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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205.1 201 106 it is the complementary color RGB 49.9 54 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205.1 201 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205.1 201 106 shade: RGB 210.1 201 101, RGB 227.1 219 120, RGB 244.1 237 139, RGB 255 255 158 and RGB 255 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205.1 201 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205.1 201 106 shade: RGB 205.1 201 106, RGB 188.1 183 87, RGB 171.1 165 68, RGB 154.1 147 49 and RGB 137.1 129 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205.1 201 106 shade: RGB 205 201 106, RGB 205 174 106, RGB 205 148 106, RGB 205 121 106 and RGB 205 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205.1 201 106 shade: RGB 205 201 106, RGB 183 205 106, RGB 156 205 106, RGB 129 205 106 and RGB 106 205 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205.1 201 106 shade matches the following richer shades: RGB 205 201 106, RGB 221 216 90, RGB 237 231 74 and RGB 254 245 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205.1 201 106 shade: RGB 205 201 106, RGB 189 186 122, RGB 173 172 138, RGB 157 157 154 and RGB 141 142 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205.1 201 106 shade: RGB 205 147 106, RGB 205 174 106, RGB 205 200 106, RGB 184 205 106 and RGB 157 205 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205.1 201 106 shade: RGB 171 167 57, RGB 195 190 75, RGB 205 201 106, RGB 216 212 137 and RGB 226 223 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205.1 201 106 shade: RGB 205.1 201 106, RGB 106 205 121 and RGB 161 106 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205.1 201 106 shade: RGB 205.1 201 106, RGB 106 205 200 and RGB 200 106 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205.1 201 106 shade: RGB 205.1 201 106, RGB 106 205 121, RGB 106 111 205 and RGB 205 106 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205.1 201 106 shade: RGB 205.1 201 106, RGB 106 205 151, RGB 106 111 205 and RGB 205 106 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

Complementary color

CMYK 67 / 64 / 0 / 42

HEX #313695

RGB 49.9 54 149

HSL 237.52, 0.5%, 0.39%

LAB 28.07, 29.66, -52.8

 

CMYK 0 / 4 / 52 / 18

HEX #D2C965

RGB 210.1 201 101

HSL 55, 0.55%, 0.61%

LAB 79.86, -9.98, 50.5

 

CMYK 0 / 4 / 47 / 11

HEX #E3DB78

RGB 227.1 219 120

HSL 55.46, 0.66%, 0.68%

LAB 86.19, -10.53, 49.34

 

CMYK 0 / 3 / 43 / 4

HEX #F4ED8B

RGB 244.1 237 139

HSL 55.95, 0.83%, 0.75%

LAB 92.43, -10.99, 48.17

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

CMYK 0 / 3 / 54 / 26

HEX #BCB757

RGB 188.1 183 87

HSL 56.97, 0.43%, 0.54%

LAB 73.06, -11.02, 48.73

 

CMYK 0 / 4 / 60 / 33

HEX #ABA544

RGB 171.1 165 68

HSL 56.45, 0.43%, 0.47%

LAB 66.52, -10.34, 49.79

 

CMYK 0 / 5 / 68 / 40

HEX #9A9331

RGB 154.1 147 49

HSL 55.95, 0.52%, 0.4%

LAB 59.86, -9.5, 50.59

 

CMYK 0 / 6 / 78 / 46

HEX #89811E

RGB 137.1 129 30

HSL 55.46, 0.64%, 0.33%

LAB 53.08, -8.43, 50.82

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 0 / 15 / 48 / 20

HEX #CDAE6A

RGB 205 174 106

HSL 41.21, 0.5%, 0.61%

LAB 72.42, 2.45, 38.91

 

CMYK 0 / 28 / 48 / 20

HEX #CD946A

RGB 205 148 106

HSL 25.45, 0.5%, 0.61%

LAB 65.9, 16.5, 30.63

 

CMYK 0 / 41 / 48 / 20

HEX #CD796A

RGB 205 121 106

HSL 9.09, 0.5%, 0.61%

LAB 59.61, 31.15, 22.34

 

CMYK 0 / 48 / 48 / 20

HEX #CD6A6A

RGB 205 106 106

HSL 0, 0.5%, 0.61%

LAB 56.41, 39.05, 18.02

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 11 / 0 / 48 / 20

HEX #B7CD6A

RGB 183 205 106

HSL 73.33, 0.5%, 0.61%

LAB 78.91, -22.41, 46.47

 

CMYK 24 / 0 / 48 / 20

HEX #9CCD6A

RGB 156 205 106

HSL 89.7, 0.5%, 0.61%

LAB 77.14, -32.68, 43.92

 

CMYK 37 / 0 / 48 / 20

HEX #81CD6A

RGB 129 205 106

HSL 106.06, 0.5%, 0.61%

LAB 75.68, -42.04, 41.79

 

CMYK 48 / 0 / 46 / 20

HEX #6ACD6E

RGB 106 205 110

HSL 122.42, 0.5%, 0.61%

LAB 74.73, -48.44, 38.41

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 0 / 2 / 59 / 13

HEX #DDD85A

RGB 221 216 90

HSL 57.71, 0.66%, 0.61%

LAB 84.6, -13.9, 61.1

 

CMYK 0 / 3 / 69 / 7

HEX #EDE74A

RGB 237 231 74

HSL 57.79, 0.82%, 0.61%

LAB 89.7, -15.67, 73.15

 

