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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205.1 237 201 it is the complementary color RGB 49.9 18 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205.1 237 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205.1 237 201 shade: RGB 210.1 237 196, RGB 227.1 255 215, RGB 244.1 255 234, RGB 255 255 253 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205.1 237 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205.1 237 201 shade: RGB 205.1 237 201, RGB 188.1 219 182, RGB 171.1 201 163, RGB 154.1 183 144 and RGB 137.1 165 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205.1 237 201 shade: RGB 206 237 201, RGB 215 237 201, RGB 225 237 201, RGB 234 237 201 and RGB 237 230 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205.1 237 201 shade: RGB 206 237 201, RGB 201 237 207, RGB 201 237 217, RGB 201 237 226 and RGB 201 237 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205.1 237 201 shade matches the following richer shades: RGB 206 237 201, RGB 201 243 196, RGB 197 249 190 and RGB 192 254 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205.1 237 201 shade: RGB 206 237 201, RGB 210 231 207, RGB 214 226 213, RGB 219 220 219 and RGB 223 214 225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205.1 237 201 shade: RGB 225 237 201, RGB 215 237 201, RGB 206 237 201, RGB 201 237 207 and RGB 201 237 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205.1 237 201 shade: RGB 148 217 140, RGB 177 227 171, RGB 206 237 201, RGB 234 247 232 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205.1 237 201 shade: RGB 205.1 237 201, RGB 201 234 237 and RGB 237 201 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205.1 237 201 shade: RGB 205.1 237 201, RGB 201 206 237 and RGB 237 201 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205.1 237 201 shade: RGB 205.1 237 201, RGB 201 234 237, RGB 233 201 237 and RGB 237 204 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205.1 237 201 shade: RGB 205.1 237 201, RGB 201 223 237, RGB 233 201 237 and RGB 237 215 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

Complementary color

CMYK 8 / 67 / 0 / 79

HEX #311236

RGB 49.9 18 54

HSL 293.17, 0.5%, 0.14%

LAB 11.79, 22.56, -16.52

 

CMYK 11 / 0 / 17 / 7

HEX #D2EDC4

RGB 210.1 237 196

HSL 99.37, 0.53%, 0.85%

LAB 90.9, -16.12, 16.95

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD7

RGB 227.1 255 215

HSL 101.85, 1%, 0.92%

LAB 97.14, -16.09, 16.11

 

CMYK 4 / 0 / 8 / 0

HEX #F4FFEA

RGB 244.1 255 234

HSL 91.14, 1%, 0.96%

LAB 98.71, -7.22, 8.79

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

CMYK 14 / 0 / 17 / 14

HEX #BCDBB6

RGB 188.1 219 182

HSL 110.11, 0.34%, 0.79%

LAB 84.35, -17.06, 14.83

 

CMYK 15 / 0 / 19 / 21

HEX #ABC9A3

RGB 171.1 201 163

HSL 107.21, 0.26%, 0.71%

LAB 77.93, -17.15, 15.71

 

CMYK 16 / 0 / 21 / 28

HEX #9AB790

RGB 154.1 183 144

HSL 104.46, 0.21%, 0.64%

LAB 71.39, -17.24, 16.64

 

CMYK 17 / 0 / 24 / 35

HEX #89A57D

RGB 137.1 165 125

HSL 101.85, 0.18%, 0.57%

LAB 64.74, -17.35, 17.62

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 9 / 0 / 15 / 7

HEX #D7EDC9

RGB 215 237 201

HSL 96.67, 0.5%, 0.86%

LAB 91.34, -13.62, 15.02

 

CMYK 5 / 0 / 15 / 7

HEX #E1EDC9

RGB 225 237 201

HSL 80, 0.5%, 0.86%

LAB 92.04, -10.15, 16.11

 

CMYK 1 / 0 / 15 / 7

HEX #EAEDC9

RGB 234 237 201

HSL 65, 0.5%, 0.86%

LAB 92.7, -6.98, 17.13

 

CMYK 0 / 3 / 15 / 7

HEX #EDE6C9

RGB 237 230 201

HSL 48.33, 0.5%, 0.86%

LAB 91.15, -2.37, 14.98

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 15 / 0 / 13 / 7

HEX #C9EDCF

RGB 201 237 207

HSL 130, 0.5%, 0.86%

LAB 90.55, -17.31, 10.65

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDD9

RGB 201 237 217

HSL 146.67, 0.5%, 0.86%

LAB 90.78, -15.49, 5.78

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE2

RGB 201 237 226

HSL 161.67, 0.5%, 0.86%

LAB 91, -13.79, 1.41

 

CMYK 15 / 0 / 0 / 7

HEX #C9EDEC

RGB 201 237 236

HSL 178.33, 0.5%, 0.86%

LAB 91.25, -11.82, -3.44

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 17 / 0 / 19 / 5

HEX #C9F3C4

RGB 201 243 196

HSL 113.62, 0.66%, 0.86%

LAB 91.91, -22.14, 18.28

 

