / 24

HEX #C1BB71

RGB 193 187 113

HSL 55.5, 0.39%, 0.6%

LAB 74.87, -8.61, 38.17

 

CMYK 0 / 2 / 31 / 20

HEX #CDC98E

RGB 205 201 142

HSL 56.19, 0.39%, 0.68%

LAB 80.01, -7.69, 30.05

 

CMYK 0 / 2 / 22 / 15

HEX #DAD6AA

RGB 218 214 170

HSL 55, 0.39%, 0.76%

LAB 84.95, -5.68, 22.28

 

CMYK 0 / 1 / 13 / 10

HEX #E6E4C7

RGB 230 228 199

HSL 56.13, 0.38%, 0.84%

LAB 90.06, -4.15, 14.41

 

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

CMYK 31 / 0 / 27 / 20

HEX #8ECD95

RGB 142 205 149

HSL 126.67, 0.39%, 0.68%

LAB 77.03, -31.33, 21.64

 

CMYK 15 / 31 / 0 / 20

HEX #AE8ECD

RGB 174 142 205

HSL 270.48, 0.39%, 0.68%

LAB 63.96, 24.16, -27.97

 

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

CMYK 31 / 0 / 2 / 20

HEX #8ECDC8

RGB 142 205 200

HSL 175.24, 0.39%, 0.68%

LAB 78.22, -21.05, -3.95

 

CMYK 2 / 31 / 0 / 20

HEX #C88ECD

RGB 200 142 205

HSL 295.24, 0.39%, 0.68%

LAB 66.55, 32.49, -23.78

 

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

CMYK 31 / 0 / 27 / 20

HEX #8ECD95

RGB 142 205 149

HSL 126.67, 0.39%, 0.68%

LAB 77.03, -31.33, 21.64

 

CMYK 31 / 28 / 0 / 20

HEX #8E93CD

RGB 142 147 205

HSL 235.24, 0.39%, 0.68%

LAB 62.53, 11.54, -30.4

 

CMYK 0 / 31 / 3 / 20

HEX #CD8EC6

RGB 205 142 198

HSL 306.67, 0.39%, 0.68%

LAB 66.83, 32.81, -19.4

 

CMYK 0 / 2 / 30 / 19

HEX #CDC98F

RGB 205.5 201 143

HSL 55.68, 0.39%, 0.68%

LAB 80.07, -7.37, 29.61

 

CMYK 31 / 0 / 18 / 20

HEX #8ECDA8

RGB 142 205 168

HSL 144.76, 0.39%, 0.68%

LAB 77.42, -27.83, 12.08

 

CMYK 31 / 28 / 0 / 20

HEX #8E93CD

RGB 142 147 205

HSL 235.24, 0.39%, 0.68%

LAB 62.53, 11.54, -30.4

 

CMYK 0 / 31 / 13 / 20

HEX #CD8EB3

RGB 205 142 179

HSL 324.76, 0.39%, 0.68%

LAB 66.2, 29.5, -9.7

 

Description

Color code: RGB 205.5 201 143 | qconv.com Color code: RGB 205.5 201 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205.5 red, 201 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205.5 201 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 30 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 30% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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