CMYK 0 / 4 / 77 / 0

HEX #FEF53A

RGB 254 245 58

HSL 57.24, 0.99%, 0.61%

LAB 94.6, -16.16, 83.38

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 0 / 2 / 35 / 26

HEX #BDBA7A

RGB 189 186 122

HSL 57.31, 0.34%, 0.61%

LAB 74.41, -8.68, 32.87

 

CMYK 0 / 1 / 20 / 32

HEX #ADAC8A

RGB 173 172 138

HSL 58.29, 0.18%, 0.61%

LAB 69.63, -5.42, 17.67

 

CMYK 0 / 0 / 2 / 38

HEX #9D9D9A

RGB 157 157 154

HSL 60, 0.02%, 0.61%

LAB 64.66, -0.57, 1.56

 

CMYK 17 / 16 / 0 / 33

HEX #8D8EAA

RGB 141 142 170

HSL 237.93, 0.15%, 0.61%

LAB 59.81, 5.59, -14.82

 

CMYK 0 / 28 / 48 / 20

HEX #CD936A

RGB 205 147 106

HSL 24.85, 0.5%, 0.61%

LAB 65.66, 17.04, 30.31

 

CMYK 0 / 15 / 48 / 20

HEX #CDAE6A

RGB 205 174 106

HSL 41.21, 0.5%, 0.61%

LAB 72.42, 2.45, 38.91

 

CMYK 0 / 2 / 48 / 20

HEX #CDC86A

RGB 205 200 106

HSL 56.97, 0.5%, 0.61%

LAB 79.23, -11.11, 47.25

 

CMYK 10 / 0 / 48 / 20

HEX #B8CD6A

RGB 184 205 106

HSL 72.73, 0.5%, 0.61%

LAB 78.98, -22.02, 46.57

 

CMYK 23 / 0 / 48 / 20

HEX #9DCD6A

RGB 157 205 106

HSL 89.09, 0.5%, 0.61%

LAB 77.2, -32.31, 44

 

CMYK 0 / 2 / 67 / 33

HEX #ABA739

RGB 171 167 57

HSL 57.89, 0.5%, 0.45%

LAB 66.97, -12.15, 55.03

 

CMYK 0 / 3 / 62 / 24

HEX #C3BE4B

RGB 195 190 75

HSL 57.5, 0.5%, 0.53%

LAB 75.41, -12.61, 56.95

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205 201 106

HSL 57.58, 0.5%, 0.61%

LAB 79.5, -11.62, 47.57

 

CMYK 0 / 2 / 37 / 15

HEX #D8D489

RGB 216 212 137

HSL 56.96, 0.5%, 0.69%

LAB 83.7, -9.64, 37.62

 

CMYK 0 / 1 / 26 / 11

HEX #E2DFA8

RGB 226 223 168

HSL 56.9, 0.5%, 0.77%

LAB 87.86, -7.56, 27.4

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

CMYK 48 / 0 / 41 / 20

HEX #6ACD79

RGB 106 205 121

HSL 129.09, 0.5%, 0.61%

LAB 74.89, -46.77, 33.06

 

CMYK 21 / 48 / 0 / 20

HEX #A16ACD

RGB 161 106 205

HSL 273.33, 0.5%, 0.61%

LAB 54.34, 40.52, -43.09

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

CMYK 48 / 0 / 2 / 20

HEX #6ACDC8

RGB 106 205 200

HSL 176.97, 0.5%, 0.61%

LAB 76.62, -30.22, -6.49

 

CMYK 2 / 48 / 0 / 20

HEX #C86ACD

RGB 200 106 205

HSL 296.97, 0.5%, 0.61%

LAB 58.97, 51.53, -35.49

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

CMYK 48 / 0 / 41 / 20

HEX #6ACD79

RGB 106 205 121

HSL 129.09, 0.5%, 0.61%

LAB 74.89, -46.77, 33.06

 

CMYK 48 / 46 / 0 / 20

HEX #6A6FCD

RGB 106 111 205

HSL 236.97, 0.5%, 0.61%

LAB 50.5, 23.34, -49.5

 

CMYK 0 / 48 / 7 / 20

HEX #CD6ABE

RGB 205 106 190

HSL 309.09, 0.5%, 0.61%

LAB 58.98, 50.34, -26.9

 

CMYK 0 / 2 / 48 / 20

HEX #CDC96A

RGB 205.1 201 106

HSL 57.52, 0.5%, 0.61%

LAB 79.5, -11.58, 47.59

 

CMYK 48 / 0 / 26 / 20

HEX #6ACD97

RGB 106 205 151

HSL 147.27, 0.5%, 0.61%

LAB 75.43, -41.38, 18.11

 

CMYK 48 / 46 / 0 / 20

HEX #6A6FCD

RGB 106 111 205

HSL 236.97, 0.5%, 0.61%

LAB 50.5, 23.34, -49.5

 

CMYK 0 / 48 / 21 / 20

HEX #CD6AA1

RGB 205 106 161

HSL 326.67, 0.5%, 0.61%

LAB 57.9, 45.75, -11.86

 

Description

Color code: RGB 205.1 201 106 | qconv.com Color code: RGB 205.1 201 106 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205.1 red, 201 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205.1 201 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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