CMYK 21 / 0 / 24 / 2

HEX #C5F9BE

RGB 197 249 190

HSL 112.88, 0.83%, 0.86%

LAB 93.16, -27.33, 23.06

 

CMYK 24 / 0 / 28 / 0

HEX #C0FEB8

RGB 192 254 184

HSL 113.14, 0.97%, 0.86%

LAB 94.12, -32.27, 27.37

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 9 / 0 / 10 / 9

HEX #D2E7CF

RGB 210 231 207

HSL 112.5, 0.33%, 0.86%

LAB 89.56, -11.31, 9.32

 

CMYK 5 / 0 / 6 / 11

HEX #D6E2D5

RGB 214 226 213

HSL 115.38, 0.18%, 0.86%

LAB 88.68, -6.37, 4.96

 

CMYK 0 / 0 / 0 / 14

HEX #DBDCDB

RGB 219 220 219

HSL 120, 0.01%, 0.86%

LAB 87.66, -0.51, 0.36

 

CMYK 1 / 5 / 0 / 12

HEX #DFD6E1

RGB 223 214 225

HSL 289.09, 0.15%, 0.86%

LAB 86.61, 5.05, -4.31

 

CMYK 5 / 0 / 15 / 7

HEX #E1EDC9

RGB 225 237 201

HSL 80, 0.5%, 0.86%

LAB 92.04, -10.15, 16.11

 

CMYK 9 / 0 / 15 / 7

HEX #D7EDC9

RGB 215 237 201

HSL 96.67, 0.5%, 0.86%

LAB 91.34, -13.62, 15.02

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 15 / 0 / 13 / 7

HEX #C9EDCF

RGB 201 237 207

HSL 130, 0.5%, 0.86%

LAB 90.55, -17.31, 10.65

 

CMYK 15 / 0 / 9 / 7

HEX #C9EDD8

RGB 201 237 216

HSL 145, 0.5%, 0.86%

LAB 90.75, -15.68, 6.27

 

CMYK 32 / 0 / 35 / 15

HEX #94D98C

RGB 148 217 140

HSL 113.77, 0.5%, 0.7%

LAB 80.64, -36.43, 31.23

 

CMYK 22 / 0 / 25 / 11

HEX #B1E3AB

RGB 177 227 171

HSL 113.57, 0.5%, 0.78%

LAB 85.62, -26.59, 22.24

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 5 / 0 / 6 / 3

HEX #EAF7E8

RGB 234 247 232

HSL 112, 0.48%, 0.94%

LAB 95.93, -6.94, 5.72

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

CMYK 15 / 1 / 0 / 7

HEX #C9EAED

RGB 201 234 237

HSL 185, 0.5%, 0.86%

LAB 90.5, -10.1, -5.07

 

CMYK 0 / 15 / 7 / 7

HEX #EDC9DC

RGB 237 201 220

HSL 328.33, 0.5%, 0.86%

LAB 84.46, 15.79, -4.7

 

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

CMYK 15 / 13 / 0 / 7

HEX #C9CEED

RGB 201 206 237

HSL 231.67, 0.5%, 0.86%

LAB 83.27, 4.44, -15.83

 

CMYK 0 / 15 / 13 / 7

HEX #EDC9CE

RGB 237 201 206

HSL 351.67, 0.5%, 0.86%

LAB 84.09, 13.47, 2.23

 

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

CMYK 15 / 1 / 0 / 7

HEX #C9EAED

RGB 201 234 237

HSL 185, 0.5%, 0.86%

LAB 90.5, -10.1, -5.07

 

CMYK 2 / 15 / 0 / 7

HEX #E9C9ED

RGB 233 201 237

HSL 293.33, 0.5%, 0.86%

LAB 84.59, 17.46, -13.59

 

CMYK 0 / 14 / 15 / 7

HEX #EDCCC9

RGB 237 204 201

HSL 5, 0.5%, 0.86%

LAB 84.69, 11.1, 5.77

 

CMYK 13 / 0 / 15 / 7

HEX #CDEDC9

RGB 205.1 237 201

HSL 113.17, 0.5%, 0.86%

LAB 90.68, -16.99, 13.99

 

CMYK 15 / 6 / 0 / 7

HEX #C9DFED

RGB 201 223 237

HSL 203.33, 0.5%, 0.86%

LAB 87.63, -4.47, -9.31

 

CMYK 2 / 15 / 0 / 7

HEX #E9C9ED

RGB 233 201 237

HSL 293.33, 0.5%, 0.86%

LAB 84.59, 17.46, -13.59

 

CMYK 0 / 9 / 15 / 7

HEX #EDD7C9

RGB 237 215 201

HSL 23.33, 0.5%, 0.86%

LAB 87.4, 5.35, 9.65

 

Description

Color code: RGB 205.1 237 201 | qconv.com Color code: RGB 205.1 237 201 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205.1 red, 237 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205.1 237 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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